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九游会官方网站采用百度引擎7(Baidu 7)The Suicide Squad is “insane.” That’s the most common word critics are using to describe the latest DC movie. The first reactions arrived on social media this week, and the over-the-top violence and comedy are the unanimous highlights of the supervillain team-up. Guardians of the Galaxy helmer James Gunn is said to be the perfect director of the material, bringing the best of both his Marvel and his Troma aesthetics together. That means a fun ensemble and hard-R gore. If you think you know what to expect after the last Suicide Squad film, you’re wrong.Here’s what critics are saying about The Suicide Squad:How hyped should we be for this movie?The Suicide Squad is TOTALLY INSANE and insanely cool.  Sean O Connell, CinemaBlendThe Suicide Squad is absolutely insane.  Brandon Davis, ComicBook.comThe Suicide Squad is gloriously insane and so, so fun… after watching it, you’ll think you might have dreamed it.  Drew Taylor, ColliderEasily the most fun I ve had with any studio release this summer season.  Mario Allegre, Próxima TandaIt is balls to the wall *bonkers* in very entertaining ways.  Kara Warner, People MagazineThe Suicide Squad is fantastic! A no holds barred, superhero/comics bonanza.  Fico Cangiano, CineXpressThe Suicide Squad is an epic all out war movie that demands to be seen on the big screen.  Dorian Parks, Geeks of ColorAbsolutely loved The Suicide Squad… Just a great movie.  Steve Weintraub, ColliderThe Suicide Squad is all kinds of kick-ass… Get excited!  Eric Eisenberg, CinemaBlend(Photo by Warner Bros. Pictures/™ & © DC Comics)So it s full of surprises?Unpredictable in story, unique in style and full of risks. Fico Cangiano, CineXpressIt’s ballsy, unpredictable. Sean O Connell, CinemaBlendAn unpredictable blockbuster. Ian Sandwell, Digital SpySurprising in all the right ways. Vanessa Armstrong, SlashfilmExcellent twists and turns. Eric Eisenberg, Cinema BlendTons of surprises and things I wasn’t expecting. Steve Weintraub, ColliderThere’s nothing like it. Damn! Brandon Davis, ComicBook.comWill DC fans love it?This is the Suicide Squad we’ve been waiting for! Jimmy O, JoBlo s Movie NetworkThis is the best use of DC villains. Mind you, there aren’t a lot of predecessors. But THIS is what a Suicide Squad needs to be. Sean O Connell, CinemaBlendDC has another winner on its hands. Dorian Parks, Geeks of ColorWhat if we re not hardcore DC fans?Any doubts you might have over The Suicide Squad will vanish after the outrageous opening. Ian Sandwell, Digital SpySo this skeptic loved The Suicide Squad. Kara Warner, People MagazineEnjoyable for everyone — hardcore DC comics fans and newbies alike. Go see this movie. Vanessa Armstrong, Slashfilm(Photo by Warner Bros. Pictures/™ & © DC Comics)How is the mix of comedy and action?Extremely funny. Steve Weintraub, ColliderWeird and wonderful! There are laughs aplenty. Jimmy O, JoBlo s Movie NetworkBig laughs, bigger action. Dorian Parks, Geeks of ColorAction and comedy to its fullest form. Wilson Morales, BlackFilmandTV.comHilarious. [The] action set pieces are insane. Fico Cangiano, CineXpressThe Suicide Squad is as funny, irreverent and violent as promised. Germain Lussier, io9.comHow violent is it?DC s goriest film to date. Wilson Morales, BlackFilmandTV.comThe film is the bloodiest DCEU film yet. John Nguyen, Nerd ReactorViolent as hell, raunchy, unforgiving. Brandon Davis, ComicBook.comThe Suicide Squad brings equal measures of gore and F-bombs, all in the name of dumb juvenile entertainment. Mario Allegre, Próxima TandaThe movie is super violent… a huge home fun for James Gunn. Steve Weintraub, ColliderThe Suicide Squad is probably the wildest, wackiest, bloodiest comic book movie I ve ever seen… not for the squeamish… I can see some thinking a scene may feel a little unnecessarily gross. But the film knows what it is. Feel like people have wanted a hard R and that s what you get. Kirsten Acuna, InsiderIf you re wondering whether James Gunn… would truly go there with the material and the R-rating, indeed they DO. Kara Warner, People Magazine(Photo by Jessica Miglio/™ & © DC Comics)So DC and James Gunn are a good fit?James Gunn definitely gives as much as he can for an R rati

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Anyone who s watched even a single episode of the hit period drama Downton Abbey knows you couldn t watch more than 15 minutes without seeing a massive explosion or a shootout between the Crawleys and a guerilla army of drug-smuggling, sex-trafficking, anarchist mafia ninja commandos. And with the Downton Abbey movie out (and oh so Certified Fresh), here at RT we thought it was only appropriate to engage the Earl and Countess of Grantham themselves Hugh Bonneville and Elizabeth McGovern in a friendly game of Guess the Movie Quote with memorable lines from some of the most iconic action flicks ever put to screen. Check out the video to see how well they did, and be rewarded with a Joe Pesci impersonation for the ages and one of the most creative line readings of yippie-ki-yay we ve ever heard.九游会官方网站作为手游界的Uzi,KS主播LOL手游大白兔的分析还是比较准确的。但是,他一直都坚信LOL手游会发展得越来越好。特别是作为第一个成为钻石段位的玩家,LOL手游大白兔对自己的操作充满自信。接下来游戏会迎来一次更新,大量新英雄会上线,LOL手游大白兔已经做好准备,会全力冲击这些新英雄,到时候给大家带来全新攻略。

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Rick/Cliff relationship is reportedly inspired by the real-life actor and stuntman duo Burt Reynolds and Hal Needham. They are fictional characters, as is Rick’s agent Marvin Schwarz (Al Pacino). But it’s the colorful assortment of real-life figures from the period that make Once Upon A Time a Who’s Who of late- 60s Tinseltown.Australian Oscar nominee Margot Robbie stars as Sharon Tate, and another Aussie actor, Justified star Damon Herriman, plays Charles Manson.(Photo by Weinstein Company)Bruce Dern plays George Spahn, the California rancher who was persuaded to allow the Manson Family to live on his property. (Remember the Spahn Movie Ranch?) The role was originally, in fact, supposed to be played by Burt Reynolds, who died in September of 2018. In an interview with Rotten Tomatoes promoting his Certified Fresh film, The Mustang, Dern had this to say about Tarantino s film: All I can say is this is me telling you he s a magician, because in this movie, he did something mad. It s probably the most unique endeavor I ve seen a director undertake and do. Without ruining the movie for you I can t tell you what that is, but the minute you get to see it, you will say, Bruce Dern is absolutely right.' Dern continued: You ll know, because he did the single most unpredictable thing I ve ever seen a director do, in this movie. And I don t mean a moment; I mean the entire movie. Because, you know what, you probably remember something about the Manson Murders, and How horrendous! and so forth and so on. Well, everybody says, Oh my God! I can t wait til Quentin does the Manson Murders. There s a movie about that, I can t wait, and so forth and so on. Well, I won t say a word, but remember I told you what I told you. Moving on, Dakota Fanning plays Lynette “Squeaky” Fromme, a Manson disciple best known for trying to assassinate President Gerald Ford. Billions star Damian Lewis plays A-list actor and heartthrob Steve McQueen, then considered the coolest Hollywood star on the planet.(Photo by Columbia Pictures)Emile Hirsch plays celebrity hairstylist Jay Sebring, also killed in the Tate murders. Polish actor Rafal Zawierucha plays the young Roman Polanski, who was filming in London on the night his wife was killed by the Manson Family. Austin Butler plays Charles “Tex” Watson, the most vicious of the Manson Family killers, who was convicted of seven first-degree murders.Girls star/creator Lena Dunham plays Catherine “Gypsy” Share, a Manson follower who did not participate in the murders, while The Haunting of Hill House star Victoria Pedretti plays Manson Family member and convicted murderer Leslie (“Lulu”) Van Houten who was just 19 at the time of the slayings.Fittingly, Mike Moh plays martial arts icon Bruce Lee, who actually suspected Polanski briefly in Tate’s murder. Moh, who starred in Street Fighter: Assassin’s Fist, has paid tribute to Lee in several YouTube videos.And, sadly, Once Upon A Time marks the final on-screen role for Luke Perry, the Beverly Hills 90210 and Riverdale star who died suddenly on March 4 at the age of 52. Perry plays Scott Lancer, one of the main characters on the Western TV series Lancer, which ran on CBS from 1968 to 1970.Other stars playing both true-life and fictional characters include long-time Tarantino mainstays Michael Madsen and Tim Roth, as well as Kurt Russell, Timothy Olyphant, Lorenza Izzo, Maya Hawke, Rumer Willis, and Scoot McNairy.Keep in Mind Ryan FujitaniTarantino has been known to play hard and loose with history. Remember how Inglorious Basterds imagined an alternate reality in which American Jewish soldiers took their revenge on Hitler and murdered him at the height of WWII? Is it possible Once Upon A Time will put its own stamp on the most infamous, shocking crime of the 1960s, a crime that signaled a dark, bloody end to hippie culture? Dern s words seem to suggest it might.Sharon Tate’s sister Debra, who’s been very protective of her sister’s legacy and, according to an article on Nerdist.com, was already protesting the film even before she knew what it was about, told TMZ: “This movie is not what people would expect it to be when you combine the Tarantino and Manson names. Sounds like she approves. Get ready for the unexpected.Once Upon a Time in Hollywood  opens everywhere on July 26.

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For the next two weeks, journalists from all over the U.S. are gathered in Los Angeles for the Television Critics Association winter press tour, where TV networks and streaming companies will introduce their newest series and announce exciting news about upcoming shows. Today s edition of TV Talk includes a major horror TV development, plus intel on NBC Universal series Project Runway, Suits spin-off Pearson, and sitcom Abby s.TOP STORYHorror Movie Icon Chucky Is Headed to TV(Photo by Universal)Horror television is about to get a little more adorable (and a whole lot more terrifying): Syfy announced Tuesday that it is developing a TV series centering around Chucky, the red-headed, freckle-faced doll that just so happens to be possessed by a serial killer. The Child’s Play character, who has been the star of seven different slasher films, as well as an upcoming reboot, will be brought to the small screen by original creator Don Mancini, producer David Kirschner, and Channel Zero creator Nick Antosca.“The show will be a fresh take on the franchise, allowing us to explore Chucky s character with a depth that is uniquely afforded by the television series format, while staying true to the original vision that has terrorized audiences for over three decades now,” wrote Mancini in a statement announcing the news. Even the scariest doll in the world had a say in the statement: “In these troubled times, I believe it’s my obligation as a horror icon to reach the widest possible audience, on TV. For over 30 years, I’ve been scaring the s out of you. But now at Syfy, I look forward to really making a difference,” Chucky “said.”Project Runway’s Seal of ApprovalWhen Project Runway returns to Bravo on March 14, it ll be missing the two most familiar faces from its cast: host Heidi Klum and mentor Tim Gunn. But their replacements, model Karlie Kloss and Project Runway alum Christian Siriano (who won the fourth season), were hand-picked by producers. Siriano even has the Klum seal of approval.  Heidi and Tim made the decision to move in a different direction, explained executive producer Dan Cutforth at a press conference for reporters on Tuesday. And it’s interesting that when Heidi was asked who should be the new Tim, she said Christian Siriano. We were already talking to Christian at that time, so we saw that as a great endorsement. But he was the perfect person to come into that role. And Tim and Heidi have been such a great part of this show since the beginning and really helped bring this show together and make it into something that people fell in love with. And they were really supportive of

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9.63.8 4月喜迎也许是兼顾了年度收入、下载量等多方数据,华为年度游戏榜单中意外出现多款“老游戏”,包括《王者荣耀》、《和平精英》、《QQ飞车手游》在内的经典竞技类游戏。此外也有次世代MMO《天涯明月刀手游》等新品,几乎囊括了腾讯旗下所有的人气产品。
e and as a measure of cultural significance. So we broke out our calculators, scoured the internet, and spent hours organizing dollar amounts, Tomatometer scores, and lists upon lists of movies to settle on the Best Summer Ever. Movie-wise, that is.Before we dig into the good stuff, though, a few notes about the process: We began with 1975 the year of Steven Spielberg s Jaws  and included every summer through 2018. We looked at every film released during the months of May through August and collected box office totals (adjusted for inflation) and Tomatometer averages for the top 25 grossing films of each summer. We then ranked them in order for both categories 1975, incidentally, scored the Highest Tomatometer Average of All Summers, while 2007 earned the Highest Total Box Office of All Summers. Lastly, we as a staff curated lists of the most culturally significant films of each summer and made our best attempt to rank every year s summer by the legacy of its most important and influential movies. For this third category, we took into consideration any impact on the industry as a whole, the introductions of new talent and new franchises, and general pop culture relevance on best of and all time lists. For example, a year like 1984, which gave us Ghostbusters, Gremlins, and Sixteen Candles among a slew of others, would rank near the top; on the other hand, a year like 1976, which gave us The Omen, The Outlaw Josey Wales, and The Man Who Fell to Earth, but almost nothing else, ranks at the very bottom. In addition, there were plenty of cases when certain years (including the entirety of the 1990s, surprisingly enough) failed to score high enough in all three metrics (box office, average Tomatometer, cultural significance) or performed well in one metric but scored too low in the others to rank very high overall. Needless to say, the process was long and difficult; many tears were shed, and much blood was spilled.So which summer came out on top when the final calculations were made? Was it the summer when Poltergeist, E.T., Blade Runner, and The Thing all opened in the same month? Or was it the summer that introduced the world to an evil Empire and the plucky Rebels who stood up to it a long time ago in a galaxy far, far away? Or maybe the summer that brought us two of the best superhero movies of all time and paved the way to where we are today? Read on to see the 10 Best Summers Ever, and then click through the decades to see full stats on every summer from 1975 to 2018.See Full Data on Every Summer1970s | 1980s | 1990s | 2000s | 2010sThe 10 Best Summer Movie Seasons Ever10. Summer of 2011Box Office Total: ,162,184,886 (adjusted for inflation)Tomatometer Average: 58.72%Cultural Ranking: 17/44Significant Films: Bridesmaids, Captain America: The First Avenger, Crazy Stupid Love, Harry Potter and the Deathly Hallows Part 2, The Help, Midnight in Paris, Rise of the Planet of the Apes, Thor, X-Men: First Class, Winnie the PoohAs noted further down this list, sequels and reboots were an age-old tradition long before 2011 rolled around, but this summer was especially full of them. One sequel in particular ruled every other film this year, and that was the hotly anticipated final installment of the Harry Potter series. The Deathly Hallows – Part 2 not only earned the top box office spot, but it was also the best-reviewed film of the summer (Certified Fresh at 96%), and whether or not you feel it was plagued by sequelitis or reboot fever, the rest of the year s summer was no slouch, either. We got breakout hits like Bridesmaids, awards contenders like Beginners, The Help, and Midnight in Paris, an animated gem in Winnie the Pooh, acclaimed reboots of Planet of the Apes and X-Men (OK, so that one isn t technically a reboot, but it also kinda was), and the introduction of both Captain America and Thor into the the Marvel Cinematic Universe. Thanks to a more than solid box office showing, a decent Tomatometer average, and a handful of films that have helped shape the movie landscape in the ensuing years, 2011 just managed to eke its way into our overall top 10.9. Summer of 1979Box Office Total: ,930,224,349 (adjusted for inflation)Tomatometer Average: 67.09%Cultural Ranking: 10/44Significant Films: Alien, The Amityville Horror, Apocalypse Now, Breaking Away, Escape from Alcatraz, Monty Python s Life of Brian, Moonraker, The Muppet Movie, Phantasm, Rocky IIThis would be the last year that a horror film would top the summer box office in North America. The movie that pulled it off was The Amityville Horror (29% on the Tomatometer), which also holds the less impressive distinction of being the second-worst–reviewed movie to top a summer box office in our data set (no. 1 is 2009’s Transformers: Revenge of the Fallen, with a Tomatometer of 19%). It’s appropriate that a horror film came out on top in 1979, as this was a year defined by big horror smashes, most of which we remember more frequently, and more fondly, than Amityville — think of titles like Alien and Phantasm. And, speaking of horror, it was also the year that Francis Ford Coppola unleashed Apocalypse Now upon the world (remarkably, the dark, epic war drama was third at the box office for the summer). 1979 had a very high average Tomatometer, as well as enough cultural high points, across many genres, to put it nearer the top of the list – The Muppet Movie, Life of Brian, Moonraker – but a relatively low overall box office means it remains at the back end of the top 10.8. Summer of 1989Box Office Total: ,445,649,578 (adjusted for inflation)Tomatometer Average: 58.88%Cultural Ranking: 4/44Significant Films: The Abyss, Batman, Dead Poets Society, Do the Right Thing, Indiana Jones and the Last Crusade, Lethal Weapon 2, Licence to Kill, Parenthood, Road House, Sex, Lies Videotape, Weekend at Bernie s, When Harry Met SallyHollywood had truly fallen head over heels for sequels by 1989 — a full quarter of this summer s top 20 box office earners were part twos or later installments in franchises. Two sequels earned a place in the top three films of the summer, and year, at the box office (Indiana Jones and the Last Crusade, followed by Lethal Weapon 2), while for Star Trek and A Nightmare on Elm Street (just outside the top 20 of the summer at 21), we were onto our fifth films in their respective series. But it was an original, of sorts — Tim Burton’s Batman — that would dominate the season and, some say, redefine the modern blockbuster. The film broke all sorts of opening weekend records, established the opening weekend as the thing to watch, and, like the blockbusters of today, was supported by a seemingly endless marketing campaign that put awareness through the roof. The movie’s impact on cinema for the three decades that followed is a big part of the reason why 1989 scored big points when we were considering cultural impact. But while the caped crusader was sucking up a lot of the oxygen in the room, there was enough air for the likes of seminal comedies like When Harry Met Sally and Weekend at Bernie s to make an impact, as well as classics like Dead Poets Society, Parenthood, and Road House (don’t fight us on this one). Also, worth noting, and celebrating: the summer of 1989 gave us the first big breakout films of Spike Lee (Do The Right Thing) and Steven Soderbergh (Sex, Lies and Videotape).7. Summer of 1981Box Office Total: ,229,262,780 (adjusted for inflation)Tomatometer Average: 60.50%Cultural Ranking: 5/44Significant Films: An American Werewolf in London, Arthur, Blow Out, Clash of the Titans, Dragonslayer, Escape from New York, The Great Muppet Caper, Heavy Metal, Raiders of the Lost Ark, Superman II1981 was the year the world first met Indiana Jones – and it turned out that the world liked what it saw. Raiders of the Lost Ark topped the summer with almost 0 million, and its 80s sequels would be the second highest earners of their summers, with Temple of Doom just bested by Ghostbusters in 1984 and The Last Crusade coming in behind Tim Burton’s Batman in 1989. Spielberg had already dominated a summer prior to 1981 with Jaws, but with Indy he had given life — as Lucas had done with Star Wars — to a character and idea that could spawn a franchise which would dominate summer moviegoing for decades to come. (Speaking of, Superman II and The Great Muppet Caper also made an impact in the warm months of 1981). Perhaps the big surprise of the summer was Arthur (88% on the Tomatometer), the Dudley Moore comedy, which came in third at the box office with almost 0 million; its sequel was a disaster on all fronts, earning just 14% on the Tomatometer and about million. [Note: This piece originally said Spielberg had dominated two summers prior to 1981, with Jaws and E.T. The latter film was released in 1982; the article has been updated to correct the error.]6. Summer of 2002Box Office Total: ,252,688,780 (adjusted for inflation)Tomatometer Average: 60.68%Cultural Ranking: 21/44Significant Films: About a Boy, The Bourne Identity, Lilo Stitch, Men in Black II, Minority Report, Signs, Spider-Man, Star Wars: Episode II Attack of the Clones, xXx2002 may not immediately strike you as a big year for summer movies, but it raked in quite a bit of cash and ranked in the top third from our data set by average Tomatometer. Plus, it s difficult to downplay the significance of Sam Raimi s Spider-Man, which was not only a hit with critics, but also became the third highest-grossing film of all time in its initial run, behind only Titanic and Star Wars: Episode I The Phantom Menace. Beyond that, while the first X-Men movie a couple of years prior proved there was still interest in superhero films after the Batman franchise had begun to flounder, Spider-Man s tremendous success helped pave the way for future endeavors in the genre. You know, for better or worse, depending on how you feel about it. Other than Spider-Man, though, 2002 also introduced the world to a more contemporary spy with the initials J.B. in The Bourne Identity, which would make an action star out of Matt Damon and spawn a franchise of its own. Finally, this summer brought us a pair of benchmark sci-fi films from two well-known directors: M. Night Shyamalan s Signs was his last Certified Fresh movie until he achieved the distinction again a decade and a half later with 2017 s Split, and the Certified Fresh 91% that Steven Spielberg s Minority Report received would be met (2015 s Bridge of Spies) or exceeded (Catch Me If You Can, which was released later the same year and reached 96%) by the director only twice in the subsequent 16 years.5. Summer of 1977Box Office Total: ,498,651,999 (adjusted for inflation)Tomatometer Average: 64.4%Cultural Ranking: 12/44Significant Films: The Kentucky Fried Movie, The Hills Have Eyes, The Rescuers, Smokey and the Bandit, Sorcerer, The Spy Who Loved Me, Star Wars, SuspiriaNot content to sit back while his buddy Steven Spielberg basked in the glow of Jaws, George Lucas decided to drop a game-changer of his own in 1977, and it not-so-quietly became one of the biggest game-changers of all time. Our data revealed that only 10 of the 43 years we examined featured a film that was not only the best-reviewed but also the biggest box office earner of the summer, and Star Wars is the earliest example to show up on the list. Yes, there was another James Bond movie this year (The Spy Who Loved Me), as well as an early cult-favorite John Landis comedy (The Kentucky Fried Movie), and even one of the most celebrated horror films of all time (Suspiria). But Luke, Leia, and Han ruled 1977 and kickstarted a multi-billion dollar franchise comprised of films, tv series, books, video games, toys, and more that s still going strong to this day. Lucas achieved the kind of ubiquitous pop culture influence that few other filmmakers if any at all will ever see, and even if it had been the only movie released during this summer, 1977 would still have ranked as one of the more important blockbuster years in history.4. Summer of 2015Box Office Total: ,093,563,710 (adjusted for inflation)Tomatometer Average: 61.28%Cultural Ranking: 19/44Significant Films: Amy, Ant-Man, Avengers: Age of Ultron, Entourage, Inside Out, Jurassic World,  Mad Max: Fury Road, Minions, Mission: Impossible Rogue Nation, Shaun the Sheep Movie, Spy, Straight Outta Compton, TrainwreckIf nothing else, Jurassic World was a testament to how incredible Steven Spielberg s Jurassic Park was. The 1993 original is one of the most celebrated and beloved films in the director s distinguished career, and after a 14-year hiatus following the decidedly lackluster Jurassic Park III (50% on the Tomatometer), fans were beside themselves in anticipation of the new installment, even without Spielberg at the helm. And boy, did people show up to see this one. After ending its initial run as the third highest-grossing film of all time, period, Jurassic World still currently sits in seventh position, having been gently knocked down a few spots by the likes of Star Wars: The Force Awakens later that same year and, you know, a couple of Avengers movies. Apart from Jurassic World, though, 2015 also brought us a number of outright amazing films. Pixar s Inside Out was the third-biggest earner of the summer, but it also received rave reviews and became the highest-rated film of the season, as well as one of the best-reviewed animated films of all time. Likewise, the year s highly anticipated new installment of the Mad Max franchise, Fury Road, is currently the best-reviewed action movie of all time. Add titles like Mission: Impossible Rogue Nation, the surprise hit action-comedy Spy, another animated treat in Shaun the Sheep Movie, and F. Gary Gray s musical biopic Straight Outta Compton, which scored the biggest opening of any film by a black director (before he bested himself in 2017 with The Fate of the Furious), and it was a pretty impressive summer on several counts.3. Summer of 1984Box Office Total: ,206,212,855 (adjusted for inflation)Tomatometer Average: 64.08%Cultural Ranking: 2/44Significant Films: Ghostbusters, Gremlins, The Karate Kid, Indiana Jones and the Temple of Doom, The Last Starfighter, The Neverending Story, Once Upon a Time in America, Purple Rain, Red Dawn, Revenge of the Nerds, Sixteen CandlesThe pull of nostalgia has admittedly become a tad cloying these days, but longing for the movies of summers past isn t entirely unreasonable if those summers are anything like 1984. Some of the most beloved films of the decade adventures and teen films and children s fantasies and comedies of all stripes came from the summer of 1984 and became definitive icons of the era. It was an embarrassment of riches, really, and we d be lucky to experience another year so chock-full of cultural touchstones. Ivan Reitman, Bill Murray, Harold Ramis, and Dan Aykroyd (no disrespect to Ernie Hudson; we love you too!) joined forces for Ghostbusters, one of the greatest comedies ever; Joe Dante unleashed a horde of cute but deadly critters both horrifying and hilarious in Gremlins; Daniel-san and Mr. Miyagi showed us the effectiveness of waxing on and off, and the power of a crane kick (but were they the villains all along?); Falkor made everyone long for a luck dragon of their own; and Indiana Jones sat down to a meal of monkey brains and faced down a cult leader who spent his leisure time ripping people s hearts out of their chests just to name a few. The cultural impact this run of films has had over the decades is huge: Ghostbusters was recently rebooted, the next Indiana Jones movie is currently in the works, and the YouTube Red series Cobra Kai turned out to be a surprise winner. On top of all that, 1984 s films were also influential in a much more tangible way: uproar over Temple of Doom and Gremlins ultimately resulted in the creation of the PG-13 rating, which is basically the bread and butter of the movie industry today.2. Summer of 2008Box Office Total: ,292,073,950 (adjusted for inflation)Tomatometer Average: 58.44%Cultural Ranking: 6/44Significant Films: The Dark Knight, Hellboy II, The Incredible Hulk, Indiana Jones and the Kingdom of the Crystal Skull, Iron Man, Mamma Mia!, Man on Wire, Pineapple Express, Sex and the City, Step Brothers, Tropic ThunderLike it or loathe it, superhero movies dominate our current cinema, and 2008 was perhaps the single most significant year for the genre. In July, we had The Dark Knight, which was, until 2018’s Black Panther, the best-reviewed live-action superhero movie of all time, and which featured arguably the best performance ever given in a movie like this, with Heath Ledger’s Oscar-winning turn as the Joker. As Tim Burton had done with Batman almost 20 years before, Christopher Nolan redefined blockbuster cinema again – it could be dark, so serious, and great. And it helped if it was about Batman. Just two months before The Dark Knight’s release, Marvel Studios was doing its own redefining, releasing Iron Man and kicking off phase one of the Marvel Cinematic Universe: 22 Fresh films later, Marvel Studios’ tentpoles are rivaled only by new Star Wars and Jurassic movies. Away from all that spandex, 2008 also gifted us with a landmark Pixar flick (Wall-E), a not-so-well-loved but lucrative Indiana Jones movie, and one of the greatest documentaries of all time, according to the Tomatometer (Man on Wire). For its huge impact on the decade of cinema that followed, and a very healthy box office – the sixth highest-earning year from our data set – 2008 is the salutatorian of our summer movie season class.1. Summer of 1982Box Office Total: ,531,699,214 (adjusted for inflation)Tomatometer Average: 67.3%Cultural Ranking: 1/44Significant Films: Blade Runner, Conan the Barbarian, E.T., Fast Times at Ridgemont High, Mad Max 2: The Road Warrior, An Officer and a Gentleman, Poltergeist, Star Trek II: The Wrath of Khan, The Thing, TronIf Jaws introduced the idea of the summer blockbuster season to the world in 1975, Hollywood essentially produced a near-perfect version of it just seven years later. We could break down the individual releases in analysis, but really, the slate of movies speaks for itself. 1982 offered up a wealth of enduring, genre-defining sci-fi classics, from Blade Runner and Star Trek II: The Wrath of Khan to Tron, Mad Max 2: The Road Warrior, and E.T. the Extra-Terrestrial, which not only topped the box office but also earned the highest Tomatometer score of any film that summer. We also got iconic entries in several genres, including horror (The Thing, Poltergeist), comedy (Fast Times at Ridgemont High), and romantic drama (the groundbreaking An Officer and a Gentleman, for which Louis Gosset Jr. became the first black actor to win the Best Supporting Actor Oscar). This is the kind of lineup that inspires teens to theater-hop, and thanks to a decent box office take, a phenomenal Tomatometer average, and a wealth of culturally significant films, 1982 is officially the best summer ever!See Full Data on Every Summer1970s | 1980s | 1990s | 2000s | 2010s
(Photo by Vivien Killilea/Getty Images for NALIP)Director Issa López roared into the genre scene with her film, Tigers Are Not Afraid, in 2019. The movie about children seeing ghosts and escaping supernaturally scary narcos captured the imagination of horror film festival audiences, leading to its eventual theatrical run and streaming release on Shudder and then to On Demand.But the path to get her passion project to audiences was not a short one. In fact, the little girl who grew up watching Andrei Tarkovsky and Steven Spielberg movies with her dad worked her way up in Mexico City’s film industry, making a name for herself first as a romantic-comedy director. But with an undying love of monsters, ghouls, and other things that go bump in the night, López made Tigers Are Not Afraid against all odds.Read more: Filmmaker Selects: Alma Har el s 10 Movies (and a Series) for Women s History MonthRead more: Filmmaker Selects: Gina Prince-Bythewood s 10 Movies for Women s History MonthFortunately, the risks have paid off. Now, the director is juggling multiple projects with collaborators she admires and has many more scares for audiences in mind. As part of our Filmmaker Selects series, López spoke to Top Critic Monica Castillo in-between busy writing sessions about her career trajectory, her upcoming projects, and some of the movies she recommends fans check out for Women’s History Month.Monica Castillo for Rotten Tomatoes: Tigers Are Not Afraid is not your first movie, but it’s the film you took the biggest chance on. How did that become the movie you decided to make a new name for yourself?Issa López: As it happens with filmmaking, you have plans and you think things are going to turn one way, and they never ever, ever wor

If you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at rtiswrong@rottentomatoes.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News.
《纪念碑谷2》是延续前作的益智解谜类单机手游,游戏玩法延续第一部的内容,华丽唯美的画面,流畅动感的操作,让玩家赏心悦目。
从游戏实际体验上看,《传奇天下》手游在保留原汁原味的正统传奇味道基础上,对游戏的内容与玩法都做了一定程度的加法。根据发布会透露的内容,游戏沿用了传奇东方奇幻世界观,不过却是以在经典BGM的引领下,传奇第一代网络游戏大神重回玛法大陆击败邪恶力量为主线。这样的设定说明游戏将有一个全新的故事,或许也有致敬玩家与初代经典传奇的考量。
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遇见逆水寒是一款古风恋爱类的角色扮演手游,游戏里的画面很唯美,集合了养成、宠物、换装和探索游历等多种玩法,让玩家欲罢不能。玩家进入游戏后将展开惊世骇俗的跨世之恋,开启特别的闯关,有各种恋爱冒险剧情,最后的结局如何由玩家自己决定。 We’re reaching the dog days of summer, people! Sometimes, you’ve just gotta post up in front of the air conditioner between trips to the beach and enjoy a nice TV binge. That’s where we come in. With several returning sophomore series and two long-running favorites bidding adieu, there’s plenty to keep you busy this August. Catch it all below.Dear White People 95% (Netflix)What it is: Based on writer-director Justin Simien’s 2014 film of the same name, Dear White People takes place on a predominantly white Ivy League college campus and, through the perspective of several different African-American characters, explores and satirizes the racial tensions, microaggressions, and social injustices experienced while there.Why you should watch it:  As funny as it is revealing, this ensemble piece for Netflix fearlessly goes where other network and primetime programs don’t dare to, not just representing the current social and political climate, but crystallizing lasting truths within it. Airtight scripts and a bevy of standout performances make the upcoming third season a must-watch for fans new and old. Season 3 premieres in full Aug. 2 on Netflix.Where to watch it: NetflixCommitment: Approx. 10 hours (for the first two seasons)Preacher 87% (AMC)What it is: Sam Catlin, Evan Goldberg, and Seth Rogen teamed up back in 2016 to adapt Garth Ennis and Steve Dillon’s cult comic book about a preacher named Jesse Custer (Dominic Cooper) who’s on a violently allegorical quest to “find God” — plus vampires, exploding holy men, extraterrestrial entities, and gun-slinging exes (played by Ruth Negga, no less). The series, now entering its fourth and final season on AMC, has reached comparable cult status.Why you should watch it: If the above soundbite wasn’t at least enticing, this series is probably not for you. But if your interest is piqued, Preacher is sheer perfection. Unapologetically bloody, brazen, and bad to the bone, this series came at the height of peak genre TV and to this day runs with the best of them. Season 4 premieres Aug. 4 on AMC.Where to watch it: Amazon, FandangoNOW, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 25 hours (for the first three seasons)GLOW 92% (Netflix)What it is: From creators Liz Flahive and Carly Mensch, GLOW (taken from the real-life ’80s entertainment series, Gorgeous Ladies of Wrestling), follows a pair of down-and-out actresses who unwittingly find themselves cast in a televised women’s wrestling league. Following both their personal and professional lives, the dramedy centers on Ruth Wilder (Alison Brie), Debbie Eagan (Betty Gilpin), and the man who runs the league, Sam Sylvia (Marc Maron).Why you should watch it: On paper, GLOW sounds like the kind of series that’s just so crazy it might work. Then again, it is from producer Jenji Kohan (Weeds, Orange Is the New Black), so it boasts a creative team that has a track record of doing just that. Utterly unique in the world of the half-hour dramedy, this standout series is lead by a stellar cast of kickass ladies (and even more behind the camera). Season 3 premieres in full Aug. 9 on Netflix.Where to watch it: NetflixCommitment: Approx. 10 hours (for the first two seasons)RELATED: Video: GLOW Stars Alison Brie, Marc Maron, and Betty Gilpin Play ‘Wrestler or Rapper’ Succession 94% (HBO)What it is: Succession is all about what happens when powerful people behave badly and — sometimes — are faced with consequences. Charting one media mogul family’s changing of the guard (with back-stabbing, side-dealing, and bribing a-plenty), the series, from creator Jesse Armstrong, stars Jeremy Strong, Kieran Culkin, Sarah Snook, Natalie Gold, and Emmy winner Brian Cox as the central Roy family patriarch.Why you should watch it: If HBO viewers love two things, it’s watching disparate characters fighting for a throne (hello, Game of Thrones) and extreme, dramatic family discord (Six Feet Under, The Sopranos, Big Love need we go on?). Fortunately, the power-hungry media family of Succession has both in spades, and it boasts top-tier performances to match. Why else would it be recognized with a fistful of 2019 Emmy nominations, including best drama series? Catch up before season 2 premieres Aug. 11 on HBO.Where to watch it: Amazon, FandangoNow, Google Play, HBO Now, Microsoft, VuduCommitment: Approx. 10 hours (for the first season)Lodge 49 93% (AMC)What it is: Set in the sun-drenched but dry-spelled locale of Long Beach, California, creator Jim Gavin’s Lodge 49 follows ex-surfer and current burnout Dud Dudley (Wyatt Russell, son of Kurt Russell and Goldie Hawn) as he tries to get his life back together by going with the flow — a fate that brings him to the adrift, philosophically-minded community of Lodge 49. Why you should watch it: What an odd little series Lodge 49 is, but if you stick with it, the magic that’s at play slowly comes to the fore and makes the experience all the more worthwhile. To say much more of the fate that’s in store for viewers of this wholly-original hour-long comedy is to do a disservice to its long-view intention, but you won’t be sorry for following Russell’s “The Dude”–esque hero to the titular lodge’s doorstep. Season 2 premieres Aug. 12 on AMC.Where to watch it: Amazon, Google Play, Hulu, MicrosoftCommitment: Approx. 7.5 hours (for the first season)The Terror 87% (AMC)What it is: Based on Dan Simmons’ 2007 novel of the same name, The Terror is a horror anthology series from creators David Kajganich, Max Borenstein, and Alexander Woo. Season 1 takes the real-world tragedy of the 1845 disappearance and ultimate mass death aboard two British expedition ships and fictionalizes it as a tale of monsters and survival.Why you should watch it: While it’s an anthology series, you’d be remiss to skip out on The Terror’s first season before tuning into round 2: The Terror: Infamy. Creatively suspenseful, tragic, and altogether horrifying, it’s a 10-episode order that fans of the genre will love. Season 2 premieres Aug. 12 on AMC. Where to watch it: Amazon, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 8 hours (for the first season)RELATED: The Terror Truths Revealed in a Gruesome Finale and Insights from the Horror Series’ Showrunners Sacred Games 76% (Netflix)What it is: Netflix’s first original series made in India is a doozy of a police thriller. Based on Vikram Chandra s 2006 novel of the same name, Sacred Games follows Sartaj Singh of the Mumbai police as he battles personal demons and dives head-first into the city’s dark underbelly of crime and corruption in an effort to save it.Why you should watch it: The series begins with an anonymous call to Sartaj claiming that a looming disaster will wipe out Mumbai’s population in 25 days. Sacred Games’ race-against-the-clock premise does wonders here, keeping viewers on the edge of their seats and eager for more. Season 2 premieres in full Aug. 15 on Netflix.Where to watch it: NetflixCommitment: Approx. 6.5 hours (for the first season)Mindhunter 97% (Netflix)What it is: Mindhunter follows FBI agents Holden Ford and Bill Tench — co-founders, along with psychologist Wendy Carr, of the Bureau s Behavioral Science Unit — as they interview imprisoned serial killers in hopes of understanding patterns of behavior and solving open murder cases in 1977.Why you should watch it: Ripped from the pages of Mindhunter: Inside the FBI s Elite Serial Crime Unit by John E. Douglas and Mark Olshaker, Joe Penhall’s twisty series from executive producers David Fincher and Charlize Theron will keep you guessing to the very end — which is exactly why it became a bit of a phenomenon at the time of its 2017 premiere. Now, two years later, an excellent Jonathan Groff returns as Agent Ford to tackle one of the best-known killers of our time: Charles Manson. Season 2 premieres in full Aug. 16 on Netflix.Where to watch it: NetflixCommitment: Approx. 8 hours (for the first season)RELATED: Mindhunter Stars on Diving Too Deep Into Serial Killer Psychology, Hopes for Season 2 The Affair 86% (Showtime)What it is: As the old adage goes, love is a battlefield, and with The Affair, we’re here to witness some emotional warfare. The titular indiscretion comes about when Alison and Noah meet on Long Island, consummate their desires, and in turn destroy their respective marriages to Cole and Helen, respectively. The Affair is told through the four main players’ rotating perspectives.Why you should watch it: The Golden Globes love to honor a rookie series, but it’s not for nothing that The Affair swept the ceremony after its first season by winning best drama series and best lead actress for Ruth Wilson. Maura Tierney then went on to win for her supporting turn the following year. Male leads Dominic West and Joshua Jackson, though lacking trophies for their roles, are also stellar. Dense and emotionally trying as it may be, they each play characters that you’ll feel for as the dissipation of their happiness and potential reconciliation plays out each week. As the seasons progress, The Affair ups its drama and stakes until what is sure to be a blistering finale. Its fifth and final season premieres Aug. 25 on Showtime.Where to watch: Amazon, FandangoNOW, Google Play, Microsoft, VuduCommitment: Approx. 40 hours (for the first four seasons)Power 81% (Starz)What it is: From creator Courtney Kemp Agboh and starring Omari Hardwick as main anti-hero James St. Patrick, Power charts James’ life as he runs a popular nightclub in New York City while moonlighting as an underground drug kingpin. How he keeps it all together while leading a double life is just the tip of the iceberg of this series’ juicy, dramatic hit.Why you should watch it: Over the course of its five seasons, this gritty crime drama has succeeded with a formidable ensemble cast, providing criminally compelling and gloriously soapy performances. Its sixth and final season, which will be split into two halves between 2019 and and 2020, premieres Aug. 25 on Starz.Where to watch it: Amazon, FandangoNOW, Google Play, Hulu, Microsoft, VuduCommitment: About 50 hours (for the five seasons)Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

2022-01-29
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更新时间 2022-01-29
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