bob综合体育投注采用百度引擎2（Baidu 3）It’s one of the most iconic video games of all time, and now Mortal Kombat returns with an all-new live-action film featuring many of your favorite characters from the game duking it out in bloody, badass battles. Rotten Tomatoes correspondent Naz Perez caught up with the entire ensemble cast of the highly anticipated action film to talk about bringing these characters to life in the modern era. Among the cast who spoke to us: Joe Taslim (Sub-Zero), Ludi Lin (Liu Kang), Max Huang (Kung Lao), Josh Lawson (Kano), Jessica McNamee (Sonya Blade), Lewis Tan (Cole Young), Mehcad Brooks (Jax), and director Simon McQuoid. From the ancient martial arts that appear in some of the fights to the ways improv was used to balance the drama with some humor, the cast break down just how physically demanding it was to film. Also: Why is there a “K” in the title “Mortal Kombat” instead of a “C”? We asked! Plus: Find out everyone’s favorite character to play in the game! Their answers may surprise you…Mortal Kombat is in theaters and on HBO Max from Friday April 23, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.
手游上线一个月的酝酿，各大直播、游戏平台合作赛的举办，S11总决赛及英雄联盟动画剧集的热浪等等赛事活动、新闻宣传，相信会为《英雄联盟手游》玩家扎根、竞技风靡推波助澜。 Horror has a way of making an unlit hallway look like a trek through hell, inducing heart attacks though jumping cats, and transforming everyday tools like chainsaws and double-barrel shotguns into instruments of doom. The marketing and posters for Us suggests that Jordan Peele s new horror flick will do for golden scissors what Get Out did for tea cups, which also happens to be one of selections for the 25 most iconic props from horror movie history! Read on to get your fill of creaky carriages, demonic dolls, and bloody blades. Television A TV set kidnaps Carol Anne using its ghastly analog claws in Poltergeist, turning this suburban accoutrement into the Freeling family s worst nightmare. Baby Carriage From Battleship Potemkin to It s Alive, baby carriages have been ominous cinematic objects and Rosemary s Baby is no exception. The Chainsaw Thanks to Texas Chainsaw Massacre, this gentle gardening tool is now perceived as an icon of inbred, face-chugging horror. Cricket Bat Take this athletic instrument, liberally apply zombie apocalypse, and voila: Shaun of the Dead has discovered an entertaining purpose for the cricket bat. Video Camera Michael Powell s controversial, now influential Peeping Tom uses the video camera to tantalize viewers towards death, a conceit nowadays seen in found footage flicks and Paranormal Activity-type surveillance horror. Ouija Board The Ouija board and its alphabet of evil has a key moment in The Exorcist, and integral to the late 80s/early 90s Witchboard movies and box office hit, Ouija. Michael Myers Mask Take the expression out of a dime-store William Shatner mask, and you get this enduring Halloween icon. Put the expression back into Shatner and maybe we ll get another TekWar book. Sunglasses In They Live, undocumented aliens infiltrate America and only this pair of shades can let you see who s truly human. Jigsaw The Saw mannequin doll comes with his own creaky tricycle, which will cost you an arm and a leg. Videotape The dead format keeps coming back to haunt us, like the tape of torment in The Ring series and the V/H/S/ anthologies. Lemarchand s Box Blood, guts, and chains splatter all over in Hellraiser, but it s the infinite horror suggested within Pinhead s box that keeps us up all night. Silver Shamrock Masks The Halloween movie not to involve Michael Myers, Season of the Witch, revolved around holiday pumpkin masks of sinister origin. Easy to put on, real hard to take off. Scream Mask This agonized mask from Scream has been numerously parodied (not including the sequels), and yet luxurious black robes worn in public remain unacceptable. Hockey Mask Jason Voorhees proved meatheads and hockey equipment go well together when, in Friday the 13th 3D, he put on the hockey mask, making slasher flick history in the process. The Necronomicon The Necronomicon is in the Evil Dead series and Jason Goes to Hell: The Final Friday, once more proving books as the downfall to mankind. Red Raincoat Dead girl in a red raincoat haunts Don t Look Now from beginning to end, an iconic image later referenced in Casino Royale s Venice foot chase. Stick Figures According to the original Evil Dead and The Blair Witch Project, beware of twigs. Cursed Button A gypsy hag, spurned and humiliated by Drag Me to Hell s Alison Lohman, transforms a benign button into a one-way ticket to the underworld. Business Cards Business becomes more than business when the cards get involved; in American Psycho, they expose the real Patrick Bateman lurking beneath the designer suits. Freddy s Claws As if protruding claws out of a glove weren t scary enough. Hannibal s Mask The Silence of the Lambs patients mask covers up the face, forcing the viewer deep into the gaze of Hannibal. Annabelle Not even a full season of Pawn Brokers could contain the wrath of The Conjuring/Annabelle s possessed doll. The Boomstick Bruce Campbell is a bad enough dude to return to the present day with the assistance of his trusty sawed-off shotgun in the time-travelling Army of Darkness. Chucky DollBefore realistic violent video games and internet memes, kids had less options for entertainment, and resorted to inviting these creepy dolls into their homes. And if these toys just happened to be haunted by the spirits of sadistic serial killers? Those were just the risks people had to take back then. Tea cupAs seen in Get Out, with its ability to transport you into new worlds of flavor (or, say, an inescapable abyss of the interior), chamomile has never been so potent.
玩家期待已久的《英雄联盟》手游在10月8日早上10点如期上线，提前一天公布这一消息后，得知LOL手游开启不限号不删档测试的玩家可谓兴奋不已。作为端游市场称霸十年的现象级Moba网游，英雄联盟自国服上线以来迅速风靡，并且也是全球范围内热度最高的PC游戏之一。bob综合体育投注Gamble stressed that it wasn’t that Lifetime didn’t do right by You, but rather that times and viewer habits were changing in a way that gives streaming platforms a huge amount of influence.“It didn t feel like we were being snubbed, it just felt like we were on a cable network during this strange time where technology shifts how viewers, especially younger ones, consume content,” she said.You’s sophomore season will premiere on Netflix as a newly minted Netflix original (although the first season aired as an original on Netflix outside of the U.S., as is fairly common with international licensing deals). It’s hardly the first time that streaming has given a traditionally televised show a new lease on life, but a show doesn’t need to be saved from cancellation and reborn as a streaming original to enjoy the benefits of streaming.“Netflix gave the first season of The Magicians a big bump, and as a viewer, there are shows I caught up with [on Netflix] a couple of seasons in,” says Gamble, who also is executive producer, co-showrunner, and co-creator with John McNamara for the Syfy series, which recently saw its fourth season Certified Fresh at 100% on the Tomatometer (a rare achievement).The series actors report that they notice the bump offline in real life. I noticed we were getting more viewership last year when I would just be walking down the street, because people would start looking at me, and I d be like, OK— Summer Bishil, who plays Margo in the series, told Rotten Tomatoes during a set visit in the fall. I ve been working since I was like 17, and I ve never been recognized or anything like that But I m like, OK, I ve either become a supermodel overnight, or people are watching The Magicians. Bishil s costar Trevor Einhorn, who plays Josh, said the streaming effect is a strong reflection of the kind of fan who likes The Magicians style of fantasy television: It s a different age of watching TV, as we all know, and it s not so much about the water-cooler conversation of, Did you watch last night? The power of being able to stream something — whether it s on Syfy.com, or when it comes out on Netflix, or any of the different platforms — it creates this elongated fandom, which I think is great because the momentum doesn t really stop. Netflix calls the bump “The Netflix Effect,” a spokesperson told Rotten Tomatoes. The phenomenon, however, is not exclusive to Netflix, of course. It makes sense that a streaming service could bring new eyeballs to a show, since Netflix, Hulu, and Amazon’s algorithms are very good at showing audiences what they might enjoy (and might’ve missed during its initial airing). Netflix especially is so ubiquitous that it acts as a home page of sorts for many viewers, especially those without traditional TVs or cable. If Netflix prominently suggests a recently licensed show on the landing page, magnitudes more people will see it and consider hitting play compared to normal TV, where viewers need to actively seek out a show to watch it live.Netflix declined to elaborate on how widespread the bump is aside from providing data about You’s landmark success.(Photo by Bravo)Hulu has noticed a similar bump, with a representative from the streamer’s content acquisitions team telling Rotten Tomatoes that they have noticed licensed shows build momentum on Hulu. The representative also identified what they supposed could be called “The Hulu Effect”: Since episodes of many currently airing shows are added to Hulu’s library a day after they first air, Hulu has noted that viewers will use the site as a resource to get caught up while a season is still ongoing. Netflix, meanwhile, only adds completed seasons to its streaming library.With the exception of You, neither Hulu nor Netflix offered specific data about exactly how big any streaming second-life bump was. Netflix in particular is a black box when it comes to releasing viewership numbers, and other industry professionals tend to take the streamer’s vague boasts with a grain of salt. As a rough proxy for this data, though, we can look at the percent increase in page views for a show’s Rotten Tomatoes page during its initial run compared to its streaming release. In most cases, it’s a noticeable increase, suggesting that many more people are looking up a show once it’s streaming. Presumably, more are watching as well.
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5. HD 画质与高品质音讯
tt Collection)Another reason Farley works so well as a lead here? Spade, the cynical ying to Farley’s trusting, airheaded yang. The pair fits nicely in a long line of comedy duos, both classic (Laurel and Hardy stand out, not only because of the disparity in body sizes) and more modern (Jake and Elwood in The Blues Brothers, John Candy and Steve Martin in Planes, Trains Automobiles). Tommy Boy lifts from that latter movie’s playbook, actually: There’s the never-ending road trip with polar opposites and the destruction of their car (complete with a double take when it’s demolished). There seemed to be more than a bit of life-imitating-art going on as well. (Or was it viceversa?) As one of the film’s writers put it in a making-of doc, the two were a sort of IRL Odd Couple, with Spade often throwing sarcastic jabs at Farley, promoting immediate bursts of laughter, when the cameras weren’t rolling.IT S ENDLESSLY QUOTABLEMany of the moments that land in Tommy Boy come from that same off-the-cuff, we’d-be-joking-with-each-other-regardless spirit. Take this exchange, a version of which was allegedly overheard between Spade and Farley and then added to the script: Hey, does this suit make me look fat? No, no, no. Your face does. Perhaps the movie’s most memorable scene, too, came from someone on set noticing that, after shooting the fat guy in a little coat bit, Farley started singing the dialogue. They thought it was so funny they decided to reshoot it, and it’s hard to imagine it working nearly as well without Farley’s sing-songy delivery. There are too many good quotes from Farley to list here — besides, many of them have been recited ad nauseum in college dorm rooms over the last two-plus decades — but let’s spotlight these doozies: “Brothers don’t shake hands. Brothers gotta hug,” and “John Hancock It’s Herbie Hancock.”DAN AYKROYD CRANKS IT UP TO 11(Photo by ©Paramount Pictures)A few of the minor characters fall flat in this movie — as Tommy’s new stepmom, Bo Derek was even nominated for a Razzie Award for Worst Supporting Actress — but one in particular is memorable above all the others. As auto magnate Ray Zalinsky, Dan Aykroyd leans on his stereotype-on-steroids Chicago accent as he says lines like,““I make car parts for the American working man, because that’s what I am, and that’s who I care about.” Ostensibly one of the villains of the film, Zalinsky is part Bass-O-Matic motor-mouthed salesman, with every spat-out pronouncement delivered with such a punch that it makes his turn as Elwood in The Blues Brothers look subtle in comparison. It’s ridiculous — and a joy to watch.FARLEY S SWEETNESS IS ON DISPLAY(Photo by ©Paramount Pictures courtesy Everett Collection)If Tommy was just an imbecile running into things — and, to be fair, that might be his defining characteristic — it wouldn t give one much reason to watch this movie, let alone return to it. But there’s a lot of love in Farley’s take on a spoiled know-nothing. He wants everybody to like each other and get along, and even the few moments that touch on loss oddly ring true in Farley’s hands. It’s the same trick he pulled off so brilliantly on SNL’s The Chris Farley Show, the ability to end a flubbed interview with Paul McCartney with an “aww”-inducing moment of connection. We may never know what other moments like that he had in him, but at least we have films like Tommy Boy to remind us what he was capable of.Where You Can Watch It NowAmazon (rent/own), FandangoNOW (rent/own), Google (rent/own), iTunes (rent/own), Vudu (rent/own)Tommy Boy was released on March 31, 1995.
The latest movies, new original series, and other new releases coming to Disney s streaming service this month include a healthy mix of family content that s sure to appeal to viewers of all ages, from animated classics like Tarzan and Schoolhouse Rock! to nature series like Howie Mandel s Animals Doing Things to continuing episodes of the behind-the-scenes docuseries Disney Gallery: Star Wars: The Mandalorian.Plus, there s also 2010 s Percy Jackson the Olympians: The Lightning Thief and the live-action remake of 101 Dalmatians, and last but certainly not least, the world premiere of Artemis Fowl, which makes its way to Disney+ in lieu of a previously scheduled theatrical release.Read on for the full list of titles, starting with a few recommendations to look out for at the top.HIGHLIGHTS
With Sung Kang’s highly anticipated return to one of the world’s biggest franchises in F9, Fast and Furious fans may finally be getting #JusticeForHan. But what does the man who plays Fast favorite Han think of the fan campaign to bring him back and make things right? And how did he go about shaping the mysterious snack-happy drift king into one of the most beloved characters in one of Hollywood’s most beloved film series? We sat down with Kang to dig into just that.Recommended: Rotten Tomatoes Is Wrong About Tokyo Drift (podcast episode)In this exclusive and extended breakdown of Han’s journey in the films, Kang reveals how he worked with director Justin Lin to bring a standout character from Lin’s indie hit, Better Luck Tomorrow, into the Fast world; how the duo had to convince the studio it was the right move to make Han a bigger player in Tokyo Drift; what it means to play an Asian-American character that has inspired so many fans; and, yes, why Han snacks so damn much. Plus, Kang reflects on the #JusticeForHan campaign and the fans that revved it up, and the moment he realized that the impact of this character “is way bigger than me.”F9 is in theaters Friday June 25, 2021. On an Apple device? Follow Rotten Tomatoes on Apple News. 不像端游玩家费老大劲一个月才能攒出买一个英雄的精粹，只要完成活动任务，《英雄联盟手游》的新玩家们在活动期间可以‘白嫖’到至少12个英雄、5个皮肤以及经验加成卡、英雄/皮肤体验卡与魄罗能量卡（用于抽奖）等众多游戏道具。
With this week’s news that Broadway will remain shuttered through the year, Disney’s presentation of Lin-Manuel Miranda s Hamilton couldn’t be more essential. The filmed version of the stage show, documented from a few performances by the mostly original cast in 2016, arrives on Disney+ this Fourth of July weekend, allowing fans and newbies alike a chance to see the musical phenomenon in the comfort of their own homes. Of course, critics are happy to recommend this next best thing to the live production, whether they’d seen it before or are finally getting a first taste themselves. Some are even saying this is the film we need right now.Here’s what critics are saying about Hamilton:Does the film do the live show justice?Hamilton on streaming… reveals once again the brilliance at its core — and confirms it as foundational myth worth treasuring time and time again. Angie Han, Mashable[It] captures the widely-beloved show’s infectious vigor and electrical charge, spinning it into a renewed powerful, affecting, and immersive experience. Courtney Howard, Fresh FictionThe filmed version of the Broadway sensation makes for immersive, exhilarating, magnificent cinema. Richard Roeper, Chicago Sun-Times[It] is the greatest translation, democratization and preservation of any Broadway show, ever. Chris Jones, Chicago TribuneThe film adaptation is a marvelous and welcome addition to the show s legacy in spite of a few imperfections. Linda Holmes, NPRHamilton is as monumental a thing as ever. David Ehrlich, IndieWire(Photo by ©Disney+)How is it for those who have seen the show before?Absolutely, positively, there is new insight and new excitement here for people who already know that they love this show. Linda Holmes, NPRExperiencing the complete production on film for the first time, I was affected by parts of it more piercingly than ever before. David Rooney, Hollywood ReporterHamilton‘s biggest show-stopping numbers are just as impactful on the small screen. Brent Hankins, The Lamplight ReviewFor those who have seen the show live, the biggest added value here is the expanded revelation of the vulnerability displayed by the actors. Chris Jones, Chicago TribuneDoes it live up to the hype for the first-timers?Against all odds, lives up to its hype. Breaking news, I know. But… I’d convinced myself that Hamilton couldn’t be nearly as good as the rest of the world was proclaiming. Sean O Connell, CinemaBlendFor those of us who have never seen the stage show… it’s a particular pleasure to be figuratively ushered into the live Richard Rodgers Theater audience. Justin Chang, Los Angeles TimesFor those who do get to experience Hamilton for the first time with the original cast, you really couldn’t have a better experience. Danielle Solzman, Solzy at the MoviesThe lone time I – as a newbie – felt ever so slightly removed from this live show’s fanfare is when the die-hards in the audience audibly chuckle at King George III’s first appearance. Courtney Howard, Fresh Fiction(Photo by ©Disney+)Which performances stand out most in this version?Audiences seeing this cast for the first time will be bowled over by the depth of the performances, notably so with Leslie Odom Jr. as Aaron Burr. David Rooney, Hollywood ReporterIt’s Leslie Odom Jr., who plays the antagonist Aaron Burr, who emerges as the great emotional force of the film. Chris Jones, Chicago TribuneArguably its most humane, deeply felt performance is by Leslie Odom, Jr. playing Aaron Burr. Linda Holmes, NPRDaveed Diggs shines while pulling double-duty as both Marquis de Lafayette and Thomas Jefferson. Danielle Solzman, Solzy at the MoviesPhillipa Soo and Renée Elise Goldsberry are superb as the Schuyler sisters. Thom Geier, The WrapHow does the filmed format affect the experience?There’s more gained by harnessing the intimate undercurrents of these numbers with close-ups and medium shots. Courtney Howard, Fresh FictionDue to the abundance of long shots and smooth cutting, the intermittent closeups are all the more striking in their intimacy. And sometimes their comedy. Justin Chang, Los Angeles TimesBetter than a front-row seat, Kail’s film is just cinematic enough to amplify and accentuate the show’s emotional undertow without messing with the carefulness of its stage direction. David Ehrlich, IndieWire[It] emphasizes the individual performances, albeit sometimes at the expense of the show s staging and choreography… Still, it s an effective way to capture the show s emotions, if not its sweep. Angie Han, MashableThe camera that’s necessary for a Hamilton movie limits what you can look at We’re controlled by director Thomas Kail’s eye. Sean O Connell, CinemaBlend(Photo by ©Disney+)Could this actually be better than seeing it live?The film also has the advantage of showcasing the stage