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狂刃好玩吗采用百度引擎1(Baidu 2)tar in the film as the central hero, Nathan Drake, and it officially went into production in early 2020. It lands here after several shifts in the release schedule; let s hope it stays here. Ambulance (2022) Directed by: Michael BayStarring: Jake Gyllenhaal, Yahya Abdul-Mateen II, Eiza Gonzalez, Garret DillahuntOpening on: February 18, 2022Michael Bay tones down his blockbuster tendencies just a bit (presumably) for this smaller-scale thriller about a pair of thieves who unknowingly rob an ambulance carrying a paramedic and a patient in critical condition. This remake of a Danish film has been in development since 2015, but filming finally got underway in January of 2021.

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2. 公平游戏环境
The Worst Christmas MoviesFrom painful family reunions to sequels no child asked for to multiple Vince Vaughn and Tim Allen vehicles, these are all the Christmas films that scored less than 30% on the Tomatometer. And to make sure these movies landed on enough critics naughty lists to be deemed truly universally loathed, every entry had to have at least 20 reviews for inclusion. This leaves the likes of Kirk Cameron s Saving Christmas and Nativity 3: Dude, Where s My Donkey?! out in the cold, but makes plenty of space for Home Alone 3, Christmas With the Kranks, and Deck the Halls. It s more cinematic coal than you can handle in our guide to the worst Christmas movies ever!Best Christmas Movies | Worst Christmas MoviesBest and Worst Christmas Horror | Best Foreign Christmas MoviesRotten Christmas Movies We Love | Modern Christmas Classics狂刃好玩吗ten Tomatoes had the chance to pose our lingering questions to Lemire, actor Neil Sandilands (who plays antagonist General Abbot), and executive producers Jim Mickle and Beth Schwartz about some of the program s locations, serendipitous moments, and where it might go in a potential second season.Why Is the Essex County Zoo So Important in the Show?(Photo by Kirsty Griffin/Netflix)One of the more unexpected elements of the series — particularly for readers of Lemire s comics — was the sudden importance of the Essex County Zoo that Aimee (Dania Ramirez) and Wendy (Naledi Murray) were using as a home and sanctuary for Hybrids. Even the name is a surprise as it nods directly to Lemire s earlier Essex County trilogy of graphic novels — a detail Lemire said eagle-eyed viewers will spot as early as episode 2 before it gets a prominent shot in episode 5.Beyond its name, the zoo also serves as part of the show s fairy-tale tone and way to reconcile the program s relocation of events from Lemire s home country of Canada to the Midwestern United States. Obviously it has a slightly different geography than the comic book because of the Nebraska angle, he explained. [But] once we got to New Zealand, it was like, This doesn t look like Nebraska. How do we [do this?]' Soon, the production found our own real logic or geography as they fairy tale-ize the landscape between Yellowstone National Park, Colorado, and an Essex County, which is a cousin — by way of Lemire s rich universe — to the one he grew up in. It is magnificent, Sandiland said of the set. It really feels like you re in a theme park somewhere. Although some of the exteriors were shot at the Auckland Zoo, much of the Essex County Zoo was created on a sound stage. The actor recalled a major shot when Abbot first arrives with the Last Men militia. They had one of those huge extension arms [for the camera]. The vehicles [are] moving in, going all the way, pulling back, and then [the camera goes] all the way across to where Abbott is standing on top of that structure, facing the zoo. That was done on a sound stage. So just to give you an idea of the enormity of it. In terms of the narrative, the Zoo will seemingly take the place of the Last Man camp featured in the comic book. That may be the reason why the set is so lovingly rendered by a design team Sandilands called just next level. Although, he declined to confirm if the Last Men will be camping there while Dr. Singh (Adeel Akhtar) attempts to process the cure.Of course, any details of a potential second season are unknown to him and, as it happens, he chose not to read ahead in the comic in order to make the discovery of the story as the production progresses; a valid acting choice that may also help explain one of Sandilands more distinct visual departures from the character as drawn by Lemire.Why Does General Abbot Look So Different from the Comic?(Photo by Netflix)When we spoke to Schwartz before the series debuted earlier this month, she said it was possible the strikingly-long beard Abbot sports may have been Sandilands own lockdown beard, a supposition the actor partially confirmed for us. Lockdown had quite a bit to do with it, he said. I did another little local project [just before Sweet Tooth] where I sported the beard. And I thought, It s definitely a look, right? There s something going on there. And I just decided to keep growing it. And little did I know that it becomes quite a thing. As it turns out, the hair and makeup team were supportive of the choice, going so far as to email Sandilands before he flew to New Zealand to make sure he kept it.Mickle and Schwartz were also supportive, though some discussions about the beard took place. It is a collaborative thing. I think a lot of people have to buy into the look. And we had time to play around with it, he said. Jim sent me some of the images that we did on set with a full-on hair, makeup, wardrobe test and when I got those stills, I was really rather surprised in a good way. The look was just so striking with the beard, with the glasses, with the lighting, with the color, everything. So that came as a pleasant surprise. And I think an actor draws from a lot of external input stimulus prior to going on set and starting to build the character. Another aspect of the character which may come as a surprise to viewers is his composure — something often lacking in post-apocalyptic warlords. Deliberate restraint is always a good thing, Sandilands said. As we ve seen in his encounters with Singh, Singh s predecessor, Dr. Bell (Sarah Peirse), and even the words he said to Aimee from across the Zoo, he presents himself as someone who doesn t need to raise his voice to get his point across. And as Sandilands sees it, the character strikes a certain mystique. He s intriguing enough that you would want to know, like, who the hell is this f er? What is he really capable of? How deep can we go? I think there s a lot of miles in that tank left to be explored, he said.Is It Serendipity or Is It Supernatural?(Photo by Kirsty Griffin/Netflix)Another element the show may explore in a possible second season — Netflix has yet to confirm another is on the way — is the part serendipity seems to play in the story. Consider the way Jep (Nonso Anozie) and Singh had that conversation in an elevator which eventually leads to him accepting Gus ten years later or the way Bear (Stefania LaVie Owen) and Wendy relate to one another. Then there s the big one: the way the fickle hand of fate has seemingly led all of the characters in the direction of Essex County for what comes next. When asked if it is all coincidence or if some force is at work behind the scenes, Mickle simply raised an eyebrow. James Brolin is behind the whole thing, Lemire joked.Although, that joke definitely leads to one possible answer. From the eight episodes so far, we ve heard Brolin s narrator refer to himself in the first person, have intimate knowledge of the characters pasts, and bind their scenes together thematically before any of them besides Aimee walked near the Zoo. He could be some supernatural force. He could also be Gus in the far future writing all of this down in the storybook style of his father, but if Lemire feels comfortable enough to joke about the narrator s place in the story at this point, we ll assume his real role in the story is far more surprising.Then there is also a supernatural angle if viewers want it: Gus s hallucinatory dream in the field of flowers which seems to foretell his meeting with Abbot. The mention of it led Mickle to raise his eyebrow again and say, Gus is tapped into whatever Gus is tapped into, I guess. [In] a circular, very Twin Peaksian way, Lemire added. You could ask the same question about Jeff s comic books, Schwartz said. Indeed, comic book Gus has many more dreams than his TV counterpart by the time he first meets Singh — and all without the aid of the flowers growing over the dead. All of them contain at least a drop of prophecy, although we can go back to Lemire invoking Twin Peaks and the way that show always kept a little deniability in the mysticism on display. At least until the third season, anyway. But it is definitely something to keep on the board should Sweet Tooth get its second season.

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Anthony Mackie, Sebastian Stan, and Creators: "Specter of Cap Defines" Falcon and Winter Soldier The two stars and the director and writer of Marvel's latest Disney+ series talk about new twists and turns, revisiting a familiar villain, and who really is "America's ass." by RT Staff | March 18, 2021 | Comments

If you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at rtiswrong@rottentomatoes.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News.
Book Club (which scored 54% and opened to .5 million) look pretty dashed. It is the second week in a row that STX failed to get a million start (including last week’s UglyDolls.)The studio picked up Poms through auction at the American Film Market last November for between million and million, and it opened this weekend to .1 million.Lionsgate’s Long Shot, meanwhile, dropped 37% in its second weekend. While word of mouth has caught up to the film a little, the drop was still to big to beat The Intruder in its second week.Fox Searchlight has opened a film in more than 1,000 theaters just 28 times in its 183-film history. The 29th time came this weekend with Tolkien. While there was enough curiosity to earn it .1 million in 1,496 theaters this weekend, the biopic’s per-screen-average of ,440 currently makes it the second-worst per-theater average among those 29 films. If the estimates hold, that is. If the number actually drops, it could fall behind the ,383 PTA that Miss March had in 2009 and become the worst. Between Tolkien (49%) and The Aftermath (27%), Fox Searchlight has released its two lowest-scored films since 2017’s back-to-back releases of Table 19 (26%) and Wilson (48%).The Top Ten And Beyond: New Releases Nothing To Pikachu About(Photo by Warner Bros.)Back in March, expectations for Pokemon Detective Pikachu were set for a million weekend and, in some circles, a 0 million domestic haul. The high predictions came back down to Earth a bit recently as WB lowballed a million start for its live-action Pokemon film. Audiences split the difference this weekend and handed over million, which is a little more than what The Chronicles of Narnia: Prince Caspian and Night at the Museum 2: Battle of the Smithsonian opened to. A Dog’s Journey may take a small nibble out of its staying power next week and Aladdin an even larger bite the week after. Critics have marginally put it in Fresh territory with a 63% score and a first estimate of 0-170 million for Pikachu means WB will be counting on international fans to cover its 0 million budget. The film has grossed an additional 2.4 million overseas so far.Also opening this weekend was the Dirty Rotten Scoundrels remake The Hustle, starring Anne Hathaway and Rebel Wilson. It opened to a bit less (.5 million) than Wilson’s February comedy, Isn’t It Romantic?, which started with .2 million even with a two-day head start. At 16%, The Hustle is one of the worst-reviewed films of the year, lower than the score for Hathaway’s other delayed 2019 release, Serenity (19%).This Time Last Year: Infinity War Was Also On Its Third Straight Week At The Top(Photo by Marvel Studios)A year ago, Avengers: Infinity War led the way for a third straight week with the fourth-best third weekend in history ( million.) Its two new challengers that weekend, Life of the Party with Melissa McCarthy and home invasion thriller Breaking In, duked it out for second and third with .88 and .63 million, respectively. The documentary RBG also made its way into tenth place in its second weekend with .18 million in 179 theaters. The top ten films grossed a total of 6.69 million and averaged 63.2% on the Tomatometer. This year’s top ten grossed an estimated 2.77 million and averaged 53.4%.On the Vine: John Wick Battles A Dog In Attempt To Take Down The Avengers(Photo by Summit Entertainment)Keanu Reeves returns to potentially close out a trilogy in John Wick: Chapter 3 Parabellum. After the disappointing returns of Long Shot, Lionsgate could use a non-Tyler Perry victory. Will this be the one to finally make it to 0 million? Will its fans be enough to overthrow the Avengers in week four? Speaking of sequels and animals Mr. Wick is fond of, Universal follows up moderate hit A Dog’s Purpose with A Dog’s Journey. Then the director of Before I Fall, Ry Russo-Young, tackles another young adult novel with The Sun Is Also A Star.The Full Top 10: May 10-12Avengers: Endgame (2019) 94% – .05 million (3.49 million total)Pokémon Detective Pikachu (2019) 68% – million ( million total)The Hustle (2019) 14% – .53 million (.53 million total)The Intruder (2019) 33% – .60 million (.97 million total)Long Shot (2019) 81% – .12 million (.73 million total)Poms (2019) 36% – .11 million (.11 million total)UglyDolls (2019) 28% – .92 million (.27 million total)Breakthrough (2019) 63% – .46 million (.10 million total)Tolkien (2019) 51% – .15 million (.15 million total)Captain Marvel (2019) 79% – .81 million (3.77 million total)
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Harris appeared as Captain Francis Crozier in The Terror opposite Ciarán Hinds (Game of Thrones) as Sir John Franklin and Tobias Menzies (Outlander) as James Fitzjames. An esteemed sailor with personal demons, Crozier faces a largely invisible  force of — if not evil exactly — unrelenting and destructive nature. Harris lead performance throughout, on- and apparently off-screen as well, was impressive, contributing to the season s stellar Certified Fresh 95% Tomatometer score and a Golden Tomato for best horror series in 2018. Jared was very often trying to give some of his lines away to other characters to make sure that they would stay in focus for the audience, it was amazing, showrunner  David Kajganich told Rotten Tomatoes in May last year. He’s the height of generosity. I mean, we couldn’t have asked for a better collaborator than Jared, in every way.Chernobyl is on its way to Certified Fresh status, with a 100% score on nine reviews ahead of its release. The five-part miniseries also stars Breaking the Waves costars Stellan Skarsgård and Emily Watson, who echoed Kajganich s admiration — also noting that Harris is a giggle. “You can tell from his work that he has complete integrity and cares very deeply about the things that really matter, Watson told Rotten Tomatoes. Actually getting to work with him confirmed that 100 percent — and to my great joy — he doesn’t care about the stuff that doesn’t matter. Very similar to Stellan, but I knew that already. Jared is effortlessly truthful and works without ego. He can get very animated if he feels that we’re not getting to the bottom of the subject in hand — holding everyone around him to a very high standard.”The historical drama also boasts an unlikely creative team: director Johan Renck (Vikings) is well known for his work in music videos, including David Bowie s Blackstar and Beyoncé s Me, Myself and I, while writer and creator Craig Mazin s credits — including Scary Movie 3, The Hangover Part II,  Identity Thief, and The Huntsman: Winter s War — though often profitable, don t immediately suggest prestige TV. (Photo by HBO)A go-to British character actor for the moody everyman, Harris is anything but in real life; for one, he is the son of Welsh actress and socialite Elizabeth Rees-Williams and renowned Irish actor Richard Harris — famous to a younger generation as the Harry Potter film franchise s beloved first Dumbledore (the one fans had to say goodbye to when the actor passed away in 2002). To a more seasoned audience, the elder Harris is best known as Marcus Aurelius in Gladiator and for Oscar-nominated roles in This Sporting Life and The Field.In addition to his Chernobyl and The Terror roles, Jared Harris has distinguished himself as King George VI in Netflix s award-winning period drama The Crown, as hard-living Outer Planets Alliance leader Anderson Dawes in sci-fi series The Expanse, rogue scientist David Robert Jones in Fringe, and as Mad Men s tragic ad-agency partner Lane Pryce. And that s just TV. He s also appeared on film as Professor James Moriarty in Sherlock Holmes: A Game of Shadows, Andy Warhol in I Shot Andy Warhol, and Ulysses S. Grant in Steven Spielberg s Lincoln.We spoke to the actor before Chernobyl hit, and he told us about the joys of performing with Skarsgård and Watson, the status of Anderson Dawes in The Expanse, and, as a big fan of another HBO hit series, indulged us with some Game of Thrones talk.(Photo by Roy Rochlin/Getty Images for Tribeca Film Festival)Debbie Day for Rotten Tomatoes: The first episode, to me, plays like a horror show. And after seeing you in The Terror, I wondered what draws you to that kind of bleak material.Harris: I want to say yes to things that are really well written. Stories that grip me, and that excite me, and ones that where I want to flip the page and see what happens next. And definitely felt that way about this.For someone like me who lived through that period of time, I was surprised at how interested I was in seeing the story portrayed. You mentioned, in your interview with Seth Meyers, that you remember the time well.Harris: I do remember it well. I was living in London at the time, and I remember all the stuff on the news about it. And like I said, tracking the cloud, and I also remember that once the cloud had passed over, and sort of passed over the Atlantic, people stopped paying attention to it, and I was very surprised to find out from reading this that it was spewing toxic waste up into the atmosphere for another three months. You know, they didn t say that at the time.And again, it was the things that you d find out that you didn t know, and the reason why you turned the page and you keep reading. The sacrifices that people made, the heroism of unnamed people that didn t expect to be lionized by history in any way. And the suppression of the truth, that bureaucratic bungling, the irony of it being a safety test that stops the whole thing. It was incredibly well written and fascinating.This is an interesting time to do a series about out-of-control egos.Harris: Absolutely. There are lots of immediate parallels, aren t there, too, to what s happening. We re dealing with crises that people are ignoring, the scientific facts, experts are not being listened to, opinions are taking precedent over scientific inquiry. You know? And they have very little regard for the health and well-being of their people.(Photo by HBO)That s something that definitely resonated with me about the series.Harris: I ll tell you what I took from it: The Soviet state was the one where the suppression of the truth was taken over facts. The state lied, and no one expected to be able to hear the truth from the state, and the powers that be. And the population had become cynical about an expectation of being able to hear the truth or hold power to account. But that s when things get dangerous: when you no longer can — or expect to be able to — hold the powers, the governing bodies to a standard of truth. And that s when they can get away with it. So you ve got to be vigilant, you can t give up. You can hold their feet to the fire.One of your character s quotes is, “Every lie we tell incurs a debt to the truth.” That was very meaningful to me.Harris: That was Craig, and when you pitch a show about a historical event, I think one of the questions you get asked is, Why now? How is it relevant to now? And you have to have an answer for that before the commissioners will say, OK, we ll give you however many millions to go ahead and make it. And I think that was in the DNA of what Craig was interested in: truth.And one of the things that he said that was interesting, which, again, he said A line from it, is he said, You can lie all you want, but the truth doesn t really care. And the truth will do what it s going to do. And I suppose in that sense, as it relates to what s happening now, we can argue over climate change all we like, but at the end of the day, it s going to do what it s going to do.You see that happening around the world, and I think that the older generation is really failing the task. There was an obsession with the generation above us, with the Golden Generation; they were fighting for everybody s rights in World War II, and for freedom and liberty, and — we are not covering ourselves with glory, our generation.It s hard to get people to care about something beyond their front doorstep.Harris: Until it comes right up to their front doorstep, then floods their living room That s what Craig s saying: If that s what s going to happen, it will do it anyway, whether you believe in it or not. If you believe the science or not, you can start paddling around in your living room in a kayak.(Photo by Aidan Monaghan/AMC)You ve had a long career, and when I saw your name on The Terror, I thought, Well, Jared Harris is in it, it must be good.Harris: I like that association.And, yeah, all of the television that I ve seen you in, like from Fringe, and Mad Men, and The Expanse, it s all been such excellent work. What is it about television?Harris: Why TV, why is that happening? I think that s got less to do with me, and it s got more to do with the fact that the studios have given up on entertaining adults. And they are trying to get a certain age bracket to come in, and it s sort of 12-24 year old men, and they give you giant tentpole action/superhero films, which I really enjoy, I go and see, as well. But they ve given up on any other entertaining, any other kind of mindset. And for a while, there was a vacuum, and then television has stepped into that vacuum, because there s an appetite for complicated stories, and nuanced characters, and original stories, and taking risks, and there is an appetite out there, and television and now the streaming platforms have stepped into that, and there s a supply for that demand.I think that s why it s happening. And for me, I grew up loving the movies of the ’70s, and I really thought that if you had a career in cinema, that somehow you d be working in films like that, and they don t really exist in films anymore, but they exist in television.There still will be rubbish on TV, don t get me wrong. There s still a lot of rubbish out there, and I personally, I want to be in things that I care about, and at the moment, there s enough out there that you don t have to say yes to rubbish to pay your mortgage, you can say yes to things that you care about, and stories that means something to you, and that interest me or not, but are challenging.(Photo by Marvel Comics)You do have a big, kind of blockbuster-y movie on the horizon, with Morbius, yes?Harris: Yeah, I ve got another week on that. And I mean, that s not a big commitment on my side, you know? They don t want anything to be revealed about it until it s time for them to start trying to go out there, and tickle the interest of the public. So I m doing a Spiderman spin-off movie called Morbius, but beyond that — that s it. Yeah. There s Matt Smith, which is cool. And Jared Leto.Was it confusing having two Jareds on set?Harris: It wasn t confusing — I ll say that.You also have Carnival Row coming, yes?Harris: Yes, I believe that s coming out at the end of this year, but I haven t heard anything specific.There would be a lot of effects with that — they would be spending more time on it, yes?Harris: I believe so, but … once something wraps, once your part wraps, you re in the dark until it s time for the thing to come out, and sometimes they still don t tell you anything, and we find out about it once it starts airing. So I m not sure what their plans are specifically. I think I heard somewhere that it s coming out in October, towards the end of October.(Photo by Syfy)Where did we leave Anderson Dawes in The Expanse? Did he kind of just jet off?Harris: Yeah. Anderson pinched — he stole the scientist, yeah. And that was it — that was the last we saw of him, specifically.Is there any hope that we’ll see him again?Harris: I’m not sure. I haven t heard any more from them. At one point, they had called up, and they were seeing whether or not I d be interested in — it wouldn t have been coming back for season 3, but for beyond season 3 I don t know what their plans are [now that] Amazon picked it up. I haven t heard anything from anybody.I really enjoyed that character. It was a very satisfying character for me. I spent a lot of time talking with Mark Fergus about the character, and the idea of walking a very thin line with regards to keeping the audience guessing as to what side of the fence he was on: Could you trust him? Was he an agent of good? Was he just out for himself, for his own self-aggrandizement? Or was he really there fighting for the cause. And I loved it. I loved playing with that back and forth of it. But, yeah, I don t know what their plans are.I think some of those questions still exist when he leaves the scene. I really enjoyed watching the character, because of that sort of enigmatic behavior.Harris: Yeah. From my point of view, I consider him to be “ride or die.” … He s looking out for the interest of his people. And he was prepared to do whatever he needed to do to make sure that they were protected and got what they needed, you know?But you never quite knew whether or not he was looking just to promote himself or not, the way he was using other people. I liked that ambiguity. I loved the crazy looks of the character. I remember, we were talking about the identity because they were going to put the tattoos on me, and I asked him what they were, and what they represented. And I said, Well, since I m supposed to be this sort of, the original OPA Belter, let s invent the idea that they re scars and that the original suits burned you. And that s how people end up representing their connection to the original guys. And they asked me about the accent, and they said, It s up to you to decide what you want to do, the accents you can do. It was like curry: You can be mild, medium, or spicy hot. And I said, I want the hot, the most difficult, the most extreme version of it, I want to do that one.Are you a fan of the books?Harris: I started to read them, but, again, I have so much reading to do, that — if I was coming back, would do a deep dive into them. I was really enjoying them, but … I don t read for pleasure any longer, I have so much reading to do, and when you say yes to a project, you suddenly have a stack of books, you ve got weeks of internet diving, and — I don t find reading pleasurable anymore. It s work.(Photo by HBO)When the next Song of Ice and Fire book comes out, will you read that?Harris: I haven t read those at all.Really?Harris: I haven t read any of them.Ah. That s interesting.Harris: But what I know from talking to people is that they are, they re The show s very different from the books. There s no Night King in the books … someone told me [author George R.R. Martin] doesn t feature the character. And the person who s going to bring the wall down is Euron Greyjoy.I m looking forward to the last three [episodes], although I can t believe that they ve erased the existential threat. Somehow, I feel as though there s a twist in that tale. It just seems, that seems odd, that that was continually driving the undercurrent of the entire series, and that they fought back, and now — and without it ever getting to Cersei s doorstep, either, which, if anyone deserves to be visited by the army of the undead, it s Cersei. If anyone deserves to become the undead, it s Cersei.And I think from Dany s dream earlier on in the series, we thought —Harris: When she s captured by the warlocks. Yeah, the whole roof to the throne room at King s Landing is completely burnt away.Someone said to me, Well, winter is still coming. Just because the Night King is gone, doesn t mean winter s going to stop. Harris: What does this mean, in terms of sort of what s left on the table? If her army has been decimated, they don t have enough to take out Cersei s two armies, and now the two dragons are in play, and you re going to go and melt King s Landing. But then, of course, there s going to be objections of doing that amongst her team of advisors. I could imagine somewhere along the line of that there will somehow be, and that they will bring up the not the Night King, per se, but that threat, and then since they re supposed to represent death, how can you kill death?The only other thing I did think about, was that the red god is referred to as being the red god and also he s the god of death. So then, you can look at it, and see an entire battle between the new god of death, and the old god of death. And the new god of death has wiped out the old god of death. And who knows what the red god s got plans for anybody else, now. Melisandre s god, and also, they referred to the same god by [Jaqen H ghar]; he refers to that as being the god of death and the red god. The same god.Interesting theory – a sort of religious transition.Harris: Well, it s the “Song of Ice and Fire”; one god represents winter, and the other s the fire god, and there s a battle between these two deities, being acted out between these human agencies as to who s got ultimate power over the world, I guess.We should probably stop talking about Game of Thrones. I hope you have a question about Chernobyl.(Photo by HBO)That s OK. I appreciate it. One more Chernobyl question: How do you feel about being in a prestige project like this, in which there is so much talent in the cast, everyone brought their A-game, and it s so well done?Harris: The very first words out of my manager s mouth was, HBO is doing a mini-series about Chernobyl.” So, it s HBO — ding! — ears pricked up, that means it s going to be really high quality, they take risks, it s really, it s massive support for the whole production, and they give a tremendous artistic license to the showrunners and the storytellers. So right there, you go, OK, that s amazing. And then, yeah, I got to spend most of my days with Stellan and Emily, and what a joy that is. I am tremendously fond of both of them. And they re brilliant, brilliant actors, and there s no angst about it. They can sit and chat about whatever they need to chat about, and then when it s time to do the work, they just put their heads down, and they lock right into that space and focus on it hard and deliver.I learned a lot, I mean, I learned a lot watching Stellan and Emily on this. That s the idea: You work with really good people, and you learn something every single time, if you re lucky.Thank you so much for your time today, Jared. And good luck with the series. It s going to do well — it s already got 100% on Rotten Tomatoes.Harris: Whoo! Yeah. I saw that, and speaking of your algorithm, The Terror was very, very high on Rotten Tomatoes, and The Expanse: highest audience rating on Rotten Tomatoes for any of the sci-fi fantasy shows. How about that?I m a huge fan. Harris: I got a question for you: Who do you think is going to sit on the Iron Throne at the end of the story, of the whole series?I don t think anyone s going to sit on the Iron Throne. I think it s going to be destroyed.Harris: Well, [Daenerys] said she s going to break the wheel, you re quite right. A confederation — a confederation of kingdoms.A democracy.Harris: Yeah.(Photo by HBO)Postscript: With Game of Thrones anything can happen, and most theories turn out completely wrong. With Chernobyl, at least, we already know the end of the story. The thrill of the portrayal, however, is learning how they got there.Chernobyl premieres on Monday, May 6 at 9 p.m. on HBO.


狂刃好玩吗 in the film, is also a priest, and a lot smarter than I am. She told me what my movie’s actually about. She said, There’s less and less room for the uncontrollable in modern life. More and more is scaled or measured. Being inspired or getting an idea, are examples. And I said, What’s so special about getting an idea? She said, Well, it’s something you get. It’s not something you buy or prepare. You get it from somewhere. Another great example she gave me is falling in love. You fall, you “lose control,” and you meet something grand. If you’re a young person, you have to appear on social media 40 times a day and you’re being graded all the time. When I walk around, my phone counts the number of steps I take. So much in our lives is measured and controlled. So, if this movie is anything, it’s a fight for the uncontrollable, for letting go. And one of the reasons it might land pretty well right now is because it talks to a very confined, problematic world where people have to stay home and behave rationally. Not only are we in a very measured society, but on top of that, we’re isolated. And there’s, I guess, a sort of need for dancing in the streets and embracing each other and whatever else those crazy drunk Danes do.Finally, what s on your Indie Fresh List?Vinterberg: I’m a member of the Academy, so of course I’ve seen the international contenders, and find many of them extremely good. The Father from the main section moved me a lot, and Sofia Coppola’s On the Rocks definitely did, too.Streaming now on Hulu and available on VOD.

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As home to the premieres of Hereditary, The Babadook, and Get Out, Sundance s Midnight program has developed a reputation among genre fans. And this year s lineup – on paper at least – looked set to hold up that legacy. There were a number of second features from directors who d shown scary-good talent with their debuts – including the second film from Under the Shadow s Babak Anvari and the duo behind Goodnight Mommy – and a film that had already been picked up by A24, the distributor that has become a kind of stamp of approval for fans of quality indie chillers. But did Sundance s 2019 horror offering live up to expectations? Will this year s fest gift us with another Hereditary? We checked out the films, and rounded up what the critics were saying, to give you the heads up on which Sundance horror films are most likely to make a splash when they hit screens later in the year.Little Monsters (2019) 79%Release date: TBDThis “Shaun of the Dead Down Under” zombie comedy is (so far) the best-reviewed movie from the festival’s Midnight Program. It’s sitting at 100% on the Tomatometer after early reviews and being declared “a new cult classic” by the likes of Nerdist’s Dan Casey. Time will tell whether that kind of talk is just hype, but this story of a group of Australian kindergarteners trying to survive a zombie attack during a field trip to a petting zoo certainly has its early fans. Most of them are singling out Lupita Nyong’o s performance as ukulele-plucking “kindy” teacher Miss Caroline, who – even as the groaning zombies close in – remains doggedly dedicated to convincing her troop of kids that it’s all just a game, and not at all the beginning of the apocalypse. (This gambit involves Nyong’o singing “Shake It Off” in what will be no doubt become a seminal moment in the zombie genre.)“Little Monsters is a testament to the fact that Nyong’o is a force of a nature who should absolutely be in more comedies,” writes Casey. Even critics who didn’t wholly fall for the movie’s charms sang the actress’s praises: “[Nyong’o] sings, gets laughs, talks tough, wields a shovel and pitchfork, and expertly navigates a big monologue about Neil Diamond,” writes Jason Bailey for The Playlist. “She’s so good, in fact, that the pleasure of her performance makes Little Monsters worth seeing. But just barely.” Meanwhile, Josh Gad gives an “unhinged” and totally un–Olaf-like performance as a foul-mouthed American childrens’ entertainer (and literal motherf—ker) who finds himself mixed up in the gory action.While many critics have noted the film can feel very familiar (you’ve seen this profane take on the undead in Shaun, Zombieland, and New Zealand flick Black Sheep), they also say its bigheartedness helps it stand out from the pack. The charming romance between Miss Caroline and slacker Dave (Alexander England), and Dave’s growing protectiveness of his nephew, are genuinely moving. (We re not going to say we cried, but we re not going to say we didn t either.) Katey Stoetzel at The Young Folks puts it best: “Little Monsters will be one of the best feel good movies of the year.”Sweetheart (2019) 95%Release date: TBDThis lean mean Blumhouse gem – “82 diamond-sharp minutes,” as Vulture’s Bilge Ebiri puts it – was one of the true highlights of the Midnight program. The plot is simple by-the-campfire stuff: a young woman (Kiersey Clemons) washes up on a deserted island and is forced to survive. By day that means gathering wood and food and tending to camp; by night that means steering clear of a mysterious sea creature that comes ashore after sunset with food and terror on its mind. It’s the kind of film that rests on the strength of its central performance and on its director’s ability to build tension then ratchet it up, and early reviews say it succeeds on both fronts.Clemons, who starred in last year’s Certified Fresh Hearts Beat Loud, is a dynamite and ferocious final girl (only girl?); “In mostly a one-woman show, Clemons does a great job being vulnerable and also tough as she faces off against the monster,” writes critic Rachel Wagner. Meanwhile, director J.D. Dillard (whose first film Sleight is Certified Fresh at 77%) constructs what Ebiri calls “an ingenious affair, a no-nonsense monster movie that uses its limitations effectively and tells its story cinematically.” Critics are split on the creature design, though – “cheesy” says Wagner; “well-designed” says the Hollywood Reporter’s John DeFore – but we can confirm the movie does feature one of the best monster reveals we’ve seen in years.The Hole in the Ground (2019) 83%(Photo by Courtesy of Sundance Institute )Release date: March 1 (limited)When a horror flick comes to us via A24, expectations are high – this is, after all, the distributor that in recent years has assaulted audiences with Hereditary, The Witch, and It Comes At Night. For some, “A24 horror” has become its own genre: unconventional and elusive family terror that digs right under the skin. On paper, The Hole in the Ground, which A24 acquired along with DirecTV before Sundance, mostly fits that bill.Director and co-writer Lee Cronin’s film focuses on a broken family – a mom and her young son living in remote Ireland – their dank and shadowy home, and the mysterious forest it backs onto (which contains the foreboding crater of the film’s title). The scares kick off when young Chris (James Quinn Markey, giving off serious young Haley Joel Osment vibes) starts acting differently and mom Sarah (Seána Kerslake) begins to question if he really is her son – and if that mysterious hole has something to do with it? Cue creepy kid antics and lots of menacingly innocent “Mommy, are you OK?” inquiries.If that all sounds familiar, it’s because it is: there is little in Cronin’s movie that you haven’t seen before – particularly if you’ve watched The Babadook, The Shining, or The Descent any time recently. For some, it s all a bit unexpectedly conventional for an A24 acquisition. “The Hole In the Ground is less subversive than we’ve come to expect from the indie distributor’s genre fare,” Variety’s Guy Lodge wrote in his review. “Compared to Ari Aster’s penetrating family nightmare Hereditary, which likewise debuted in a buzzy Midnight slot at Sundance last year, Cronin’s film is more of a straight-up spookhouse ride: jolting in the moment, but less likely to linger in the bones long after viewing.” Similarly, Nick Allen at rogerebert.com writes: “This is a story that errs toward the familiar instead of embracing strangeness, its freaky kid becoming the distraction when you just want more time with the hole in the ground.”Nearly all early reviews have noted that however familiar the story is, Cronin does do wonders with mood and delivers some effectively chilling scars (arachnophobics be warned: this one is not for you). The movie s excellent craft explains its current 91% Tomatometer.  Writing for Digital Spy, Ian Sandwell went so far as to declare Hole the “first great horror of 2019,” and writes: “For the most part, Cronin avoids jump scares – although a couple of vivid nightmare sequences do go for the quick shock – and crafts an atmosphere of pure dread, combined with astonishing and immersive sound design.”The Lodge (2019) 74%(Photo by Courtesy of Sundance Institute | photo by Thimios Bakatakis. )Release date: TBDDirectors Veronica Franz and Severin Fiala continue to mine mommy issues for scares with The Lodge, their English-language follow-up to Certified Fresh genre slow-burn, Goodnight Mommy. There are parallels to that film in The Lodge – an impenetrable and potentially dangerous mother, for starters – but critics have been pointing to another film when considering the pair’s latest work. “The film frequently recalls the atmospheric, strings-heavy A24 horror house-style,” A. A. Dowd writes in the AV Club. “In fact, its foreboding establishing shots, deliberate pacing, and dollhouse imagery specifically bring to mind Hereditary.” Emily Yoshida at Vulture similarly writes that “the eerie rhythms of the universe that gave us Deep Impact and Armageddon, Antz and A Bug’s Life, and Fyre and Fyre Fraud have conspired to make The Lodge exist in Hereditary’s shadow, but while some tonal and iconographic similarities exist, the two films jump off their shared diving board into very different corners of the psycho-mom pool.”The “psycho-mom” in question here is actually a stepmom and the lone survivor of a cult suicide; when circumstances put her alone with her two stepchildren in the titular lodge, the scares and psycho-mom freakouts begin. Critics have been unanimous in praising Riley Keough in the lead role, with The Hollywood Reporter’s David Rooney writing that the actress “goes all in with fanatical-evangelical whack-job fervor” and Yoshida writing that “Keough’s performance walks a tricky line skillfully.” It’s not quite enough to put the film at the level of Goodnight Mommy, nor Hereditary, but it delivers on scares – particularly in its opening moments. As Rooney writes, The opening 15 minutes alone is must-see stuff.”Wounds (2019) 47%Release date: March 29, 2019Armie Hammer had been leaving plastic cockroaches all over Park City in the lead-up to the midnight premiere of Wounds, a brutal little Cronenbergian body-horror piece from Under the Shadow director Babak Anvari. (Your RT correspondent got a rude shock when he sat down at the Library screening room and stepped on one.) See the film and you’ll get the gag: This is one roach-filled movie. And a scare-filled one. And a very Armie Hammer-filled one (he’s essentially in every scene). In Wounds, the actor plays a New Orleans bartender who unlocks a cellphone left behind by a group of kids, discovering some disturbing videos and images stored in the camera roll; things get worse for him when the texts start coming. It all has to do with “wounds,” and portals, and yes, roaches.Most critics agree that Wounds is probably the most surprising of Sundance’s horror offerings: Mashable’s Angie Han wrote in her review, “What this movie is about, what it’s trying to do, I couldn’t tell you. But it is never boring.” And many are praising Hammer for a big, Nic Cage-esque performance as the bartender increasingly on the verge of some kind of breakdown. For Film Threat, Norman Gidney writes, “Hammer’s performance is unhinged, insane, and totally relatable,” while David Rooney at The Hollywood Reporter writes that Hammer “gamely loses himself in the sweaty panic of the role, subverting his golden matinee-idol persona to explore the gnawing sense of inadequacy eating away at Will and steadily filling him with overwhelming rage.”Is the movie scary? At times it s plain terrifying; one late-night kitchen sequence was the freakiest thing we saw at the fest. But as many critics are noting, Wounds doesn’t quite live up to Anvari’s Certified Fresh first feature, which sits at 99% on the Tomatometer. As Rooney concludes: “There s nothing here that comes close to the fascinating cultural specificity, the sobering political perspective or the elevating personal connection of Anvari s first feature, set in the Tehran of his childhood, near the end of the protracted Iran-Iraq War. But the director nonetheless remains a skilled craftsman, subtly tapping into the flavorful history of New Orleans as a hub of dark magic, while wrapping the entire action in a soupy soundscape of ambient dread.”Corporate Animals (2019) 25%(Photo by Courtesy of Sundance Institute.)Release date: TBDCorporate Animals arrived at Sundance with big horror-comedy pedigree: writer Sam Bain was a co-creator of beloved British TV comedy Peep Show and director Patrick Bice gave us Netflix’s acclaimed low-budget chillers Creep and Creep 2. Plus, Animals features Demi Moore in a rare comedic role, playing the head of a company whose employees get trapped in a cave during a corporate retreat and resort to cannibalism – as you do.Still, in early reviews, many critics aren’t feeling it. The Hollywood Reporter’s DeFore writes that “Bain’s script is about as fresh as the air in a cave nine people without toothbrushes have shared for a week,” while Screen International’s Anthony Kaufman wondered whether the horror-comedy elements were working together as seamlessly as they should: “On an episode of Parks and Recreation, there might be instances of office politics, insults lobbed at the quirky intern, and general backstabbing, but it’s not remotely credible coming from a group of people who are trapped, starving, and dying of thirst.” Others, however, were digging Animals’ absurdist vibe and Moore’s comedic turn: The cast is full of comedians who deliver but they all orbit around Moore,” writes Fred Topel at Monsters and Critics. “She has never been this funny. I hope Corporate Animals is the beginning of a Demi Moore comedy renaissance.”The Sundance Film Festival runs January 24-February 3, 2019.

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