亚博在线注册

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亚博在线注册采用百度引擎1(Baidu 3)虽然《英雄联盟手游》拿捏了游戏上线后的社交属性,玩家可以选择与QQ好友或微信好友玩,也沿袭了语音开黑的陌生人社交功能。不过,资深玩家亚飞“肝”了两天英雄联盟手游后发现,他的朋友圈内还未出现一个女性玩家。“如果有女性玩家回流到英雄联盟,或许才是成为爆款的标配。”

1. 亚博在线注册
随着游戏的大众化,游戏的偏快餐化的属性越来越成为最热的卖点,王者荣耀的成功除了推出的时机,其简化的操作和快速上手的特点也吸引了大量女性玩家和新手,就如当年的lol对dota。所以在竞技性和娱乐性无法兼得的当下,对于lol手游的未来还是难以预测。 Watch: Directors Joe and Anthony Russo on the making of Avengers: Infinity War above.In 2019, Rotten Tomatoes turns 21, and to mark the occasion we’re celebrating the 21 Most Memorable Moments from the movies over the last 21 years. In this special video series, we speak to the actors and filmmakers who made those moments happen, revealing behind-the-scenes details of how they came to be and diving deep into why they’ve stuck with us for so long. Once we’ve announced all 21, it will be up to you, the fans, to vote for which is the most memorable moment of all. In this episode of our ‘21 Most Memorable Moments’ series, directors Joe and Anthony Russo break down how they created one of the movies most shocking cliffhangers. VOTE FOR THIS MOMENT IN OUR 21 MOST MEMORABLE MOVIE MOMENTS POLLThe Movie: Avengers: Infinity War (2018) 85%Avengers: Infinity War was something moviegoers had never seen before: an epic movie crossover event that dwarfed the two previous Avengers films in scale and ambition and threw more beloved characters at the screen than perhaps any other movie in history. Also, uniquely for a film about a (very large) band of (very beloved) superheroes, it centered its narrative around its singular villain, one that Marvel Studios president Kevin Feige and the filmmakers of the Marvel Cinematic Universe had been seeding for years: “Thanos is coming” isn’t just the panicked warning of Bruce Banner in Infinity War’s early scenes, it was the tease Marvel had been giving us since Phase One. And Infinity War is the Mad Titan’s movie. It’s his search for the Infinity Stones that drives the narrative, and it’s the snap of his be-gloved fingers that ends it.Joe and Anthony Russo, who joined the MCU with The Winter Soldier, had a mammoth task with Infinity War. Not only did they have to set up a cliffhanger for the ages and provide, working with Josh Brolin, a villain worthy of so many years of buildup, but they were helming one of the most expensive movies ever made and a story whose threads and characters had mostly been established by other filmmakers across 10 years of movies. Here, the brothers explain how they prepared for Infinity War, the logic behind their narrative choices, and working with Brolin to create a villain for the ages – one with whom some might even sympathize.“The central idea of Civil War was for us to break up the Avengers and shatter that relationship between Steve Rogers and Tony Stark.”Anthony Russo: “Civil War is where [the story] started to come into our brains. The central idea of that movie was for us to we wanted to break up the Avengers and shatter that relationship between Steve Rogers and Tony Stark. As we were executing it and we realized how well we were sort of achieving that on an emotional level with the characters, that s when I think our brains started to open up to, ‘My God, they re so vulnerable now.’ Now, you re like, what happens when Thanos comes? And that s when our brains started stepping through where the story could go.”In Civil War the Avengers are divided. (Photo by © Walt Disney Studios Motion Pictures, © Marvel Studios)“We very thoroughly explore a lot of different ideas before we lock into what s exciting us most.”Anthony: “Our process is to spend many, many, many months in that room with [writers] Christopher Marcus and Stephen McFeely, with Kevin [Feige], talking through different story ideas, different possibilities. We very thoroughly explore a lot of different ideas before we lock into what s exciting us most. So, at some point [while writing Infinity War], yeah, sure, there are many variations [of what could happen], but once the story starts to take shape it really forms in a muscular way around a single idea. And then we spend months working on that.”“I think a lot of people respect Thanos’s monastic dedication to his task. He ll die for it.”Joe Russo: “[Thanos is a] complicated character. He s a profoundly interesting villain who is equal parts empathetic and loathsome. He s also frightening and intimidating and nearly invincible. He s driven, philosophically driven. I think a lot of people respect his monastic dedication to his task. He ll die for it. And what s interesting about the end of that movie is he shuns all materialism. He s got this amazingly powerful gauntlet that can alter the very fabric of the universe, and he retires to a shack, you know, clearly on some desolate planet.”For the Russos, Infinity War was Thanos s story. (Photo by © Walt Disney Studios Motion Pictures, © Marvel Studios)“We did tests with Josh Brolin where he would come in, perform, and we would work on it for several months and try to figure out the best version of it.”Anthony: “We knew we wanted to center the movie on the character, and we knew that we can only do that if we pulled off the most realistic-feeling performance that you could possibly imagine in a movie. So, we started very early on with our visual effects team, specifically our visual effects supervisor, Dan DeLeeuw, and trying to figure out how the technology can work and we can actually achieve this. We did a lot of tests, we did tests with Josh Brolin where he would come in, perform, and we would work on it for several months and try to figure out the best version of it. So yeah, that character was built methodically over the entire span of the development of the film.”The Moment: Thanos SnapsThough the world knew Infinity War was one half of a two-part Avengers epic, both parts of which were shot concurrently, few believed the movie would end the way it did: with half the universe dusted – and with some of most beloved MCU characters among the fallen. It was unfathomable. Thanos… won? Shocked audiences wept through the credits – comforted somewhat by that brilliant Captain Marvel teaser – and took to social media to express their despair through every variation of crying/devastated memes. Then came the recriminations: Why the hell didn’t Thor go for the head? Peter Quill was totally to blame for this, right? It felt certain that the universe would be restored in about 12 months – Endgame would release almost a year to the day after Infinity War – but there was no certainty. After all, with “The Snap” the Russos and Marvel Studios showed the world nothing and nobody was sacred and anything was possible.Thanos has an almost monastic dedication to his mission. (Photo by © Walt Disney Studios Motion Pictures, © Marvel Studios)“There s no bigger way to write ourselves into a corner than killing half the characters.”Anthony: “We actually never thought of it as a cliffhanger. In our own brains, for us, we were telling a complete story, this was Thanos s movie, he was the lead of the film, and we gave him a complete arc – a proper ending.”Joe: “Anth and I, through our entire experience at Marvel, always tried to make very disruptive choices with each film. The end of Winter Soldier, good guys and the bad guys, we flip everything on its head. In Civil War we divorce the Avengers. With Infinity War we knew we wanted to make a strong narrative choice. There s an adage where you write yourself into a corner, and you try to figure out how to get out. That usually creates really dramatic moments for the audience. There s no bigger way to write ourselves into a corner than killing half the characters.”“As far as who went to dust, everything s always built upon story.”Joe: “The visualization was purely just we thought about the elemental aspect of your body and what happens to it. And that s sort of accelerating the decomposing process in a way. As far as who went to dust, everything s always built upon story. We ll just say that there s a reason the original six Avengers are left.”They Russos say the Snap was not a cliffhanger in their mind. (Photo by © Walt Disney Studios Motion Pictures, © Marvel Studios)“Tony Stark and Peter Parker developed a father-son relationship over the course of two films. We felt like that would be hard to watch.” Joe: “Spider-Man was my favorite character growing up; it was this notion of a child who had been burdened with this incredible responsibility and through very tragic circumstances, with the death of his uncle. So I think we always felt that would be [a key emotional moment]. Tony Stark and Peter Parker developed a father-son relationship over the course of two films. We felt like that would be hard to watch, and it was: it was hard to watch on set, and it was hard to watch for the audience, I think.”The Impact: Anything Is PossibleThe commercial success of Infinity War, and then Endgame after it, was monumental: Infinity War is now the fifth highest-grossing movie of all time, Endgame is number one. The impact of both goes beyond the box office, though: few movies, perhaps ever, have so dominated the pop-culture conversation. Infinity War was a global cliffhanger the likes of which we’d never seen and the feverish anticipation it built would be what made Endgame the most successful movie ever. As the culmination of the first decade of the Marvel Cinematic Universe, the two films cemented that brand’s dominance at the movies – something that looks set to continue with an exciting and expanding Phase 4 and 5. There is a sense that, with its universe-building and crossovers, Marvel and the MCU are changing the very nature – and certainly the business – of commercial cinema (for better or worse, depending on your perspective). For Joe and Anthony Russo, who have directed more films within the MCU than any other director or directing pair, the key to the brand’s success is less about the razzle-dazzle of special effects, or even about the narrative daring it takes to dust half of your leads – it’s about character. The reason the MCU is as massive as it is, and the reason Infinity War and Endgame are a kind of phenomenon, lies in our connection to Tony, Steve, Peter, Natasha, T’Challa, and, yes, even Thanos.Joe and Anthony Russo on set with Chris Evans. (Photo by Chuck Zlotnick / ©Marvel Studios 2018)“Mark [Ruffalo] turned around in the theater and he thought, ‘Alright, I gotta get out of here before someone hurts me.’”Anthony: “At the premiere and many of the early screenings that we attended, we anticipated the ending being complicated for people because it was complicated for ourselves, but no, we didn t anticipate the depth of emotion that people would experience from that ending.”Joe: “[Mark] Ruffalo was in a theater in New York, and he was in a cap and glasses, and he was there with his son and his son s friends, and he said when it got to the end, literally people just sat in the audience for 10 minutes and a guy ripped his shirt off and started screaming, Why?!’ at the screen. Mark turned around in the theater and he thought, ‘Alright, I gotta get out of here before someone hurts me,’ and he snuck out the side door. So we didn t expect that level of emotional response to it.”“In our minds, that s why the Avengers lost in Infinity War – the fact that they were divided.”Anthony: “Look, [Tony and Cap are] the heart and soul of the Avengers, you know. Tony is sorta like an extroverted leader and Cap is like the heart and soul, the moral core of them. For the two of them to have a falling out and have an irreconcilable problem was really devastating to the team as a whole. You know in our minds, that s why the Avengers lost in Infinity War – the fact that they were divided. They weren t functioning as a team in that movie any longer, so they weren t prepared for the universe s greatest threat. But the journey they re on is very much at the heart of the entire story.”Robert Downey Jr. in an early Infinity War scene. (Photo by © Walt Disney Studios Motion Pictures, © Marvel Studios)“All these characters have emotional vulnerabilities that complicate their ability to do what needs to be done.”Joe: “Part of telling stories is learning empathy. I don t know if people can empathize with Thanos, but they can empathize with Star-Lord – the love of his life was murdered by the guy in front of him, and he made a very emotional choice. I think that s the human choice, and that s the truthful choice that you would make in those circumstances. He paid for it with his life, Star-Lord.”Anthony: “Exactly. As storytellers, we find that one of the most empathetic moments in the story. Also, the other thing to focus on his choice, I mean all of these characters make flawed choices. If Thor had not been so angry, and so revenge-driven, he may have killed Thanos faster than he did. The fact that he wanted revenge, he wanted to see in Thanos s eyes as he was killing him, that gave Thanos a window to reverse things on him. All these characters have emotional vulnerabilities that complicate their ability to do what needs to be done. Us watching them fight through that is part of the fun.”Joe: “It s makes them interesting to watch. If all they did was make the right choice every time, it s a fairly predictable and boring story after a while.”Avengers: Infinity War was released April 27, 2018. Buy or rent it at FandangoNOW.
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
相信有很多玩惯了别的手游的玩家,刚开始会不适应LOL手游的特点。例如很多呆瓜玩家会出现出门忘了买装备,复活出了门又返回泉水买装备的事情,反正各种状况令人啼笑皆非,游戏环境也是趣味丛生了。所以基础教学还是分外重要的,说到基础教学,就不得不提及这样一位全能型主播KS清风了。亚博在线注册手游LOL上线的时间虽然不长,但游戏也大大小小经历了几次更新。从玩家的评论来看LOL玩家对手游LOL还是比较满意的,但游戏里的一些内容依旧让人忍不住吐槽。其中,手游LOL被吐槽的最多的一点就是游戏内英雄的匮乏了。端游LOL中有许多英雄可供选择,手游LOL尽管宣称是全面复刻端游LOL的内容。但两者比较下来还是有不少差异,而手游LOL英雄的匮乏就是其中一点。

3. 激战团竞模式
以上就是关于摩尔庄园手游勇士服装怎么样的全部内容了,希望能够帮助到各位玩家。更多游戏相关的内容各位玩家们可以关注游侠手游,会一直给各位玩家们带来手游攻略!

4. 呼朋唤友 随心所欲
如今人们的日常生活中是处处离不开手机的,手机游戏也成了众多人热衷于娱乐的一种消遣手段。而且对比当下的手游市场其发展前景来看,如今正是移动互联网5G时代中全民皆可参与到的一项新兴手游行业,也是一次创业机遇的大风口。

5. HD 画质与高品质音讯
使用強大的百度引擎0建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

7. 官方资讯
更多资讯请关注我们的官方社群:
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2.59.7 2月喜迎一剑斩仙之乾坤是一个可以让更多玩家都能够轻松修仙的角色扮演手游,你可以在这个游戏中选择自己喜欢的门派进行修炼,每一个门派都能够为玩家带来不一样的修仙玩法,高清唯美的3D画面,让这里的每一个场景都能给你带来超棒的视觉体验,就像是真正进入到修仙世界中一样。
If you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at rtiswrong@rottentomatoes.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News.
《英雄联盟》终于登陆手游了!无论是偏硬核玩家还是玩个热闹的普通玩家,都不应该错过这款真正意义上打开国服MOBA大门的经典产品!

We had actual priests there helping us out making sure that everything was in the right place, Linklater told Rotten Tomatoes. But if you re Catholic or Jewish or any religion, I think you understand guilt, perhaps. And an appetite, perhaps. I think we could all bring understandings to it, regardless of our denominational backgrounds. Flanagan grew up in the Catholic Church and was an altar boy for a good portion of his childhood, leaving many in the cast to acknowledge his deep knowledge of the Bible as an integral tool in telling this story. His relationship with the church may have evolved over the years, but Flanagan stands firm on his assurance that Midnight Mass does not vilify religion. We were very careful to make sure that this show has an open invitation to people of any belief system, Flanagan said. Its core values, in a sense, are very Christian: empathy, kindness, concern for your fellow man It celebrates our capacity for belief and our capacity for faith. 3. FANATICISM IS THE SHOW S BIG BAD(Photo by Eike Schroter / Netflix © 2021)Unlike Flanagan s Haunting series on Netflix, Midnight Mass isn t embedded in the ghost story aesthetics the writer-director is known for. There is a different sort of insidious nature to the threats here. Wherever faith and religion are, fundamentalism and fanaticism are not far behind. Fanaticism and aggressiveness — those things are baked into the DNA of the show, Flanagan explained, acknowledging a willingness in everyday people to have faith in something that can end up corrupted and weaponized. How do you take somebody who you think is a rational person, or a person of faith, or a person that you think is a little like you and walk them into this place where they would willingly kill themselves for an idea? In Midnight Mass, Flanagan does his best to make sense of this type of human horror.4. FLANAGAN S JOURNEY TO SOBRIETY WAS A BIG INSPIRATION(Photo by Eike Schroter / Netflix © 2021)Midnight Mass isn t the first project in which Flanagan explores the concept of addiction and recovery. It s a theme that is pervasive throughout his Doctor Sleep adaptation and bits of it pop up in The Haunting of Hill House. That said, his personal struggles with alcohol helped shed some necessary light on this project, which he says previously existed as a book, a screenplay for a movie, and multiple iterations of a TV show before Netflix picked up the idea.Admitting he had a problem with alcohol gave him the clarity needed to make this version of Midnight Mass, he said:  It s a very different show with three years of sobriety behind me than it would have been before that. I feel like it would have been an incomplete conversation. The internal monologues, debates, and discussions Flanagan had with himself throughout this drawn-out process all ended up going into the show. Those conversations were so inseparable in my head, that this show was always where they were just kind of dumped, he said. It s where they lived as a record of my perspective of sobriety through various points of my life — in the full grips of it, in the denial of it, and in the acceptance of it. 5. IT SUBVERTS THE EVIL PRIEST HORROR TROPE(Photo by Eike Schroter / Netflix © 2021)When it comes to seeing a priest in a horror story, the common audience expectation is that he is the villain. It s a common trope in horror. Flanagan chose a different road. When it became clear that Father Paul could still do all of the horrible things I needed him to for the story while being a good person with a pure motive, then I felt like we had a show that was about something, Flanagan said.From day one, Linklater set out to bring authenticity and truth to the role. One of my first conversations with Mike was, I m playing a priest in this genre. I just want to make sure you don t want me to be skewed, or sinister, or scary, or anything like that,' Linklater said. The guy is trying to do the right thing all the way through it, as far as his understanding of what the right thing is. 6. AND PUTS A UNIQUE SPIN ON THE TOWN SHERIFF (Photo by Netflix)It s a fair assessment to say we ve not seen many Muslim sheriffs in modern-day entertainment. Rahul Kohli s Sheriff Hassan is here to change that perspective. According to the Haunting of Bly Manor alum, it was the combination of two cultural polarities that really excited him to play the part. You ve got the quintessential American hero in cinema: the sheriff. John Wayne, he explained. He saves the day and he is the ultimate hero in America. Then, there s the Hassan bit. You ve got America s greatest villain post-911: the bearded brown man. The Muslim. Those two things get fused. And that was the first thing that was very apparent to me with the sheriff. And I loved that. I loved how confusing that image is. 7. A TRAGIC LOVE STORY LIES AT THE SHOW S CORE (Photo by Eike Schroter / Netflix © 2021)We could easily call the love story that centers Midnight Mass another subverted genre trope, but that would downplay the dynamic of the relationship that unfolds between Zach Gildord s Riley and Kate Siegel s Erin. The result of their subdued chemistry points to a lived-in notion of how love can change over time. One of the things you learn, I believe, is when you get a little bit older and you get into your late 30s, early 40s, is this feeling that if you went back to your high school sweetheart, maybe everything would be OK, Siegel said. No, that s gone You see the disappointment in both of them that the innocence of childhood is lost. That first love is lost. What remains, she says, is something deeper and more profound: The quiet understanding of someone who s actually seen who you are. 8. THE SERIES IS TIMELY AND RELEVANT (Photo by Eike Schroter / Netflix © 2021)Midnight Mass doesn t directly address our own society s polarization and political upheaval, but it doesn t take a lot of brainpower to connect the dots between the story Flanagan and his team are telling here and the current state of the world.The combination of fear, misinformation, and disenfranchisement reveals itself as a potent mix that can lead to unspeakable acts under the guise of religious ideology. It s a bleak idea that resonates with our present-day reality. But remember this is a Mike Flanagan joint: As dark and troubling as things get, he makes sure to imbue his characters with love and empathy, leaving traces of hope along the way. Midnight Mass is no different. There is a requirement for deep listening, and attention, Annabeth Gish said of the series. I think there s a real availability for understanding about what s happening in our world right now. It s very timely. So, I hope that people receive that. I think there s something very special about this project. Midnight Mass launches on Friday, September 24, on Netflix.
Join us weekly as Rotten Tomatoes reports on what s opening, expanding, and coming to the specialty box office. From promising releases from new voices to experimental efforts from storied filmmakers – or perhaps the next indie darling to go the distance for end-of-year accolades – we will break it all down for you here each week in Fresh Indie Finds. This week at the specialty box office, we re leaning into documentaries with a look at the late Nobel Laureate Toni Morrison, an intimate dive into the too-short life of actor Anton Yelchin, and a careful examination of China s one-child policy and its lasting impacts. Plus, there s a new heart-warmer starring Shia LaBeouf. In the indie trailer section, we re getting our first looks at upcoming titles from Will Forte in a hilarious-looking sci-fi comedy to a taut thriller with Sir Ben Kingsley.Opening This Weekend
所以端游玩家最失望的是,实况如果以后都要为了手游舍弃品质的话,实况就永远不能做最顶级的足球游戏之一了。如果手游玩家理解不了这种落差,试想一下你作为一个活在2021年的年轻人,电脑只能用XP系统的绝望。
现在的手游主要分为传奇类,仙侠类,魔幻类,国战类。传奇类一般的分成比例相对要低一些,这也由于传奇玩家普遍年龄偏大,在整体消费上力度比较大,消费能力很强。因为传奇类的玩家主要都是玩家年龄偏大的,主要是为了怀旧,找找曾经的回忆,但是大哥钱要是冲起来那也是停不下来。仙侠类的玩家整体玩家年龄偏小,以年轻人为主,画质高,消费能力偏低。但是这类游戏推广代理商给的点位一般会相对高一些,政策好,代理商能拿到的提成也就更好一些。
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亚博在线注册 (Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)In the short term, Black Widow is set to appear in her own feature film within the next few years. And just about every line between Nat and Clint (Jeremy Renner) in Endgame suggests Hawkeye will be along for that ride. Consequently, our early guess that the film will be a prequel focusing on her recruitment by S.H.I.E.L.D. seems more and more likely. Unless, in some bizarre twist, it will also feature Clint trying to rescue her from her fate. As it will be a Phase 4 film, it has to tie to something in the present-day story. Nat’s Endgame death makes Black Widow all the more exciting because we now have this question: how does it fit into the post-Infinity Saga tapestry?Similarly, the continued end states for Vision and Loki would seemingly impact their upcoming Disney+ limited series. Will they be set in the Infinity Saga era or define new places for them in Phase 4? Considering Elizabeth Olsen’s recent tease that WandaVision will see the characters in a “1950s” setting, it is easy to image the program will take its cue from Tom King and Gabriel Hernandez Walta s phenomenal 2017 Vision series and see Wanda (Olsen) recreate the android for an anachronistic, domestic life. But considering that series ends with all of Vision s dreams broken or on fire, we imagine Wanda’s dream life will end in similar flames.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)Loki, on the other hand, presents a more interesting case. While the MCU version we met in the first Thor picture is still dead, the one who escaped with the Tesseract in the middle of Endgame is presumably out in the wild and is the one we will see in the forthcoming Loki series, which is reportedly set to feature the the God of Mischief creating trouble across history. This version of the character is still a villain lacking the emotional growth of the character we saw in Thor: Ragnarok and Infinity War. If he does prove to be the focus of the limited series, it will certainly be more interesting. And considering audiences forgive him for a lot of heinous acts, the program could even attempt to test their gracious attitudes toward the charming trickster.And while not a death, we imagine Steve Rogers (Chris Evans) ultimate Endgame state will precipitate a title change for Disney+ s Falcon and the Winter Solider to something more succinct, like Captain America.Oh, and Tony? Let’s just assume we’ll see him again in 2028 for the 20th Anniversary Marvel Studios film, resurrected to counter whatever threat the collective heroes are facing in that moment.Time Is Immutable, Except When It Isn’t: Time Travel Just Changed EverythingWith all its joking criticism of Back to the Future, Endgame seemingly sides with the notion that time is an immutable series of events, and changes to the past will create a new timeline while the time-traveler causing those changes returns to their original, unchanged present.OK, yeah, that’s confusing. To simplify: Loki’s Endgame escape does not change Thor’s experiences with him in Thor: The Dark World, Ragnarok, or Infinity War because time cannot be altered. The escaped Loki in Endgame is part of one of those tangent realities the Ancient One (Tilda Swinton) warned Hulk about. This is why Tony could unmake the Thanos from 2014 without erasing the events of Guardians of the Galaxy or any of the subsequent films. All of it still happened. This is also why Nebula could shoot her past self without it affecting her present-day form.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)If you can wrap your head around the notion of an unchangeable past, Endgame s rules about time travel are simple enough. Certainly simpler than the temporal mechanics of film and television series like The Terminator, The Flash, DC’s Legends of Tomorrow, Doctor Who, or even various X-Men stories across comics, television, and film.And then we get to Endgame’s closing moments, with an aged Steve Rogers, who clearly took the slow path back to his friends after dropping off the Infinity Stones in their original places in time. If time is immutable, then he gets to live his life with Peggy (Hayley Atwell) without altering the timeline. Like Loki, he creates another tangent reality. But his very appearance to hand off his shield and identity to Sam Wilson (Anthony Mackie) means the timeline is not as secure as Hulk, Tony, or even the Ancient One assumed it to be. Unless, of course, he found a way to use Loki s Tesseract (in combination with the Time Stone) to cross timelines.But it seems more likely that Scott Lang (Paul Rudd) was right all along and the rules from Back to the Future are in play (it s no accident the team breaks all of them across the plot of Endgame). Back in Marvel Comics, time travel only ever delays the inevitable. The dark reality from “Days of Future Past” always threatens to reappear in the X-Men s future while Cable’s many attempts to prevent Apocalypse’s reign some centuries from now only leads to some other character taking the External’s place in that grim future. But in almost all cases, time travel does indeed alter the timeline.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)The older Steve’s presence in Endgame indicates that time in the MCU is also malleable. To borrow a line from The Flash, the timeline can be changed and that may prove to be as big of a threat as the Infinity Stones themselves – especially as all you need is some Pym Particles and a little know-how to invade the past and alter history. And even if time is solid, those tangent realities the Ancient One feared could pose some threat in Phase 4.No Stinger Scenes? Like, Forever?Now this one was a big shock for anyone who was ready for just a little bit more MCU after 183 minutes: Endgame features no mid-credit or post-credit stinger scenes, a first for a Marvel Studios picture. Considering the stinger scene’s proliferation across other studios, it is possible Marvel will drop them entirely from here on out. It would be a bold move and make all our Phase 4 speculations wilder, because Marvel would not be teasing the Next Big Thing as soon as its current release ends. Imagine an Ant-Man without that Captain America: Civil War moment or Thor: Ragnarok without the cut to Thanos’s massive ship. And even without the Next Big Thing to tease, post-credit stingers offer a nice final thought – like the shawarma scene at the end of Marvel’s Avengers or Captain America’s speech about patience after the Spider-Man: Homecoming’s credits.In some ways, it’s fitting, then, that Spider-Man: Far From Home will answer this meta-cliffhanger. If it features a stinger, then we know the practice is here to stay in Phase 4. And, presumably, that stinger will itself be the first few moments of that new phase.Avengers: Endgame is in theaters everywhere (but you already knew that)

spirit of the holidays. It premieres on Lifetime on December 1.As part of an overall deal with Lisa Ling, HBO Max has greenlit Ling’s travel docu-series Birth, Wedding, Funeral, which will take viewers to a new country in each episode, and immerse them in that country’s culture and customs. The concept for the series was created by iconic newsman Dan Rather, who serves as an executive producer.And yet another series announcement from HBO Max, which is set to launch in spring 2020: The Ho’s, a docu-series about Binh and Hue Ho, who immigrated to the United States from Vietnam with little money and have built a multi-million dollar bank and real estate empire. The series will follow their family life in Houston – including son Washington Ho and his kids, named Lincoln and Roosevelt – in what is described as a real-life Crazy Rich Asians–like story.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week. 1.手游代理重要的便是平台,对于不熟悉市场的投资者来说,游戏内的筛选平台是我们工作的开始,游戏更具系统性,目前市场上每个时期流行的手游也有所不同,但是鲜侠,常客一直处于头号位置,这三款游戏在手游代理中扮演了一种吸收率更高的游戏类型,因此在准备代理手游之后,我们要做的就是选择一款良好的平台,确定平台内部的主要游戏,是用来吸引玩家,进行水切割的。

2022-01-29
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