亚博APP在线下载地址

亚博APP在线下载地址

开发者入驻
9.72.7 版本更新
下载6277追踪3121
6.8
使用 亿龙 用户端下载
暂停
2022-01-18
720p
720p
540p
360p
全萤幕
简介

亚博APP在线下载地址采用百度引擎3(Baidu 8)Much like the DC Comics Multiverse itself, WarnerMedia’s plans for a film Multiverse are always changing. Projects are announced, but then seemingly go into hibernation. The stalwart of the line, Batman, always gets its movies made while Wonder Woman seems poised to join the Dark Knight as a reliable franchise. Superman, sadly, is caught between the worlds of reboots and rival ideas.Nevertheless, DC Films chief Walter Hamada recently revealed a plan to release six DC-related films a year in the coming decade – four will arrive in theaters while two will be made exclusively for HBO Max. The library is certainly deep enough to support such an endeavor. And thanks to Hamada embracing the multiverse concept, it seems plans are in place for a second Batman saga to coincide with Matt Reeves’ upcoming The Batman. It all means DC fans will get a lot of content in the next 10 years.Listen to our Podcast: Rotten Tomatoes Is Wrong About Batman v SupermanListen to our Podcast: Rotten Tomatoes Is Wrong About Wonder Woman 1984Listen to our Podcast: Rotten Tomatoes Is Wrong About AquamanThe change is the latest shockwave in the often incredible story of Warner Bros.’ attempts to bring the DC Multiverse to the screen. So before we take a look at the latest changes, let’s go back to the beginning of WB’s ambitious plans for its extended universe…In 2014, Warner Bros. Pictures and DC Entertainment announced a series of movies based on DC Comics characters. The original schedule included a two-part Justice League project and at least two films a year through 2020. Things did not go according to plan, with Justice League compressing its story into one film and projects like Flash experiencing constant delays. Despite projects shifting around the slate – and the critical backlash against Batman v Superman: Dawn of Justice and Justice League – the original 2014 master plan has been executed for the most part, with only 2018 missing a second DC-derived film and Cyborg disappearing entirely. And even as features like Aquaman and Shazam! went into production, the studio never stopped trying to get new projects off the ground utilizing the comic book characters and the universe initiated by 2013’s Man of Steel. The next several years will deliver a number of projects from that original slate and some surprises in the form of Aquaman 2 and The New Gods. On the TV/streaming front, Zack Snyder’s cut of Justice League is finally available on HBO Max.For now, the following represents everything we know about those projects and their place in the DC Films universe, as well as a few DC adaptations that will exist separate from the universe. (Want to see what the other camp has in store? Check out our breakdown of upcoming Marvel movies.)SEE: Most Anticipated 2021 Movies | Most Anticipated 2022 MoviesComing SoonThere is a lot that is uncertain about which DC Comics characters are coming to the big screen, who s bringing them there, and in what order — but nothing is uncertain about these first movies. They re in production, or in pre- or post-production, and we know exactly when they will be hitting theaters. (At least, we know the latest dates, and will update as those change with COVID-19 leaving the landscape a little uncertain.)The BatmanRelease Date: March 4, 2022What We Know: War for the Planet of the Apes’ Matt Reeves took over directing duties on The Batman following the departure of Ben Affleck, who intended to star, co-write, and direct. Creative differences saw his role reduced to star even as his personal problems overshadowed the ongoing question about his continued involvement. Late in January of 2019, Warner Bros. announced a release date while Affleck definitively stated he was leaving the cape and cowl behind. (Though not so definitively, if you skip down to our latest update on Flash). A new man behind the mask emerged that May when Robert Pattinson took over the role. That casting choice confirmed the story would revolve around a younger Batman, and Reeves has confirmed that, telling DC FanDome it will be set during Year Two when a serial killer is stalking Gotham. Across late summer and early Fall, the cast began to round out with Jeffrey Wright joining up as Commissioner Gordon, Paul Dano taking on The Riddler, and Zoe Kravitz signing on as Catwoman. In November, word broke indicating Colin Farrell would play The Penguin and Andy Serkis would be the new face of Alfred Pennyworth. Other cast members include Peter Sarsgaard as District Attorney Gil Colson, Alex Ferns as Commissioner Pete Savage, John Turturro as Falcone, and Jayme Lawson as Bella Reál. Rumors also suggest a new Two-Face will also emerge. Stacking the film with almost all of the notable Batman villains is something of a change for modern Batman movies, which generally only use two at a time – although Batman Begins featured a whopping five when you count lesser known characters like Carmine Falcone, Joe Chill, and Victor Zsasz alongside The Scarecrow and Ra’s Al Ghul. Despite a member of the crew – allegedly star Robert Pattinson himself – coming down with the coronavirus, the film seemed poised to hold its October 2021 release date until Dune took its slot during a subsequent change to the calendar. The film is now scheduled for March of 2022. During DC FanDome in October of 2021, Warner Bros. released a second trailer for the film, featuring a greater emphasis on Catwoman and the Riddler. Additionally, Reeves, Pattinson, and Kravitz offered some comments about the film, with Kravitz calling her Catwoman someone who “wants to fight for those who don’t have someone.” Reeves added that the film will feature a number of “iconic” moments with the character even if she doesn’t map 1:1 to comic book Catwoman.Recommended: Everything We Know About The Batman How It Fits in the DC Multiverse: The project s ties to the established film continuity are questionable. Late in 2018, rumors began to emerge that Reeves’ vision for the film set it outside the Man of Steel universe as a “standalone” story, like Joker. The studio moved quickly to quash the rumors, but it now seems clear the film will exist in its own universe with a HBO Max spin-off series already in development.Black Adam(Photo by © Warner Bros. Pictures)Release Date: July 29, 2022What We Know: After listening to fans when he was initially interested in Shazam!, Johnson signed on to star in a film featuring that character’s greatest nemesis, Black Adam. Jaume Collet-Serra will direct from a script by Adam Sztykiel, with Noah Centineo on board as well to play Albert Rothstein/Atom Smasher, whose superpower is his super strength and ability to grow  huge. At DC FanDome, Johnson showed two clips. One, produced by Jim Lee and Boss Logic which gave fans a quick rundown of the character s origins – formerly enslaved, he s in the pursuit of Justice the Black Adam way. The other introduced the idea of the Justice Society of America, and revealed that Hawkman, Doctor Fate, Cyclone, and Atom Smasher would feature in the film. In late September 2020, Aldis Hodge emerged as Hawkman, but the news was soon tempered as the film lost its December 22, 2021 release date entirely during the shuffling of Warner Bros. release slate 10 days later. As for most of the project’s existence, it is once again unclear when it will be released. But with members of the cast already assembled, it is possible the film will arrive in 2023. Aiding this possibility: Sarah Shahi joined the cast in October with a role described as both a professor and freedom fighter. In the months following, Quintessa Swindell joined the cast as JSAer Cyclone and Marwan Kenzari signed up for an as-yet undisclosed role; Pierce Brosnan will star as Dr. Fate. Additional cast members include Bodhi Sabongui and James Cusati-Moyer. In March 2021, a release date was finally announced, with Johnson taking over billboards in Times Square to reveal the movie will release July 29, 2022. In early June, Shahi finally confirmed her character is Adrianna Tomaz – or some version of the DC character. The next month, Johnson released a photo teasing his Black Adam body suit and, later in July, announced he wrapped filming via his Instagram. A brief clip featuring the resurrection of Black Adam was released during the 2021 DC FanDome in October, suggesting the character may not be much of a morning person. A behind-the-scenes reel also offered a few glimpses of Dr. Fate’s helmet and Adam’s costume.(Photo by © Warner Bros. Pictures)How It Fits in the DC Multiverse: Black Adam is the archenemy of Shazam, so their film worlds are definitely connected. But he is also a fairly complicated anti-hero when dealing with anyone else. Heroic one moment and brutal the next, Adam could emerge as the powerful leader of his own country – an idea straight from the comic books. At DC FanDome, Johnson hinted that the movie could feature an appearance from Superman, and sent a warning to all those in the Justice League: The hierarchy of power in the DC Universe is about to change. The Flash(Photo by DC)Release Date: November 4, 2022What We Know: A Flash film starring Ezra Miller as the Barry Allen featured in Justice League is finally getting made. After losing multiple directors – among them, Seth Grahame-Smith and Rick Famuyiwa – and undergoing a title change from The Flash to Flashpoint and back again, the nature of the film is finally coming into focus as we ve learned that Allen will crash through multiple dimensions to change his mother s fate in an adaptation of DC s ambitious 2011 Flashpoint event comic book series, and meet various versions of some of DC s biggest heroes along the way. It helmer Andy Muschietti signed on as the project s fifth director in July, and at DC FanDome revealed a first look at concept art for Allen s new suit, which features embedded light and was made by Bruce Wayne. And someone else has signed on, too. Ben Affleck will return in a small, cameo-style role as the version of Batman we ve seen in Justice League, while Michael Keaton returns, too, as the Batman we met in 1989 s Batman; Muschietti told Vanity Fair that Keaton s role is substantial. Rudy Mancuso will also appear in an as-yet undisclosed role. In March of 2021, Kiersey Clemons, who signed on to play Iris West back when Famuyiwa was going to direct, recommitted to project. Additionally, word broke soon after indicating Maribel Verdú will play Barry’s mother Nora, but due to scheduling conflicts, Billy Crudup will not reprise his Justice League role as Barry’s father Henry. Ron Livingston will play the part instead. Michael Keaton, after suggesting he might leave the project, recommitted late in the summer. His appearance in the film was also teased during a sizzle reel for the film at DC FanDome 2021, which also featured a great look at Barry’s new suit and a first glimpse at Sasha Calle’s Supergirl.How It Fits in the DC Multiverse: With the story focusing on the Flashpoint storyline – in which Barry’s attempt to save his mother wrecks the universe – the film will feature Ben Affleck as the Batman, as well as Michael Keaton, and may include other familiar faces. A promo package at DC FanDome also suggested Allen may encounter DC heroes from TV and streaming, with multiple clips of Watchmen playing as the panel discussed the Flashpoint possibilities. And considering how the original Flashpoint comic book radically altered the DC Comics universe, the film may bring about the end of the DCEU as we knew it.Aquaman and the Lost Kingdom(Photo by @ Warner Bros. )Release Date: December 16, 2022What We Know: James Wan returns to direct the sequel. According to reports following the first film s stunning box office debut in December of 2018, the studio wanted Wan to develop the project while he decided whether or not to direct. David Leslie Johnson-McGoldrick, a co-writer on the first film, soon emerged to write the follow-up, and Warner Bros. set it for a 2022 release at the end of February last year. Presumably, any sequel storyline will feature the return of Black Manta (Yahya Abdul-Mateen II) and his thirst for revenge. We’re also going to presume a wedding between Arthur (Jason Momoa) and Mera (Amber Heard) will occur. Wan will direct the sequel after completing work on the horror film Malignant, due out later this year, and told DC FanDome that the movie will have a more serious tone compared with the original, and that new worlds will be explored. At the same panel, he was joined by Patrick Wilson, and the pair confirmed that Ocean Master will return for the sequel. For the moment, the film is still expected to be the DC holiday release of 2022 – a year now packed full of films based on comic book characters from Warner Bros. and other studios. And considering The Flash is expected in theaters a month earlier, Aquaman 2 may switch to a 2023 release. In early June 2021, director James Wan revealed the title of the film. A behind-the-scenes video showcased during October 2021’s DC FanDome unveiled a new look at Black Manta’s updated costume and a black version of Arthur’s armor.How It Fits in the DC Multiverse: Aquaman’s seas presumably now exist in a universe all their own. That said, it is always possible for one of the characters to seek his help in a stinger scene.Shazam: Fury of the Gods(Photo by DC)Release Date: June 2, 2023What We Know: Well, as of DC FanDome, we know that the title of the movie will be Fury of the Gods, and that Sinbad – who through the Mandela Effect will always be associated with the franchise – may be in it. Other than that, not much. What we do know is that director David F. Sandberg is back, along with star Zachary Levy and co-stars Asher Angel and Jack Dylan Grazer. The credits stinger at the end of Shazam! revealed our hero could be about to face Mister Mind – one of the tiniest but most powerful villains in the DC canon. We also know the film will be the first of Warner Bros.’ DC offerings in 2023 – for the moment – thanks to the October 2020 scheduling shift. In February of 2021, Rachel Zegler joined the production in a reportedly key role, while it s also been announced Helen Mirren will play villain Hespera, daughter of the god Atlas. In April, Lucy Liu signed on to play Kalypso, one of Hespera’s sisters. In May, Mark Strong confirmed he would not return as Dr. Sivana, saying the film is going in a “different direction” than the one suggested in the first film’s stinger. That change of direction was also signaled during DC FanDome, thanks to a behind-the-scenes video featuring Mirren and Liu’s characters and a number of action scenes.How It Fits in the DC Multiverse: Black Adam, anyone? Although that film is not on Warner Bros. release schedule at the moment, the title character’s connection to Shazam means a crossover – and a confrontation – is inevitable.In DevelopmentWith its plans for a Justice League-centric film universe abandoned in favor of more standalone productions like Aquaman and Shazam!, Warner Bros. calendar during the first few years of the 2020s reveals a number of re-thought ideas and, to borrow a term from comics, new #1 issues. At one time, the studio planned to release as many as three films per year, a target it will hit in 2022. But it remains to be seen if the projects listed below will ramp up to maintain the pace.Batgirl(Photo by © Warner Bros. )Release Date: TBDWhat We Know: Originally intended as Joss Whedon’s writing and directing debut in the DC Extended Universe, the project is now being written by Birds of Prey scribe Christina Hodson while the studio looks for a director. Presumably, the film will establish Barbara Gordon as the Batgirl of Gotham. Her relationship to the Birds of Prey will likely be established in a subsequent sequel to either film, if at all. But considering Hodson’s involvement in both films, she probably has a plan for Babs. In May of 2021, the project became active again with Ms. Marvel directors Adil El Arbi and Bilall Fallah signing on to helm the film, which is now set to be one of the first DC-related direct-to-HBO Max features. In July, the casting process seemingly narrowed in on Isabella Merced, Zoey Deutch, Leslie Grace, and Haley Lu Richardson. Grace won the role later than month with J.K. Simmons entering negotiations to return as Commissioner Jim Gordan, a role he first took on in Justice League. During DC FanDome in October 2021, Grace described the character as a “girly girl, but she’s capable and strong and determined.” Co-director El Arbi added that the film will feature “realistic fights.” A piece of production art glimpsed during the presentation also suggests Batgirl will utilize a costume similar to her New 52 look in the comics.How It Fits in the DC Multiverse: Considering the project comes from developments outside of the original Justice League plan, it is difficult to guess how it will fit in. Perhaps Batgirl will be set sometime in the past or see Barbara taking up the cape and cowl after the Batman appears to quit.Blue Beetle(Photo by DC)What We Know: In February of 2021, word broke revealing Charm City Kings director Angel Manuel Soto will helm a film based on the Jaime Reyes version of Blue Beetle. The character is a Mexican-American teenager living in Texas who discovers a scarab that turns out to be an alien battle suit. It gives him fantastic powers, but makes his life much more complicated. In August, Cobra Kai’s Xolo Maridueña entered talks to play the lead role. The film joins Batgirl as one of two DC productions for HBO Max. Maridueña, Soto, and screenwriter Gareth Dunnet-Alcocer made an appearance at the October 2021 DC FanDome. All expressed enthusiasm for the project, with Dunnet-Alcocer saying the chance to showcase a Mexican-American superhero is a key part of the appeal. “That closeness of family is part of what sets him apart,” he said. An accompanying production painting also suggests the Blue Beetle costume will be surprisingly faithful to its comic book counterpart.How It Fits Into The DC Multiverse: Like Static Shock and some of the other projects, we’re going to assume the film takes place on the same Earth Barry establishes in The Flash. If so, it gives Jaime a chance to join whatever Justice League we might see in the future.Wonder Woman 3Release Date: TBAWhat We Know: Hot on the heels of Wonder Woman 1984’s box office success – well, at least in 2020 metrics – Warner Bros. announced a third film was being fast tracked. Both director Patty Jenkins and star Gal Gadot are set to return. Jenkins also said the film will finally bring Diana s film series to the present day. Of course, with Jenkins heading off to a galaxy far, far away to direct Star Wars: Rogue Squadron, it may be another four years (at least) before Wonder Woman returns.How It Fits in the DC Multiverse: Presuming Diana’s world still aligns to the DC Extended Universe continuity, Diana will finally be a public superhero and, perhaps, serving as an Amazonian ambassador to the world of men. In fact, reuniting her with her people after a century has a very dramatic appeal following the events of Wonder Woman 1984, Batman v Superman, and Justice League. Of course, if the Wonder Woman films are retroactive placed elsewhere in the Multiverse, the story could go in just about any direction.The Other BatmanRelease Date: TBAWhat We Know: In a New York Times profile of Hamada, the DC Films chief made a curious reference to the Multiverse making two Batman feature film sagas possible. One will likely continue the story of The Batman while the other will … well, it’s anyone’s guess right now. The events of Flash may give Ben Affleck’s Batman a new face in the DCEU. Or, perhaps, Hamada has convinced him to keep the cowl on for subsequent appearances. Then again, maybe HBO Max will get its own Batman.How It Fits in the DC Multiverse: Again, this all depends on the DCEU as we knew it existing after The Flash. But presuming this Batman is meant to interact with the other DC heroes in the established film universe, it is easy to see that aspect of his career invade any solo movies he may star in. Or perhaps, he will finally take on allies in Gotham to support spinoffs like Nightwing and Batgirl.Green Lantern CorpsRelease Date: TBDWhat We Know: Announced back with Cyborg in the 2014 masterplan, Green Lantern Corps continues to slowly move forward. In June of 2018, former DC Entertainment president and chief creative officer Geoff Johns took over writing and producing the project through his production company, Mad Ghost Productions. According to the company website, the film will feature both the Silver Age Green Lantern, Hal Jordan (played by Ryan Reynolds in the 2011 film), and John Stewart, the Green Lantern voiced by Phil LaMarr in various Justice League animated series. An earlier concept developed by Man of Steel’s David S. Goyer and Justin Rhodes was said to be a sort of “Lethal Weapon in space” – a description which may still hold true for Johns’ concept as he worked with Lethal Weapon director Richard Donner for a number of years. With Johns participating in a Green Lantern television series for HBO Max, the project would seem to be postponed again though it is said to still be a priority for Warner Bros. Pictures.How It Fits in the DC Multiverse: Teased in a Justice League flashback, the lack of an Earthbound Green Lantern is part of the reason Steppenwolf (Ciarán Hinds) chose the planet for conquest. But the film would presumably see the Corps correcting that mistake by revealing the brave humans involved in that organization. No doubt the fans of Jordan and Stewart – to say nothing of characters like Guy Gardner, Simon Baz, Jessica Cruz, and G’Nort, who could potentially appear in the film – will be excited to see them in an ensemble. Additionally, the film would provide a perfect platform with which to introduce DC’s space-faring characters to a larger audience. At one time, the film was slotted for a 2020 release, but with the announcement of a HBO Max Green Lantern series, it is unclear if the film will ever surface.SupergirlRelease Date: TBDWhat We Know: The Cloverfield Paradox’s Oren Uziel is reportedly writing a script based on the Girl of Steel. Like The Flash feature film, it will presumably ignore the successful television series on The CW and tell its own version of Kara Zor-El’s first few days as a superhero on Earth. With Man of Steel star Henry Cavill s DC future in doubt, it is unlikely that Superman will show up and help greet the cinematic Kara. The producers of the 1984 Supergirl film also tried to get then-Superman Christopher Reeve to appear in the film, but his presence was limited to a poster on a dorm room wall. In February 2021, The Young and the Restless’s Sasha Calle was cast as Kara for an appearance in The Flash feature. Presumably, she will lead Supergirl as well, but it currently unclear.How It Fits in the DC Multiverse: If Calle continues as Kara, The Flash will determine if she’s the Supergirl of Barry’s Earth – our de facto DCEU – or one of the Mutliversal realities he visits in the film.Cyborg(Photo by © Warner Bros. Pictures)Release Date: TBDWhat We Know: Ray Fisher has been set to star as Vic Stone in a 2020 Cyborg film since 2014, but no director or screenwriter were announced. Many doubted the film will ever materialize despite still being on the calendar. In September of 2018, Fisher suggested fans of the character may need to become more vocal to make the film a reality. In the summer of 2020, Fisher launched a campaign to expose Joss Whedon’s allegedly abusive behavior on the set of the Justice League reshoots. As the situation expanded to former DC Films chiefs Geoff Johns and Jon Berg, Fisher vowed never to work with current DC Films boss Walter Hamada – whom he alleged was pressuring him to take back his accusations about Johns. Subsequently, Cyborg’s planned role in The Flash was written out and, presumably, any chance of a solo film outing went with it.How It Fits in the DC Multiverse: Frankly, we’ll be surprised if Cyborg ever resurfaces in the current DC Films structure, Multiverse or no.BlackhawkRelease Date: TBDWhat We Know: While it is unclear if Blackhawk will be part of the DC film universe, it is a favorite comic book of director Steven Spielberg. He even tried to get a Blackhawk movie off the ground in the 1980s. The current version of the project will see him direct a film based on the golden-age Quality Comics concept later bought by DC in 1957 with The Lost World: Jurassic Park screenwriter David Koepp adapting the concept. The main character is the leader of the Blackhawks squadron, a famed air outfit of seven ace pilots during World War II. When DC incorporated them into a post-war context, they became mercenaries, battled James Bond-style supervillains, and even flirted with becoming superheroes themselves! Considering the director’s fascination with the Second World War and aviation of the period, the original Golden Age version seems like the best fit, provided the film ever gets off the ground.How It Fits In The DC Multiverse: While current narrative conceits allow the film to take place in the past of Barry’s Earth, the Multiverse means the project could be as closely or loosely tied to other films as Spielberg wants. That is presuming, of course, he’s still interested in making it.Untitled Jared Leto Joker Project(Photo by © Warner Bros.)Release Date: TBDWhat We Know: According to reports, Jared Leto will star and serve as executive producer in his own solo Joker film – a deal which happens to be quite similar to Robbie’s involvement in Birds of Prey. Details are scarce, other than it will be a separate project from both the “Joker and Harley” concept and the standalone Joker. It will also spearhead a batch of films based on the characters featured in Suicide Squad, which means rumors of that Deadshot movie might be more than idle talk. Then again, it has been a long time since the actor has made any mention of returning to the role. Also, the announcement of a Peacemaker HBO Max series – centered on The Suicide Squad character played John Cena – may indicate the original spin-off plan has gone by the wayside. It would seem Leto’s time in the DC Multiverse is already over.How It Fits in the DC Multiverse: The Leto Joker was not only featured in Suicide Squad, but is also the murderer of Batman’s second Robin, as implied in Batman v Superman: Dawn of Justice. As of Birds of Prey, his relationship with Harley is kaput, setting the two characters off in separate films series. If the “Joker and Harley” project is still happening, then it may serve as a capstone to the characters storylines across The Suicide Squad, Birds of Prey, and Leto’s Joker. But it may also serve as a replacement for that film as Robbie’s Harley projects may preclude “Joker and Harley.” Of course, Joker’s success – and Leto’s comments about being “alienated and upset” when it was announced – may mean the end of this version of the character. His appearance in Zack Snyder’s Justice League and the very nature of the Multiverse offer some glimmers of hope, however.Joker 2(Photo by Niko Tavernise/© 2019 Warner Bros. Entertainment Inc.)Release Date: TBDWhat We Know: Thanks to the success of the first Joker, a follow-up was inevitable, but details remained scarce through 2020. In May of 2021, word broke indicating the project is still in development with a surprising new tie to the larger DC Multiverse. Star Joaquin Phoenix and direct Todd Philipps will presumably return. Although the early reports were refuted, the more recent claim suggests Phillips is already writing the script.How It Fits Into the DC Multiverse: According to the May 2021 report, the film will tie into The Batman and its spinoff HBO Max series, Gotham PD. If this proves to be true, it is a change from the original film’s entirely standalone nature. Additionally, the two Joker films, The Batman, and Gotham PD would constitute the first true separate universe from the one established in Man of Steel.NightwingRelease Date: TBDWhat We Know: As of February 2018, The LEGO Batman Movie’s Chris McKay was still developing a project centered on the first Robin, Dick Grayson. A final draft from screenwriter Bill Dubuque was due at the time, but there has been no movement since. Reportedly, the film has been postponed in anticipation of The Batman, which may ultimately introduce its own version of Dick Grayson. In June of 2021, McKay told CinemaBlend, I hope it’s still a reality. I hope that we still get to make that movie. As far as I’m concerned, it’s not lost yet. How It Fits in the DC Multiverse: As established in Justice League, the Robin costume in the Batcave is not Dick Grayson’s uniform, suggesting plans for Nightwing go all the way back to the 2014 masterplan. A solo film would presumably see the character living in Bludhaven (Grayson’s adopted city in the comics) and coming to grips with becoming his own hero. McKay also plans to direct a new Dungeons Dragons film and a feature film version of Johnny Quest, so it is hard to tell if Nightwing will happen anytime soon. Last time McKay was asked about it, he said fans will have

1. 亚博APP在线下载地址
(Photo by GABRIEL BOUYS/AFP/Getty Images)As we near the end of a bizarre, pandemic-shaped awards season, this year s Academy Awards ceremony makes no promises — except that masks will be required attire.The program, taking place on Sunday (two months delayed from its original date), is produced by Steven Soderbergh, Stacey Sher, and Jesse Collins, who sent a letter in March telling nominees that Zoom appearances will not be allowed, according to People. The in-person event will take place at both Union Station in downtown Los Angeles and the Dolby Theatre in Hollywood – as well as at satellite locations across the planet – and nominees who choose to attend are encouraged to wear not-casual attire.Recommended: Download our printable 2021 Oscars BallotRecommended: The Biggest Snubs, Surprises, and Milestones of the 2021 Oscar NominationsRecommended: Where to Watch the 2021 Oscar NomineesRecommended: The 2021 Best Picture Nominees Ranked by Tomatometer We re aiming for a fusion of Inspirational and Aspirational, which in actual words means formal is totally cool if you want to go there, but casual is really not, the letter said.With a slimmed-down attendee list of only presenters, those nominated, and their guest and the event being treated as an active movie set in terms of COVID protocol, producers must have something truly unusual planned, and we re eager to see how it stands up to past events.While we wait to see what s in store on the 2021 red carpet and during the event spectacle, we ve had a look at the Oscars events of the past decade and ranked them below from best to worst. So does anyone beat Anne Hathaway and James Franco as hosts of the worst Academy Awards ceremony in the past 10 years? Read on to find out. 12. Octavia Spencer(Photo by © Neon)Octavia Spencer got her first solo starring role this year with Ma, the psycho-horror flick about a middle-aged woman who becomes creepily obsessed with a group of teens after she helps them get booze from the local liquor shop. And while the film wasn’t exactly splattered with critical acclaim, reviews sang Spencer’s praises as the super-scary “Ma” – comparisons were made to Bette Davis’s Baby Jane – and the movie made decent money at the box office, earning million worldwide off a budget of just million. Spencer proved she could draw crowds. The actor s other big 2019 release, indie drama Luce, did hit with critics: the film about a controversial school paper that leads a teacher to question the nature of an all-star student is Certified Fresh at 93%. Spencer, who plays the movie’s meddling/concerned schoolteacher, gives what many are calling a career-best performance that may put her among the Best Supporting Actress nominees come Oscar night next February.11. Billy Eichner(Photo by Jesse Grant/Getty Images for Disney)Want an impossible task? Try being the standout in a cast that includes Beyoncé, Donald Glover, Chiwetel Ejiofor, Alfre Woodard, and James Earl Jones. Comedian-turned-actor Billy Eichner managed just that this year, stealing the whole damn show – with an assist from Seth Rogen – as Timon the meerkat in Disney’s live-action-OK-fine-it’s-really-just-animation version of The Lion King. Eichner’s ad-libbed hilarity and unique spin on the character had even those who weren’t too hot on the movie singing his praises (and his version of “Hakuna Matata”). It was a good start to the year for Eichner, too: In February, it was announced he will star in and co-write a Judd Apatow-produced rom-com, in which he will play a gay romantic lead.10. Leonardo DiCaprio(Photo by © Columbia Pictures)There were very few things people unanimously agreed upon about Quentin Tarantino’s nostalgic, laconic, violent love letter to 1969 Los Angeles, Once Upon a Time in Hollywood; portrayals of Sharon Tate, Bruce Lee, and, well, women in general, left a lot of audiences split. One thing everyone seems to agree on, though, is that Leo has lost absolutely none of his ability to light up our screens – even after four years away from them. His portrayal of fading TV star Rick Dalton is a hot Oscar favorite already, with folks particularly falling for his tender scene with young Julia Butters’ Trudi.9. Lupita Nyong o(Photo by © Universal Pictures)Hail our new scream queen! Academy Award winner Lupita Nyong’o, until 2019 best known for 12 Years A Slave, Queen of Katwe, and Black Panther, reached official horror icon status this year with two swift moves. First, she impressed genre fans at the Sundance Film Festival as a ukulele-strumming schoolteacher in Little Monsters, the Aussie zombie flick in which she gets drenched with blood and sings a soothing rendition of Taylor Swift’s “Shake It Off”; the movie should hit theaters later this year. Then Nyong’o put herself in the Oscar conversation with the dual roles of Adelaide and her murderous doppelgänger “Red” in Jordan Peele’s terrifying and critically acclaimed Us. The movie would make a ton of money when it opened in March and leave half the country doing their best croaky “once…upon…a…time…” Nyong’o impressions.8. Shia LaBeouf(Photo by Nigel Bluck / © Roadside Attractions) Don t let your dreams be dreams! Just do it! Whoever said those words, Shia LaBeouf certainly has taken them to heart, making 2019 the year of a critical darling comeback. Once a bag-on-head puzzle – known for public drunken meltdowns and bizarre social experiments – LaBeouf has found the jelly jam to life: A little Peanut Butter and a lot of Honey to turn his prospects around. The Peanut Butter Falcon, an emphatic and rousing Mark Twain-style adventure, is Certified Fresh at 95% and has a huge Audience Score of 98%. Meanwhile, Honey Boy, based on his deeply vulnerable autobiographical screenplay, has maintained its perfect 100% score since its Sundance debut, and is due for release this November.7. AwkwafinaIf 2018 was the year the world got to know Awkwafina, 2019 has been the year it learned it was not going to forget her anytime soon. It started in January when The Farewell debuted at Sundance to rave reviews, with critics praising the actor’s first lead – and mostly serious – role; the movie would open with the best per-theater-average box office weekend of the year in July, and is slowly becoming the surprise indie hit of 2019. (It’s also 99% Certified Fresh. Not bad!) Her golden run, which includes last year s Crazy Rich Asians and Ocean’s 8, shows no signs of slowing down: already this year we’ve seen casting announcements for her upcoming roles in Jumanji 2: Welcome to the Jungle, the live-action Little Mermaid remake, Disney s new animated film Raya and the Last Dragon, and for Marvel’s Shang-Chi and the Legend of the Ten Rings. Yep, the “My Vag” rapper is heading to the MCU.6. Ava DuVernay(Photo by Atsushi Nishijima/Netflix)Let’s be honest: every year since she broke through big with 2014’s Selma could be called Ava DuVernay’s year. Since releasing that Oscar-nominated film, she has become the first black woman director to helm a movie that earned over 0 million (A Wrinkle In Time), made the game-changing and acclaimed Netflix documentary 13th, signed up to direct DC’s New Gods, produced acclaimed TV series like Queen Sugar, and, through her production company Array, championed dozens of new voices and filmmakers. And yet 2019 might be her biggest year yet, thanks to When They See Us, her four-part dramatization of the case of the so-called Central Park Five.  DuVernay s acclaimed miniseries follows the arrest, trial, imprisonment, and eventual exoneration of the five young New Yorkers falsely accused of a vicious rape in Central Park, and it has been earning high-praise since landing on Netflix in May; the series is Certified Fresh at 96% and is up for 16 Emmy nominations.5. Neil Gaiman(Photo by Mike Marsland/WireImage)As a best-selling novelist, the author of Coraline and Stardust has long “ruled,” but 2019 sees Gaiman in the second season of the TV adaptation of American Gods on Starz – and that’s just to start. His collaboration with the late, beloved novelist Terry Prachett, Good Omens, was developed by BBC Studios and Amazon Studios and released this year, starring Michael Sheen (Frost/Nixon) and David Tennant (Doctor Who). Like American Gods season 1, the limited series is Certified Fresh. Most recently – and to the delight of longtime Gaiman fans – Netflix announced in July that it is developing a show for graphic novel series The Sandman. “We now have the CGI, we now have the technology, and we now have an adult audience, and we have millions upon millions of people who love Sandman and would love to see it,” the author told Rotten Tomatoes in May.4. Jordan PeeleJordan Peele revealed he was more than just a funny guy when he unleashed 2017 s Get Out on unsuspecting audiences and catapulted straight to the top of everyone s Directors to Watch list. The offbeat social-satire-cum-horror-thriller signaled Peele as a fresh new voice in the genre, and he proved he wasn t a one-trick pony when his follow-up, this year s Us, debuted with a monster million opening weekend and a Certified Fresh 93% on the Tomatometer. He wasn t done there, though. At the end of March, CBS All Access premiered its reboot of seminal sci-fi mystery series The Twilight Zone (Certified Fresh at 74%), with Peele not only hosting the show as a modern-day Rod Serling, but also providing guidance as executive producer. As if all that wasn t enough, he still had time to remind everyone how hilarious he is by reuniting with his Key Peele co-star Keegan-Michael Key to steal multiple scenes in Toy Story 4 as Bunny and Ducky.3. The Russo BrothersAvengers: Endgame. Mic drop. What, you wanted more? You mean it s not enough to juggle dozens of punchy, kicky, laser-blasty superheroes coming from different power sets, perspectives, and dimensions into a cohesive, thrilling whole? To not buckle under the weight of 11 years of growing anticipation, across 21 movies – all Fresh, most Certified, and each a No. 1 box office opener – and not only meet those expectations, but exceed them? And for that to flourish into the highest-grossing movie of all-time? Well, if you needed more, just over a month after Endgame, when the blockbuster buzz was still riding high, Joe and Anthony Russo announced their next project: an animated adaptation of Magic: The Gathering, outing them as the most famous fans of the 26-year-old trading card game. Behind the camera and in career development, the Russos never fail to surprise.2. Phoebe Waller-Bridge(Photo by © Amazon Prime Video)In a year in which 11-time Emmy-winner Julia Louis-Dreyfus and her HBO series Veep have returned for awards contention, season 2 of an intimate little streaming comedy, Fleabag, and its creator and star are challenging expectations. The Amazon Prime Video series’ new season sits atop our list of the “Best TV Shows of 2019 (So Far)” with a 100% Certified Fresh Tomatometer score on 78 reviews. Season 1 also has a 100% score, making Fleabag the only series with more than one season and a title-level 100% score backed up by entirely Certified Fresh seasons. Four of Waller-Bridge’s five Emmy nominations are from this year, including for Fleabag, Outstanding Comedy Series, Outstanding Lead Actress in a Comedy Series, and Outstanding Writing for a Comedy Series for the season 2 premiere episode. She is also creator and executive producer of 2019 Outstanding Drama Series contender Killing Eve, which was also nominated last year in the category. On top of her TV accomplishments, Waller-Bridge was tapped to work on the Bond 25 script – now known as No Time To Die – and turned in a scene-stealing voice performance as L3-37 in last year’s Solo: A Star Wars Story. The star is not just ruling 2019, she’s owning it.1. Keanu Reeves(Photo by Doane Gregory / Netflix)Still, if we have to crown one person as the true ruler of 2019 – so far – the title must undisputedly go to Keanu Reeves. Just how good has 2019 been for Keanu? Let us count the ways. He kicked it off with John Wick: Chapter 3 – Parabellum, which would be the best reviewed of the already acclaimed series and almost double the domestic and international haul of Chapter 2. He followed that with an extended cameo in the Ali Wong-Randall Park rom-com Always Be My Maybe on Netflix, and showed he had zero qualms about making fun of his image as the ideal boyfriend (he also delivered a movie entrance for the ages, and one which launched a thousand memes). Next came scene-stealing voice work as the stunt-performer toy Duke Caboom in Toy Story 4, and the announcement that he is going to star in The Matrix 4 . He s also been shooting another sequel to Bill and Ted. (He also dazzled attendees of Xbox s E3 briefing with a surprise appearance that revealed him as the star of 2020 video game title Cyberpunk 2077 — and, yes, he was breathtaking.) Between projects he’s also made headlines for just being a stand-up guy. So yes, it’s been the Year of Keanu (and we will never mention 2018 – era of Replicas and Siberia – ever again).Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
《大圣王》手游除了以剧情文本的方式承袭原著的世界观外,通过《大圣王》漫画元素衍生出的玩法,将使得《大圣王》手游无论是在剧情上还是在整体玩法上再上一个新的高度。《大圣王》漫画本身有诸多可发觉的要素,而此次《大圣王》手游亦是在原漫画内容的基础上,再出新意,挖掘出酷炫玩法。玩家不单单被动的去接受世界观,而是通过自身的游玩去感受游戏所想呈现给玩家的世界。亚博APP在线下载地址此外,《天谕》手游在许多玩法的设置上,也十分对女玩家们的胃口。作为一个精致的猪猪女孩,泡澡spa绝对不能少。因此,《天谕》手游特别为玩家们提供了一处温泉会所【凌波馆】,玩家可以进入【凌波馆】享受5星级的泡澡按摩体验。出来之后,不仅通体舒畅,而且还会使皮肤更加白皙细嫩哦!

3. 激战团竞模式
手游平台主要针对的是混服平台和游戏盒子,以流水分成的形式获利,点位根据游戏的不同也是不同的,大部分游戏的点位一般在70%-85%之间,点位的多少主要看游戏的质量和厂商的知名度。

4. 呼朋唤友 随心所欲
It s beginning to look a lot like awards season. This of course is despite the fact this year looks nothing like the previous 92. Next Monday, March 15 – around 8am Eastern, 5am Pacific – someone (we still don t know who) will announce the nominees for the 93rd annual Academy Awards on behalf of the Academy of Motion Picture Arts and Sciences (AMPAS).Frontrunners have been coming into focus all awards season –check out our Awards Leaderboard to see which films and folks are racking up awards so far – but after the Golden Globes scandal-ridden and shocking ceremony, it is still a very open contest, with many people frankly tuning out as the global box office has been dormant for much of the year.Still, the awards obsessives (yes, that includes us) are dialed in, and even with big-name titles once expected to be major players this year vacating to next season, a record number of films gained eligibility: With over 300 films eligible for awards, predicting who would be nominated is a tall order.Below, you’ll find our predictions for the 2021 Oscar nominations, which honor the best in filmmaking from the extended season, which cut off in February of this year. We based our picks for the categories ranging all the way from Best Picture to Best Original Song on potential nominees’ critical reception (hello, Tomatometer!), the nominations and wins they’ve been receiving from guilds and other groups during awards season, as well as what we’re hearing from voters and other industry folks – a.k.a. the “buzz.”Will Nomadland get stunned by The Trial of the Chicago 7 or the upstart Promising Young Woman? For answers, check out our Oscar nominations predictions below, and be here Monday when we reveal who officially is nominated for the 2021 Academy Awards.Check out our picks for the Oscar nominations below, and let us know who you think will be nominated in the comments.Best Picture

5. HD 画质与高品质音讯
使用強大的百度引擎0建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

7. 官方资讯
更多资讯请关注我们的官方社群:
官方网站:http://hbyilong.com/app/574234/35261.html
Facebook粉丝页:http://hbyilong.com/app/823570/30638.html
Twitter:http://hbyilong.com/app/690770/73493.html

展开
更新
Version 0.98.72022-01-18
查看全部

3.60.4 6月喜迎由周杰伦代言的动作手游《街霸:对决》正式上线,这也是周杰伦今年代理的腾讯第三款游戏,前两款分别是《英雄联盟》与《使命召唤手游》。此外在2020线上虚幻引擎技术开放日上,莉莉丝与祖龙也透露了各自正在研发的项目,前者公布的是一款废土题材的射击游戏,后者公开的则是一款与祖龙此前画风不太相仿的游戏,或与女性向产品有关。
LOL手游和王者荣耀实在是太像了,同样是moba品类游戏,无论是玩法上,还是操作上都有很多相似的地方,所以玩家的重合度会很高,二者之间肯定会造成竞争关系。明明王者荣耀已经这么火了,为什么腾讯还会推出LOL手游竞争呢?知道原因后你会感激腾讯的!
我觉得相比于之前LOL手游在海外的暴死,这次《宝可梦大集结》的开服成绩依靠其强劲的IP,本身作为moba游戏完成度已然不错,只要工作室不在游戏运营上作死,在偏娱乐向的玩法上增加丰富的玩法内容,稳定玩家的基数,还是可以长久在海外畅销的。大家对此有什么看法,也欢迎评论出来。

金牛神途单职业手游火爆上线,这是一款人气超高的热血传奇手游,还有着全新的游戏内容等着你来体验,挑战烧猪副本是升级最快的方式,开放式世界地图,合击玩法很受玩家喜爱,下载还有惊喜等着你。
以单一手机游戏之力,开创了手游直播的内容板块,至今仍是游戏直播第一游戏,主播数量是第二的《英雄联盟》端游加上第三《和平精英》的总和。
(Photo by Columbia Pictures)Disney remained in full dominance at the box office this weekend, though Quentin Tarantino had the biggest opening of his career and a shot at his fourth 0 million grosser.King of the Crop(Photo by © Walt Disney Studios Motion Pictures)No surprise that Disney’s The Lion King was able to hold on to the No. 1 slot this week. Even with a 60 percent drop, the animated film was still able to haul in million. That is the ninth-best second weekend of all time, and with 3 million in the bank it is good enough for eighth place after ten days of release. Incredibles 2 last year had 9.7 million and the live-action Beauty and the Beast was at 9 million in 2017. They now move down to ninth and tenth all-time. All signs right now suggest Jon Favreau’s redo is headed north of 0 million domestic. It is over 2 million worldwide to date and already 47th on the all-time chart.Once Upon a Time…Generally, films about Hollywood and the industry do not draw the same reactions from the public as they do from critics and people in the know. Comedies such as Tropic Thunder, Get Shorty, and Bowfinger have done well enough, but more inside baseball stuff about the business, like Ed Wood and Hail, Caesar!, have not exactly attracted major interest. But throw in two of the most recognizable names in front of the camera and a third behind it and all of a sudden you have Once Upon a Time in Hollywood, which earned the biggest opening of Quentin Tarantino’s career with .35 million. Better even than his last go-round with Brad Pitt in August 2009 when Inglourious Basterds opened to .05 million. However, it may be the other star that is the true secret sauce.Leonardo DiCaprio is as safe a bet these days in casting original projects. Directors like Martin Scorsese and Christopher Nolan help, but the Oscar winner also elevated Baz Luhrmann and Alejandro Gonzalez Inarritu to the biggest successes of their careers as well. DiCaprio’s last four films (including his supporting turn in Django Unchained) have grossed 6 million or higher. Go back a full decade to 2010 and you can make the streak six out of seven (with Clint Eastwood’s J. Edgar being the sole outlier with just .3 million total). Inception (.7 million), The Great Gatsby ( million), and Shutter Island ( million) all opened higher, but that just means that Once Upon a Time is the fourth-best opener of DiCaprio’s career, just as it is Pitt’s. World War Z (.4 million), Mr. Mrs. Smith (.3 million), and Troy (.8 million) all opened higher. Pitt has had ten 0 million grossers as either a lead or co-lead. If you count Django, then DiCaprio has had ten as well. An opening like this certainly gives both actors a chance to take those numbers to 11.The Top Ten And Beyond(Photo by Sony Pictures)Spider-Man: Far From Home crossed the billion-dollar line worldwide this week; it is the first Spidey film to do so. With 4 million after 27 days, the film overall is still right in line with 0 million grosser The Hunger Games and still a bit ahead of 2002’s Spider-Man. However, its fourth weekend of .2 million is well behind the respective million and .5 million fourth weekends of those films, so it is fading a bit faster. Transformers: Dark of the Moon posted a million fourth weekend as well, and finished with 2 million. Far From Home is still about million ahead of that film’s place and is likely headed somewhere in the vicinity of Spider-Man 2’s 3 million. Worldwide it is currently the 32nd-best earner of all time and seems on track to pass Skyfall’s .108 billion and become Sony’s highest-grossing film ever.Toy Story 4 is going to cross 0 million domestic next weekend, and after 38 days is the 18th-highest grosser ever. Its .8 million sixth weekend is better than 11 of the top 20 films on that list, and looks ready to finish north of 5 million. That will help get the film over a billion as it currently stands as the 56th-highest-grossing film ever worldwide. Ahead of it at the moment, globally, is Disney’s live-action Aladdin, which, with .009 billion in the bank, is the 39th-highest-grosser ever.Finally, in limited release news, Lulu Wang’s The Farewell — still brandishing a perfect 100% on the Tomatometer — made it into the Top Ten this weekend. It is the first film not in wide release to hit the top ten since the weekend of Mar. 22-24 when No Manches Frida 2 grossed .77 million in 472 theaters. The Farewell is only in 135 theaters nationwide and grossed .55 million this weekend. How does that stack up to similar releases? That is better than A24’s Eighth Grade did last summer when it expanded to 158 theaters in weekend three and grossed .26 million. When Revolutionary Road jumped to the same number of theaters in its third weekend, it grossed .42 million that week and went on to gross .91 million total. Among a sample of some of the more successful indie releases between 125-150 theaters at this point, The Farewell is not quite up to the heights of Crouching Tiger, Hidden Dragon or Midnight In Paris, but with .6 million after 17 days it is ahead of all the rest of them, including such notable titles as There Will Be Blood, Boogie Nights, and Thank You For Smoking. Next weekend’s nationwide expansion will paint a larger picture.This Time Last Year(Photo by © Paramount)It was Tom Cruise and Mission: Impossible – Fallout handily leading the way with a .23 million opening. That was more than the next five films in the top ten combined, including the disappointing bow for Teen Titans Go! To The Movies, which only began with .41 million. Both films were very well-liked with critics, scoring 97% and 91%, respectively. Last year’s entire Top Ten averaged 71% on the Tomatometer and the Top Ten grossed 3.33 million; just the 42nd-best among July weekends since 1990. This year’s Top Ten averaged 73.7% on the Tomatometer and grossed a total of 2.52 million, only the 34th best.On the Vine: Hobbs Shaw Hopes For Spinoff SuccessFor the third week in a row Hollywood is delivering just a single new wide release into theaters and it could be another big one. Fast Furious Presents: Hobbs Shaw hopes to explode next week after the previous three films in the franchise opened to million or higher. Will Dwayne Johnson and Jason Statham’s partnership draw the loyal fanbase to similar numbers? Also next week, A24 expands Lulu Wang’s The Farewell nationwide. And look for other well-received Sundance fare in limited release, including Luce (95%) with Naomi Watts, Octavia Spencer, and Kelvin Harrison Jr., as well as Jennifer Kent’s follow-up to
In the world of Game of Thrones, conventional wisdom would suggest Daenerys Targaryen has proved herself a fair and just leader, powerful, and compassionate, but firm. Others may see it that Jon Snow, aka Aegon Targaryen, truly is the rightful ruler by Westeros tradition, given that his father was the uncrowned king of the land Rhaegar Targaryen, killed before he could reveal his legitimate marriage to Jon s mother, Lyanna Stark. Or maybe possession really is nine-tenths of the law, and Cersei Lannister, who in no other way is the legitimate ruler, should continue to reign.Why bother watching season 8, when you can read our hot takes on who should sit the Iron Throne?Should Take the Throne: Daenerys Targaryen (Emilia Clarke)(Photo by Helen Sloan/HBO)Some in Deanery’s shoes would be content to rest on their laurels: She has two dragons and a rightful claim to the throne – case closed. But Daenerys has gone above and beyond to earn her place on the Iron Throne. She’s endured personal losses (her dear dead Drogo, their unborn child, her dear undead dragon) and inspired audiences over and over again with moments of strength and steeliness. Most of all, across seven seasons of city-hopping and army-charring, she’s proven a master strategist and builder of alliances, bringing together groups as disparate as the Dothrakis and the Unsullied to form a formidable force as she moves towards what’s rightfully hers.Should Take the Throne: Tyrion Lannister (Peter Dinklage)(Photo by Helen Sloan/HBO)Don’t dismiss Tyrion Lannister as the Miss Congeniality of Thrones’ remaining contenders. He may be likable and gentle-hearted – at least in Westerosi terms – but he is also the shrewdest political mind left, a key skill to have in a place that gets so stabby. He’s in many ways one of the series’ ultimate survivors, managing to make it to adulthood despite his family’s unbridled hatred of him, and working his way to Daenerys’ side (the likely winning side). It should be noted he’s also part of the reason there’s still a throne for the series’ aspirants’ to sit on at all, stopping the destruction/sacking of King’s Landing not once but twice – and earning his scar in the process.Should Take the Throne: Jaime Lannister (Nikolaj Coster-Waldau)(Photo by Helen Sloan/HBO)One key to good leadership is growth, and few characters have grown quite as much as Jaime. After all, the wounded, chisel-jawed hero who has slowly won your heart over seven seasons was not so long ago the sister-bonking cad who pushed Bran out of a tower in the final moments of Thrones’ first-ever episode. It’s been a “journey.” Throughout that journey, we’ve seen Jaime develop a number of the traits that would steer him well as king (but perhaps make his reign somewhat short): a developing sense of selflessness, a propensity fo
评分 & 评价
1.4
3.7 万 个评价
游戏时长 6.9小时

Ghcxuf (Photo by Netflix)The long and arduous road to bring The Irishman to theaters spanned two decades and featured several dead ends and detours. It took Netflix stepping in at the last minute with a 0 million budget and multimillion-dollar ad campaign to distribute Martin Scorsese s long-awaited gangster opus as he had hoped to see it. Though the streaming giant s row with theater owners prevented a large-scale rollout, the film delighted audiences over the Thanksgiving break, and as the accolades continue to roll in on our Awards Leaderboard, we are now safely considering it a lock for a Best Picture Oscar nomination and perhaps even a win.Realizing a script by Steven Zaillian based on the controversial eponymous memoir, Scorsese has created his most epic work in the gangster genre with which he has become synonymous. The film chronicles Frank The Irishman Sheeran s time as a member of the Teamsters Union and as a hitman for the Mob, as well as his friendship with various mafia figures from the early 1960s onward, including infamous Teamster boss Jimmy Hoffa. To bring the story to screen with actors Al Pacino, Joe Pesci, and Robert De Niro playing younger versions of themselves, the shoot had to employ cutting edge de-aging technology and groundbreaking visual effects and photography techniques. To achieve this, cinematographer Rodrigo Prieto and visual effects supervisor Pablo Helman utilized a by-any-means-necessary approach to the visuals, inventing new camera equipment and techniques to shoot the action without encumbering the actors performances or Scorsese s vision. When we sat down with Prieto and Helman, they broke down their efforts, the new camera rig they fashioned, and why, when you work with Martin Scorsese, the last thing you want to tell him is No, we can t do that. Usually, I don t get involved talking to the DP and the director together until later on, but this was so important. (Photo by Netflix)Pablo Helman: I ve been involved with the project since 2015, so that s been four years, and we were all discussing the whole process with Marty [Scorsese], and I was working with him on Silence. We were shooting in Taiwan, and I took the opportunity to get to know Marty in Taiwan, and we started talking about technology, and of course, he s such a curious person. He always wants to know more about stuff. So we started talking about technology and making actors younger, and he told me that he had a project that he s been trying to do for about nine years, and this was in 2015. He sent me the script overnight, and of course, when he says he is going to send you something overnight, then you read it overnight. So I read the script and in the morning I was in.Rodrigo Prieto: I guess it would have been very soon after that when we had the conversation that started seeming like this was viable, and The Irishman could be, in fact, made. For me, I was just hearing about it, but not in a specific way. I was obviously so immersed in Silence, so it wasn t really until after we were done with Silence that I really started hearing about The Irishman and the idea of shooting a test. But I wasn t able to physically shoot the test myself, but I did participate in arranging for it. I got Reed Morano to shoot it; she s a director and a DP and she s wonderful. Of course, Pablo made the whole test happen. Then, later on, I saw the test while I was in the post-production phase of Silence.Helman: For me, it s just the same thing that Rodrigo did. Usually, I don t get involved talking to the DP and the director together until later on, but this was so important. Also, as a visual effects supervisor, I don t want to interfere with anything that Rodrigo is planning to do and he s talking to Marty about, but I realized how intrusive what we were going to do was going to be, and I tried to stay away from any creative decisions that would influence how we were going to shoot the movie. I really trusted Pablo. I knew that if he said he could do something he was going to do it. (Photo by Netflix)Prieto: When we started our first discussions, the essential part of all this was the look that we were going for. As I ve said before, we wanted the movie to have this feeling of memory, and I felt that it was important to photograph it with film emulsion, with film negative, because also I was doing the simulation of photography in Kodachrome for the 50s, Ektachrome for the 60s, and then in the 70s, it was a different process. But it all was based on photochemical processes that we all have in our memories; photographs, photography not digital photography, but photography either on the transparencies or on negatives. So we felt very strongly that we had to shoot this movie on film, but Pablo explained to me this rig that he was concocting that had to be digital, because all the shutters of the three cameras had to be synchronized. And then also he described how these, the main camera and the witness cameras, had all had to move in unison.So we actually had to create a rig that could take three cameras, so it made it physically impossible for it to be film cameras. So then, for me, it became choosing a camera that would be able to map the colors and the lookup tables of the Kodachrome and Ektachrome and so on, onto a digital camera that would match the film camera, the way that the film negative was responding to those lookup tables. Then, in addition to that, I told Pablo, you have to make sure and you have to guarantee to me that you ll be able to also match the texture, meaning the film grain. And since we worked very closely on Silence before, I really trusted Pablo. I knew that if he said he could do something, I knew that it was true. He was going to do it. So with that trust, I was okay. I said, all right, let s split it. We ll shoot on film, which everything that happened doesn t need the three-headed monster for the visual effects. Then we ll shoot the digital cameras for that, and we ll make it all match, and indeed that s what happened in the end. I think everyone of us that has worked with Marty has come to realize you really don t say no to Marty. (Photo by Netflix)Prieto: I think every one of us that has worked with Marty has come to realize you really don t say no to Marty. There is no limit in him as you know, and that s part of the joy of working with him. But he has these amazing ideas and concepts, and it s up to us to figure out how to make that actually come to fruition and technically achieve it and also artistically enhance it. That s a beautiful thing.Helman: I think in terms of film or digital or all these, I don t think he has this predetermined notion that everything has to have a film texture. It s more of an emotional thing for him. When I projected tests of something shot on film negative and something shot on digital, he feels more connected to the actors on what he s seeing on film negative. So it s more a feeling than a dogma. But then again, I know that he doesn t have a compunction of shooting a whole movie on digital. It s not something that he necessarily is married to one or the other. But I think that in the case of The Irishman, he agreed that the texture of film was an important part of this feeling of memory. I think it was pretty successful. Pablo was very impressed.Prieto: One thing for me that was also important and we talked a lot, Pablo and I, in pre-production was that I wanted to be able to sit in the digital intermediate room doing the color grading as if I shot the whole movie on film negative, and the lighting on the face replacements on the DGI visual effects would be the same that I did on the set and would react the same way of when I tweaked it in the ice suite. And it did. It felt completely organic. Whenever I came up to the shots that were Pablo s, as opposed to the ones that I had shot with a film camera, and then I came to the visual effects shots, it felt pretty seamless, and I think that was thanks to whatever magic Pablo did. From the beginning, [Scorsese] told me that De Niro was not going to wear any markers. He was not going to wear any helmets or cameras in front of him. (Photo by Netflix)Helman: Also, it s a way for us to understand what it is that he s after. You see, when he says something, he really means it, and it all goes to how he feels about something, so it s part of our job.Prieto: I think that there were other technical things that we talked about, because we were working with infrared technology and there was the lights and things that Rodrigo and I already talked about. We don t involve him. It s part of solving the problem.From the beginning in Taiwan, Marty told me that Bob De Niro was not going to wear any markers. He was not going to wear any helmets or little cameras in front of him. He wanted to be on set with the lighting, so there wouldn t be reshoots or shooting a scene in a different controlled environment that we call a mock-up studio or anything like that. He told me, I want the technology completely away from the performances. I want to work the way I want to work with the actors. The actors want to work with the actors too, and I want that technology completely away. The reason is the difference. You can see the difference in the performances. If the actors are not in the moment, in a different environment, not acting with their acting partners, the movie doesn t happen, because a lot of what happens between two actors is a connection that translates through the camera into the audience. If you are in the middle as the technology and visual effects supervisor, it s going to take it all in the movie, and we don t want to do that.Also, in cinematography, there s a lot of preference in terms of the lights, the cameras, the marks on the floor all these things that I try to make as minimal as possible. In fact, I try not to say things to the actors. I want them just to feel as free as possible. The three-headed monster camera rig became a concern in pre-production because we knew that Scorsese was going to want to be able to move the camera in whichever way he would desire. I didn t want to say, Marty, we really can t do this shot you re saying, because this camera s too heavy or big. Pablo and I worked together to make sure the camera team and also with every rental and ILM to design a rig that could work on any type of camera head, be it a fluid head or a remote head, a crane, or even on steady cam. We tested that several times and went back to the drawing board when initially we failed; particularly the remote head didn t respond. It was not happy with the weight. We had to come up with different materials and different types of motors for the focus and all these things. It was actually quite fun in pre-production to work on this and figure it out.Helman: On the set for me, it was important that my focus was the main camera and the lighting for that. The camera movement and the other witness cameras that were shooting infrared and actually lighting infrared would be Pablo s world. There were camera technicians for those cameras, focus pullers. There was our whole team. Each camera had its own team, but I didn t want to worry about that. I wanted to be able to deliver the schedule. So, that was another part that I m grateful to Pablo, because indeed, he just made sure that he was getting the information he needed from those cameras, and I mostly forgot about it. There were instances where even the rig, we had to make it so that we could detach one of the witness cameras and place it in a different place for example, putting it on top of the main camera because I needed to be close to a wall or I was seeing the other camera in one of the shots. We tended to shoot a lot with two cameras simultaneously. So we then were able to remove the camera and put it in a different spot. It was modular, so we kind of created a monster that was relatively nice to us. It wasn t so monstrous after all.I think the whole idea was, from a technology point of view, to remove the burden from the actors. If you remove the burden from the actors, that burden doesn t go away. It gets spread out throughout all these departments. The first department that hits is Rodrigo s, because he s got double the crew in the camera. So you have infrared, then it also spreads over the production design because you see the rig; it s about 30 inches wide. The frame of a door in the United States is about 32 inches, so we have to make sure, and we knew we had like 117 locations, so we had to get the rig through the doors and all kinds of things. Also, because we re working with infrared technology and really old cars from the 50s and 60s, the windshields on the cars have lead, and the lead doesn t let the infrared light go through, and I can t have that. So we had to take all the windshields off. All the windshields that you see are all CG. See how it spreads all over the place? It was a whole team working out the technology so that it was away from the actors and the director and they could do wherever they wanted. I have to credit everybody with being able to work together. That s one of the skills that could take them anywhere. (Photo by Netflix)Helman:  At some point, I had to say to Rodrigo, This is what we need for this, but I don t know how to take 20 pounds away from there, because I don t know exactly what your department and you are going to need. So it was a working together thing in a way that I hadn t worked before, so maybe that is part of it? You have a team of people and you need to be careful with elbows and not elbow each other and those kinds of things.Prieto: I ll have to also credit my focus pillar, Trevor Loomis, and even a camera operator, Scott Sakamoto. They were instrumental in suggesting different types of motor and cables. Then the friends from area rental, figuring out a lighter plate on which to put the cameras. Both Pablo and I had requirements. For instance, what I was describing, I insisted on this possibility of removing pieces from both sides of the rig so we could have the camera in whatever corner needed to be. Pablo needed the witness cameras to be able to be adjustable because it depends on the distance of us to the actor s face. You need it to be able to adjust these cameras. For all these things, there was a whole team of people making sure that it worked. I think everybody took it with enthusiasm, and there are these kinds of challenges that we all relish. I m sure that if we do it again, we d figure out some other ways that would be even more practical. That s the way technology advances, right? But it s all manmade in the end, especially in the beginning when you re creating something new. You re doing it by hand basically.Helman: I have to credit everybody with being able to work together. That s one of the skills that anybody has that could take them anywhere. If you have the skill to work with other people, you can do anything in your life. It was difficult at times, but it was great. It was great being flexible and being able to accept solutions from other departments. It was really important that we communicated and sent pictures and made sure that we were on the same wavelength. (Photo by Netflix)Helman: Throughout post-production, I kept sending images to Rodrigo. During the production, we talked about the fact the lighting is so important, not only for the movie, but obviously because of the content and all the decisions that Marty and Irwin made. Also because of the technology. The technology is such that works from the lighting setup. If I cannot match the lighting, I cannot finish my work. So it was really important that throughout we communicated and we sent pictures and just made sure that we were on the same wavelength.Prieto: During the shoot, that was an important factor and also a challenge, time-wise. We did have to get the lighting information to Pablo to be sure that, in post-production, he had everything accurate. It wasn t just by eye, seeing what I had done in this shot, saying, OK, it looks like we used the three-quarter backlight here. They actually were able to input into the computer the exact information besides intensity and color and texture of each one of the lighting units, plus the influence of this set itself onto the light that ultimately lights a face. It s not only the lighting units, but it s also the environment as well. We had to every time shoot a mirrored sphere in the place of where the actor s face would have been. Also, we had to shoot a gray sphere and then color charts with all the different levels of black to white and the different colors and a lighter, which is a system where you put a camera where the face of the actor would be, and you d do a 360-degree capture of everything that s around the face of the actor. It s bracketed as well, meaning that you get all different levels of exposure.So all that information is fed into the computer, and it basically reproduces that on the actor s face. I m sure there s some tweaking also going on to make sure it matches what the main camera saw before the faces were replaced. I must say, it was very accurate. Obviously we re all a little bit neurotic about what we do, and we re very specific about why I lit in a certain way with a certain unit, with a certain intensity. I recognize everything I did while I was doing the DI, and when I was doing it, it was very seamless. So I really don t remember any instance whatsoever where I had to go back to Pablo and say, This doesn t look like the lighting I did. Can you redo it? It really felt very accurate. I even saw the movie before the visual effects. I saw it all put together with the faces of the actors as they were when we shot them. Then I started doing the DI and felt no real difference in the lighting, and I think, as Pablo says, it s crucial for the naturalism of the effects. They blend in perfectly with the lighting that was done on the set.Helman: Yeah, and besides that, there is a scientific reason why that had to be so. It s because the capturing of the performances has to do with comparing what we got on set with what I m rendering on the computer. So if there s a difference in lighting, the comp 😈😈

论坛
4054

亚博APP在线下载地址 (Photo by Warner Bros. / courtesy Everett Collection)All Margot Robbie Movies Ranked by TomatometerIt only took two years after an eyebrow-raising entrance in The Wolf of Wall Street for Margot Robbie to become a big-enough known entity to cameo in movies as herself, like she did in 2015 s The Big Short. And by 2018, she was an Oscar-nominated actress thanks to I, Tonya. She ll also be a fixture at this year s ceremony: Robbie was nominated for Best Supporting Actress for Bombshell, while her portrayal as Sharon Tate was one of the sentimental cruxes of Once Upon a Time in Hollywood, which is up for Best Picture.In-between all of this, Robbie also became one of the shining stars of the DC Extended Universe as Harley Quinn, stealing the show in Suicide Squad, with an upgrade to lead status in Birds of Prey. And she was again one of the best parts of The Suicide Squad. Now, we re ranking all Margot Robbie movies by Tomatometer!

经典的神途系列传奇手游上线!更有万世皇朝版本世界地图开放!首充可拿多重豪礼!有多职业可以自由选择、丰富的游戏角色设置,给玩家带来非一般的游戏体验!更多大型场景全面开放,超多酷炫技能随意释放。还原传奇游戏经典,增加更多副本玩法,多人活动上线! Now that the cliffhanger is out of the way and you don t have to talk around it — Cody is dead, though Ryan Philippe will continue to appear on the show occasionally — how would you describe Big Sky to viewers?I think it was a very smart and interesting marketing campaign to use him as part of the draw. That triangle that you actually see, it s physically on all the posters with my character, Jenny, and Cassie and Cody Hoyt. Even though he isn t in majority of the rest of the series, his character — because he is the thread for Jenny and Cassie s relationship — he will constantly be in the back of the mind, if not part of the underlying tension between the two of us. So he s very much still a part of the show, a part of who these two women are and what drives them to solve the cases. Even though they re two polar-opposite, strong, independent women, they have a mutual love for Cody Hoyt, and they also have a mutual respect for one another and a mutual goal to help try to find a him and try to help find the girls now.What does the show look like going forward? Obviously Jenny and Cassie will have to team up, but are they going to be looking for Cody? Are they going to focus on looking for the girls? How much do they have to work together?You don t really know until you read the scripts of what exactly is [coming], but these are two very empowering characters, very flawed as well. They each have their own quirks and traumas independently. What s interesting about Jenny s character, she s gone through so much and obviously she definitely feels betrayed by Cody, but also by Cassie, her friend. And that was added in on a last-minute basis — we reshot that opening scene, just really, honestly, two and a half weeks ago. I can t believe it s already airing today. But I think it highlights the fact that it was important to establish that they do have a history. And in terms of where this series is going to go, well, you do know that it s based on C. J. Box s books, David Kelley is adapting and making Jenny a big part of the case-solving moving forward. But for Jenny, it s really one step at a time right now. You will see her find out the news of Cody s death, and she has a lot of healing to do and needs closure. And one way of doing that is to figure out how that happened, and to get the girls and to try to find them.It s interesting on procedural shows because usually there s just an opening close case per week, sometimes it may bleed into several episodes. But what s interesting about David Kelley s writing stakes are higher and there s a personal motivation to do it. You see that it s very evident in the first episode, and it s very important also as the series goes on to see that this is what s really driving Jenny to find her husband and to find the reason why and find these girls.(Photo by ABC/Kharen Hill)You can tell from the first episode that Jenny is passionate, which is exemplified in this physical fight that Jenny and Cassie have over Cassie hooking up with Cody. But do you think that two grown women would really have a fistfight about some guy?Right away, especially when you see the first episode, you want to get as much information as you possibly can and where the series is going to go and who these lead actors are. And I think that says a lot about it — these girls have no problems getting down and dirty and fighting for what they believe in. And in that situation, when you find out you re betrayed by a close friend and your husband, there are heightened emotions. We ve all gone through traumas and sometimes you react a certain way that is not necessarily the right way. But I think for me also, coming from a martial arts background and training martial arts for many years and running martial arts schools and doing my own stunts, it was important for me to keep this raw and real and dirty in a lot of ways, because you don t really see two girls just going at it. I wanted the hair pulling and the punching and stuff like that — it s Montana, [and] these girls are rough and tough. They re outdoors women, and they can hold their own.Well, clearly you re very good at playing a woman who can hold her own.I ve been really lucky in my career to work with incredible showrunners and creators that write women well, and I ve been so blessed. I think that s why I signed on to this series, especially so quickly after Vikings. David Kelley, I had been a huge fan of his for many years, from the Ally McBeal years, and obviously what he s done with Big Little Lies. He knows how to write women, and not just their strengths, but also their flaws and their vulnerability. And I think that s important, too, for everyone to see that you can be strong, but you also can be empathetic and you can be authentic as well as a woman.(Photo by Bernard Walsh/History)After being on Vikings for the better part of a decade, did you intend to sign on for something that could also run for another 10 years or so?I told the TV department of my agency, I m like, I m gonna take a break. I have a movie coming out with Sean Penn that I m very excited about called Flag Day, and I got a chance to direct Vikings, and I was honored enough to get an award for Best Director just recently for the Women s Image Awards. I was kind of ready to settle down and get to L.A. because I was in Ireland for so many years. But this was a straight offer and it s David E. Kelley, and there are some times in your career where you re like, Well, I can t say no to something like this. And I ve been so blessed also with ABC taking a risk, and they re taking a risk in so many different ways: They re taking a risk with not only two strong female leads, but also it s a very dark show, it s a very twisted show, and to be on a network, on ABC, where typically it feels like this should be more of a cable show, but to take that risk and try some new material, I commend them for that. Also, even our casting choices — such a stellar cast: everybody from John [Carroll Lynch] to Natalie [Alyn Lind] and Jade [Pettyjohn] and Brian [Geraghty], but also the first non-binary [series regular] on the show as well [Jesse James Keitel]. I m just really proud of them that they re not afraid to tackle not only great casting choices, but also material; we re dealing with sex trafficking, the pandemic is also written in the script, and topics that are somewhat uncomfortable, and that s what I find really makes compelling, exciting television.(Photo by ABC/Darko Sikman)Vikings has a very devoted fan base. Do you think that Big Sky will appeal to those fans?This is a very different show in a lot of different aspects. This will appeal to people that love thrillers and love suspense. This also will appeal to people that love strong women characters. This will appeal to people that are looking for a serialized procedural that want to come week to week to turn on their TV screens. So the show has a lot of different elements.[With] Vikings, we were so blessed to have the most devoted fans from all around the world in all these different countries. I really found that it was a show that was a lot of water-cooler talk, that people started talking about and telling their friends, and we developed an incredible loyal fan base as the years progressed. Whereas this show, I feel that it can check a lot of boxes really quickly and that if you re in any age range, any ethnic background, you will come for the show for not only just thrills, but you will stay for the characters, and you ll stay for the interesting storylines.And also the marketing campaign is completely different. This show is coming out with a bang — so you can see it in bus stops and billboards and commercials and everywhere. We re here shooting in Vancouver, so we re a little bit in a bubble, so I haven t seen it firsthand, but I ve been hearing about it. We re so lucky to have ABC really believe in us and believe in the show, and we re one of the first shows in COVID land to really be out there and making it work. We re just so lucky to be able to work in this time.The pandemic is written into the show, but it almost feels like it s happened in the past and isn t actively happening at the moment so viewers aren t necessarily in the thick of it.I ve been fortunate to spend a lot of time in Montana recently. I have a house there with my fiance, so it s nice to actually see what Montana girls are really like. And it is a small place. Everybody knows each other. The women are pretty tough there. The sense of equality is really strong — women do take care of themselves and provide for their families. It s a very interesting culture for women there. And in terms of the pandemic, I feel that now it s hit everywhere, but at the time we started shooting it was definitely a zone that wasn t necessarily as active for COVID. And also there s a lot of landscape, there s a lot of free, open air. You will see that in our show as well.(Photo by Jonathan Hession and History)You got to direct an episode in the final season of Vikings, so is that something you re hoping to do more of in the future?Absolutely. I actually will have the chance to direct Big Sky, hopefully in the coming seasons if not next year. I think for any actor it is such a blessing if they ever have the opportunity to get behind the camera. I was so lucky to get a chance to have my directorial debut on Vikings and have a crew who, after six years, really had my back. It s one of the reasons I got a chance to direct. But it s it s something that has been such a learning curve and and for any actor is such a great learning experience because you really see a different view of storytelling through a director s lens. If anything I started directing before I was an actress. I started directing plays in high school, so directing has always been my first love, believe it or not. In front of the camera has always taken precedence for many years, but I will be directing a lot more, and you will see me in the future direct a lot more. Big Sky airs Tuesdays at 10 p.m. on ABC.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.On an Apple device? Follow Rotten Tomatoes on Apple News.

2022-01-18

There s not supposed to be a sequel. That was the first thought director Chad Stahelski had when approached to make a second film about the stylish, vengeful assassin, John Wick. But both he and star and collaborator Keanu Reeves were up for the challenge. The two set to work immediately on continuing the story and expanding both the universe of the film and the character at its center. Wick can use sign language, they decided, and he could speak Italian, and, they were going to take the story to Rome. Because, why not? There would be blood oaths and shifting allegiances and an epic fight between Keanu Reeves and Common because why not? It was that attitude, that almost anything was possible with this world and this character, that drove the evolution of the John Wick series from Chapter 2 and right into Chapter 3  Parabellum, releaseing this month. In this exclusive extended interview, Reeves and Stahelski – who directed the Wick sequels solo after co-directing the first film with David Leitch – reveal how they developed the sequel ideas, upped the action ante, and convinced their old friend Laurence Fishburne, with whom both had worked on The Matrix, to join them for the ride. (In the process, they doubled the box office of the original film.) Plus, the pair offer new insights into Chapter 3, detailing Halle Berry s arrival in the John Wick universe and sharing which new action scene they love the most.WATCH AN ORAL HISTORY OF THE FIRST JOHN WICK WITH REEVES AND STAHELSKIJohn Wick: Chapter 3 Parabellum opens in theaters on May 17.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

亚博APP在线下载地址 《指尖领主》是腾讯最新魔性三消策略手游。动画电影级画面品质,打造休闲清爽的卡通世界。完美融合魔性消除、英雄养成以及解谜探索的乐趣,让玩家在体验休闲消除的同时,也能感受到刺激的探索解谜、战斗体验;极致休闲的玩法体系,彻底解放玩家手脑,轻松战斗轻松成长;玩家还可以随心所欲DIY自己的领地设施。建设军团,探索世界,“消”出强大,在指尖方寸之地,成为一方领主!

2022-01-18
详细资讯
Google Play
游戏官网 官网
語言
英文
目前版本 4.86.6
游戏大小 773 MB
更新时间 2022-01-18
网路 需要
网路工具 需要
所需权限