bob投注体育网

bob投注体育网

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bob投注体育网采用百度引擎7(Baidu 1)龙鲤手游盒子是全网最大的BT变态手游以及手游折扣充值平台。丰富大量的折扣游戏优惠轻松领取!每日推荐你喜欢的类型游戏;丰富的多种福利相送。

1. bob投注体育网
在这种情况下,LOL说到底实际上是和王者一样的模式,一个玩家如果真的想玩,那么只需要玩其中一个就可以了,而且随着人们对于这种模式的厌倦,LOL手游极有可能也只是昙花一现,入局太晚,早已错过了手游的黄金期。 (Photo by Andrew Cooper / © Columbia Pictures )The nominations for the 26th Screen Actors Guild Awards were announced this Wednesday, and with them, awards season is coming into sharper focus.Once America Ferrera and Danai Gurira read the full list, the big winners on the film side were Once Upon A Time In Hollywood, Bombshell, and The Irishman, with four nominations each. Bombshell pulled off a particular feat, with each of its main three stars – Charlize Theron, Margot Robbie, and Nicole Kidman – nominated; The Irishman was not able to pull off the same trifecta, with Robert De Niro snubbed, as he was in the Golden Globe nominations, while Al Pacino and Joe Pesci earned nods for their supporting roles. (De Niro can content himself with being selected for the Lifetime Achievement Award.)Also notable on the film side: the lack of nominations for indie films. While Parasite became only the second foreign-language film to earn a nomination for its ensemble in the Outstanding Cast category, movies like Uncut Gems and The Farewell were ignored, with Adam Sandler and Awkwafina particularly conspicuous absences. Also surprising: Zero love for heavily favored awards contenders 1917 and Little Women, the latter of which was expected to put a dent in the lead and supporting actress categories.Reason to be nervous for some? Perhaps. The Screen Actors Guild represents a large chunk of the body that votes for the Academy Awards. But, as we saw last year when Regina King missed a SAG nom but went on to win an Oscar, the SAG awards are not always an essential stepping stone to Oscar glory.On the TV side, Game of Thrones is getting more love from the Screen Actors Guild than it did from the Hollywood Foreign Press Association, nabbing noms for ensemble, stunt work, and for Peter Dinklage. The Marvelous Mrs. Maisel received the most nominations, with four, while The Morning Show showed itself to be an awards player, picking up noms for Jennifer Aniston, Billy Crudup, and Steve Carrell.The winners will be revealed in a ceremony airing live on TNT and TBS, Sunday, January 19, 2020 at 8 p.m. Eastern/5 p.m. Pacific. Read on for the full list of nominees.Outstanding Performance by a Male Actor in a Leading Role in a Motion Picture
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
What happens when the sounds of Eminem and Jay-Z, The Little Mermaid, and Ricky Martin collide in one of the most brilliant musical minds of our generation? You get the incredible output of Hamilton lyricist, composer, and star Lin-Manuel Miranda.The multiple Tony and Grammy winner, whose rap-musical phenomenon Hamilton lands on Disney+ this July – with a 100% Certified Fresh Tomatometer score, no less – has created some of the most stirring and memorable songs of the last decade, both on stage and screen. Beyond Hamilton itself, and his debut musical In the Heights before that, Miranda composed the soaring earworm “How Far I’ll Go” for Moana, a tune for the cantina scene in J.J. Abrams’ The Force Awakens (lyrics in Huttese), and more. You can witness the evolution of his style in the new 100% Fresh documentary We Are Freestyle Love Supreme. With the whole world about to settle into a front-row seat to Hamilton, Rotten Tomatoes sat down with Miranda for an extended, in-depth dissection of the influences on his music and breakdowns of the complex construction of some of the best songs he’s produced. Want to know what boy band 98 Degrees has to do with In The Heights showstopper “96,000”? Or how he constructed “un-f—kwithable,” super-dense couplets for “My Shot”? Or why he had to stay a night in his childhood bedroom to find the right feel for How Far I ll Go ?Miranda goes deep in our exclusive extended interview.Hamilton is available to stream on Disney+ now.bob投注体育网目前社会真的是颜值至上,实用为王,从门派总体上来说,金系的人物造型八尺男儿,唇红齿白,手持长枪,可谓英俊潇洒,而且金系的辅助技能是加攻击力,障碍技能是封。颜值又高技能又强所以金系不管手游还是端游人数都是全问道无可争议的老大,可谓鬼剑之于dnf,中国金牌之于世界。木系和水系人数差不多,并列第二,火系第三,土系技能不好用然后造型也有点尬,屈居最末。但是如果把玩法分开来看,排名就得换一换了。

3. 激战团竞模式
在大家固有的思维中,冲分自然会选择可以Carry游戏的位置和英雄,比如中单狐狸、打野盲僧等等。但是,这个观念似乎也并不是太过准确,因为国服LOL手游首个王者玩家擅长的位置并不是上述的任何一种,反而是极为容易被大家忽略的辅助位!

4. 呼朋唤友 随心所欲
(Photo by Phobymo /© Universal Pictures )M. Night Shyamalan moves on from his Eastrail 177 Trilogy, the grounded superhero saga that began with Unbreakable two decades ago and concluded with 2019 s Glass, with his latest theatrical release, Old, an original thriller that has M. Night Shyamalan written all over it.For starters, there s the high-concept conceit, drawn from the graphic novel Sandcastle: a set of vacationing families find themselves trapped on a secluded beach, mysteriously unable to leave, and soon discover they re aging at a rapid pace. (Among the first clues? A small child notices her pants are suddenly very tight.) Then there s the usual Shyamalan touches, beloved by so many fans, since he broke through with The Sixth Sense: a cast of incredible actors asked to play it straight in some seriously outlandish circumstances (Alex Wolff, Vicky Krieps, Gael García Bernal, among others); elegant and disorientating cinematography courtesy of frequent collaborator Mike Gioulakis; several WTF moments that will stick with you long after the credits roll; a cameo from the man himself; and maybe even a twist. (Don t worry, though, this is a spoiler-free zone.)And yet, despite some sense of familiarity, there are ways in which Old feels like nothing Night, as those who work with him know him, has ever done before – and not just because it wasn t shot in his hometown of Philadelphia. There s a go-for-broke spirit to the movie that s invigorating to witness, a quality that has increasingly infused his work since his time on the low-budget and critically acclaimed The Visit rejuvenated his passion for moviemaking.Speaking to Shyamalan a couple of week s before Old s theatrical release, we found him in a reflective mood, sharing with us that he feels more like the director who made The Sixth Sense and Unbreakable, when he was in his late 20s and early 30s, than he does feel like himself at 40, when he says he was playing it safe. When I was 20-something, those movies I was making, Unbreakable and things like that, I remember distinctly not caring about that, Shyamalan said. Now I m not all the way back there, but I feel closer to that, to the young version of me that way – as Old goes out, the provocative nature of it, its dissonant nature, is something I love. With his latest provocation about to stir up audiences, Shyamalan spoke to us about kicking safety to the curb – while also developing actual safety protocols for one of the first films shot during the COVID-19 pandemic – plus his embrace of gothic horror elements, the fear of aging, and why his movies need to be seen on the big screen.Joel Meares for Rotten Tomatoes: You’ve spoken in the past about limitations and how limitations can force creativity – and that was the case when it came to the budgets on The Visit and Split – and it rejuvenated your filmmaking in some ways. On this film, it seems you had so many limitations: You were shooting under COVID, you were under the pump on time, you were shooting in the jungle in the Dominican Republic. What was the biggest filmmaking challenge with Old and how did that lead to innovation and creativity for you?M. Night Shyamalan: I had a thought when you were talking just now that the reason that limitations cause this interesting reaction is, in many ways – and it s what the characters went through [in the movie] – you go to this thesis of, “What is most important?” It is the most important thing that bubbles up. I only have this much money, this much time: What are we trying to achieve? Well, I need to have her do this. I need to have this feeling about it. I definitely need this shot What s important bubbles up and really those are the things that you need and everything else you can throw out the window. It strips you almost of your nonsense, or the things that are not important, by creating limitations. And that s what happens to the characters in Old, obviously, when they re thinking about time speeding up so much.For me – maybe this is the way my mind works and maybe others are like this – you get clouded by more options. There are those studies, where if you give people four things to choose from, they re pretty clear, everybody s kind of in agreement about which one is the best, if it s a strawberry jam or whatever it is. But if you give them 20, everybody s confused about what s what, and you can t hold that much. So, limitations actually give you a sense of place and time and being able to know what your opinion is. I think a little bit of that happens for me, so I try to limit it as much as possible. All of these things that happen made me razor-sharp.(Photo by Phobymo /© Universal Pictures )Rotten Tomatoes: You shot this during the pandemic, and quite early on. Were COVID protocols a pressure that you had trouble with or did you roll with them? What was the impact on the production? Shyamalan: We were so early in this – we were the first ones shooting [during the pandemic] – that I was making up the COVID protocols. It was my protocols that we were going by; I became like some kind of medical sleuth or something. Luckily, a lot of my family s doctors, so I had some basis of how to do this. So I was just making up this protocol. And then when we were done, other productions asked us how we did this because we had zero cases on our production. But it was dogmatic. I knew some things about human nature: I ll never stop that crew member and that crew member from hooking up, I m never going to be able to stop that. In fact, the more I say, Don t hook up, they re going to hook up, right?So how can I create an environment where everyone can be humans and ask them to do things that are reasonable to keep us safe? I said, Here s the hotel, here s our crew. We re all staying here. You re allowed to go from here to the set and back. I ll bring you the food. I ll bring you the entertainment. Everyone is staying with us. The concierge is staying with us – everyone. Then have fun in between. Knock yourself out, but don t leave your [bubble]. Can you do this for 10 weeks? That was kind of the equation. Those were the protocols and it created a theater-camp quality to what we were doing that didn t feel like work anymore. It felt special and I want to feel that way always about making movies.(Photo by © Universal Pictures)Rotten Tomatoes: You mentioned earlier that the important stuff bubbles to the surface, and you spoke about particular shots you needed to get. This film feels in many ways like your most ambitious visually, I think, just in terms of the number of intense tracking shots and the almost Altman-esque moments where you’re picking up action and dialogue as the camera is swirling around the beach. Can you talk about the visual style of Old and your decision to really go with these extreme camera angles and approaches that are pretty disorienting?Shyamalan: Yeah. Thank you for noticing it. I think I really wanted to push the cinematography. The way we tell the story, that language is critical to the experience of it, the disorienting quality of what they were feeling on that beach, the kind of almost nightmare, the ghoulish nightmare, that they found themselves in. [We wanted to] replicate that with the emotions that are evoked from the choices of cinema. We were very much influenced by Australian New Wave movies: Walkabout, Picnic At Hanging Rock. It s funny you mentioned Altman, because he s always an influence for me and Mikey [Gioulakis, cinematographer] when we make movies. Whatever [the camera] catches, it catches it seemingly, it’s catching things on the periphery and the layers of conversation and all.As always, every shot is drawn out [first], but I got to make the movie multiple times in hand form before we shot. The pandemic didn t allow me to shoot when I wanted to shoot, but I had already been ready. So I kept on redrawing and thinking of this shot and this shot. So it was probably, I would say, since Sixth Sense, actually, the most time I spent on the shots before we went to shoot.(Photo by Phobymo /© Universal Pictures )Rotten Tomatoes: I know you ve mentioned before that you don t necessarily set out to make horror movies  per se, but I felt Old had elements – more than some of your other films – of horror, and body horror in particular. There are a few moments, without spoiling it, that we go maybe full Cronenberg-esque. How fun was it to create shocking body horror moments, which is something that I don t think you ve dabbled in quite as much as you do here?Shyamalan; No, I haven t. It s funny you should say that because, Cronenberg… it didn t strike me as that as much as, I don t know, the end of Raiders of the Lost Ark or something, or Poltergeist, where there are some Gothic elements at those moments of people melting or things like that, which I found as a child very, very evocative and my imagination, it went into another genre a little bit. I loved it tipping into Gothic horror for those moments that you re referencing, just touching it like that and then [coming] back to kind of a grounded place.Rotten Tomatoes: It certainly evokes a reaction in the audience! The movie deals with the ultimate fear for many people – and it s certainly the ultimate fear for Abbey Lee s character – aging. Is aging something that you think about consciously a lot? Shyamalan: I m strangely okay with aging. I don t go to my birthdays and feel like, Oh my God. Here we go. Okay. It s not like that, but I m fascinated with the way my mind is changing or my perception of my relationships and things is changing. It s definitely not the same as it was. I don t take in things the same way. I tried to reference that in the movie, that not only your body s changing, but you re taking in information in the world differently as you age.You were referencing Abbey s character, and for me she kind of represented a little bit of where society is going, the body image and [idea that] you re only valid because you re your own brand on Instagram. I m going to do this, I m going to filter this, and do this and do that stuff. Imagine somebody who was kind of a king at this, who was a goddess because of what she looked like, and then now on this beach it s going [away]: What bubbles up to her? What is important to her? What is important to her now that you know that [beauty] is going to get stripped from you and is of no value when time is moving this fast? So the character starts to think about other things.(Photo by Phobymo /© Universal Pictures )Rotten Tomatoes: The other question I had about aging is, how do you feel you ve changed as a director as you ve grown older? You re not an old man, of course, but you re certainly older than when you made The Sixth Sense.Shyamalan: I think I strangely feel closer to the way I was when I was late-20s and 30 now than I did when I was 40. At 40, I felt much more I wanted to be accepted. I wanted to be safe. I felt more value in finding stability and safety than in being a maverick or being like, Hey I m going to do this thing because I like it.” But when I was 20-something, those movies I was making, Unbreakable and things like that, I remember distinctly not caring about that. Now I m not all the way back there, but I feel closer to that, to the young version of me that way – as Old goes out, the provocative nature of it, its dissonant nature, is something I love.I think probably the difference now from that Unbreakable guy is that I know that that s what s going to resonate. I know it, no matter what happens in 10 days, I know that that s what s going to echo, that thing that s weird about it. Whereas the younger form of me, I felt almost ashamed of my instincts, that they were weird and different, and I was, Oh no, no, I ll do something that s easier to swallow. I remember me having that feeling like, God, those are your instincts, but people don t like that. Whereas now I m like, I know that that s the voice that they re going to remember. So there s a knowledge that came from time. So I hope I can continually risk and risk and risk and risk and not want to keep myself safe, which is what I felt when I was younger.(Photo by Phobymo /© Universal Pictures )Rotten Tomatoes: Last time we spoke, we were talking about your Apple TV+ series Servant, and you were saying that while that series is made for streaming, your movie projects are definitely intended for the big screen. And Old is coming out on the big screen – no streaming option. As we’re transitioning out of pandemic era, and everybody s watching the box office numbers, are you stressed about that at all? Also, it seems that genre films are the ones that are punching through with box office wins, like The Conjuring, A Quiet Place Part II. I wonder if you have any ideas as to why those are the kinds of films that are drawing audiences back to theaters, when others, say, aren t being as successful at this time.Shyamalan: I have two answers to that. So, first, the box office is absolutely fine. In fact, it s more buoyant and alive than ever. People want to be together. I don t buy for a second that the theater-going experience is damaged. Not for a second, no matter what corporation tells you that, complete lie. Complete lie. It is the best way to see a movie. Everyone wants to be in the best version of it. They want to experience it together. Now, there are certain genres that appeal more for that experience and one of them is when you re thrilled and you re scared. You want to see the gasps and experience it together. When you re alone and experiencing that, it feels almost bad. You want to be grabbing the person next to you or giggling because you got a scare. You want to share that experience; luckily, I m in a genre that leans towards that group experience even more.I have felt what you ve seen now, post-pandemic, is that the movies that are exclusively in the movie theater are doing extremely well and doing great. So I m very happy as we open up, the world s opening up, to come back and tell stories in the movie theater. That s my church. That s what I do for a living and the rest is a different type of experience; it s a great experience, but it s not the commitment that I m asking of you. You can t talk to your sister and make a taco. You can t do that.One of my friends was like, Oh, I love Servant. I saw that episode. It s fantastic. I was on the treadmill. I loved it. What? You watched it on the treadmill? I was like, Ah Old is in theaters from Friday July 23, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.

5. HD 画质与高品质音讯
使用強大的百度引擎7建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

7. 官方资讯
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6.40.5 1月喜迎跟投入大量宣发的游戏项目相比,其他没什么宣发资源的手游更是没多少人知道。B站代理的游戏种类和数量都不在少数,但是大多数手游没宣发、没活动。玩家自然连这些游戏的名字都不知道,顶多是开服打个广告就石沉大海了。
(Photo by HBO)Expectations for the final season of Game of Thrones were higher than the Red Keep’s tallest spire, and, unfortunately, fans and critics alike were not universally impressed with the way creators David Benioff and D.B. Weiss ended the story. Unlike the previous seven seasons — all of which are Certified Fresh with Tomatometer scores well into the 90s — season 8 is not only the lowest-scoring season on the Tomatometer, it is also the first-ever Rotten season of HBO’s fantasy series.How does that work? Let s do a bit of math: While the average score of each of season 8’s episodes is a Fresh 68%, a number of season-level reviews (those that consider the season in its entirety) published following the finale have brought the overall season score down into the Rotten range.“This final season was all about big-huge set pieces, and a lot of the complexity burned away,” wrote Entertainment Weekly’s Darren Franich of the season as a whole. And Slate’s Willa Paskin noted in her review of the series finale, “Benioff and Weiss organized their entire series around an ending that they didn’t write to.”But Thrones is not the only beloved series that critics felt whiffed its final at-bat. Series with high expectations for their final episodes include everything from HBO’s bro-tastic showbiz satire Entourage to PBS’ prestige TV detective drama Sherlock. And though those expectations might not have been quite as high as the dizzying, dragon-y heights that GoT needed to live up to, both of those series similarly seemed to let down longtime viewers.Below, Rotten Tomatoes has gathered a list of beloved series whose early seasons were high-scoring and usually Certified Fresh — meaning they all received a large number of reviews, with many from top critics, and a score of more than 75% on the Tomatometer — and whose last season or two descended into Rotten territory. Some shows, like The Office, The West Wing, or How I Met Your Mother, managed to turn Rotten penultimate seasons around into Fresh final ones (which is why those three are not included below). But others, including Game of Thrones, Dexter, and Arrested Development, take their place among history’s best-reviewed shows with poorly reviewed endings.A note: We’ve only included series with robust scores, and we would also like to reiterate that this is not an indictment of the included series, but rather a numbers-focused presentation of score drops.Game of Thrones 89% (Photo by Helen Sloan/HBO)Highest-rated season: Game of Thrones: Season 4 (2014) 97%Final season:  Game of Thrones: Season 8 (2019) 55%Drop: 44%While showrunners Benioff and Weiss were never going to please everyone, critics pointed to the series penultimate episode, The Bells, as a prime example of how a transportive, well-acted, smartly written drama even non-genre fans can appreciate (per the RT Critics Consensus for season 1) could devolve into such a divisive experience for fans. The Critics Consensus for The Bells  in particular echoes a common complaint from the show s closing moments: too much plot in too little time muddles the story and may leave some viewers feeling its conclusions are unearned. Dexter 71% (Photo by Showtime)Highest-rated season: Dexter: Season 2 (2007) 96%Final season: Dexter: Season 8 (2013) 33%Drop: 61%Seasons 1, 2, 4, 5, and 7 of Showtime’s serial killer drama are all Certified Fresh, but seasons 6 and 8 plunged into Rotten territory. The Critics Consensus for season 6 counts “heavy-handed symbolism, an unimpressive villain, and a redundant arc for America s favorite serial killer” among the reasons for its low score, while the season 8 summary calls it a “a bitterly disappointing final season that is so hesitant to punish its anti-hero for his misdeeds, it opts to punish its audience instead.”Weeds 70% (Photo by Showtime)Highest-rated season: Weeds: Season 2 (2006) 100%Final season: Weeds: Season 8 (2012) 40%Drop: 60%The dark comedy followed suburban widow Nancy Botwin (Mary-Louise Parker) as she began to deal pot to make ends meet following the unexpected death of her husband — and eventually transformed into an international drug kingpin. But while the first season was Certified Fresh and the subsequent ones were generally well-liked, RT’s Critics Consensus for the eighth and final season notes that the “final installment burns the series remaining goodwill down to a sorry roach with perfunctory plotting and a sense that this story no longer resembles the one fans fell in love with.”The Killing 68% (Photo by AMC)Highest-rated season: The Killing: Season 1 (2011) 94%Final season: The Killing: Season 4 (2014) 47%Drop: 53%The Seattle-set slow-burn mystery pursued by homicide detectives Sarah Linden (Mireille Enos) and Stephen Holder (Joel Kinnaman) started off with “thoughtful writing, believable characters, and realistic horror, even if its season finale was unsatisfying,” per the first season’s Critics Consensus. By the fourth season, resurrected by Netflix following AMC’s cancellation, it succumbed to “silliness” and strayed into “distractingly overwrought territory.”True Blood 70% (Photo by HBO)Highest-rated season: True Blood: Season 3 (2010) 91%Final season: True Blood: Season 7 (2014) 44%Drop: 51%HBO’s vampire drama, based on the Southern Gothic Sookie Stackhouse book series by bestselling author Charlaine Harris, took a few seasons for critics to warm up to it (it started at a barely Fresh 61% in season 1 and reached a series high of 95% in season 3). But the third season’s “graphic thrills, steamy romance, and biting satire for its fans” made way for a Rotten final two seasons, as the series ran out of steam and its seventh season was “content to limp along on familiar plot points.”Arrested Development 74% (Photo by Netflix)Highest-rated season: Arrested Development: Season 1 (2003) 100%Final season: Arrested Development: Season 5 (2018) 55%Drop: 45%, though the drop from season 1 to season 4 was even more drastic at 73%The first season of the formerly short-lived Fox gem is among the rare seasons Certified Fresh at 100%, and the subsequent two seasons that aired on the broadcast network are also strong with 94% and 100% Tomatometer scores, respectively. Netflix’s revival, on the other hand, can’t quite “live up to its own past.” At least the series’ fifth season (55%) was a bit of a second chance for the cast and creators, as season 4’s Critics Consensus put it simply: “They ve made a huge mistake.” (Though the series has not officially been canceled, there s no word on whether Netflix plans to make another season.)UnREAL 81% (Photo by Lifetime)Highest-rated season: UnREAL: Season 1 (2015) 98%Final season: UnREAL: Season 4 () 50%Drop: 43%All three seasons of the dark, Bachelor-skewering drama that aired on Lifetime were Certified Fresh and brought renewed respect to the female-focused network. The fourth season, however, “fizzled out” and went directly to Hulu (“but the clever antics, confidence, and high energy” remained intact, per the season 4 CC).Sherlock 78% (Photo by Laurence Cendrowicz/Hartswood Films & MASTERPIECE)Highest-rated season: Sherlock: Season 2 (2012) 94%Final season: Sherlock: Season 4 (2017) 54%Drop: 39%The first three full seasons of Mark Gatiss and Steven Moffat’s modern Sherlock Holmes adaptations were all Certified Fresh with scores in the 90s. But the 2015 Christmas special wasn’t quite as well-received, and the fourth season, which came four years after season 3, was marred by “the lofty expectations created by the series lengthy hiatus.” Hm, sounds familiar…Entourage 66% (Photo by HBO)Highest-rated season: Entourage: Season 5 (2008) 76%Final season: Entourage: Season 8 (2011) 46%Drop: 30%While the Hollywood antics of heartthrob Vinny Chase (Adrian Grenier) and his hangers-on were mostly well-received — most seasons of the HBO comedy are sitting comfortably in the 70s — the seventh season saw a turn as poorly received as Chase’s fictional epic, Medellin. As season 8’s Critics Consensus put it, “With Entourage s best stories behind it, the series finale feels like a merciful end.”Prison Break 60% (Photo by Fox)Highest-rated season: Prison Break: Season 1 (2005) 77%Final season: Prison Break: Season 4 (2008) 50%Drop: 27%The Fox drama’s self-explanatory title meant that the series was always going to have to fight against its own premise — there are only so many prisons to break out of, after all — but after a Certified Fresh debut season and a second installment that maintained the series’ “propulsive momentum,” per season 2’s CC, things went downhill. The third and fourth seasons were both Rotten at 50% — and while the original series finale delivered closure for fans, “the season s ludicrous, plot-breaking twists betray the feeling that this saga should have ended a jailbreak or two before.” Fox’s 2017 revival nearly a decade after the series’ original end, didn’t fare much better: “familiar faces and frenetic action aren t enough to make up for a plot that manages to bore while beggaring belief,” per the Critics Consensus.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
Mark Ellis and the fam – this week it s film correspondent and expert Nikki Novak, critic Carlos Aguilar, and Pay or Wait writer Sharronda Williams – rev up their engines and drive straight into the biggest questions fans have about Fast Furious Presents: Hobbs Shaw. Can Dwayne Johnson and Jason Statham s chemistry sustain a two-hour-and-sixteen-minute movie? How are new additions to the Fast universe Vanessa Kirby and Idris Elba? How s the action compare to other movies in the franchise? And WHAT ABOUT THOSE CAMEOS? As always, it s a spoiler-heavy discussion, so if you haven t seen Hobbs Shaw, better to do a sudden, screechy, slow-motion U-turn and get the hell outta here.Fast Furious Presents: Hobbs Shaw is in theaters now.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

and there were two elements that hinted that Morbius might be set in the same world as Spider-Man: Homecoming and Spider-Man: Far from Home. The first was a Spider-Man poster with Murderer spray-painted over it (hinting at Far from Home), and the second was the appearance of Michael Keaton, who played Adrian Toomes, a.k.a. the Vulture, in Homecoming. We ll hopefully know more about all of this when Morbius is released this summer on July 31, 2020.4. THE FLASH OF TWO WORLDS: EZRA MILLER MEETS GRANT GUSTIN(Photo by Clay Enos/©Warner Bros. Pictures, Katie Yu/©The CW Network)One of the most surprising things to happen on The CW s five-part Crisis on Infinite Earths crossover happened in the finale Tuesday night, as we saw Ezra Miller s movie version of The Flash meet Grant Gustin s TV show version in The Speed Force. Normally, this column doesn t really touch on TV show news, but this scene potentially has big implications for the long-in-development The Flash (7/1/2022). There have long been indications that The Flash will depict a version of the popular DC Comics storyline Flashpoint, and having Ezra Miller s version meet Grant Gustin s version could be part of how we get to Flashpoint, since it involves time travel and alternate realities (much like the CW show as well). There is still a lot about The Flash (the movie) we don t know, and this might have been just a cute little cameo, but it could also be our first tease about a movie that s just over two years away from release.5. THE SOUNDS OF NO TIME TO DIE: BILLIE EILISH, HANS ZIMMER, AND THE SMITHS GUITARIST  (Photo by Amanda Edwards/Getty Images)One of the last steps in the post-production for most movies (except, apparently, Cats) involves the music. So, one shouldn t read too much into the stories this week about the music for the 25th James Bond film, No Time to Die (4/10/2020). The biggest revelation is that 18-year-old pop star Billie Eilish will become the youngest person ever to perform the theme song for a James Bond movie. Billie Eilish reportedly wrote the song with her brother Finneas Eilish. It was also confirmed last week that the rest of the score of No Time to Die will be composed by Hans Zimmer, but what s most surprising is that Zimmer is collaborating with Johnny Marr, who probably remains best known as the guitarist of the influential 1980s British pop group The Smiths.6. STEPHEN LANG S BLIND KILLER TO RETURN FOR DON T BREATHE 2 (Photo by Ghost House Pictures)It s impossible to know for sure if any of these movies are related to each other, but in the last few years, there have been a few horror and/or suspense thrillers that are all related to the senses. Sight was the element at play in Lights Out and Bird Box, sound was the sense involved in A Quiet Place, and Don t Breathe incorporated both. The sequel to A Quiet Place is coming out on March 20 of this year, and this week, we learned that the sequel to the latter movie will start filming a month after that. Don t Breathe director Fede Alvarez has hired his co-writer Rodo Sayagues to make his own directorial debut on Don t Breathe 2, which is scheduled to start filming in April. Stephen Lang, who starred as The Blind Man, the film s villain, will return for the sequel, which one has to guess will probably be about a new group of victims trapped in his house.7. OSCAR ISAAC MUST REALLY LOVE THE EXPRESSION EX MACHINA (Photo by Melinda Sue Gordon/Netflix)Just five years ago, Oscar Isaac starred in the science-fiction film Ex Machina, along with Alicia Vikander and Domhnall Gleeson (who went on to co-star with Isaac in the most recent Star Wars trilogy). That movie came out just five years after the final issue of the comic book series also called Ex Machina, which was about the political career of the world s only superhero who subsequently becomes the mayor of New York City. Earlier this week, it was announced that Legendary Entertainment is developing a movie based on the Ex Machina comic book series that is to be retitled The Great Machine, in an obvious effort to avoid confusion with Ex Machina. Earlier today, we learned exactly why these movies would have been very easily confused, because it turns out that Oscar Isaac is also producing and will star in The Great Machine. So, if the title hadn t been changed, not only would there be two movies called Ex Machina, but they would have both featured Oscar Isaac.8. KEIRA KNIGHTLEY TO PLAY MOM TO JOJO RABBIT KID STAR IN NEW CHRISTMAS MOVIE(Photo by Barry Wetcher/©Warner Bros.)As Taika Waititi moves on to the soccer movie Next Goal Wins, his Marvel sequel Thor: Love and Thunder, and his future with the Star Wars franchise, the success of his most recently released film continues to have its impact on other film development news. The World War II-set comedy Jojo Rabbit featured three relative newcomers (including Thomasin McKenzie and Archie Yates), but the title role was played by Roman Griffin Davis, who this week joined another movie with a famous actress playing his mom. Keira Knightley and Roman Griffin Davis will play mother and son in an untitled Christmas movie which will focus on how British families celebrate the holiday. The movie will directed by Camille Griffin, who also happens to be Roman s own real-life mother. The project is now seeking to cast the father of the family.9. DISNEY DROPS THE FOX FROM ITS RECENTLY ACQUIRED STUDIOS (Photo by Valerie Macon/Getty Images)It was almost a year ago now that Disney finalized its acquisition of the film and TV properties of 21st Century Fox and Fox Searchlight, but it wasn t until this week that one of the biggest resulting changes was announced. Disney is removing the word Fox from both companies and their logos, so they will now be called just 20th Century Studios and Searchlight Pictures instead. The new name for the studio formerly called 21st Century Fox is particularly curious, as the new name basically spins back the clock as well.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
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(Photo by DC Universe)Click her to see the full image in a new tab.DC Universe turned up the heat at WonderCon on Friday with a slew of updates about their exclusive originals, including revealing the first official look at Stargirl from Berlanti Productions and Mad Ghost Productions in association with Warner Bros. Television. (See the full photo below.)Brec Bassinger appears in the series as Courtney Whitmore, aka Stargirl. The show will debut early 2020 on DC Universe, with character creator Geoff Johns serving as showrunner.DC also announced that  James Wan and Len Wiseman are among the producers to bring the  famously grotesque and cosmic book Swamp Thing to life, with a focus on Abby Arcane as she investigates a pathogen derived from a Louisiana swamp and what she finds lurking beneath/within/a part of that primordial soup. The series will debut May 31.Titans will return for a second season in fall 2019. Recent casting announcements have unveiled an exciting slate of characters for season 2, including Joshua Orpin as Conner Kent (aka Superboy); Esai Morales as Slade Wilson (aka Deathstroke); Chella Man as Joseph Wilson (aka Jericho) and Chelsea Zhang as Rose Wilson (aka the Ravager).Animated series Harley Quinn will premiere later in the fall season, following Titans.Before that, expect to see Krypton unveil its season 2 premiere in the summer on Syfy. If you re not caught up yet, season 1 will be available on DC Universe on Friday, April 5.If you believe in truth and are also a big fan of justice, check out the 11th Justice League animated movie, Justice League vs. The Fatal Five on April 16 on the streaming service, which will see as the 4K Ultra HD, Blu-ray, and DVD release the same day.Finally, Young Justice: Outsiders returns July 2 to finish the rest of the season.
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Above: Hanton with Hemsworth in a photo from Hanton s Instagram (@bobbydazzler84).What’s the craziest stunt you’ve ever done for a Marvel movie?In Infinity War, I got smacked off my feet by Peter Dinklage s character. I got punted off my feet, somersaulted through the air with a twist, and then landed on a rock face and then headplant into the ground, which was a pretty gnarly hit.What was the toughest MCU movie to shoot?Thor: Ragnarok was intense. The movie is all about Thor, so there were a lot of stunts for Thor and myself and Chris to do in that movie. A month into rehearsal, I snapped my groin I think on that movie I cranked my neck a few times, popped my shoulder out. That’s probably the most I’ve picked up injuries on a Marvel movie, due to the fact that there are a lot more stunts to rehearse, a lot more stunts to do, and a little bit of being unlucky with a couple of landings and tweaks I picked up. That’s the nature of the beast. We spend as much time in rehearsal as possible, breaking it down and making sure it’s as safe as possible before we take the mats out. The stunt team are all working together to make sure it looks great, but it’s repeatable and safe. That’s why we’re on the movie 10-12 weeks prior. I’ve picked up injuries along the way but it’s part of the job.What was the most memorable part of working on Endgame?I think just being surrounded by so many A-list movie stars and so many superheroes all under one roof. The end battle is incredible, all these actors running next to each other and having little fight sequences with each other; Cap getting the hammer, and stuff like that. It was a great ending to a great team and a bunch of professional actors and actresses.What has it been doubling for Thor and working alongside Chris Hemsworth for so long?Chris and I have become very close as friends. We’re the same age, have the same sense of humor. We have a great laugh on set, and Chris is such a great guy. It’s been nearly seven years, so we’ve developed a very close relationship. Without being biased, I think Thor is one of the best characters, so hopefully they do continue [making Thor movies].Glenn Foster: Double for Iron Man (Robert Downey Jr.) They put the helmet on me, and I suddenly had a flashback to that moment as a kid of seeing Darth Vader helmeted, and I suddenly thought, oh my goodness, this is that moment that I imagined as a kid.' (Photo by Industrial Light & Magic/©Paramount/Courtesy Everett Collection)What was the first Marvel movie you worked on?Iron Man 2.How did you get the job?I was with Robert at that point. We had done Sherlock Holmes prior to that, and he expressed an interest in keeping me with him for whatever journey was in store for us. That was 10 years ago, so it’s kind of been a decade of craziness and an incredible life experience for me. We’ve done maybe seven Marvel films together? And a bunch of other different projects as well.Is there a difference between doubling for Tony Stark and doubling for Iron Man?Iron Man is a lot less quirky and fluid. Robert has a very unique way of moving and acting. Maybe it’s why he was so good as Chaplin. And then, an Iron Man-type movement is much more about being upright, more strident, more powerful. In a way, slightly more mechanized. In some instances, that was dictated by the amount of movement that the suits would allow. Earlier versions were actually very tricky to move in and see anything in.What’s the craziest stunt you ever did for a Marvel movie?For Iron Man 3, we were jumping off cranes. Those cranes were 300-, maybe 400-feet high. Launching yourself off the side of those was interesting. Definite leaps of faith, especially since it was all shot at night. You’re leaping into darkness and trusting that the various cables you’re attached to are going to do what they’re supposed to.Got any MCU war stories?I’ve certainly taken some knocks. Nothing that has particularly stopped me from continuing with a project. On all the Marvel projects, we’ve been very lucky in having had a good group of stunt engineering guys or girls. I’ve been fortunate enough to be able to be on those rigs or whatever it was and come out the other side.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)What was the most memorable part of working on Endgame?The scene were Tony travels back in time and he’s dressed as a SWAT guy in the past, but [the 2012 version of him] is talking to Robert Redford. They did that whole sequence in the morning, and I was the [present-day Tony] in the background, in the SWAT gear, observing him while he went through this whole scene. It was sprung on me that for the afternoon’s work Robert [Downey Jr.] would be the guy in the SWAT gear, so they would do the close-up stuff on him, watching me, now perform that whole dialogue sequence. I essentially got to act on screen, with dialogue, not only with Chris Hemsworth, but with an absolute living icon, Robert Redford. That was incredibly memorable to me.What has it mean to you to be part of the MCU for a decade?I remember seeing a documentary about Star Wars as a kid, and they showed Darth Vader without a mask. I remember thinking, “that would be the coolest job ever. To be a character like that, and to actually be the guy in the mask, to be that iconic, awe-inspiring character.” I came to do Iron Man 2, and they told me I was going to wear the suit, and the first time I ever put it on, it was for a sequence where there’s a party in Tony’s house. They put the helmet on me, and I suddenly had a flashback to that moment as a kid of seeing Darth Vader helmeted, and I suddenly thought, “oh my goodness, this is that moment that I imagined as a kid.”Loyd Bateman: Double for The Hulk (Mark Ruffalo) These large chunks of foam that you’d have to wear in order to make parts of your body the correct size — that makes it tricky. (Photo by © Walt Disney Studios Motion Pictures / © Marvel Studios)What was the first Marvel movie you worked on?I actually have only done Infinity War and Endgame.How did you get the job?I’ve been working in film for almost 20 years now, doing stunts and etcetera. I sent a short reel of some of the things that I’ve done, including a short film that I made for my son called Zarg Attack!. He wanted to fight a giant robot. I did a stop-motion animation robot and made it attack him. I think it’s that clip that landed me the job, between that and my performance stuff.What was it like meeting Mark Ruffalo for the first time?Mark was really sweet. It was early 2017 when we started to do some of the motion-capture stuff for Infinity War. Right out of the gate he was very friendly, very sweet, very open. Talked a little bit about how he was playing about it, the character. I brought some of my ideas to the table, and he was really open and receptive.What’s the difference between doubling for Bruce Banner and for the Hulk?If I’m completely honest, I’m physically larger and, I daresay, a hair more muscular than Mark, so I actually didn’t do any of the Bruce Banner stuff. I did all the motion capture stuff for the Hulk, and for smart-Hulk.While wearing the motion-capture suit, did you also have a fake head on a stick, like the ones Josh Brolin wore as Thanos?We did from time to time, just as a height reference, but often if we were being really physical, it would just break. We would take it off to do what we needed to do. Also, often the character would be fighting other characters of equivalent size, so it was less tricky. Thanos would often be fighting human-sized characters, so there were eyeline issues all the time and size issues.(Photo by © Walt Disney Studios Motion Pictures / © Marvel Studios)Did the motion-capture nature of the character make doing the stunts more complicated?It was a bit of a double-edged sword. On the one hand, you can wear as much padding as you wanted. You could be as safe as you needed. Sometimes, though, with all the extra gear on — like height offsets or these large chunks of foam that you’d have to wear in order to make parts of your body the correct size — that makes it tricky. Other than that, not too difficult.What was the craziest stunt you’ve done for a Marvel movie?The stunts weren’t physically that huge for my character. The more complex stuff was fight choreography, really. For this particular character, any of the explosions or huge falls he would have to do, they would just do it completely with computers. It’s a magic show. It’s a lot of trickery. We got to have fun, be safe, and do things that were spectacular at the same time.Did you ever get injured?We always get bumps and bruises. I don’t mean to put my experience too lightly. Obviously the human characters who are acting with real practical walls and windows and things are going to have a much harder time, but I still did a certain amount of getting kicked and punched backwards, landing on things, all that sort of stuff.What was the most memorable part of working on Endgame?Watching the finished film in the theater, I think was the most memorable to me, because seeing it all come together after all that time and all that effort, how hard everyone worked, everyone putting their heart and soul into it. Seeing it all come together and getting to watch it with a group of people was actually made it was the most memorable thing. It was fantastic.Daniel Hargrave: Double for Captain America (Chris Evans) That America’s ass shot, when he’s on the ground, was shot during additional photography – that was all Chris Evans. (Photo by © Walt Disney Studios Motion Pictures / © Marvel Studios)What was the first Marvel movie you worked on?Captain America: The Winter Soldier. How did you get the job?My brother Sam had doubled Chris Evans for the whole movie, and they were going to do some additional photography. Sam and I were actually working on The Hunger Games, and he had a long beard and he didn’t feel like shaving for a couple days of reshoots so he volunteered me. I went out there and doubled Chris for one scene.What was it like meeting Chris Evans for the first time?He was super nice. My brother had a good relationship with Chris, and he was very cordial and nice to me. Of course, he expected me to be like my brother and perform at a higher level, so it was a little pressure, first time meeting him, but he was a very nice guy.What’s the craziest stunt you’ve ever done for a Marvel movie?In Endgame, when my brother and me were both doubling Cap for the “Cap versus Cap” scene. There was the double stair fall, where we both ran and jumped off of a platform down the stairs at the same time, and went crashing down the stairs and off the edge into a box catcher, and then they hoisted us up. It was a throwback to when we were little kids on the farm, we used to make little videos. Kinda funny, now 25 years later, we’re doing it on the big screen for one of the biggest movies in the world. It was awesome, a dream come true.

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bob投注体育网 (Photo by Disney+/Lucasfilm Ltd.) Just because she thinks that she is the rightful ruler and just because she thinks she s ready to lead doesn t mean she is, said Sackhoff, who revealed that Bo-Katan s ego and readiness to lead was one of the many topics she discussed with Mandalorian creator Jon Favreau and executive producer Dave Filoni when they first talked about Bo-Katan s possible appearance on the show last year.Sackhoff cornered Filoni at Star Wars Celebration in April 2019 to talk about characters from Rebels — set roughly a decade before The Mandalorian — possibly making the leap to live action. I always wanted to do this, and I needed to be sure that she fit into the world and that her age worked, she said. I was fingers crossed that I would be allowed to do it. Then the call came, which she said was the most surreal moment of my life. (Photo by Justin Stephens / © SCI-FI / Courtesy: Everett Collection)At the same time, though, playing Bo-Katan on The Mandalorian felt like a natural extension of her career, Sackhoff said: I ve spent the last 25 years figuring out how to play strong women. Besides her role as hot-shot pilot Capt. Kara Starbuck Thrace on the Battlestar Galatica reboot, Sackhoff has also put time in on series like The Bionic Woman, The Flash, and, most recently, Netflix s Another Life, the second season of which she is currently shooting. All the pieces just seemed to fit together, she said.She also found a surprising new sense of ownership of the role once she had a set of armor to wear on set. It was just my voice [in animation], and, really, my job at that moment was to deliver performances that Dave wanted, she explained. When you re going to live action and you are then given the responsibility of portraying this character in actuality, it s a very different thing. (Photo by © 2020 Lucasfilm Ltd. ™. All Rights Reserved.)Although her familiarity with the character was a benefit, it also presented a unique challenge when building the performance. Back in the recording booth on the animated shows, she could be big and expressive to get the performance Filoni wanted, but bringing that larger-than-life energy was out of place on the set of The Mandalorian. Bo is regal — her upbringing raised her to be so — and she s very stoic and she s very purposeful. When her face does something, it s calculated, and I needed to make sure that translated because that is very much already been established in animation, Sackhoff explained. I had to relearn my own face to make it move less. Crazy Katee can t show up. It wouldn t have worked. She credited The Heiress episode director Bryce Dallas Howard with helping her find the happy medium between who Bo was in animation and who she is in reality. The episode now has a 97% Tomatometer score on 31 critic reviews.

2. THIS WEEK IN REPLACING DICAPRIO, PART 2: SAM ROCKWELL AND RICHARD JEWELL(Photo by Fox Searchlight)DiCaprio had also previously been attached to star in Clint Eastwood s next film as director, Richard Jewell (previously titled The Ballad of Richard Jewell), but his role has now gone to Sam Rockwell instead. The title refers to a security guard who discovered a suspicious backpack bomb at the 1996 Atlanta Summer Olympics. Rockwell will play Jewell s defense attorney, and the title role is going to Paul Walter Hauser, who was arguably the breakout star of I, Tonya. (At one point, that role would have gone to Jonah Hill, when he was physically much heavier.) The cast for the film expanded even further this week, though, as Kathy Bates will also be co-starring as Jewell s mother. In related news, Paul Walter Hauser also signed on this week for a lower profile film, Silk Road, which is also based on a true crime story.3. NETFLIX ADAPTING HIT VIDEO GAME THE DIVISION WITH JESSICA CHASTAIN AND JAKE GYLLENHAAL(Photo by JA, Jason Smith/Everett Collection)There are so many Marvel movies (over 30 if you include the various Sony and Fox movies) that it s rare to find a big star who hasn t appeared in at least one of them. Jessica Chastain co-starred as an alien in last week s Dark Phoenix, and Jake Gyllenhaal will play Mysterio in next month s Spider-Man: Far from Home, and we now know that they will both headline an upcoming video game movie. Both of them actually joined the movie based on Tom Clancy s The Division three years ago, but that was so long ago that, until this week, it didn t seem like a sure thing that either was still attached. The big reveal this week is that Netflix has stepped in to produce and distribute The Division, which will be the next film directed by David Leitch, who s coming off Certified Fresh action hits in Atomic Blonde (78%) and Deadpool 2 (83%). Tom Clancy s The Division is an action role-playing game set in New York City following a mass genocide from a viral attack.4. NETFLIX ENLISTS COCO WRITER FOR THEIR TAKE ON CHRONICLES OF NARNIA (Photo by Walt Disney courtesy Everett Collection)Ostensibly inspired by the box office successes of both the Harry Potter and Lord of the Rings movies, Walden Media started adapting C.S. Lewis The Chronicles of Narnia in 2005 with The Lion, The Witch, and the Wardrobe. That first movie was a box office smash (5 million globally), but the second (The Chronicles of Narnia: Prince Caspian) and third (The Chronicles of Narnia: The Voyage of the Dawn Treader) both dropped by nearly half with 9 million and 5 million, respectively. (The third film also dipped the franchise into Rotten territory.) Disney released the first two films, and Fox the third, but nine years later, Netflix now has the rights. To get things started, Netflix has hired screenwriter Matthew Aldrich (who cowrote Pixar s Coco, Certified Fresh at 97%) to work on their ambitious adaptations of Lewis seven novels into both movies and at least one series.5. MELISSA MCCARTHY S ST. VINCENT REUNION THE STARLING (Photo by JA/Everett Collection)Like many comic actors, Melissa McCarthy frequently dips her cinematic toes into more dramatic fare (like last year s Can You Ever Forgive Me?, Certified Fresh at 98%). McCarthy arguably started doing this in 2014 with the dramedy St. Vincent (Certified Fresh 77%), co-starring Bill Murray, Naomi Watts, and Chris O Dowd. St. Vincent was directed by Ted Melfi (Hidden Figures), who had planned to direct a psychiatric dramedy called Fruit Loops (with Woody Harrelson) next, until Disney recently let it go as part of their new Fox plans. Quickly shifting gears, Melfi will instead next direct a tragic comedy called The Starling, with McCarthy and O Dowd reuniting from St. Vincent as a married couple struggling with grief.6. BO BURNHAM WILL WRITE THE NEW SESAME STREET MOVIE S SONGS  (Photo by Priscilla Grant/Everett Collection)Although January is historically seen as a dump month, studios have more recently been enjoying success with the Martin Luther King Jr. Day weekend in mid-January (Glass in 2019, Hidden Figures in 2017, Ride Along 2 in 2016, etc.). Warner Bros. is developing a Sesame Street musical starring Anne Hathaway, and they chose a release date of January 15, 2021 (which would have been MLK s 92nd birthday) a while back. Filming isn t expected to start until April of next year, and this week, we found out who will be writing the new Sesame Street songs. That role has gone to comedian-turned-writer-director Bo Burnham, who is coming off a great 2018 after his award-winning feature directorial debut with teen drama Eighth Grade (Certified Fresh at 99%). As pointed out in this piece, Burnham made an early mark on YouTube by performing raunchy songs like My Whole Family Thinks I m Gay, but it s pretty obvious that his Sesame Street songs won t be like that. Or so we assume.7. CLASSIC HORROR FILM BLACK CHRISTMAS GETTING REMADE (AGAIN)(Photo by MGM courtesy Everett Collection)Possibly more than any other genre, horror movies are particularly ripe for remakes, mostly because they can be made relatively affordably with a high potential box office return. In 2006, one such remake was Black Christmas (Rotten at 15%), based on the influential early 1974 slasher of the same title (Fresh at 71%). Both films featured young actresses as sorority house members who later became more famous: Margot Kidder (Superman) in the original film, and Mary Elizabeth Winstead (10 Cloverfield Lane, TV s Fargo) in the remake. Blumhouse Productions and Universal Pictures are rushing to remake Black Christmas again, and the lead actress this time around will be Imogen Poots, who co-starred in 2016 s Green Room. We say rushing because Universal has scheduled Black Christmas for just six months from now (December 13, 2019), up against the Jumanji sequel. The updated film will be directed by Sophia Takal, who co-wrote the script with April Wolfe, which gives the remake a unique female perspective that might be exactly the jolt it needs.Rotten Ideas2. KEVIN HART REMAKING BILL MURRAY S SCROOGED (Photo by Universal Pictures, Paramount Pictures)Bill Murray s zombie comedy The Dead Don t Die is in theaters this weekend, and he s all over The Weekly Ketchup as well. This is the third story with Murray connections, following Ghostbusters 3 and The Starling (which is a reunion project for St. Vincent, in which Bill Murray starred). Although they don t always hit financially, remakes remain popular with Hollywood because many of them can be made relatively affordably (compared to say, superhero movies), but still have name brand familiarity. In 1988, Bill Murray starred in Scrooged (Fresh at 70%), which was itself basically a remake (more specificially a reimagination) of Charles Dickens A Christmas Carol. Well, that remake is going to get a remake, because Kevin Hart is producing and is expected to star in a Scrooged remake for Paramount Pictures. The Scrooged remake does not yet have a screenwriter or director, so it s probably at least a few Christmases away.1. ANIMATED SPICE GIRLS MOVIE IN THE WORKS(Photo by Columbia Pictures courtesy Everett Collection)Last year marked the 20th anniversary of the 1998 Spice Girls movie, Spice World (Rotten at 35%), which unironically had absolutely nothing to do with Frank Herbert s Dune (melange jokes for the win). As with all mortals, time marches on even for the Spice Girls, but Paramount Pictures has figured out a way to make another Spice Girls movie: animation. All five original Spice Girls members are signed on to star in the new animated film, which will feature both their hit songs and new songs as well. The Spice Girls movie is part of a new Paramount Animation slate that aims to release two movies a year, starting in 2020 with The SpongeBob Movie: It s a Wonderful Sponge (5/22/2020) and the comic book adaptation Rumble (7/31/2020). Paramount is also still developing an animated Mighty Mouse movie. This story isn t the week s Rotten Idea for those films, however, but because of Spice World s Tomatometer score.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week. (Photo by Netflix)Alan Arkin reacted to his Emmy nomination for Supporting Actor in The Kominsky Method in the most Alan Arkin way possible:“Wow, I am 85 years old, so this comes in just the nick of time,” Arkin said in a statement via Netflix.Joey King shaved her head to play Munchausen Syndrome by Proxy victim Gypsy Rose Blanchard on Hulu’s The Act. She shared her emotional reaction to the nomination with double nominee Patricia Arquette (for The Act and Escape At Dannemora) on Twitter.I cannot believe this is happening. I’ve just been Nominated for an Emmy for my work in The Act. There’s so many people to thank for this moment and getting to talk to my mom and Patricia immediately after it was announced was so special. I’m in shock pic.twitter.com/7pDSu3lmD0 Joey King (@JoeyKing) July 16, 2019This Is Us earned acting nominations for Mandy Moore, Milo Ventimiglia, Sterling K. Brown, Chris Sullivan, guest stars Ron Cephas Jones, Phylicia Rashad, and Michael Angarano and composer Siddhartha Khosla (who is at least 50 percent of the reason This Is Us makes us sob uncontrollably.)Brown had his son join him in thanking the Academy.Thank you @TelevisionAcad for this incredible honor!!! And for recognizing #ThisIsUs in such a spectacular way!!! Big Up to my whole extraordinary ensemble, especially my man @SullivanTweet my momma @TheMandyMoore for their first nominations!!! (More to come) pic.twitter.com/HzzDdcup6i Sterling K Brown (@SterlingKBrown) July 16, 2019Creator Dan Fogelman thanked the Academy for recognizing them all and nominating the show again for Best Drama.So grateful to the @TelevisionAcad for the best drama Emmy nom for #ThisIsUs. And thrilled to see Mandy, Sterling, Milo, Sully, Ron, Phylicia, Michael, and (my college roomate) Sidd all recognized! A great day for all of Us. Now back to set to do a stunt with a dog. Dan Fogelman (@Dan_Fogelman) July 16, 2019Angarano responded in a statement.“I’m honored to be nominated for This Is Us,” Angarano said. “Thank you Dan Fogelman and the special group of writers for giving me a temporary home. Congratulations to the cast and crew on all of their nominations. It was truly a dream job and I’m so grateful for it. Netflix may have cancelled One Day At a Time, but Pop saved it, and now Pop has a three-time Emmy nominee with the latest nod for Editor Pat Barnett, who was nominated last season too. Could this be the year they win? Creator Gloria Calderon Kellett sang Barnett’s praises on Twitter.Yes! One Day At A Time was nominated for an #Emmy for editing! Our amazing @pattheeditor is once again the only woman in her category! You make us proud, Pat!! #MoreODAAT 🍭🎉🎈@TelevisionAcad ❤️ pic.twitter.com/nsGPjydYsJ Gloria Calderón Kellett (@everythingloria) July 16, 2019The women of Killing Eve had a love fest on social media congratulating each other for their nominations, the second year in a row for the show’s two seasons.Congratulations to all the Emmy Nominees. Extra love to the @KillingEve team and my wonderful co-stars @IamSandraOh Fiona Shaw. Not forgetting our fleabag friends and the dangerously talented PWB @DryWrite. 💗 @KillingEve https://t.co/dBlk8COyHV Jodie Comer (@jodiecomer) July 16, 2019Christina Applegate earned her fifth nomination for the first season of Dead to Me. She shared that her daughter found out before she did.Uhhhhh. Shocked. Grateful. Holy crap!!! Thank you thank you thank you!!! Best part of the morning was my kid finding out and she screamed. Haha christina applegate (@1capplegate) July 16, 2019Ryan Murphy’s FX drama Pose broke ground in television for its cast of trans actors and characters. Now it adds an Emmy nomination Billy Porter as Lead Actor in a Drama Series to its legacy.“The Category Is: Speechless!” Porter said in a statement. “I’m so grateful to have lived long enough to see this day. Pose speaks a truth that has the power to transform hearts and minds. I’m honored and humbled to be counted in the number.“Co-creator and writer Steven Canals congratulated Porter on Twitter too.Aaaaahhh!! ⁦@PoseOnFX⁩ is an ⁦@TelevisionAcad⁩ #EMMY nominee for Drama Series!! So proud of entire team producers, cast, crew who work tirelessly to tell this story of family, resilience, inclusion, and love!! #PoseFX pic.twitter.com/rHcsokV4xK Steven Canals (@StevenCanals) July 16, 2019Phoebe Waller-Bridge isn’t on social media to react to her nominations for acting in and creating the comedy series Fleabag but her TV sister Sian Clifford is for hers!CRYING AND DYING 👾👜💕😭😭😭🙏🏼🙏🏼🙏🏼🥳🥳🥳😱😱😱 Thank you to everyone everyone who voted. I cannot speak!!!!!! Our whole team is in bits #Fleabag FOREVER https://t.co/45GA2Gxgrw Sian Clifford (@SiansUniverse) July 16, 2019The official Fleabag account celebrated them all, including Supporting Actress Olivia Colman, with Fleabag worthy one-liners.Godmother s talents are undeniable. Help us congratulate Olivia Colman on her #Emmys nomination for Outstanding Supporting Actress in a Comedy Series. #Fleabag pic.twitter.com/Lw3m9OwbEo Fleabag (@fleabag) July 16, 2019We d run through an airport for her. Congratulations to Phoebe Waller-Bridge on her #Emmys nomination for Best Actress in a Comedy Series. #Fleabag pic.twitter.com/odwmrdKxo0 Fleabag (@fleabag) July 16, 2019(Photo by Netflix)The show goes on for House of Cards with the final season led by Robin Wright earning a nomination for Outstanding Supporting Actor in a Drama Series for Michael Kelly.“What an incredible honor to be nominated alongside such talented men and women this year,” Kelly said in a statement. “I couldn’t be more thankful to the TV Academy, and to my fearless cast and crew who made this all possible. Excited to be going back to one of my favorite nights of the year!””The show didn’t go on for Rent Live when an injury forced Fox to air a dress rehearsal instead. That didn’t stop the production from earning Emmy nominations in five categories: Outstanding Production Design for a Variety Special, Outstanding Lighting Design/Lighting Direction For A Variety Special, Outstanding Makeup For A Multi-Camera Series or Special (Non-Prosthetic), Outstanding Variety Special (Live) and Outstanding Technical Direction, Camerawork, Video Control for a Special.“We are grateful to the Television Academy for recognizing Rent among its Emmy nominations this morning,” EPs Marc Platt, Adam Siegel, and Julie Larson said in a joint statement. “It was a joyous experience gathering together members of the original Broadway creative team with our talented young cast in presenting this beloved musical to a wider audience, and we congratulate the entire team for their stellar work.”(Photo by Netflix)Netflix shed light on the Central Park Five by airing Ava Duvernay’s series When They See Us. The show’s Emmy nominations, including Aunjanue Ellis for Outstanding Lead Actor in a Limited Series or Movie, will bring them even more attention.“This nomination is a tribute to Kevin Richardson, Antron McCray, Raymond Santana, Korey Wise and Yusef Salaam,” Ellis said in a statement. “Let’s all say their names. Yusef’s mother, Sharonne Salaam, is nothing less than a warrior for her son and a survivor of an emotional violence few of us will ever understand. I am utterly grateful to her. Thank you to the visionary Ava DuVernay and Netflix for giving me the blessing to be a part of this act of restorative justice.”John Leguizamo also earned a nod for Outstanding Supporting Actor in a Limited Series or Movie and said in a statement: “This nomination is not for me, but for the parents of the innocent children who have been put through the unimaginable. Just because their vulnerable children were unjustly accused of a crime by racial profiling, and how almost impossible it was to clear themselves. For her Supporting Actress nom, Vera Farmiga said in a statement, “Astonished by the surprising Emmy pat on my back, humbled. My heart is bursting with pride for all my When They See Us brothers and sisters and their noms. I pray that Kevin, Antron, Raymond, Korey and Yusef continue to absorb healing from this sweeping acknowledgment. Thank you to the Television Academy.”Niecy Nash shared her gratitude with her on screen son Jharrel Jerome, also nominated:Mother Son 💙 @jharreljerome Thank you for your gift💋😢 We’re Emmy Nominated!!!!! #YesGod whentheyseeus @netflix @televisionacad https://t.co/P5ThKpjAuA Niecy Nash (@NiecyNash) July 16, 2019Young Asante Blackk also tweeted his thanks.woke up to find out i’m nominated for an emmy. for my first ever project. at 17 years old. wow. i love y’all. thank you so much. pic.twitter.com/G0h0agcRwQ Asante Blackk (@AsanteBlackk) July 16, 2019DuVernay tweeted:Just off the phone with Korey Wise. I told him to get his tux ready. He said: “You did that, Queen. You told the story. You did what you came to do. They had to see it. They listened.” #WhenTheySeeUs pic.twitter.com/vzmKSeYEAa Ava DuVernay (@ava) July 16, 2019(Photo by HBO)Chernobyl terrified viewers and critics alike in its stark, harrowing portrayal of the nuclear meltdown. As a reward for giving us all nightmares, Chernobyl was nominated for Outstanding Limited Series, Jared Harris, Emily Watson, and Stellan Skarsgard for Acting and 15 other nominations.Harris responded in a statement while creator Craig Mazin took to Twitter. I am so happy for everyone involved, Harris said. These nominations in so many categories speak to the excellence of Chernobyl as a whole; Craig and Johan deserve all the praise. Personally I am delighted and thrilled for Stellan Emily, who are both magnificent. The international reception to Chernobyl took many industry insiders by surprise. My hope is that its impact emboldens programmers to keep taking risks to not only delight, but also challenge their audiences. Honestly overwhelmed by the nominations for Chernobyl, and really thrilled that so many of our cast and crew were acknowledged for their work.This was a labor of love for us all, and Carolyn, Jane and I thank the @TelevisionAcad for this recognition. Craig Mazin (@clmazin) July 16, 2019Adam McKay was nominated for directing Succession, also the show’s first Emmy nomination. He thanked the Academy, and also congratulated Drunk History and I Love You, America.Thank you. All credit to incredible cast, crew, writing staff and of course Jesse Armstrong! https://t.co/Zy3Kg6r7XN Adam McKay (@GhostPanther) July 16, 2019Full Frontal with Samantha Bee was nominated for Outstanding Variety Talk Series and Outstanding Writing for a Variety Series.“It s such an honor to be nominated with so many of my friends,” Bee said in a statement. “I am truly grateful to the Academy for recognizing the hard work of my entire staff. It is always a group effort and any day I can order celebratory cake to be delivered to the office is a good day. See you in LA! Conan cut half his show out but still earned three nominations for his half hour edition. Conan O’Brien mixed sincere gratitude with a wacky joke I have an excellent staff and I’m very happy to see them recognized with 3 Emmy Nominations,” O’Brien said in a statement. “Next stop: the Latin Grammys. Amy Sedaris launched her comedic variety show At Home with Amy Sedaris and earned two Emmy nominations. Maybe she’ll do an episode on how to prepare for an awards show!“It s always nice to be invited to a party!” Sedaris said in a statement. “Thanks so much to the Television Academy for nominating us again and everyone at truTV, the writers, cast and crew for making our show possible. I must admit this year’s Emmy nomination is slightly bittersweet – I had my eye on hosting.”Netflix swept reality TV too. For his nomination for Outstanding Unstructured Reality Program, Somebody Feed Phil Host and Executive Producer Phil Rosenthal said in a statement, “I’m thrilled for our team who work so hard trying to make me look sexy. The best thing about this is that hopefully I get to keep working with my friends, my family, meeting new families around the world, and eating all their food.”Meanwhile, Netflix’s Chef’s Table earned a nomination for Outstanding Documentary or Non-Fiction series. “It’s a huge honor to be nominated amongst such great company, and we are thrilled to see Chef’s Table continue to receive recognition as the show has evolved over the years,” Creator and EP David Gelb said in a statement. “We are beyond grateful to Netflix for believing in us, and to our chefs for sharing their lives with us and the world.”The Fab Five celebrated Queer Eye’s six nominations including Outstanding Unstructured Reality Program with group hugs.GROUP HUGGIES! 🤗🤗 We’re honored to be nominated for 6 #Emmys this year including Outstanding Structured Reality Program. ✨💖 pic.twitter.com/VPyue66HDZ Queer Eye (@QueerEye) July 16, 2019National Geographic swept documentary categories as one should expect from the longtime contender. Angela Bassett earned a nomination for Outstanding Narration for The Flood.“I am deeply honored to receive this Emmy nomination for such an important project,” Bassett said in a statement. “I truly hope it will bring more much-needed attention to this rarely seen kingdom of resilient, beautiful animals in a way that inspires everyone to help protect it for years to come.”Hostile Planet received three nominations including Outstanding Documentary or Nonfiction Series.“It s been so inspiring to be part of Hostile Planet, a series unlike any other that I’ve been involved in before,” Host and EP Bear Grylls said in a statement. “There’s no doubt that it shines new light on how unforgiving and challenging life can be for animals at the toughest of times. I’m incredibly grateful to the Television Academy for honoring my role in this groundbreaking series and to National Geographic for the privilege of being able to guide viewers through these powerful, and at times shocking stories of survival.”The Emmys air September 22 at on Fox.

2022-01-27
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