环球体育网站地址

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环球体育网站地址采用百度引擎2(Baidu 2)It’s an all-out B-movie star brawl in the latest edition of Vs., as Nic Cage and John Travolta come together for the ultimate face off! The two actors’ choice to appear in John Woo’s Certified Fresh face-swapping action classic Face/Off feels prescient when you look at the trajectory of their careers: Both have been the biggest movie stars on the planet at one stage; both tore through the ’90s in blockbuster action flicks that people still love to this day; both have had various celebrated comebacks; and both have danced with the Rottenest end of the Tomatometer on multiple occasions. But that was then, and this is now – a time when the words Cage and Travolta on a film poster may not exactly have you refreshing your awards-season picks. Who is the true king of the direct-to-streaming domain? We’re pitting Cage and Travolta against each other by Tomatometer, box office, versatility, and more to see who is our favorite over-the-top movie icon.As ever, if you don t agree with our choice of winner let us have it in the comments.Nicolas Cage s latest film, Color Out of Space, is available now digitally. John Travolta s latest film, The Fanatic, is also available on digital.

1. 环球体育网站地址
在抖音的游戏发起人计划小程序中,游戏热度最高的基本都是休闲小游戏。热度最高的《疯狂潮鞋》是海外引进的休闲手游,目前不少海外手游也开始热衷于在中国买量,瞄准了庞大的休闲手游市场。 In the new Disney+ fantasy film Godmothered, Isla Fisher plays a busy Boston single mom who faces a major life hiccup in the form of aspiring fairy godmother Eleanor, played by Jillian Bell, who just wants to help but can’t help getting in the way. Ahead of the movie’s release, just in time for the holidays, the acclaimed comic actresses sat down with Rotten Tomatoes to face their critics in a round Name the Review. Will they know which movies from their laugh-filled careers are being referenced when RT’s Naz Perez reads snippets from Fresh and Rotten reviews? Watch the video above and play along.Godmothered is now available on Disney+.On an Apple device? Follow Rotten Tomatoes on Apple News.
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
The news that Patrick Stewart had, after 19 years, agreed to return to the character of Jean-Luc Picard, the Star Trek role that made him a global celebrity, sparked loads of excitement among the fanbase. As the 79-year-old actor explained, the decision to head back into the universe that Gene Roddenberry created, relied on the caveat that Picard would boldly go where no Star Trek series has gone before. I don t mean to give any offense to anyone, but I struggled a little bit with this issue, Stewart told select members of the press at the official junket for Star Trek: Picard. I was so obsessed with this idea that we must leave The Next Generation behind, that we must pull the curtain down on that and explore new things. In the latest Star Trek series on CBS All Access, a strong ensemble of Star Trek newcomers join Stewart; Isa Briones plays the mysterious Dahj, Michelle Hurd appears as former Starfleet Officer Raffi Musiker, Alison Pill plays Dr. Agnes Jurati, and Santiago Cabrera takes on the role of hot-headed pilot, Chris Rios. It is not the same world when we wrapped The Next Generation, Stewart continued. And I argued that I wanted that change and that world to be reflected insofar as it affected Jean-Luc and what had happened to him. The backstory of those 19 years is very, very important. But the great thing about it is — and I wasn t prepared for this — I discovered I also lived through those 19 years; Patrick had lived through them. And I had changed. I m different. I feel differently about the world that I m living in, and in subtle ways. (Photo by Matt Kennedy/CBS)As Star Trek fans know, there are multiple timelines that exist within this cinematic universe. That can add continuity confusion, depending on a viewer s expectations with Star Trek: Picard. Showrunner Alex Kurtzman explained that the Romulan supernova that impacted the events of J.J. Abrams 2009 movie, which sparked a new timeline and universe separate from the original Star Trek series — this event is also referenced in Picard — is the catalyst for the vastly different timelines that exist across the Star Trek universe. That s a lot to take in for new viewers, but the return of Stewart in his iconic role will most likely be a huge draw for people to tune in. Through all the strife Picard has been dealt since we last saw him, he s still the highly-revered Starfleet admiral fans have grown to love and respect. We live in a continuity of a timeline, Kurtzman said. There s emotional experiences that have certainly informed the show, but [Patrick Stewart] did not want to just play the part he had played in the same way. And I think you ll find, as you go on that, fundamentally, Picard, as a character, has not changed. He s not the dark angry version of Picard. He s still very much the man you know from Next Generation. But the circumstances of his life have changed radically and threw him off course. And so he s really wrestling with who he is now and what it means to be Picard in a world where not only does he not have an army, but things are very, very gray. How do you hold on to your clear moral compass in a world that s very gray? There is no greater captain in my mind for that challenge than Picard. (Photo by James Dimmock/CBS)According to series co-creator Michael Chabon, one of the themes Star Trek: Picard explores is the it s never too late concept of age and retrospection. This, according to Chabon, is something mostly unseen in the Star Trek universe. What we haven t ever had before, not just on Star Trek, but on almost any television show ever, and certainly any kind of serious dramatic television show is a central protagonist — a hero — who is effectively 80-years-old. Patrick was 78 when we started, he is 79 now. Jean-Luc Picard, in canon, is about 92. To have a person at that point in his life, reckoning with that question of: What does it mean to be a man, a human, a captain, a leader? And now he s an old man and he s still trying to answer that question, just like Star Trek is always trying to answer that question, but he s answering it in a different way than he did before. (Photo by James Dimmock/CBS)Discovery ended up being the first series in the Star Trek television universe that strayed from the narrative formula of exploring a different mission on-board a starship in every episode. Star Trek: Picard takes that storytelling baton and runs with it. Not only does much of the program take place on Earth, the series, which Kurtzman identifies as the first true adult drama in the world of Star Trek, hones its focus on the characters in the world and not just that of Jean-Luc Picard. Uniquely, that s a kind of storytelling which I don t think has been done much, period. Much less, in Star Trek, executive producer Akiva Goldsman added. So we re super delighted by that prospect because, as storytellers, it gets us to do the narrative hours in a way that s different and complicated. Relationships get to change and move, and you get to show one thing and then reverse it up. (Photo by James Dimmock/CBS)As much as the team was able to switch things up and delve into a more character-driven storyline, essentially creating a 10-hour movie, in the process, Goldsman asserted that Star Trek: Picard was made for both the die-hard Trek fans and newbies alike. We re trying to be able to deliver emotion and information and philosophy and character in a way that is engaging because you re watching it, Goldsman said. And if you know everything about it, you re like, Well, that was cool. And if you know nothing about it, you re like, Well, that was cool. And it might be cool, differently. It may have more color, or more revelation, depending on where you live in that spectrum of audience. But we really, really wanted to be welcoming of a listener s heart. Because that s part of the story we re trying to tell. Chabon agreed: We were absolutely committed to the idea that we wanted to make a show that, if you ve never seen Star Trek — if you re not sure what Star Trek really is even all about and you think you don t like Star Trek because what you ve seen before hasn t really grabbed you — or if you re a total novice, you will be able to sit down and still watch the show and enjoy it. (Photo by James Dimmock/CBS)Of course, having Patrick Stewart involved helps. The familiarity of fans to the actor, whose cinematic repertoire blossomed greatly after leaving the world of Star Trek behind, will surely help bring newbies into the fold. And, against his previous wishes, Stewart eventually warmed up to the notion of bringing some Next Generation characters and storylines back for another go in Picard. I was involved in meetings I d never been involved in as an actor before, Stewart, who had the added responsibility of co-executive producer on the series, explained. I could contribute. And I began, increasingly, to feel my colleagues from Next Generation, we need to see them. They, too, can reflect how the times have changed. I think it was the right thing to do. And I hope, with time, we are able to see more. To keep track, four familiar faces will be joining Jean-Luc Picard on this new adventure. Brent Spiner is reprising his role as android Commander Data. Marina Sirtis is returning, alongside Jonathan Frakes — who, once again, steps behind the camera to direct — as Deanna Troi and William Riker, respectively. Star Trek: Voyager s Jeri Ryan and Star Trek: The Next Generation s Jonathan Del Arco will be bringing their beloved Borg characters, Seven of Nine and Hugh, to this new tale, as well.(Photo by James Dimmock/CBS)Thematically, Star Trek has always operated best when it s held a mirror up to society to show us what works and what needs fixing. The first interracial kiss on television happened in the original series, between Captain James T. Kirk (William Shatner) and Uhura (Nichelle Nichols). Star Trek has always been a series based on the ideas of inclusion and exclusion while digging into the evolving question: what is humanity? These are some of the ways Roddenberry s concept has thrived for over the past five decades. And that s a trend that continues in Star Trek: Picard. This was one of the shows that our family, as a family, would happily sit down and watch, Michelle Hurd explained. When I got this job, that s the first thing I remembered: sitting with my mom and dad and my two sisters and watching the show. Not only because of Uhur,a but the fact that it was telling the stories of people who were other, the people who were pushed away. It just really brought me back to the understanding that Star Trek is more than just a show; it s a place where we can all be seen and represented and it makes me so proud to be part of it. Every Star Trek has a bridge family, and, in Picard, a rag-tag crew eventually forms. But every unit needs a leader, and Stewart discovered stepping back into his most iconic role was quite easy. He s never left me, the actor admitted during the 2020 Television Critics Association winter press tour.(Photo by James Dimmock/CBS)Jean-Luc Picard may have been gone from our screens for nearly two decades, but his return is coming at just the right time, Kurtzman said. Right now more than ever, we need great leaders. We need great leaders like Jean-Luc Picard. And we don t have them, Kurtzman added. My hope is that we will inspire people to remember that and think about that deeply. And the next generation that is now much more vocal about many of the problems they ve been left with, because of previous generations, will look to something like Star Trek and say it s possible. You know, maybe we won t get there in our lifetime. But maybe we can lay brick for our children s children to get there. Star Trek: Picard premieres on Thursday, January 22 on CBS All Access.环球体育网站地址Two of Netflix’s biggest titles are returning this month for a summer binge — and that’s just the half of it! With the reboot of Veronica Mars on Hulu, the final season of Suits on USA, and Sarah Jessica Parker still charming away on HBO, there’s plenty to keep us busy in front of the small screen. Catch up on it all below.Divorce 78% (HBO)What it is: After reaching household-name status and everygirl envy on Sex and the City, Sarah Jessica Parker makes her way back to prestige TV’s small screen with Divorce, where she stars as Frances, a middle-aged mother and beleaguered wife to Robert (Thomas Hayden Church), who, after having an affair, realizes they’d both be better off without having a ring on it.Why you should watch it: Parker has always been a fine actress, and she puts her well-practiced on-screen skill set to excellent use here, mining creator Sharon Horgan’s (Catastrophe) emotionally hefty and darkly humorous scripts with empathetic aplomb. Season 3 premieres July 1 on HBO.Where to watch it: Amazon, FandangoNow, Google Play, HBONow, Microsoft, VuduCommitment: Approx. 9 hours (for the first two seasons)Stranger Things 93% (Netflix)What it is: A dark mystery overtakes a rural Indiana town when the young Will Byers goes missing and a young girl with a shaved head and telekinetic abilities appears. Something sinister and supernatural has come out to play — and that’s just the pilot! So buckle up. Why you should watch it: It was the synth-laden soundtrack heard ’round the world three summers ago when Stranger Things dropped out of nowhere onto Netflix and took us all by storm. A back-to-form Winona Ryder, career-best David Harbour, and breakout stars by way of all its kids (but particularly Emmy nominee Millie Bobby Brown) are pitch-perfect and paired with plenty of ’80s-era horror nostalgia to make you want to watch this series again and again — and there ain’t nothin’ strange about it. Season 3 streams July 4 on Netflix.Where to watch it: NetflixCommitment: Approx. 17 hours (for the first two seasons)Harlots 97% (Hulu)What it is: Set in 1763 London, Hulu’s Harlots charts the lives of sex workers in two warring brothels, one led by Margaret (Samantha Morton) and the other by Lydia (Lesley Manville). The series, from creators Alison Newman and Moira Buffini, is a period drama inspired by the true-life accounts documented in The Covent Garden Ladies by Hallie Rubenhold, but don’t let its nonfictional nature bore you: Harlots is more juicy than dry.Why you should watch it: Harlots is so much more than a show about sex — in fact, that subject is met with less titillation and more sterile professionalism. It instead subs in rich and complex characters, mostly women, and a backdrop that allows for explorations of gender and class in 18th century England. Furthermore, Oscar nominees Morton and Manville get the chance here to showcase just why they’re both widely considered British acting royalty. Season 3 premieres July 10 on Hulu.Where to watch it: Amazon, HuluCommitment: Approx. 12 hours (for the first two seasons)Snowfall 87% (FX)What it is: Created by the late John Singleton, Eric Amadio, and Dave Andron (the latter of whom serves as showrunner), Snowfall follows in the footsteps of other FX dramas like Atlanta in that it tells the story of an ostracized community in ways that we haven’t seen before — this time by dramatizing the rise and breakout of the first crack epidemic in 1984 Los Angeles and its greater impact on American culture at large.Why you should watch it: As riveting as it is eye-opening, this street crime series pulls no punches in its portrayal of the drug trade and its implications in both micro and macro spheres. Startling performances from its ensemble of relative newcomers also bring us into a world that until now has been left off narrative television — and they keep a hold on us there. Season 3 premieres July 10 on FX.Where to watch it: Amazon, FandangoNow, Google Play, Microsoft, VuduCommitment: Approx. 15 hours (for the first two seasons)Grantchester 95% (PBS)What it is: Fans of period drama from the other side of the pond will have plenty to sink their teeth into with Grantchester. All is not as it seems in the series’ titular village, and clergyman Sidney Chambers (James Norton of the excellent Happy Valley) is caught in the middle, balancing his faith and obligatory duties while investigating a series of crimes in the area.Why you should watch it: Based on James Runcie’s book series and adapted for the screen by Daisy Coulam, this U.K. transfer from ITV has drama to spare. While at face value it may seem like the prim and proper British drama, underneath this clerical collar are festering secrets and dark pasts that bubble to the surface over the course of Grantchester’s hour-long episodes. Each season is only six installments, so there’s plenty of time to binge and catch up before season 4 premieres July 14 on PBS.Where to watch it: Amazon, FandangoNow, Google Play, Microsoft, VuduCommitment: Approx. 15 hours (for the first three seasons)Suits 90% (USA)What it is: Creator Aaron Korsh struck gold in 2011 with this popular legal drama — and it’s got nine acclaimed seasons to prove it! The premise is simple: Mike Ross (Patrick J. Adams) is a law school dropout and brilliant fraudster who, upon impressing New York City’s top closer, Harvey Specter (Gabriel Macht), lands a job as Harvey’s associate despite not having a license to practice law. But Mike proves that he’s up to snuff, and together he and Harvey work to keep his sordid past and illegitimacy a secret.Why you should watch it: Suits came into the international spotlight in recent years thanks to a new royal named Meghan Markle, but if that wasn’t reason enough for you to catch up on this USA Network affair, we’ve got a few more for you. The series works because it’s in on its own fun, and its high concept rags-to-riches premise rings true thanks to the chemistry of Adams and Macht. It’s a steep order to binge eight seasons, of course, but the show’s two charming leads and a formidable supporting cast have kept us coming back for more. Suits’ ninth and final season premieres July 17 on USA. (Fittingly, its new spin-off series, Pearson, also premieres that night on USA.)Where to watch it: Amazon, FandangoNow, Google Play, Microsoft, VuduCommitment: Approx. 94 hours (for the first eight seasons)Workin' Moms (Netflix)What it is: Creator and star Catherine Reitman plays the leader of a central group of friends and working moms as they make the transition from maternity leave back to office life.Why you should watch it: Being a mom is a full-time job paid in sleepless nights, dirty diapers, and, of course, unconditional love. Pair the laundry list of responsibilities that come with that job with a salaried 9-to-5, however, and tragic comedy is sure to ensue. That’s where Reitman comes in, translating it all for this semi-autobiographical sitcom. The Canadian series has already aired three seasons across the border; season 2 is finally making it to Netflix in the U.S. July 25.Where to watch it: NetflixCommitment: Approx. 6.5 hours (for the first season)Orange Is the New Black 90% (Netflix)What it is: Jenji Kohan’s runaway (but locked-up) Netflix hit is ensemble work at its finest, following the day-to-day lives of the ladies of Litchfield Penitentiary and exploring the diverse crimes that got them there.Why you should watch it: Inspired by Piper Kerman’s (here Piper Chapman, played by Taylor Schilling) real-life account of her arrest and imprisonment for drug-related money laundering, this hour-long dramedy opens up to include the equally heartbreaking (and often humorous) biographies of fellow inmates played by Emmy winner Uzo Aduba, Laverne Cox, Danielle Brooks, Natasha Lyonne, Samira Wiley, and others. From season to season, Orange — revolutionary and acclaimed for its on-screen diversity — becomes more and more timely, tackling everything from trans rights to gender equality to Black Lives Matter. Its seventh and final season streams July 26 on Netflix.Where to watch it: NetflixCommitment: Approx. 68 hours (for the first six seasons)Veronica Mars 91% (Hulu)What it is: Set in the fictional town of Neptune, California, Veronica Mars follows the criminally charming Kristen Bell as our titular hero who cracks mounting mysteries as a high schooler and self-started private investigator.Why you should watch it: Veronica Mars is a CW cult classic from the early 2000s with an especially impassioned fanbase (its 2014 feature film was fully funded on Kickstarter) — and there’s no better time than now to see what all the hype is about. Its long-awaited fourth season returns July 26 on Hulu.Where to watch: Amazon, FandangoNOW, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 48 hours (for the first three seasons)The Letdown 91% (Netflix)What it is: They say misery loves company, and The Letdown has that in spades, charting the ups and downs of being a first-time mother through the eyes of Audrey, a woman trying to keep her head above water while being more than “just a mom.”Why you should watch it: This Australian comedy from creators Alison Bell and Sarah Scheller (the former of whom also stars) finds the pitch-black humor in newborn motherhood with the richly dry humor and self-deprecation native to its home country. Season 2 streams in full July 31 on Netflix.Where to watch: NetflixCommitment: About 3 hours (for the first season)Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.Thumbnail photo credit: JoJo Whilden/Netflix; Netflix; Hulu

3. 激战团竞模式
说句心里话,吾辈平民看到15根玉龙角的时候,真的是虎躯一震,羡慕得眼冒绿光!。好在《天谕》手游的玩法极为丰富,即便是珍贵的玉龙角,平民玩家也可以通过三种途径获得:拿云币到摊位上买;用在神耀竞技、星落战场等PVP活动中获得的帝社积分兑换,以及拿圣物大宝图去挖宝。

4. 呼朋唤友 随心所欲
神途下载在神途手游新出了一个地方为何在神途手游正本说杀罪恶钳虫并不容易呢?神途手游并且怪物攻城是神途手游所有的壮大神途网站一路出动的这是我第一次平用面粉和水发酵食物

5. HD 画质与高品质音讯
使用強大的百度引擎7建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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7.26.1 0月喜迎目前还不清楚LOL手游的付费通行证价格,但从官方演示的视频来看,大约是400游戏代币。这还是非常良心的,如果你可以肝到50级,那就能够获得数倍价值的游戏物品了。如果你不想立即购买的话,也可以先玩两周,视解锁进度决定是否要开启付费路线。
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From its curiously involved narrator (James Brolin) to its leading protagonist, human-deer Hybrid child Gus (Christian Convery), Sweet Tooth surprised viewers with its mix of post-apocalyptic dread, boy s adventure, and the brightly-colored hope of a world slowly repairing itself.At only eight episodes, the series — based on the comic book by Jeff Lemire — left us on something of a cliffhanger, but enough of the characters and stories have converged to give us some idea of where the program will go next.Rot

(Photo by Leon Bennett/Getty Images for Essence)Certified Fresh romance Love Basketball was the breakout hit for director Gina Prince-Bythewood. It has become a hallmark of Black cinema, and impacted the industry by blending romance and sports in a new way. Since then, she has worked on projects in other genres because she refuses to be pigeonholed – both in TV and film. (Though she did return to romance, triumphantly, in the acclaimed drama Beyond the Lights.)Her latest film, the big-budget adaptation of Greg Rucka s graphic novel, The Old Guard, was perhaps her biggest departure yet. Starring Charlize Theron, Kiki Layne, Chiwetel Ejiofor, and more, the action flick hit Netflix last year after a planned theatrical release was scuttled by the COVID-19 pandemic. Action is a genre that few women get the opportunity to tackle, and there are even fewer Black women at the helm of big-budget action features. Prince-Bythewood may have pushed the door open a little further: The Old Guard was a huge success for the streaming service, with 72 million views in the first month of release and talk of a sequel. She is following it up with The Woman King, starring Viola Davis as General Nanisca of Dahomey, who leads all-female unit known as the Dahomey Amazons who fought back against the French in the 19th century.Read more: Filmmaker Selects: Alma Har el s 10 Movies (and a Series) for Women s History MonthRead more: Filmmaker Selects: Issa Lópex s 10 Movies For Women s History MonthAs part of our “Filmmaker Selects” series for Women’s History Month, Prince-Bythewood shared 10 films from creatives that inspired her, and spoke with Top Critic Valerie Complex about what makes her tick, her favorite directors, and what the future is looking like for women filmmakers.Gina Prince-Bythewood on the set of The Old Guard. (Photo by Mohammad Kamal © Netflix 2020)Valerie Complex for Rotten Tomatoes: Do you miss the movie theater?Gina Prince-Bythewood: Yes! I love the collective theater experience of sitting with a group of people I don’t know, yet we all laugh/cry at the same thing. I love sitting in the theater when those opening credits come up. Especially when it s a movie that I’ve done and it s an exciting moment we all have to miss right now.What was the first film that made you really want to become a director?Prince-Bythewood: It s interesting because I didn t have that epiphany watching a movie. I had that epiphany that I was a director working on a movie. I was working on a student film at UCLA. I was on set and looked around then it hit me in that moment: you re a director. From then on, I worked on improving the craft and watching great films, which is the benefit of film school. You get to see so many movies that you normally wouldn t be able to. As time moved forward, I became more and more enamored with the craft and the power of filmmaking.Being on set, what were some of the challenges you remember having when shooting your first feature Love Basketball?Prince-Bythewood: While in school, you’re given room to fail, but for Love Basketball, that was my first shot. I worked on the script for so long and fought hard to make it. I was in a constant state of anxiety that I couldn t fail. It was the fear of: If I blow this, I’ll blow my entire career. Working on the film, the crew developed a sense of family, and everyone there wanted me to win, which helped fuel me to see it through to the end.Gina Prince-Bythewood and Sanaa Lathan while making Love Basketball. (Photo by © New Line Cinema)When you talk about that collective anxiety about failure, where does that stem from for you? Is it like a collective thing of being a woman, and being a woman of color? Was it being new in the industry? All of the above?Prince-Bythewood: It’s history. Women, Black folks, and people of color don t have the luxury of failure in this industry. It is very hard to get a second film, and a third film. Suddenly, you look around and you don t see anybody that looks like you – and I learned this pretty early on in my career.Are there any particular women filmmakers that you admire?Prince-Bythewood: Well, there is Kathryn Bigelow, and Euzhan Palcy – she is someone who looks like me, and is working with people like Marlon Brando. Then there is Kasi Lemmons who directed Eve s Bayou. It’s a film I respect immensely and was so different from anything that had come out before it. When Eve s Bayou came out, it was on such another level. The craft, the storytelling, the performances inspired me. The two sisters and their story, the performance that she got from Journee Smollett and Meagan Good, that movie stayed with me. I thought it was such an incredible debut from Kasi. I’ll never forget when I met Kasi before directing Love Basketball, and she was so giving of her time, support, and encouragement.Adepero Oduye in Dee Rees Pariah. (Photo by © Focus Features)What new filmmakers are you into right now?Prince-Bythewood: There are also some dope young women out there. I get excited, not only by their work and their talent, but the fight. I know what it takes to get a film made, and for them to have the grit to get it done is impressive. There is Dee Rees, her film Pariah blew me away. I loved Tina Mabry’s film Mississippi Damned; Little Woods by Nia DaCosta, and looking forward to her next film Candyman; and Channing Godfrey Peoples, who impressed me with Miss Juneteenth.Miss Juneteenth is such a great film.Prince-Bythewood: The movie took me into a world that I had no idea existed. There are a couple of scenes in there that are devastating to watch in the best way. Peoples did phenomenal world-building, which brought me into this small Texas community and taught me something. I cared about Turquoise (Nicole Beharie) and her daughter Kai (Alexis Chikaeze). She wants a better life for them both, and will do what it takes to change her circumstance. I just think Peoples created something special.I hear you really enjoyed Mati Diop’s first feature film, Atlantics, as well. I saw that one at Cannes in 2019.Prince-Bythewood: There was a lot of buzz about it, and I finally got a screener to watch it. I’m glad I didn’t know much about the film because it was exciting to experience that way. It s a quiet, beautiful movie, and I was just so invested in the love story. It’s beautiful, surprising, and heartbreaking.Radha Blank in The Forty-Year-Old Version. (Photo by © Netflix)And one of your favorites of last year is The Forty-Year-Old Version, which is written and directed by Radha Blank.Prince-Bythewood: Blank created something with all the elements: There’s drama, comedy, and an honest depiction of one woman s life who works in the creative arts. She has a fresh voice and clear vision that’s dope, dynamic, and bold. And shooting in black-and-white? A brilliant touch. I also loved the music and how it helps tell the story. It’s the best kind of humor because it comes from a place of truth.Your portfolio is super diversified. Like you got action, drama, romance. Do you like to do it all? Do you want to experiment with horror next? What s coming?Prince-Bythewood: I love every genre except for horror and westerns. I can t even tell you why. That s not to say I can t recognize a great western or horror film, but it s not my thing. Personally, I crave to do another love story. That is my favorite genre. However, I certainly want to see women, particularly Black women, creating in every genre. The next thing I am working on is The Woman King with Viola Davis. It s a historical epic. I m so hyped about the project because it’s a beautiful story, and we don’t often get epics of this caliber with women at the forefront.Kiki Layne with Gina Prince-Bythewood on the set of The Old Guard. (Photo by Amy Spinks / © Netflix)Do you think, since you directed Love Basketball, that the industry has changed for women filmmakers?Prince-Bythewood: It s interesting you asked that, because I came across an interview I did 21 years ago during the press tour for Love Basketball, and I talked about my hopes for the future, and the fact that we re still having those conversations 21 years later is wild to me. When I shot The Old Guard I thought to myself that few women get the opportunity to do big tent-pole and action films. When I was in film school we had Kathryn Bigelow. She was the only woman I knew doing big-budget movies.This past year, seven of us – and the majority of us, women of color – got the opportunity to do the high title films. However, you can’t get too excited though because you see the actual numbers and it s like, Oh my God, how is this still happening? How are we at 12% of anything?! But it’s important to remember there are so many great films by a fantastic group of women that are in the awards conversation this year and it s long overdue.Kathryn Bigelow on the set of Point Break in 1991. (Photo by Courtesy the Everett Collection)What do you hope to see for the future for not just women directors, but for Black women specifically? Paint a picture of how that would work if you had it your way.Prince-Bythewood: More Black women in the director s chair. I had this conversation with Regina King for another publication and we talked about that, what we bring as Black women to our storytelling. Hollywood needs to understand that we all bring something different, that we are not a monolith. We don t all share the same experiences, so we need women who are bringing different things, in different genres to the table. My life experiences are what s important to me and a large part of my work. Things are wide open, and there are so many stories and different perspectives to share. I want all of these women to have the opportunity to tell a story that no one else can tell.Gina Prince-Bythewood s The Old Guard is available on Netflix; Love Basketball, The Secret Life of Bees, and Beyond the Lights are available on Vudu and FandangoNOW. Gina Prince-Bythewood s 10 Films for Women s History Month
The Addams Family (2019) 45% When cartoonist Charles Addams created The Addams Family back in 1938, there was no way he could have known that it would blossom into a multi-media franchise. His satirical take on the prototypical nuclear American family became a successful television series in the 1960s, spawning an animated series in the 1970s, a pair of cult classic films in the early 1990s, and yet another animated series shortly thereafter. And that doesn t even cover the video games, the stage musical, and various
Call Me By Your Name director Luca Guadagnino has been announced to helm a new Scarface, the gangland kingpin epic that has seen iterations in 1932 and 1982. Obviously, the latter Brian De Palma-directed, Al Pacino-starring version has had a monumental impact on pop culture and remains widely seen today.A new Scarface has long been in the works with multiple big names attached, including Diego Luna as star, and with significant script work by Joel and Ethan Coen. In its last known stage of development, the story was going to be set in Los Angeles. But considering Guadagnino s freewheeling take on Suspiria, who knows what elements he ll keep, or whether he ll have an entirely novel approach to the story. Will there still be a guy named Tony, and will he spell it with a Y ?But going off on its last known details, we ve questioned our followers on social platforms and took some staff suggestions, to create this poll: Who would you cast in the Scarface remake?
Spider-Man: Far From Home (2019) 90% Although Avengers: Endgame feels like the spiritual end (it s right there in the title, after all) of the epic story that began with Iron Man back in 2008, the MCU s so-called Phase Three was always meant to conclude with the follow-up to 2017 s Spider-Man: Homecoming. Tom Holland returns as Peter Parker, who heads out with his classmates on a school trip to Europe, hopeful that he can leave the hero business behind for once. Of course, good old Nick Fury (Samuel L. Jackson) turns up asking him for help, and he s asked to team up with another man with superpowers (Jake Gyllenhaal) to save the world from a number of elemental monsters. Critics say Spider-Man: Far from Home is a worthy step forward from Endgame that utilizes a potent blend of humor, teen romance, and action to reassure fans the MCU is in good hands. Sticky, webby hands, to be specific.
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环球体育网站地址 (Photo by Courtesy of Getty Images for AFI)Golden Globes are slightly dubious as a barometer for predicting the Academy Awards. Thanks to some stellar research over at FiveThirtyEight, we know that the Golden Globes are right about 50% of the time predicting the Oscar Best Picture winner, though in the last 20 years, that number has slipped to about 35%. This, however, does not mean last weekend wasn t filled with moments that might tip the hat as to whom will be nominated for Oscars (or perhaps even take home a statue). Nestled right in the midst of nominations voting, Globes weekend and the subsequent events that surround it mirror the eclectic and ever raucous vibe that Best Supporting Actor frontrunner Brad Pitt spoke of in his Globes acceptance speech. This past weekend, Rotten Tomatoes Editor Jacqueline Coley was out and about to report back on the sights, sounds, and takeaways from events including the Hollywood Bonghive meetup and the glitzy post-globes parties.The Stars and Diamonds Glitter in Palm Springs(Photo by Rich Fury/Getty Images)The first event of the weekend was the Palms Springs Gala, where Oscar hopefuls can schmooze with the retired AMPAS voters who live in the tropical community, just an hour south of Los Angeles. Dressed to the nines in colorful gowns and lots of jewels, Palms Springs attendees watched stars Jennifer Lopez, Joaquin Phoenix, Martin Scorsese, Charlize Theron, and  Renée Zellweger accept various honors in the opening night presentation. However, it was Little Women director Greta Gerwig who won the night with her heartfelt speech for Director honoree Quentin Tarantino. [He] makes movies as if movies could save the world,” she said while introducing him, adding, “Movies can kill Hitler, free slaves, and give Sharon Tate one more summer He makes movies like movies themselves matter. This was a big moment for Tarantino, who had received flack earlier in the year regarding his lack of dialogue for star Margot Robbie. Tapping Gerwig arguably the most noteworthy female director in the awards conversation this year to present him with the award and speak so positively on his behalf was a smart play for the Once Upon a Time in Hollywood director. It s just too bad she couldn t pinch-hit for his awkward Golden Globes acceptance speech on Sunday, as well.The Stars Favorite Stop for Weekend Lunching with AFI(Photo by Courtesy of Jacqueline Coley)There is no way to put this delicately so we ll just say it campaigning for an Oscar is torturous. Stars have to clear their calendars for two to three months to shake hands and make speeches. They go through the arduous exercise of doing hours of press, taking selfies, and smiling through it all, with very little to no chance of actually winning any awards. Cocktail parties, posh dinners, and award shows may sound like a fun time, but doing anything every day for two months will lose its novelty quickly. This is why the AFI luncheon on the Friday before the Globes is such a welcome moment for most Oscar hopefuls. Each year, AFI selects 10 films and 10 television shows from the previous year (and a couple of specialty honors if they find international entries of merit) and gather the principal players together for a relaxed lunch with limited press just to celebrate their achievements. The lack of press and potential voters and the fact everyone in the room is already previously announced as a winner removes most of the anxiety that comes with other events. This is why everyone from Brad Pitt to Kevin Feige call the event their favorite moment of the season.This year, we watched Pitt chat it up with Bong Joon-ho and the cast of Parasite as he repeatedly gushed about how he loved the film. We also spotted Rian Johnson, who was honored for Knives Out, chatting with his Star Wars: The Last Jedi co-star Laura Dern, who was being feted for her work in Noah Baumbach s Marriage Story and Greta Gerwig s Little Women. Robert De Niro (Joker, The Irishman), Harvey Keitel (Once Upon a Time in Hollywood, The Irishman), Scarlett Johansson (Jojo Rabbit, Marriage Story), Sam Rockwell (Richard Jewell, Jojo Rabbit), and Leonardo DiCaprio (Once Upon A Time in Hollywood, produced Richard Jewell) were all involved with more than one honoree. We asked Dern about how she split her loyalties, and she joked she was a bit like the young boy at the center of the divorce drama in Marriage Story: They are like my parents. I love them both. I don t pick sides. Though there is a no campaigning mantra in effect at the AFI, there s nothing to say attendees can t steer voices and eyes to films they favor, and this year featured an excellent example of tongue-in-cheek campaigning. Former AFI honoree Mel Brooks kicked off the festivities with a benediction, during which he raved about his favorite film of the year the Hitler anti-war satire Jojo Rabbit: It s really a terrific, eloquent, and beautiful picture, he said, adding jokingly that writer/director Taika Watiti did not ask my permission to use Hitler a hilarious reference to Brooks Hitler satire The Producers.A Party with ParasiteIf we were ever unsure of Bong Joon-ho s effect on the Hollywood community, the party hosted by Guillermo del Toro at the Sunset Tower answered all of those questions. After being fawned over by just about everyone at the AFI Luncheon, Team Parasite was greeted by the rest of Hollywood that evening. Edgar Wright, Rian Johnson, Leonardo DiCaprio, Laura Dern, Keegan-Michael Key, Noah Baumbach, Jay Roach, Miranda July, and Natasha Lyonne some of whom left their own For Your Consideration events to make a trek to the West Hollywood celebration all made time to pay their respects that night. Having so many A-listers and Academy voters as confirmed members of the Bonghive – Bong s online fanbase – a Best Picture nomination this coming Monday looks more and more like an inevitability.Brunching with the Indie CrowdParasite Dir. Bong Joon Ho chats w/ The Farewell star Zhao Shuzen (Photo by Courtesy of Jacqueline Coley)On Saturday, Film Independent had the Indie Spirit Awards annual nominees brunch, where they handed out 5,000 to filmmakers Kelly Reichardt, Mollye Asher, Rashaad Ernesto Green, and Nadia Shihab. We also spotted Last Black Man in San Francisco director Joe Talbot, who was up for one of the Indie Spirit specialty prizes that were handed out during Saturday s fete by Alfre Woodard and Crazy Rich Asians director John Chu. When we asked Chu about his upcoming film with Hamilton creator Lin-Manuel Miranda, In The Heights, he simply smiled and said, He can t wait for people to see it. As was the case on Friday, Parasite director Bong Joon-Ho was again so mobbed by well-wishers he barely had time to sit down.After the Globes (Photo by Courtesy of Netflix)After the Globes, the most raucous party was – as it has been for the past few years – the Netflix party. Tiffany Haddish, who presented at the ceremony, put on an impromptu freestyle at the end of the night, shortly after Brad Pitt, Eddie Murphy, Ava DuVernay, Taika Waititi, and numerous Netflix stars danced the night away to pop hits. At the Instyle/Warner Bros. do, their elevator glam shot was a frequent stop for celebs, and The Farewell helmer Lulu Wang paired up with Rita Wilson for a hilarious shoot sporting a – yes, it s legal in California – blunt, courtesy of Snoop Dogg. Though the Netflix party was the spot be, it was slightly a somber affair at the start, due to the fact the streamer only took home two prizes out of 17 nominations. In contrast, the NBC celebration was a joyous time after two surprise wins for their World War I one-shot epic 1917. This is welcome news for Universal Studios, who are likely still smarting after the vicious – though at times bemused – reception to Cats. The wins at the globes could propel the film, which opens wide in theaters this weekend, to box office domination over January, and if awards keep tallying up on our Awards Leaderboard, perhaps a Best Picture win as well.The Academy Awards are broadcast February 9, 8 pm EST/5 pm PST, on ABC.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

期待已久的手游暗黑之光热血传奇即将登陆九游,这款手机游戏吸引了大批玩家的关注,有很多粉丝都在问九游小编暗黑之光热血传奇好玩吗?暗黑之光热血传奇值不值得玩?现在就为大家来简单分析下,看看这款游戏的玩法特点和游戏剧情介绍。 If you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at rtiswrong@rottentomatoes.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News.

2022-01-27

Here come the Men in Black again. More than 20 years after the MIB franchise began with the 1997 comic book adaptation starring Will Smith and Tommy Lee Jones and and seven years since the release of the previous installment, Men in Black: International arrives with new leads, Tessa Thompson and Chris Hemsworth, and new locations. Will the reboot sequel kick off a new series of movies? Should it? Early reviews ahead of its release indicate the MIB should have stuck with just the original trilogy. It might not be as bad as Men in Black II (or is it?), but there’s apparently just no good reason for it to exist.Here’s what critics are saying about Men in Black International:Is this a worthy resurrection?In a sense, it kind of feels like the perfect sequel to the original Men in Black. It’s an entertaining movie made better by the people in it.  Beth Elderkin, io9[It’s] as much fun as a MIB movie should be but with an international spin and some updated swagger.  Sherin Nicole, idobi.comMen in Black International aims to erase any memory that you’ve seen all this before… the last time was a whole lot better.  Eric Kohn, IndieWireThere’s little here that justifies prolonging a series that should probably have been Neuralyzed a couple of movies ago.  Neil Smith, Total FilmThere’s just no reason why Men in Black needed to be revived here other than it exists in an era of eternal intellectual property revival.  David Crow, Den of GeekNothing in the film felt like a vital piece of the Men in Black puzzle.  Anne Cohen, Refinery29[Continues] the trend of reviving known properties past their expiration date… finding comfort in the familiar rather than creating a bold new vision.  Robert Daniels, 812filmreviews(Photo by Columbia Pictures)So it s just more of the same?More of the same just done with flashier effects. Robert Daniels, 812filmreviewsA bland variation on the same MiB routine…[a] baffling cash grab. Eric Kohn, IndieWireThere are enough new ideas in International to set it apart from previous films in the Men in Black franchise. Molly Freeman, ScreenRantIt doesn t go down the remake route… instead of retreads of scenes from the first movie, there are just nods to the franchise s tropes.  Ian Sandwell, Digital SpyBut it doesn t repeat what actually works in the earlier movies?International manages to fundamentally misunderstand practically everything that made the original film so endearing, and so enduring. Joe Skrebels, IGN MoviesThe Men in Black equivalent of a latter-day Die Hard sequel, a movie that succeeds its predecessors in name only and fundamentally misunderstands what made the original appealing. Todd Gilchrist, NerdistIs it memorable on its own?Instantly forgettable. Audiences may feel as if they’ve been instantly ‘neuralysed’ after watching it, but the experience is fun while it lasts. Geoffrey Macnab, IndependentYou can sit through it without much complaint, but you won’t need neuralysing to forget the whole thing an hour or two later. Tim Robey, Daily TelegraphIt’s an improvement over Men in Black II and Men in Black 3, sequels that even its makers may have forgotten. Michael Phillips, Chicago Tribune(Photo by Columbia Pictures)How is the chemistry between Thompson and Hemsworth?The film lives and dies through Chris Hemsworth and Tessa Thompson’s chemistry… these two must have had a lot of fun on set. Danielle Solzman, Solzy at the MoviesIt helps that [they] already established a kind of playfully combative dynamic in Thor: Ragnarok upon which it’s a pleasure to watch them build here. Peter Debruge, VarietyThe easy rapport is still there… [but] because it s a more by-the-book setup, it s slightly less interesting than the dynamic the actors had as Thor and Valkyrie. Molly Freeman, ScreenRantHemsworth and Thompson mine some easy chemistry, though never nearing the perfect alchemy of Smith and Jones before them. Dan Mecca, The Film StageDoes Tessa Thompson stand out?The best thing about the revamped Men in Black series is actually a woman… this is a fine and unexpected showcase for Thompson, whose poise and composure are notable. Todd McCarthy, Hollywood ReporterThe most satisfying thing about this outlandish extension of the MIB series comes from watching her step up to the challenge of co-headlining a blockbuster. Peter Debruge, VarietyShe’s simply interesting and funny and real, while also floating slightly above each new outsized absurdity… she lightens the load and keeps everything moving efficiently. Michael Phillips, Chicago Tribune(Photo by Columbia Pictures)What about Chris Hemsworth?As he proved in 2016’s Ghostbusters reboot, Hemsworth has a natural comic talent that’s been under-exploited in most of his work. Peter Debruge, VarietyHere’s hoping he continues to play funny. Dan Mecca, The Film StageHemsworth has a little fun in the part, but he’s going at half-speed, like everything else. Roger Moore, Movie NationAgent H is basically Thor in a penguin suit. Eric Kohn, IndieWireHow are the villains?I was in awe every time [Les Twins] were onscreen, and their abilities were used to their fullest potential to make an incredibly vivid visual. Beth Elderkin, io9Instead of being horrified by the nasty new alien adversaries H and M are fighting, we’re left perplexed as to why there have now been three movies this year that feature shapeshifting visitors from imperiled planets. David Crow, Den of GeekRebecca Ferguson s fun cameo makes you wish that her alien arms dealer Riza was the main villain. Ian Sandwell, Digital SpyOf the assorted supporting players, Ferguson does the most, and has the most fun with limited screen time. Todd McCarthy, Hollywood ReporterRebecca Ferguson [is] incredible in this tiny role. Robert Daniels, 812filmreviews(Photo by Columbia Pictures)Is there another standout performance in the movie?The true standout is Kumail Nanjiani, putting in memorable voice work as sidekick Pawny…nearly every joke lands when delivered by the saucy little alien. Dan Mecca, The Film StageNanjiani s Pawny is a fun addition. Molly Freeman, ScreenRantHis one liners and matter-of-fact delivery are quotable and will keep you giggling. Sherin Nicole, idobi.comI liken his role to that of Frank in MIB 2 with the exception being that this is a much better film. Danielle Solzman, Solzy at the MoviesPawny’s the funniest creation in a movie that often doesn’t go far enough with its outlandish parade of bug-eyed creations. Eric Kohn, IndieWireNanjiani s tiny alien friend is cute comic relief, even if he feels like a deus ex-machina in the final act. Anne Cohen, Refinery29Is the movie funny?It’s telling the biggest laugh in the film is a direct reference to Hemsworth’s work as an Avenger. Joe Skrebels, IGN MoviesWhat works is what’s funny. Michael Phillips, Chicago TribuneThe jokes land right where they should. Sherin Nicole, idobi.com(Photo by Columbia Pictures)How are the action and special effects?The fight choreography and action sequences are solid… the alien designs in this movie are fantastic. Beth Elderkin, io9Any set pieces here work best when introducing multitudes of fun creatures as well as showing off top-notch set and prop design. Dan Mecca, The Film StageThe action set pieces are largely forgettable, with the exception of the design and powers of the alien adversaries. Molly Freeman, ScreenRant[F. Gary] Gray doesn’t share Barry Sonnenfeld’s skill for juggling live-action and visual effects… in terms of basic execution, Men in Black: International is a mess. Peter Debruge, VarietyWill we look forward to another installment?I’m already anticipating the next film in the series!… Men in Black: International brings a solid foundation for a new trilogy. Danielle Solzman, Solzy at the MoviesNothing demonstrates such constraints more than the film’s ending, which confusingly features an open-ended scene meant to bridge to another installment. Robert Daniels, 812filmreviewsMen in Black: International opens in theaters June 14, 2019.

环球体育网站地址 This week in TV news includes a new gig for a Game of Thrones vet, HBO loses a driving force, a major TV reboot, and a flurry of new trailers.TOP STORYHBO Honcho Steps Down After 27 YearsThe chief executive of HBO, Richard Plepler abruptly stepped down on Thursday, the New York Times reported. The move comes mere months after  AT T acquired the network’s corporate parent Time Warner. Mr. Plepler found he had less autonomy after the merger, according to two people familiar with his thinking, the Times wrote. HBO has won over 160 Emmys while Plepler oversaw the cable network giant that is home to Game of Thrones, Veep, Big Little Lies, The Sopranos, Deadwood, Curb Your Enthusiasm, Succession, and more.From Game of Thrones to Penny Dreadful(Photo by Steven Ferdman/Everett Collection)Margaery Tyrell has a new gig: Natalie Dormer will anchor the cast of Showtime’s Penny Dreadful continuation series, Penny Dreadful: City of Angels. The series takes place in 1938 Los Angeles, where Detective Tiago Vega (Daniel Zovatto) investigates a grisly murder and becomes embroiled in what the network describes as “an epic story that reflects the rich history of Los Angeles: from the building of the city’s first freeways and its deep traditions of Mexican-American folklore to the dangerous espionage actions of the Third Reich and the rise of radio evangelism.”Dormer will play Magda, “a supernatural demon who can take the appearance of anyone she chooses and manifests in a number of guises throughout the story. Charismatic, clever and chameleonic, Magda is a dangerous enemy and an invaluable ally.”Nathan Lane has also joined the cast as Lewis Michener, a veteran LAPD officer who partners with and mentors Vega and is “wise to the ways of the world and ruthless in pursuit of his goals.”Trailer Watch: Arrested Development, The OA, and MoreIf there’s one thing that’s true about Arrested Development, it’s that there’s always money in the banana stand. Another fact: the Bluths will have a party every single time someone in their family is released from prison. The Bluths say as much in the trailer for the second half of the series’ revived fifth season, which hits Netflix on March 15 below. Check out the first trailer above.Other recent TV trailers include The OA season 2 and Idris Elba’s Turn Up Charlie on Netflix. HBO s Barry season 2, and FX s Fosse/Verdon.The Masked Singer Winner UnmaskedAnd the winner is…T-Pain? The famously autotuned singer surprised the Fox reality hit’s judging panel of Robin Thicke, Nicole Scherzinger, Ken Jeong, Jenny McCarthy, and guest judge Kenan Thompson when he was revealed as the celebrity in the Monster costume, who wowed the judges with his powerful vocals all season. He beat Gladys Knight and Donny Osmond in the finals to take the crown. Yes, T-Pain beat Gladys Knight in a singing competition.90210 Revival Heads to FoxThe 90s nostalgia is real for Jason Priestley, Jennie Garth, Ian Ziering, Gabrielle Carteris, Brian Austin Green, and Tori Spelling — a.k.a. six of the original stars of classic teen soap Beverly Hills, 90210. The group is reuniting for a meta six-episode event series on the network that will see the six actors playing “heightened versions of themselves in a brand-new serialized drama — with a healthy dose of irreverence — that is inspired by their real lives and relationships.” According to Fox, the reboot will see the group reunite when one of them suggests it’s time to reboot their series, “but getting it going may make for an even more delicious soap than the reboot itself. What will happen when first loves, old romances, friends, and frenemies come back together, as this iconic cast — whom the whole world (born before 2000 anyway) watched grow up together — attempts to continue from where they left off?”Development News: The Baby-Sitters Club, Gremlins, and More(Photo by Warner Bros.)Netflix is developing an original live-action dramedy based on the bestselling book series The Baby-Sitters Club. The 10-episode contemporary series will follow the friendship and babysitting adventures of five BFFs — Kristy, Mary Anne, Claudia, Stacey, and Dawn — in Stoneybrook, Connecticut, and is being shepherded by GLOW’s Rachel Shukert and Broad City’s Lucia Aniello.The upcoming Disney+ streaming service is tapping into its massive well of characters for a new series, according to The Hollywood Reporter. Book of Enchantment will put the spotlight on famous Disney villains, and is based on author Serena Valentino’s book series that focuses on villainous characters including the Beast, Ursula, and the witch from Snow White.Streaming service WarnerMedia is planning its own series based on properties it owns: an animated Gremlins series. According to Variety, it would be a period piece that follows Mr. Wing, “the Chinese grandfather played in the films by Keye Luke, as a young man as he goes on adventures with the friendly Mogwai Gizmo.”Casting: Superboy, Stargirl, and Superstore(Photo by DC Universe)Superboy is headed to Titans for season 2. The DC Universe streaming series has cast Joshua Orpin as Conner Kent. The Australian actor will play the “angsty teenager of steel,” who was glimpsed only in silhouette form in a bonus scene from the series’ season 1 finale. In other DC Universe news, Amy Smart has signed on to play the mother of the titular character in Stargirl. Now that she’s the mother of a high-schooler, Barbara Whitmore is jumping back into the workforce and trying to be a great mom for her daughter, new husband, and new stepson. Neil Jackson and Hunter Sansone will each play an “undisclosed DC character” in the series.This Is Us star Chrissy Metz is taking a quick trip to Superstore when she guest stars as a Cloud 9 human resources representative who is sent to St. Louis to investigate a flurry of publicly embarrassing tweets. Her episode will air in May. Real-life married couple Adam Brody and Leighton Meester will play on-screen loves in the season finale of Meester’s ABC sitcom Single Parents. Brody will play Maggie s ex, Derek, the musician father of her 7-year-old son Graham.Finally, Netflix announced new cast members joining season 2 of its sprawling sci-fi series Altered Carbon. Joining returning cast members Renee Elise Goldsberry and Chris Conner and the already-announced Anthony Mackie are Luke Cage’s Simone Missick, Dina Shihabi, Torben Liebrecht, and James Saito.

2022-01-27
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