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亚博YABO官网登录XX采用百度引擎9(Baidu 9)Those in the industry keeping an eye on the progress of Avengers: Endgame in its hunt to take down the global box record set by Avatar are probably some combination of bored, tired, and frustrated. It must feel like watching a sporting event with the most incredible offensive performance in the first half and a slow petering out in the second. Nevertheless, it has seemed inevitable for weeks now that Disney and Marvel would need to take alternative routes if they were indeed dead-set on achieving that ultimate goal: Beating Avatar’s global haul of ,787,965,087 (.79 billion). As of Tuesday, Endgame is currently at ,744,012,261 (.74 billion), or ,952,826 million behind.Marvel Studios president Kevin Feige announced on Tuesday that Avengers: Endgame’s theatrical run is far from finished. The Marvel behemoth is taking a major step to snatch up more millions in the box office race: Come next week there will be “a deleted scene, a little tribute, and a few surprises” for those who make it out to see Endgame again. But unlike those who bought tickets to Meet Joe Black back in 1998 to get their first whiff of The Phantom Menace trailer, fans will have to wait through the three-hour film to get their new kernels during the end credits.(Photo by © Twentieth Century Fox)Will this be enough to bring Avengers: Endgame over the finish line? The quick answer is probably no, but it is worth exploring its chances – beginning with its path to the present. When Endgame opened on April 25 with Thursday night previews, it grossed 7.1 million through Sunday night. That was .4 million more than Star Wars: The Force Awakens made in December 2015. Despite such an incredible head start, it would still end up well short of Awakens’ domestic record of 6.6 million; Endgame was at 1.7 million on Tuesday, good enough for second all-time at the domestic box office.AVENGERS: ENDGAME (Weekends)Weekend #2 7,383,211 (#2 second weekend all-time)Weekend #3 ,299,904 (#4 third weekend all-time)Weekend #4 ,973,505 (#5 fourth weekend all-time)Weekend #5 ,200,742 (#13 fifth weekend all-time)Weekend #6 ,037,491 (#77 sixth weekend all-time)Weekend #7 ,870,963 (#146 seventh weekend all-time)Weekend #8 ,725,855 (#134 eighth weekend all-time)Some of those later numbers get skewed in the weeds of platform releases and award chasers getting later wide launches, but that is still quite the drop from weekend five to six. Three new releases this week will likely push Endgame out of the top 10 temporarily, but the new launch with extra footage may help it reclaim the slot it has held for eight weeks. (Avatar spent 14 straight weeks in the top 10; The Force Awakens spent 10.)The most successful re-releases in the past have been those that have offered new experiences. The special editions of the original Star Wars trilogy in 1997 included renewed special effects as well as excised and new footage that resulted in grosses of 8.2 million (Star Wars), .5 million (The Empire Strikes Back), and .4 million (Return of the Jedi). Disney had similar successes with its 3D conversions of The Lion King (.2 million), Beauty and the Beast (.6 million), Finding Nemo (.1 million), and Monsters, Inc. ( million). 3D re-issues of Titanic (.8 million), Jurassic Park (.3 million), and even The Phantom Menace (.4 million) did solid numbers.These numbers are precisely in the wheelhouse of what Endgame is chasing since, as of Tuesday, it was .95 million behind Avatar’s global record. However, these films were events not just for their extras but because for a number of people they offered an opportunity to see these films for the first time on the big screen. The earliest re-release amongst all those films mentioned was Monsters, Inc., which came just 11 years after its first run. Avengers: Endgame would be 10 weeks – so it might not even technically be a “re-release.”What does Endgame have going in its favor? Recent history for starters. Black Panther was 11 weeks and 1 million into its run when it jumped back into the top five, dropping just 4% from the week prior. A week before Endgame’s release, Captain Marvel rose 5.7% from the week prior, jumping from sixth to fourth and having the 17th best seventh weekend ever. Then, on Endgame’s record-breaking weekend, Captain Marvel was the number 2 film in the country on its eighth week of release, dropping just 8.7% for the 12th best eighth weekend ever. The Endgame re-issue release would come four days before the next chapter in the MCU, Spider-Man: Far From Home, opens. That film could see the same kind of post-Avengers bump that propelled Iron Man 3 to over 0 million.(Photo by © Sony Pictures)Will a pre-Spider-Man launch in the film’s 10th week of release be enough though? Black Panther made a little over million from weekend 10 on. Captain Marvel made a little more than million. We could just as easily say that Endgame is only .2 million away from the true record as that would discount Avatar getting a re-release as a “Special Edition” in 812 theaters on Aug. 27, 2010, just a few weeks before its first run finished with 9.7 million. Therein lies the potential rub though.How much business does Endgame lose this weekend with Toy Story 4 seeking to break its own records – let alone with people now knowing if they wait just another week they could pay the same amount and see the new additions? Optimistically, another to million this weekend worldwide, and let’s double that with the reissue the week after; Endgame would still need another to million going forward. Marvel and Disney could certainly try another re-release around awards time, as there will certainly be some outside chatter for a legacy reward. But that is likely small peanuts, too. Christopher Nolan’s Dunkirk made just .69 million in its awards season re-release in December 2017.Maybe Avengers: Endgame will need another decade to pass Avatar. When the dust is settled and a new generation of Marvel lovers are finishing up the latest phase of the MCU and discovering the tales of the original group that their parents loved and supported, perhaps an anniversary re-issue is announced and the final few bucks it needs for the record will be handed over for one last ticket. Unless Avatar 2, 3, 4, or 5 has already moved the record forward.Like this? 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1. 亚博YABO官网登录XX
卓小越在端午节期间给小可爱们带来了节日专属的端午手游活动,在为期3天的游戏后,根据手游活动规则,分数排行榜前10名获奖者诞生啦! OK, commenters: Fire up your engines because we re tackling a big one in our latest edition of Vs., pitting the Star Wars Prequels against the Star Wars Sequels and declaring definitively which galactic triptych is the superior set of films. We re looking at box office data and Tomatometer scores for Episodes 1-3 and 7-9, as well as which trilogy delivered the best moments and gave us the most memorable characters. Are you a Darth Maul vs. Qui-Gon vs. Obi-Wan person? Or do you prefer your lightsaber battles more of the Throne Room variety? Does a Jar Jar Binks outweigh the awesomeness of Ewan McGregor s young Obi-Wan? And how do they compare to Babu Frik? Watch above as Rotten Tomatoes Contributing Editor Mark Ellis lays out the case for both trilogies and – bravely – declares a winner.Star Wars: The Rise of Skywalker is available digitally on March 17, 2020.
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

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Natalia Tena (Harry Potter franchise, Game of Thrones) and newcomer Sen Mitsuji star in a tense moment of shoot-the-impostor from YouTube Premium s new original series Origin. The sci-fi thriller, about a group of passengers fighting for survival on a spacecraft headed for another planet, also stars Harry Potter alum Tom Felton.Origin is created, written and executive produced by Mika Watkins (Troy: Fall of a City).Release date: All 10 episodes of Origin debut on YouTube Premium on November 14.亚博YABO官网登录XXBehind the Zero(Photo by Sony Pictures Home Entertainment)John Travolta is as notorious for his bizarre and unfortunate choices in roles as he is famous for his performances in movies like Grease, Saturday Night Fever, and Urban Cowboy. He s a perpetual comeback kid, if only because he always has dispiriting professional nadirs to come back from. That was certainly the case in 1994 when he joined an ambitious, offbeat ensemble crime comedy called Pulp Fiction, which came on the heels of 1993’s Look Who’s Talking Now, the disastrous second sequel to his 1989 comeback movie and, of course, a recipient of the infamous zero percent on Rotten Tomatoes.By the time Look Who’s Talking Now died at the box office, the franchise had drifted far away from both the emotional core that initially made it culturally and emotionally resonant and the cutesy gimmick that helped make it a surprise box-office smash. A recently announced series reboot may be able to recapture some of that initial charm, but as the sequels demonstrated, there s only so much you can do with the same idea.Writer-director Amy Heckerling’s 1989 original was a rare hit romantic comedy rooted in middle-aged single motherhood. To make the film more palatable to a mass audience, the inner monologue of star Kirstie Alley s pre-verbal baby was voiced by a wisecracking Bruce Willis. The result was a surprise smash with a decidedly limited premise that nevertheless inspired a full trilogy of movies. Look Who’s Talking is not Lord of the Rings  it does not probe into any themes that would require an entire series of films to explore. It’s a minor miracle that it worked even a single time, but stretching it over three films is sadistic, to audiences and characters alike.The ZeroLook Who’s Talking had a cheesy but cute and effective gimmick: who hasn t wondered what babies are thinking in their pre-verbal state? Who hasn’t pondered what might be going on inside those adorable little heads? Look Who’s Talking Now, the first entry in the series not to be written and/or directed by Amy Heckerling (Fast Times at Ridgemont High, Clueless), tries to do the same with pooches, but the novelty and freshness has been lost.The film opens with parents James (Travolta) and Mollie (Alley) chasing after a now partly grown-up Mikey (David Gallagher) and his little sister Julie (Tabitha Lupien). They can both talk, unfortunately, so now the creatures whose inner monologues we hear are a little further down the food chain.Danny DeVito steps sadly into the fray to voice scruffy, oversexed mutt Rocks, who earned his name by doing his business in the backseat on the way home. Don’t worry, though; there are lots of creepy, inappropriate sex jokes to go along with all the poop jokes.Rocks is like the Tramp in Lady and the Tramp, in the sense that Look Who’s Talking Now baldly and badly steals from the Disney animated classic. Diane Keaton plays the aristocratic Lady to Rocks’ salt-of-the-earth Tramp as the voice of Daphne, a poodle given to the family by Samantha D’Bonne (Lysette Anthony), a 30-year-old ice queen and titan of industry who hires James to be her personal pilot as the first step in an elaborate plan to seduce him away from his family.As for the children, Mikey is not only capable of speaking for himself, he looks like he should probably start thinking pretty seriously about college in the years ahead. The gimmick that initially defined the character and the franchise is long gone, leaving behind only another gratingly precocious moppet tormented by questions of Santa Claus’ authenticity.(Photo by TriStar courtesy Everett Collection)In a bid to get him back into the Yuletide spirit, James, Mollie and sister Julie the latter clad in a tutu and angel wings lip-sync their way through Alvin The Chipmunks The Chipmunk Song (Christmas Don t Be Late), that exemplar of Eisenhower-era uber-kitsch. The performance is supposed to be so adorable that Mikey s skepticism and disillusionment are rendered powerless before its heartwarming power. Instead, it s a moment of David Lynchian horror, a close cousin to the sequence in Blue Velvet when Dean Stockwell lip-syncs to In Dreams, but infinitely more disturbing due to context.It’s almost impressive that the makers of Look Who’s Talking Now managed to create a family movie about dogs and children that isn t cute in the least, but rather unintentionally disturbing . Little Julie, for example, has an obsession with basketball players specifically Charles Barkley that is supposed to pay off in a fantasy sequence in which this tiny, self-conscious girl challenges the NBA legend to a game of one-on-one, taunting him with “Let’s get busy!”Barkley’s bewildering cameo here at least ensures that Space Jam is not the single worst film he’s ever been a part of.Later, Julie decides that she can fly like Peter Pan, so she climbs up a series of shelves and prepares to dive onto the carpet before she’s scooped up by her alarmed mother. We re meant to find it adorable that this precocious child misunderstands the adult world. Instead, she s like a creepy ghost-girl from a J-Horror shocker, seemingly possessed by evil spirits in at least a couple of scenes. Look Who’s Talking Now may skip through genres randomly, but its many horrific elements are unintentional.Rocks is like the character DeVito plays on It’s Always Sunny in Philadelphia, but less appealing or capable of self-restraint. He calls a female dog a bitch, responds to Daphne’s introduction with a Wayne’s World-style shwing, and, before he falls in love with Daphne, accuses her of being the product of inbreeding.That might seem wildly inappropriate for what is ostensibly a family movie franchise rooted in the ability to hear an adorable little baby’s thoughts, but by this point, the series had somehow morphed into a bad-taste marital sex comedy primarily concerned with whether or not James will be able to successfully avoid sleeping with his manipulative, hot-to-trot ice queen of a boss.(Photo by TriStar courtesy Everett Collection)Since there’s nothing kids enjoy more than sexual jealousy, they’ll particularly enjoy the many scenes of Mollie brooding about her husband violating the sanctity of marriage with a world-conquering dynamo who throws her own unemployed messiness into even sharper relief. Alley can make for a relatable, vulnerable, sympathetic heroine, or she can be a sloppy, blubbering, desperate mess. We get the latter here.In another fantasy sequence, Mollie dreams about James cheating on her while he dreams about her cheating on him with a character played by a returning George Segal. Eventually they realize they’re in a dream together and that they have control over their actions, and we are briefly treated to a lovely little production number with Travolta and Alley gliding across the dance floor like Fred Astaire and Ginger Rogers. It’s an example of what a world-class performer like Travolta can bring to even the dodgiest and most desperate of projects, but it also just made me wish that I was watching literally any other movie in which Travolta dances, including even Be Cool, another unnecessary, god-awful sequel that is nonetheless infinitely better than Look Who’s Talking Now, if only for Dwayne Johnson’s performance.But it somehow gets even worse and less dignified for Travolta and company. For reasons known only to the filmmakers, Look Who’s Talking Now ends with a music video-style showcase for French baby rapper/one-hit wonder Jordy, who scored an international hit with 1992’s Dur dur d être bébé! (It s Tough to Be a Baby) when he was a mere four years old. Jordy was a grizzled has-been of five or six by the time the movie opened, but that didn t stop the franchise from closing its ostensibly final chapter, fundamentally, with a product placement for a Christmas song by the pre-pubescent European pop star. Alley, Travolta, and the children from the film are all there for Jordy as he delivers lyrics like Can you feel something in the air? A super nice feeling of holiness. Needless to say, It s Christmas, C est Noel failed to become a new holiday standard. But it’s an utterly bizarre and yet wholly appropriate way to end a singularly misguided sequel that deviated so far from what made the original successful that they barely seem to inhabit the same universe, let alone the same film series.Final Verdict(Photo by TriStar courtesy Everett Collection)Thanks largely to the mega-watt movie star charm of John Travolta , Look Who’s Talking Now is not completely worthless. But it is astonishingly misconceived, the concluding entry in a series that never should have been a trilogy. It’s so bad it reflects poorly on sequels as a whole  they are rightly disparaged for being frequently terrible, strained, and unnecessary, but in the entire undignified history of sequels, few can compete with Look Who’s Talking Now for sheer pointlessness.Nathan Rabin is the author of six books and the proprietor of Nathan Rabin’s Happy Place.Follow Nathan on Twitter: @NathanRabinLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

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市面上也早就出现模仿暗黑破坏神的手游,如今正版终于将要来了。但从公布的画面效果,却让玩家大失所望。游戏画风虽然延续了当初暗黑系列的风格,但似乎在建模上也并没有提高。

4. 呼朋唤友 随心所欲
而伴随着英雄联盟手游的上线,代号“金克丝”限量测试也宣告结束,测试期间的活动亦将同步下线。且该版本无法直接升级至不删档不限号的测试版本,玩家需卸载代号“金克丝”限量测试客户端并重新下载最新客户端。目前英雄联盟手游不限号不删档测试面向所有安卓及iOS用户开放。

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使用強大的百度引擎4建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

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邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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se of Henry Cavill in the Black Superman SuitWe ll kick things off with something Comic-Con–adjacent, rather than something officially from the convention. At fan event Justice Con, Zack Snyder dropped some big Justice League news. First up, he revealed that the world will get its first look at his cut of Justice League with a teaser that will drop at DCFandome, a free and global virtual convention taking place on August 22. (He will also reveal whether Zack Snyder s Justice League will be a single movie or be cut into episodes at the convention.)Then he threw red meat to the fans by showing a tiny bit of footage that revealed Henry Cavill s Superman in a black suit in a deleted Justice League scene in which he flies to Bruce Wayne s hideout and runs into Alfred. You may recognize the deleted scene from Justice League s home release, but in that scene the suit is still the usual red. And here we saw it in un-cropped IMAX formatting, which is the format in which the entire Snyder cut will be released. The story goes that Snyder always wanted Cavill s Superman to don the black suit but that Warner Bros. felt it was too dark a turn for the Man of Steel.Our first look at Henry Cavill in Superman s black suit from Zack Snyder s #JusticeLeague.via #JusticeCon https://t.co/Ovsm32rTAf pic.twitter.com/RKxDXECNPE Rotten Tomatoes (@RottenTomatoes) July 25, 2020Keanu Reeves Reveals He Wasn t a Slam-Dunk For Blond, British Constantine Role, As the Filmmakers Discuss Possible SequelIn a special panel celebrating the 15th anniversary of comic adaptation Constantine – which, despite mixed reviews, has become a big audience favorite – Keanu Reeves revealed he had to do some reconciling when considering the role of the cynical DC Comics demon-hunting con artist and detective.“I’m not English and I’m not blond, and the character is,” Reeves told Collider Editor-in-Chief Steven Weintraub, explaining his reaction to being pitched the role. “So I had to reconcile that, and part of that was, well, what was at the base of the character, what could I bring to the character, why even do it?”Eventually Reeves says he connected with John Constantine’s cynicism, humanitarianism, and world-weariness. “He’s tired of all the rules and morals and ethics, and angels and demons, but is still a part of it, Reeves said. And I loved his sense of humor.”Those tuned into the panel – which also featured Constantine director Francis Lawrence and producer Akiva Goldsman – hoping to hear official news of a sequel would have been disappointed. While Goldsman said they have always wanted to do a sequel and “we’d probably do it tomorrow,” Lawrence said that because of the movie’s oddness and only moderate box office success, “We always talked about a sequel more than the studio.”One idea the trio considered involved Constantine waking up in a cell with a mysterious person who turned out to be Jesus.Warner Bros. may consider changing its mind on the sequel front, given the slow-growing cult status the film has earned in the last 15 years. Lawrence, who directed the last three Hunger Games movies, said it is the movie about which people approach him the most; despite its box office performance and lackluster critical reviews, people love the movie.As evidence of its improving reputation, he even gave us at RT a little shoutout: “Rotten Tomatoes posted an article apologizing to Constantine for, you know, the Rotten Tomato count that it had,” he said. And we did, sorta, in a piece you can read here.Watch the full panel above, which includes breakdowns of some of the movie’s coolest scenes and an explanation as to why Michelle Monaghan was largely cut from the film, despite having signed on for and shot a major role.First-Look At Rick and Morty season 5 Reveals Rick s Nemesis
(Photo by FUNimation, Walt Disney Studios Motion Pictures, Warner Bros., DreamWorks, Focus Features, Fox Searchlight/courtesy Everett Collection)The 50 Best Anim

Experiencing the first few glimpses of the upcoming Disney+ series The Mandalorian was an overwhelming experience for fans at Star Wars Celebration Chicago on Sunday. But it also proved their faith in series creator Jon Favreau and the contributions of Star Wars Rebels creator Dave Filoni was rewarded. And as both reiterated throughout the presentation, they are both giant fans of Star Wars.“I was born in 1975, so I’m a product of this,” added star Pedro Pascal, who recalled meeting with Favreau and Filoni before he was cast. Describing a room filled with storyboards and illustrations of the proposed series, he said his immediate reaction was “What do you want me to do? Play that bug or that robot?” only to be overwhelmed when they said they wanted him to play the Mandalorian. Pascal mimed fainting to describe the sensation of being offered the lead role.But that was just one of the surprises unveiled during the presentation, complete with a Mandalorian sizzle reel exclusive for those inside the Celebration Stage in Chicago. Luckily, we were there and can offer you some of the things we learned about the show.1. Pascal Is the Mandalorian With No Name(Photo by Lucasfilm)Filoni and Favreau are fans of Star Wars, but they’re also found of the series antecedents in Western movies and samurai films. Maintaining a tradition from those genres, Pascal’s Mandalorian has no name. It is unclear if his identity will be revealed later, but Filoni, Favreau, and Pascal referred to him only as “The Mandalorian.” He’s a mysterious, lone gunfighter in the outer reaches of the galaxy,” Pascal explained. “Some would say he has questionable moral character.”In one of the exclusive clips shown, the Mandalorian takes a meeting with Greef Carga (Carl Weathers), the leader of a bounty hunters guild in that section of space. During the meeting, the Mandalorian tries to take all of the bounties Carga has on offer, which the guild leader finds excessive. But it echoes back to the gunslingers from the Westerns Pascal said Favreau assigned him to watch as part of the preparation for the series.“He’s a badass,” Pascal added. “[Jon and Dave] have created an incredible, iconic character.”In an extended clip shown only at the Celebration Stage, fans heard the Mandalorian speak for the first time. In a detail which will thrill long-time fans, his cadence matches the one Boba Fett spoke with back in The Star Wars Holiday Special and the original versions of The Empire Strikes Back and The Return of the Jedi. Of course, that cadence is inspired from another iconic film persona. “He’s got a lot of Clint Eastwood in him,” Pascal said.2. Carl Weathers Plays a Bounty Hunter Guild Leader(Photo by Lucasfilm)For an added surprise, Favreau revealed Weathers’ involvement in the series and introduced him to the stage. After a spontaneous outpouring of love from the crowd — who started cheering for the Apollo Creed actor by that character’s name — Weather’s found himself overwhelmed.“Nothing comes close to this,” he said after the roar died down.Weather’s Greef Carga is “looking for someone to bring back a product for a client which is very valuable,” Weathers explained. “He finds the Mandalorian, and that guy gets done what needs to be done.”In the clip, Carga refers the Mandalorian to a “sensitive client” who demands face-to-face contact with the bounty hunter. Despite the tense situation, their interaction seemed friendly enough. Or at least as friendly as one can be when talking to a masked man with no name.3. Werner Herzog and Giancarlo Esposito Are Imperials(Photo by Lucasfilm)The client turns out to be the character played by Werner Herzog. The legendary director, who recently turned to acting in things like The Mandalorian, recently said he plays a “small part” as a villain, but in the clip, it turns out he represents a faction of the deposed Empire.“It was really compelling to me what happens after the celebration of the Empire falling,” Favreau explained before the clip. “The revolution was successful, but then what happens?”As it turns out, the answer is at least partially inspired from the Expanded Universe interpretation of the post-Empire era. Factions known as the Imperial Remnant continue to flex their might in sectors not as tied to the Rebellion or the emerging New Republic. In the clip, the Mandalorian finds Herzog’s character guarded by stormtroopers. The gleam may be off their white armor, but they still appear battle ready when another Imperial agent (played by Omid Abtahi) enters the room. Guns are drawn, but Herzog defused the situation.He also offers the Mandalorian a few details about his quarry; offering him a locator and the last four digits of the bounty’s gene marker. The preference is to bring the bounty in alive, but Herzog tells the Mandalorian he will accept proof of the mark’s death for a reduced fee. The other Imperial is not impressed by this change in their plan.In the subsequent sizzle reel, Herzog can be heard asking “are things better since the revolution?” Amid scenes of violence and fire (all narrated by Herzog stating his belief in the Empire),  Giancarlo Esposito’s character appears. While also unnamed, his uniform also identifies him as part of the Imperial Remnant. He orders a stormtrooper to ignite his flamethrower and flush out someone from a dwelling. A subsequent shot also reveals Esposito in a TIE fighter.4. The Show Will Feel Gritty(Photo by Lucasfilm) While Favreau and Filoni kept name-checking the campy Holiday Special as an inspiration — indeed, the Mandalorian s rifle is a direct lift from the Special s Boba Fett cartoon — Filoni mentioned the show will have a gritty feel to it. This came through in the sizzle reel, which included dusty village streets, old stations covered in snow, and plenty of run-down technology abandoned and weathering.The overall look evokes the original Star Wars — right down to one shot which may or may not be the original film’s Mos Eisley cantina — which was very much the thing Favreau said he wanted to accomplish with The Mandalorian. But he added that Filoni is making him more of a fan of the Prequel aesthetic as well.5. Gina Carrano Plays Ex-Rebel Shock Trooper Cara Doone(Photo by Lucasfilm)The sizzle reel also offered the first clear look at Gina Carano’s Cara Dune.“She’s an ex-Rebel shock trooper,” Carano explained. “[She’s] a bit of a loner — which is a stretch — and [she] is having a bit of trouble reintegrating into society.”In the preview, the Mandalorian spots her in a cantina, much to his displeasure. The two end up fighting in an alley and eventually draw blasters on one another. It is unclear if this is the beginning of a partnership or a rivalry, but her Mando-inspired shoulder guards suggest there may be some sort of bond.Well, provided the Mandalorian really is what he claims. In his scene, Herzog s character infers the person under than armor may not be a true Mandalorian.6. The Mandalorian’s Ship, the Razorcrest, Is a Practical Effect(Photo by Lucasfilm)Glimpsed briefly in the clip shown early in the presentation, Favreau offered a few details about the Mandalorian’s ship, the Razorcrest. Details he said “most people won’t even know, but we knew you’d appreciate it.”The twin-engine ship will be the title character’s key vehicle, but making it was a labor of love between Favreau, Filoni, and the group at ILM when the executive producer made one request: “Can we shoot a model?”Stymied in using old-school techniques on movies like Iron Man, he was thrilled when Lucasfilm let it happen and the ILM crew became obsessed with creating the ship as a miniature. Parts were kit-bashed from other model kits, just as they did back in the 1970s, while other elements used cutting edge techniques and 3D printing. Members of the ILM team manufactures long-retired motion-control camera rigs in their garages while higher-ups like John Knoll sat in on planning meetings to bring the Razor Crest to life.That dedication to detail was one of the key things Favreau wanted to pull off with The Mandalorian. On screen, it means little throwbacks to the film series. In the extended clip, a food vendor can be seen roasting Kowakian monkey-lizard — Salacious Crumb’s species — and in the sizzle reel, a droid who may or may not be legendary bounty hunter IG-88 gets in on the action as he swivels his torso to take on attackers in a 360-degree arc of fire. Additionally, plenty of familiar aliens are realized with creature effect make-up. There s even a gonk droid hanging out with the Imperials.“We used a lot of tech from Iron Man, The Jungle Book, and even The Lion King,” Favreau said. “But Star Wars, at its core, has to feel handmade. So there are animatronics and puppetry.”“All that passion trickled down,” Carano added. “Jon would well up with tears explaining how much a scene meant [to him], and you felt like you were part of something special. Everybody in every department would be there for 17-hour days. And you wanted to be there because it was worth it. It had this magic. I always want to work with is people passionate about what they’re doing.”That sense of passion was clear from the material Favreau brought to stage. With the film series taking a pause after Star Wars: The Rise of Skywalker, The Mandalorian will be the key live-action Star Wars product and it looks like it will be a worthy torchbearer.The Mandalorian will launch on Disney+ on November 12, 2019.
此外,笔者认为LOL手游受欢迎的原因之一,那就是开发团队愿意倾听玩家心声,他们在新版本加入了举报后的反馈机制,玩家如果举报成功就会收到通知,这个改动可以激励大家去举报那些恶劣行为的人。基本上每次版本大更新,设计师除了推出各种新内容,都有一些玩家体验和游戏操控选项上的改进,拳头游戏是抱着LOL手游是一款新游戏的心态在制作游戏。
Anti-heroes are everywhere on TV these days – ever since Tony Soprano kicked off the trend, Don Draper continued it, and Walter White put it into hyperdrive, it seems a prestige drama can’t get a green light without a hard-to-love character at its center. While that is an exciting prospect for actors looking to play nuance with surprising-but-realistic turns, it can wear on a viewer. Crime, drugs, adultery, violence – it can become a bit much. Especially this week. With the real world doing everything it can to exhaust us, we put together a list of television shows that serve to buoy you up. These are optimistic, bright, and fun shows – binge-able series that will leave you with a guilt-free sugar high.Superstore 93%NBC, 4 seasonsSuperstore is a great example of how a show can sneak in social commentary, channeling it through vibrant-yet-realistic characters who are – most importantly! – consistently funny. Storylines about the lack of paid maternity leave are balanced with defiling food-court cups on Instagram feeds. Mark McKinney (The Kids in the Hall) leads the team at chain store Cloud 9, which includes familiar faces such as America Ferrera (Ugly Betty) and Ben Feldman (Silicon Valley, Mad Men). But the show has also put actors on our radar who could well be the future of comedy, such as Lauren Ash, Kaliko Kauahi, and Nico Santos, who killed it this summer in Crazy Rich Asians as the fashion-designer cousin-to-the-groom, Oliver T’sien.Bob's Burgers 91%Fox, 9 seasonsH. Jon Benjamin is the voice of Bob Belcher, who just wants to bring burgers to his customers without a side of antics from his hilarious and easily-distracted family. Dan Mintz, Eugene Mirman, and Kristen Schaal play his kids (Tina, Gene, and Louise), and John Roberts plays his wife, Linda. Aside from some amazing burger-name puns (Three Beets to the Wind, Edward James Olive-most), you can count on this show’s storylines to always bring out the best in the characters, eventually. Who knew health code violations could be so fun?Schitt's Creek 93%POP, Netflix, 4 seasonsPrior to losing their fortune to the Internal Revenue Service, the Rose family wouldn’t have won any congeniality contests – unless they paid for the trophy. Their humanity was lost in a sea of wigs, priceless jewels, and enormous family portraits. In their disgrace, though, they are forced to move to the town they purchased as a joke, namely Schitt’s Creek. Together, living in the local run-down motel, they rediscover their humanity…but keep the wigs. The show – full of snappy one-liners, scenery-chewing performances, and big dollops of heart – is something of a family production in real life: It was co-created by and stars Eugene Levy and his son Dan, and co-stars Eugene’s daughter Sara and his longtime collaborator, Catherine O’Hara.The Good Place 97%NBC, 3 seasons (season 3 airing now)Weighty themes – Death! Morality! The afterlife! — are given a bubbly, bright-colored treatment in The Good Place, a comedy that will have you thinking almost as hard as you’re laughing. When the show kicks off, Kristen Bell’s Eleanor has died, but her work is far from over. Without revealing too much, since the plot’s weekly twists and turns are a major source of the show’s pleasures, we’ll say that the supporting cast — ranging from veterans like Ted Danson to new-to-us faces like Manny Jacinto and Jameela Jamil – is what makes the show a must-see event (and great for a binge). Not only will you be wrapped up in the journey of the characters as they navigate their new lives (deaths?), but you’ll get refresher courses on some of the great thinkers’ theories on morality. Fun and Freud? Pizza and Plato? Enjoy.Queer Eye 93%Netflix, 2 seasonsWherever there are people, there are makeovers to be done. This Netflix reboot of the popular 2000s series focuses on the vulnerability of the makeover experience as our Fab Five 2.0 barges into unsuspecting folks homes to whip them into shape. Bobby Berk is on interiors, Karamo Brown does culture, Tan France assists with fashion (and the French tuck!), Antoni Porowski focuses on food (mostly avocado), and Jonathan Van Ness imparts his grooming knowledge. The series sneaks up on you: You’ll be spending most of your time soaking up the tips, but by the time each episode wraps, it’s likely you’ll be shedding a tear or two. A makeover for the soul.GLOW 92%Netflix, 2 seasonsThis fictional account of the origin of the Gorgeous Ladies of Wrestling (G.L.O.W.) hits you hard with fists of feeling, yet still manages to feel campy and fun – like the wrestling league itself. Episodes focus on family, friendship, gender politics, performance, and what happens when you feel like you’ve reached a dead end. It’s a tribute to the cast that it is mostly such a feel-good time. Alison Brie (Community) and Marc Maron (Maron) head up this talented ensemble whose underdog journey will have you cheering for the next bodyslam, piledriver, and warm hug.Outlander 89%Starz, 4 seasons (season 4 airing now)Like your escapism with a heavy side of steam? This is definitely the hottest show on the list. Adapted from a popular book series of the same name, this Ronald D. Moore-led hit has it all: time travel, kilts, espionage, and passionate romance. Claire Randall (Caitriona Balfe) is a nurse in 1945 who suddenly ends up in a very different 1743, right in the middle of the Jacobite risings, and right alongside a handsome Highland warrior (Sam Heughan, who once performed an actual citizen s arrest…true hero). Her skills as a nurse – and the advantage of 200 years of scientific advances – are endlessly helpful to the Scots, but her abrupt appearance and lack of family make her a target as well. If anyone can handle it, though, it’s Claire.black-ish 92%ABC, 5 seasons (season 5 airing now)This fresh single-camera sitcom shows that there remains plenty of ground to cover on the tried-and-true TV-comedy topics of family, relationships, heritage, and generally just being a person on this planet. Anthony Anderson and Tracee Ellis Ross head up the Johnson family, shepherding their kids through the world as they navigate everything from racism and political debates to teenage romances and bullying. One of the strongest elements of the show is that everyone is genuinely fallible, and the issues that often throw them off balance are ripped-from-the-headlines real. You’re bound to absorb a lesson or two while you laugh. Spinoff series Grown-ish is worth a binge, too, if you run out of eps.Jane The Virgin 100%CW, 4 seasonsFew prime-time soaps have the heart and charm of Jane the Virgin. If the original premise seems like something out of a telenovela – virgin Jane is accidentally artificially inseminated during a routine gynecological checkup – that’s because it was: Jane is loosely based on Venezuelan show Juana la Virgen. The transition from South America to Miami works brilliantly, largely thanks to creative writing and a committed cast. Gina Rodriguez is a standout as Jane, the young Venezuelan-American woman who’s chasing her dreams and learning how to roll with life’s (really weird) punches.Broad City 99%Comedy Central, 4 seasonsThis web series-cum-Comedy Central hit has become the comedy of a generation for certain city-dwelling Millennials. As best friends in the big city, Ilana Glazer and Abbi Jacobson are officially one of the finest comedic duos, serving New York realness with a hilarious brand of feminism, self-deprecation, and truth. And weirdness – serious weirdness.  Their constant descent into the absurd is a rare example of how our topsy-turvy world can still be satirized in strange, broad, and hilarious ways.Representative image credits: @ NBC, @ Netflix, @ ABC
海滩战争为生存而战手游的玩法非常刺激,这款游戏采用了海滩登录的战争题材,玩家站桩式的射击玩法,在抵抗入侵的时候架起强悍火力去狙击,敌人抢滩登录的时候火力还是很强大的,游戏里的模式超级丰富,小伙伴可以根据自己的爱好去选择,不管是海滩狙击战还是城市保卫战,亦或者巷战模式等等,都能尽情体验,另外游戏里还有超多的关卡,每一关的玩法都很有趣。
评分 & 评价
9.8
2.4 万 个评价
游戏时长 2.6小时

Ghcxuf Pain and Glory (2019) 96%   Spotlight Pick! Playing in only four theaters, Pedro Almodóvar s new film pulled in an impressive per-screen average last week and is set to expand to more screens this weekend. That s right, Antonio Banderas is back, finally getting his due, and we couldn t be happier. He and Almodóvar have a long history of collaboration, and now in their eighth team up, they have crafted their most highly acclaimed film. Playing in Almodóvar s signature style of autobiographical fiction, Pain and Glory follows Banderas as an aging director, who has been sidelined by chronic back pain, reflecting on his filmography, frequent collaborators, and, more importantly, his youth and those first sparks of inspiration. The result has netted both Banderas and the Bad Education director rapturous reviews since the film s Cannes Film Festival premiere earlier this year. Katie Walsh of Tribune News Service said of Almodóvar, Working with the legends of his long career to operationalize his past, [he] crafts a singularly unique and medium-specific autobiography in which cinema is inextricably linked to his own story, to his heart, soul, and body. Playing New York, Los Angeles, Chicago, Washington DC, San Fransico this weekend; expanding to more screens on October 18.  Along with Judy (2019) , a biopic of the tragic starlet Judy Garland, primarily focused on the last performances of her London residence in 1963. The Peanut Butter Falcon (2019) , a drama about a man with Down syndrome who befriends a drifter and flees his assisted living facility to pursue his dreams of professional wrestling stardom. First Love (2019) , an action flick/broad comedy/pulse-racing thriller/heartfelt rom-com that follows a young boxer and a call girl through a wild night in Tokyo. Linda Ronstadt: The Sound of My Voice (2019) , a thoughtful tribute to the life and legacy of Linda Ronstadt, one of the most successful singer-songwriters in modern music. Monos (2019) , a South American Lord of the Flies – but about 1,000 times bloodier. 😈😈

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亚博YABO官网登录XX Barely one month after announcing the project, Beyoncé has dropped her latest visual album, titled Black Is King, on the streaming service Disney+. The surprise new release stems from her involvement with last year’s live-action reimagining of The Lion King and is a complimentary work to her 2019 record The Lion King: The Gift. The first reviews of the musical film, which wasn’t screened early for critics, are unanimously positive, recognizing its visual craftsmanship, timeliness, and how it progresses both its material and Beyoncé s own career as an artist.Here’s what critics are saying about Beyoncé s Black Is King:How does this project fit into Beyoncé’s artistic reign?Beyoncé, the master of the visual album, just keeps getting better with each release.  Giselle Au-Nhien Nguyen, Sydney Morning HeraldThe greatest success of Black Is King, with all its ambitions, purposeful revelations and nods by Beyoncé, may be the conformation of its creator and star as the cultural Queen of our time.  Dominic Patten, Deadline[It] is a particularly genius sleight of hand only she could pull off.  Jude Dry, IndieWireIt’s a remarkable addition to the pop world and tribute to her artistry.  Anne Brodie, What She SaidThe product feels like a natural progression in her evolution as an artist… and truly, the outfits are just fabulous — possibly her best to date.  Anna Menta, DeciderBlack Is King doesn’t exactly stand with the best of her previous work — it’s a pleasure but not a landmark — but the Queen Bey goes through it with her head up and her crown intact.  Steve Pond, The Wrap(Photo by Disney+)Is it only for Beyoncé fans?With appearances from Jay-Z, Kelly Rowland, Pharrell and Naomi Campbell, this star-studded film has something for everyone. Chanté Joseph, GuardianThe Queen Bey orchestrated visual album is… well, rather excellent and exciting on various fronts. Dominic Patten, DeadlineHow does it honor the legacy of The Lion King?It bears little resemblance to the Disney film. Anna Menta, DeciderBeyoncé, who lent her voice to Nala in said remake, is here to offer a corrective… a bold and unique offering that’s brimming with Black pride. Amon Warmann, Empire MagazineThe Lion King always was and should have been an African-told story. And while Beyoncé’s lens is certainly an American one, her inclusion of Nigerian, Ghanaian, and Cameroonian collaborators drives home this necessity. Jude Dry, IndieWireThe ties to The Lion King occasionally ground the story in that familiar coming-of-age story, but they just as often feel beside the point. Steve Pond, The WrapThough some sections incorporating dialogue feel a little clunky, the parallel generally works well. Giselle Au-Nhien Nguyen, Sydney Morning HeraldIf the public is tiring of Disney doggedly remaking all of its old animations in live action format, finally some original content is coming out of the project as well. David Smyth, London Evening Standard(Photo by Disney+)What else is Black Is King reminiscent of?Similar in stature and design to Michael Jackson’s Moonwalker film from 1988, Black Is King is clearly structured to be an event release in this time of essentially endless options. Dominic Patten, DeadlineAt times, it feels like Terence Malick’s Tree of Life meets Ryan Coogler’s Black Panther. Jeremy Helligar, VarietyHow are the visuals of this visual album?Black Is King is a visual masterpiece. It’s almost overwhelming. Anna Menta, DeciderIf there is one thing to be said about Black Is King, it’s that it is visually stunning — from beginning to end. The whole thing. Tessa Smith, Mama s GeekyEach scene somehow more spectacular than its predecessor, Black Is King is a feast for the eyes. Amon Warmann, Empire MagazineIt’s a sumptuous visual feast, from detailed costuming to choreography. Giselle Au-Nhien Nguyen, Sydney Morning HeraldBlack Is King is a visual feast; it provides several slow-panning scenes of stillness where we absorb the striking beauty and duality of bright colors against deep brown tones. Chanté Joseph, GuardianThis visual feast… finds its moments of glory in the strength of its images, which are more arresting than the story or the subtext. Steve Pond, The Wrap(Photo by Disney+)Who else deserves recognition for the artistry on display?Beyoncé’s fashion is next-level throughout Black Is King… Shout-out to costume designer Zerina Akers for making Bey look fierce, flawless and Afro-fabulous. Chuck Arnold, New York PostEvery single outfit that Beyoncé wears is just absolutely beautiful. Tessa Smith, Mama s GeekyThe real star of the visual film, however, is the raw, untapped talent from performers around the world showcasing their rich tradition and culture, history and lineage. Cydney Henderson, USA TodayWhat’s the best musical number?When supermodel Naomi Campbell, Oscar winner Lupita Nyong’o, and Beyoncé’s fellow former Destiny’s Child Kelly Rowland pop up during Brown Skin Girl, a tribute to Black women, it feels transcendent. Jeremy Helligar, Variety Brown Skin Girl is especially moving, showing Beyoncé, Rowland and Blue Ivy together in a strong visual affirmation of generational black womanhood. Giselle Au-Nhien Nguyen, Sydney Morning HeraldWill Black Is King move you?I’ll admit, I got emotional when Beyoncé and former Destiny Child’s member Kelly Rowland were singing praises to each other. Anna Menta, DeciderIt is impossible to watch the emotive story unfold, accompanied by Warsan Shire’s poetry, Yrsa Daley-Ward’s writing and warm images of west Africa, without feeling emotional. Chanté Joseph, Guardian(Photo by Disney+)Are there any imperfections?The uneven music of the original soundtrack, though enhanced by the visual accompaniment, can still be hit or miss. Jeremy Helligar, VarietyThere is one part that I would totally skip if I were to watch it again. The celestial stuff… For me, it felt a little weird and out of place. Tessa Smith, Mama s GeekyIt’s mildly disappointing that more inspiration isn’t drawn from East Africa given that’s where The Lion King is set. Amon Warmann, Empire MagazineHow important is Black Is King to young Black people in particular?Black Is King, if nothing else, will perhaps inspire them to learn about the history of their race and the ways in which it has shaped the world. Jeremy Helligar, VarietyThere’s an urgency in the way that Beyoncé is addressing the black kings, as if she feels like she’s running out of time. Anna Menta, DeciderBlack Is King is both her gift and her hope for humanity. Jude Dry, IndieWireRyan FujitaniIs this another masterpiece for our time?Black Is King [is] vital to the current conversation in a way that no one could have foreseen, but is most welcome. Amon Warmann, Empire MagazineHer visual album has taken on new meaning following the reemergence of the Black Lives Matter movement and the fight against police brutality and racism. Cydney Henderson, USA TodayWith the resurgence of the Black Lives Matter movement this year, Black Is King is a timely, powerful declaration of pride. Giselle Au-Nhien Nguyen, Sydney Morning HeraldWith this vivid celebration, she goes way beyond saying Black Lives Matter to showing the dazzling inspiration of her ancestry. David Smyth, London Evening StandardThe film is being released at a time when Disney is coming to terms with some of its own racist past. Steve Pond, The WrapWhat the world needs now is love, sweet, love, and this colorful reminder of the power and glory of Black, here in America but even more so in Africa. Jeremy Helligar, VarietyBlack Is King premieres on Disney+ on Friday, July 31.

(Photo by © Warner Bros. / Courtesy: Everett Collection)All Stephen King TV Series, Miniseries, TV Movies RankedTV has been a favorite home to adaptations of Stephen King books and short stories into series, mini-series, and TV movies since 1979 TV series Salem s Lot. Whether developed for television or straight-to-video — remember video tapes? — TV and movie translations of, or based on, the horror master s work have long been fan favorites, even if they didn t receive much critical acclaim.But which is the best? Rotten Tomatoes dug up 30 Stephen King made-for-TV movies, TV shows, and streaming series and ranked them by their Tomatometer scores. The top 10 is made up of six of the most recent King adaptations — yay, progress! — including The Outsider, which hit HBO in 2020.Some titles, like The Dead Zone with Anthony Michael Hall, that happened before Peak TV don t have enough reviews of their seasons to get series-level scores and are listed alphabetically at the end of the list below (that is, you will see them first as you read down the page). Season 1 of The Dead Zone, for instance, has a 77% score on 13 reviews, but has no scores on its other five seasons and therefore doesn t meet the criteria for a series-level score (at least half of a show s seasons must have scores).You may also note that while films that are Certified Fresh are clearly labeled here, TV shows are Certified Fresh by season, and season badges won t show up in a mixed list of film and series-level scores — click through to the shows overview pages to find out how many seasons are Certified Fresh.Have a look at all Stephen King TV and streaming series and movies ranked by Tomatometer. Have we forgotten your favorite? Remind us in the comments. In its attempt to collect every single person who was once related to a DC Comics TV property for the CW’s upcoming “Crisis on Infinite Earths” crossover, the network has announced several more actors who are joining the five-episode event. Erica Durance (Smallville) and Ashley Scott (Birds of Prey) have joined the crossover, reprising their roles, while Supernatural’s Osric Chau takes on a new one.The Little Mermaid Finds Her Prince(Photo by Disney)The Good Wife’s Graham Phillips will play Prince Eric in Disney’s upcoming live concert broadcast of The Little Mermaid. Also joining the project: John Stamos as The Chef, whom the Full House alum has played before (in a 2016 Hollywood Bowl production).Law Order: SVU Is Expanding(Photo by NBC)Dun Dun: Executive producer extraordinaire Dick Wolf is launching his first podcast. Squadroom will be the official companion to Law Order: SVU. Hosted by SVU insider Anthony Roman, it will feature exclusive interviews with the cast, producers, and writers. New episodes will debut weekly following the East Coast airing of the record-setting 21st season of the series.Hulu Kills Ghost Rider Series(Photo by ABC)A Ghost Rider TV show is no longer in the works at Hulu. According to Deadline, the series, which was set to star Gabriel Luna (introduced as the character on Marvel’s Agents of SHIELD in 2016), will no longer move forward due to “a creative impasse which could not be resolved.”Vice Moves Networks(Photo by HBO)Vice has found a new home: Showtime. The Emmy-winning weekly newsmagazine series will move to the network with a new 13-episode season scheduled to premiere in spring 2020. The diverse group of award-winning journalists will continue to report on the ground from conflicts around the globe. HBO canceled Vice in 2018 and then Vice News Tonight in June.Casting News: Downton Abbey and The Office Follow-Ups John Malkovich, Ben Schwartz, Diana Silvers, Jimmy O. Yang, Tawny Newsome Alex Sparrow have joined Steve Carell in #SpaceForce, a workplace comedy centered around the people on Earth who have been tasked with creating a sixth branch of the armed services: @realspaceforce pic.twitter.com/rGTo8vazB6 See What s Next (@seewhatsnext) September 26, 2019Space Force, the newest collaboration between The Office creator Greg Daniels and star Steve Carrell, has added John Malkovich, Parks and Recreation’s Ben Schwartz, Diana Silvers, and Tawny Newsome as series regulars, and Jimmy O. Yang and Alex Sparrow in recurring roles. The workplace comedy is centered around the people back on Earth tasked with creating a sixth branch of the armed services, Space Force. The 10 30-minute episodes are scheduled to launch in 2020.Christine Baranski and Cynthia Nixon will headline Downton Abbey creator Julian Fellowes’ next big project, The Gilded Age. The actresses will play aristocrat sisters in the HBO drama, which takes place in the titular era of American history that began in 1882. Agnes van Rhijn (Baranski) is “a proud and stubborn aristocrat who will never accept that the world has changed, and that ancient values are being replaced by new ones. She found herself penniless as her parents’ plantation was foundering, even before the war, but she managed to catch a husband just in time. Agnes has a son named Oscar, whom she worships, but her worship is not returned,” per Variety. Meanwhile, Nixon’s Ada Brook never figured out a way to leave the collapsing South until it was too late. “Forced back on her sister’s charity, she is not naturally confrontational but she is capable for standing up for what she believes.  Amanda Peet will play middle-class Bertha Russell, whose merchant husband is a financial genius and who is trying to break into the upper crust of society. Morgan Spector plays her husband, George Russell, a “classic robber baron” who is “fond of his wife and his children, but utterly ruthless in business. He has already acquired millions, and billions will follow. In every challenge, George must win.”Jeremy Pope, David Corenswet, Holland Taylor, Samara Weaving, Dylan McDermott, Laura Harrier, Patti LuPone, Jake Picking, Jim Parsons, Maude Apatow, and Joe Mantello join Darren Criss in “Hollywood,” a new series from Ryan Murphy Ian Brennan pic.twitter.com/RuzR068Swv See What s Next (@seewhatsnext) September 27, 2019The Politician actor David Corenswet and Broadway star Jeremy Pope will lead Ryan Murphy’s next Netflix project, Hollywood, alongside Darren Criss. According to Deadline, the project is a love letter to Old Hollywood and will center around three men in 1940s Tinseltown. All three actors are also executive producers alongside Murphy and his co-creator Ian Brennan. Production reportedly began this summer. Joining them on the show are Holland Taylor, Samara Weaving, Dylan McDermot, Laura Harrier, Patti LuPone, Jake Picking, Jim Parsons, Maude Apatow, and Joe Mantello.Real Housewives of Atlanta star Kandi Burruss will recur on season 3 of Showtime’s The Chi.Hulu’s adaptation of the bestseller Little Fires Everywhere, starring Reese Witherspoon and Kerry Washington, has added six new actors for a flashback episode: AnnaSophia Robb, Tiffany Boone, Alona Tal, Matthew Barnes, Andy Favreau, and Luke Bracey. The eight-episode limited series is scheduled to premiere on Hulu in 2020.The second eight-episode run of Starz’s The Spanish Princess will bring back Charlotte Hope, Ruairi O’Connor, Laura Carmichael, Georgie Henley, and Stephanie Levi-John alongside new cast members Ray Stevenson, Sai Bennett, Andrew Buchan, and and Peter Egan.Blythe Danner will recur during the third season of Starz’s American Gods as Greek goddess Demeter, who has an unresolved romantic history with Ian McShane’s Mr. Wednesday.Development Update: Grab a Bottle of Red, a Bottle of WhiteMajor musical news: Billy Joel’s oeuvre is being adapted into a new anthology series, Scenes From an Italian Restaurant. Inspired by the song of the same name, the singer has teamed up with Kevin Fox to develop the series, which will focus on different characters from his songs (the Piano Man, Mamma Leone, the Stranger). Want to find out what Brenda and Eddie are up to? Stay tuned, as there’s still no network attached, though MGM Television and Universal Music Publishing Group have teamed up for the project.Ellen DeGeneres isn’t busy enough with her daily talk show and occasional stand-up special, so she’s adding four new projects to her plate: The comedian will produce reality competition Ellen’s Home Design Challenge, reality dating series First Dates Hotel, animated children’s show Little Ellen, and docuseries Finding Einstein for HBO Max.Haley Lu Richardson and Euphoria star Barbie Ferreira have joined HBO Max’s film adaptation of the novel Unpregnant. The duo will play ex-best friends who come together when one of them discovers she’s pregnant and they embark on a 900-plus mile road trip in a stolen El Camino. Production begins in New Mexico this fall with Rachel Lee Goldenberg set to direct.Thirtysomething could be the latest series to get a revival: A sequel to the 1987 drama series is currently being developed that would focus on the children of the married baby boomers who were the focus of the original series (and are now thirtysomethings themselves).Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

2022-01-27

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亚博YABO官网登录XX 2018 was a big year at the box office – perhaps the biggest ever – and a big year on the Tomatometer, with the likes of Cobra Kai, Paddington 2, and more scoring 100%, and hundreds of movies and TV seasons going Certified Fresh. It was also a big year for movie and TV news – the Academy threatened to add a new category and Stan Lee passed, while scandal threw the Guardians of the Galaxy franchise into disarray and kicked Roseanne out of her own show. And it was a big year for movie and TV news-makers: Crazy Rich Asians, Black Panther, and more all made history. With an eye on the Tomatometer, as well as the headlines, the box office, the streaming wars, and the titles that captured people s imaginations and hearts, we vee rounded up the biggest and best moments in the year for film and TV. Check them out below, and let us know the big moments you think we ve missed in the comments.Sundance Kicks Off a Huge Year for First-Time Directors(Photo by © A24)It was a strong year for first-time directors, with Bo Burnham kicking things off at Sundance with the premiere of Eighth Grade. The at-times hilarious, at-all-times excruciatingly awkward story of eighth-grade outcast Kayla sits at 99% on the Tomatometer and star Elsie Fisher recently earned a Golden Globe nomination for Best Actress in a Musical or Comedy. Boots Riley’s bizarre, Kaufman-esque comedy Sorry To Bother You also premiered at Sundance, along with Blindspotting, directed by Carlos Lopez Estrada and co-written by Hamilton’s Daveed Diggs and Rafael Casal; both films went on to win continued acclaim and accolades for their casts and filmmakers. Actors Bradley Cooper (A Star Is Born) and Paul Dano (Wildlife) made impressive debuts, while Pitch Perfect writer Kay Cannon showed she’s as strong behind the camera as she is behind the laptop with the comedy Blockers. Meanwhile, two of the year’s most skillful suspense-drivers – horror hit Hereditary and missing-girl techno-thriller Searching – came to us via first-timers Ari Aster and Aneesh Chaganty, respectively, while Night Comes On (100% on the Tomatometer) marked the arrival of Jordan Spiro.It s “Wakanda Forever” at the Box Office(Photo by © Marvel Studios)In mid-to-late January, box office watchers began to notice that Black Panther was tracking well. Really, really well. They began to predict an million opening. And then a 0 million opening. By the week of its release, with online pre-sales soaring beyond expectations, some prognosticators were predicting a bigger opening than Thor: Ragnarok. And indeed, they were right. But BP opened even bigger than that, launching with a 2 million weekend – and 1.9 million across the full four-day President’s Day weekend – and going on to earn 0 million domestically, .347 billion globally, and become the ninth highest-grossing movie ever. It was huge. The film was also good: Black Panther sat at 100% on the Tomatometer for a solid stretch in the days before its release, leaving some to hope it might be the first “perfect” superhero movie. Alas, it would go on to land a handful of Rotten write-ups, but its eventual 97% Certified Fresh score still makes it the best reviewed superhero movie of all time. Eight months later, with the catchphrase “Wakanda Forever” firmly a part of pop culture and director Ryan Coogler signed on for a sequel, the film is generating serious Oscar buzz. “First superhero movie to be nominated for Best Picture”? We wouldn’t bet against this record-breaker.A Quiet Place is the best and biggest horror movie of the yearSouth By Southwest audiences have a reputation for being a little extra: they whoop and holler at screenings and occasionally bring a little too much inflated hype home with them from Austin. So you could have been forgiven for dismissing the “OMFG” reactions to A Quiet Place coming out of the festival. But the hype was real. John Krasinski’s horror film, hinging on that ingenious “don’t make a sound” conceit, was a game-changer: a terrifying no-holds-barred action-horror ride; the fourth highest grossing horror movie ever at the U.S. box office; and, at 95% and Certified Fresh, the best-reviewed horror film of the year. Naturally, Krasinski is busy writing the sequel, which early reports suggest could focus on a different group of survivors.“Mr. Stark, I don’t feel so good…”Eight months later and we’re not over it Thanos s universe-halving snap. Bring on Endgame.Cobra Kai Certified Fresh at 100%YouTube began producing its own original scripted content in 2016, but it didn’t reach mainstream status until the launch of Karate Kid sequel series Cobra Kai — and its universal praise from critics — in May 2018. (That it was called “YouTube Red” until that same month, when it became the less-porny “YouTube Premium,” probably didn’t help.) Cobra Kai’s first season is Certified Fresh at an impressive 100% on the Tomatometer, putting the platform’s other series, including the cheeky comedy Ryan Hansen Solves Crimes on Television, director Doug Liman s Impulse (based on the Jumper book series), and the Tom Felton–starring sci-fi drama Origin on the critical map.The title s first season was only one of 12 TV seasons Certified Fresh at 100% in 2018 (of 79 overall), but its impact on the perception of YouTube as a serious scripted-series producer was huge.Netflix Becomes the Rom-Com KingThe resurgence of romantic comedies in 2018 is indisputable (see: Crazy Rich Asians), and while there are plenty of outside reasons why the genre is beginning to thrive again (a turbulent worldwide political atmosphere, an alternative to tentpole releases with sky-high budgets, etc.), the surge has also been helped in large part thanks to Netflix’s investment in it. The streaming service, in an attempt to beef up its own original film offerings, leaned in to the rom-com this year — to varying degrees of success. Its first breakout hit of 2018, The Kissing Booth, is Rotten at 13%, while summer sensation To All the Boys I’ve Loved Before is Certified Fresh at 96%. Similarly, Kristen Bell’s Like Father is Rotten at 48% (though it s less a rom-com than a daughter-dad–com), at while the hit Set It Up (starring Lucy Liu, Taye Diggs, Zoey Deutsch, and Glen Powell) is Certified Fresh at 90%. Other Fresh 2018 rom-coms from Netflix to add to your queue: The Guernsey Literary and Potato Peel Pie Society, Alex Strangelove, Happy Anniversary, Ibiza, and Sierra Burgess Is a Loser.Brooklyn Nine-Nine, The Expanse, and More Fan Favorites Saved from CancellationIt didn’t take a mass-mailing of hot sauce or nuts to TV executives (see: early 00s canceled-too-soon series Roswell and Jericho) to save series in 2018 — just deeply passionate fan bases with Twitter accounts (and some advantageous behind-the-scenes business dealings). During TV’s annual May culling, Fox canceled fan-favorite comedy Brooklyn Nine-Nine after five seasons — and massive social media outcry followed. Mere hours later, NBC — whose studio, Universal Television, produces the series — announced it had picked up the show for season 6. Similarly, a month after Fox axed its comic book dramedy Lucifer, Netflix announced it had picked up the series for a fourth season. And Syfy’s cancellation of space drama The Expanse lasted only a few weeks, with Amazon founder, chairman, and CEO Jeff Bezos announcing at May’s International Space Development Conference that the series will return on Amazon Prime for season 4.Roseanne Fired, The Connors Is Born(Photo by ABC/Robert Trachtenberg)ABC’s decision to revive one of its biggest-ever sitcoms sounded, on the surface, like a no-brainer. Roseanne’s massive season 10 ratings seemingly reinforced that decision (it ended the 2017-2018 TV season as the No. 3 show in overall viewers and No. 3 in the advertisers’ most coveted 18-49 demographic). But the titular star’s history of racist statements raised a gigantic red flag for many in discussing the revival, though did not prevent the series from moving forward. It was a May tweet about former senior White House staffer Valerie Jarrett that proved to be the line for the Disney-owned company, which immediately canceled the series. Weeks later, it greenlit a Roseanne Barr–less spin-off, The Conners (Barr does not have any involvement in the new series, financial or otherwise) that debuted to solid, though not Roseanne-level, ratings.Mr. Rogers Heralds the Year of the Doc(Photo by Jim Judkis/© Focus Features)This was the biggest year for documentaries at the box office since 2004. Back then, the big driver was a single film, Michael Moore’s incendiary anti-Bush documentary, Fahrenheit 9/11; in 2018, the was shared among a large crop of critically-acclaimed biographical documentaries, the highest-earning of which was the Fred Rogers bio-doc, Won’t You Be My Neighbor?, released in June. (That film was also one of the best-reviewed features of the year, currently sitting Certified Fresh on 99%.) Other big earners were RBG, the Ruth Bader Ginsberg documentary (94% on the Tomatometer); CNN Films’ Three Identical Strangers (96%); rock-climbing thriller Free Solo (98%); and Kevin Macdonald’ Whitney (88%), which dives into the life of late pop singer Whitney Houston and which made headlines for its shocking revelations of child abuse.James Gunn Out of Guardians FranchiseOne minute, writer-director James Gunn was Instagramming the cover of his just-finished Guardians of the Galaxy Vol. 3 script; the next Disney was booting him from the project and throwing the future of the mega franchise into doubt. You will likely recall the reasons: A series of Gunn’s years-old inappropriate tweets resurfaced in July and, under pressure from various groups and in an effort to maintain that squeaky-clean Mouse House image, Disney and Marvel decided to cut ties. Guardians cast members came to Gunn’s defense, but it was not enough; fans are still none-the-wiser as to whether the project is moving forward, and if it is, whether Gunn’s script will be used. Marvel’s loss would ultimately be DC’s gain, with Gunn jumping on board Suicide Squad 2 as writer just a few months later, a move many fans applauded. If anyone can work magic on the story of a rag-tag bunch of shouldn’t-be-heroes, it’s Gunn.Crazy Rich Asians Has a Gold Run(Photo by © Warner Bros. Pictures)Writer Kevin Kwan and director Jon M. Chu turned down offers from Netflix to adapt Kwan’s books for the streaming service, saying they felt the movie had to be shown in theaters – they wanted Asian audiences to see themselves reflected on the big screen. The gamble paid off. Not only was Crazy Rich Asians — the first wide-release mainstream film with a largely Asian and Asian-American lead cast in 25 years – a landmark event for representation, it was a huge financial success for Warner Bros. In the lead-up to the movie’s release, the filmmakers and cast had been encouraging audiences to turn out and create a “gold open,” and the film topped the box office with .3 million over its first five days in early August. And then the fans kept coming; CRA was one of the leggiest movies of the year, making 4 million domestically. The movie also made instant stars of Awkwafina – who would go on to be just the second Asian-American woman to host SNL – as well as Henry Golding, whom audiences got a second helping of in Paul Feig’s A Simple Favor, and who has now been cast in Feig’s forthcoming Last Christmas and Guy Ritchie’s Toff Guys. Meanwhile, the movie’s star, Constance Wu, is up for a Golden Globe Award for Best Actress in a Musical or Comedy, and Michelle Yeoh is considered an outside chance for a Best Supporting Actress nomination at the Oscars.The New Oscar Category That Wasn’tIn August, the Academy announced a number of big changes, including a shortened ceremony, the removal of a number of categories from the live broadcast, and, most controversially, the introduction of a new category that would honor excellence in popular film. The outcry was immediate and loud, with many shellacking the Academy for further ghettoizing popular filmmaking just as it seemed we were starting to see worthy blockbusters and genre movies, like last year’s Get Out, getting traction in top-of-the-line categories. It felt like a particularly poor move for this year, given that Black Panther and Crazy Rich Asians are being seen as serious contenders for Best Film nominations. Eventually, the Academy saw the light, and quietly announced they would not be moving forward with the new category. Since then, the Academy had a super-smooth year, not having to deal with any more controversies whatsoever.Shirtless Jason Statham + Giant Shark = Huge Hit(Photo by © Warner Bros. Pictures)For whatever reason, the world was in the mood for a giant shark movie in 2018. The Meg, riding a wave of clever tongue-in-cheek marketing – the “Pleased to eat you” poster was our favorite – made 0 million worldwide, making it the highest-grossing Chinese-American co-production ever. Producers behind the film have hinted that a sequel is in the works, and there are plans for a Meg-inspired theme park in China.Nic Cage Gets Wilder (Even Wilder Than Usual) in MandyThe Cage-aissance continued apace in 2018, with everyone’s favorite wild man kicking off the year as one half of a child-killing couple in Mom and Dad and following that up in September with his best performance since Bad Lieutenant: Port of Call New Orleans in horror-flick­–slash-fever-dream, Mandy. The movie, which co-stars Andrea Riseborough, came out of Sundance with some well-deserved buzz and would go on to be Certified Fresh at 92%. It was Cage’s highest Tomatometer score since 1997’s Face/Off, until another film came along this December DC Universe Streaming Service LaunchesDC Comics launched its own streaming service with a big FU to Batman and the debut of its dark, violent action series Titans. The first season is Certified Fresh at 82%, and the series was renewed for a second season ahead of its debut. On the slate for 2019: live-action dramas Doom Patrol (introduced in an episode of Titans), Stargirl, and Swamp Thing, animated comedy Harley Quinn, and the return of animated hit Young Justice (Outsiders premieres January 4, 2019).Venom and Bohemian Rhapsody Divide Critics and Audiences, Conquer Box OfficeThose who sniggered at the Venom trailers – and yes, that includes a couple of us here at RT – might have to eat wind-swept turds come New Year’s Eve. That’s because the film, which many critics have called a total mess when it opened in early October, is now one of the biggest movies of the year, making 4.5 million worldwide (so far). It is also one of the most divisive movies of the year, with a Tomatometer of just 28% but an Audience Score of 85%. As we said in one recent article, we’re not picking sides – Venom was kind of a blast, thanks in no small part to the efforts and charm star Tom Hardy, and we’re as excited for any potential sequels as you are. Another film that split critics was Bohemian Rhapsody, which hovered in Rotten territory until around the time of its release in November, and remains just barely Fresh at 62%. Audiences however, have dubbed it a triumph, giving it an Audience Score of 90% (!) and helping the film make 7.1 million at the global box office so far.The Spectacularly Spooky Haunting of Hill HouseIn a TV landscape with nearly 500 scripted series airing in 2018, a seemingly low-profile horror drama series based on a 1959 novel isn’t necessarily the first natural candidate for one of the biggest breakout series of the year. But Netflix s tense, spooky take on Shirley Jackson’s Gothic horror novel The Haunting of Hill House from genre vet Mike Flanagan combined a top-notch ensemble cast and groundbreaking filmmaking techniques for a genuinely scary haunted-house tale.Netflix Axes Its Marvel Series(Photo by Sarah Shatz/Netflix)With Disney’s streaming service, Disney+, set to launch in 2019, the company has begun to streamline the platforms where its content is offered. That means the Marvel-Netflix partnership, which included Daredevil, Jessica Jones, Luke Cage, Iron Fist, and team-up miniseries The Defenders, is on its way out. While not initially announced as a limited event, The Defenders turned into a “miniseries,” and on successive Fridays in October, the streaming service canceled Luke Cage and Iron Fist. Daredevil followed about two months later. (By the way, while critics panned Iron Fist upon its debut, earning the first season a Rotten 19%, the second season saw a vast improvement, breaking a Tomatometer record for the biggest season-over-season bump ever at a nearly Fresh 57%. And both seasons of Luke Cage were Certified Fresh at 94% and 83% respectively.) The only two series that remain are the already-filmed third season of Jessica Jones and season 2 of Daredevil spin-off The Punisher, set to be released in 2019.He Just Wants To Take Another Look at You(Photo by © Warner Bros. Pictures)Anyone skeptical that Bradley Cooper was hiding serious directing chops or that Lady Gaga was a movie star in the making was likely converted into true believer when A Star Is Born opened in theaters in early October. After debuting at Venice and playing Toronto, the movie immediately jumped to the front of many awards pundits’ “most likely” lists, and is still heavily favored in the Best Picture, Best Director, and Best Actress categories. Star had box office legs, too, opening with a huge million, despite being up against Venom that first weekend, and eventually crossing the 0 million mark. But perhaps the biggest measure of the movie’s success is its level of meme-ification. We watched on here at Rotten Tomatoes HQ as Gaga stans @-ed us on Twitter with bizarre and hilarious GIFs showing Gaga with dancing Fresh tomatoes, while the internet did its work with the “Just wanna take another look at you” line, and that Gaga smile. It only takes one GIF-maker to believe in you, we guess.Halloween Rejuvenates Slasher GenreWhen Jamie Lee Curtis took the stage following the world premiere of Halloween at the Toronto Film Festival in September, she got a rousing standing ovation. It wasn’t just her typically awesome greeting – “Happy Halloween, motherf—kers!” she said, strutting onto the stage – nor was it the late-night delirium that follows a scary midnight screening (the audience was still amped). It was that the movie had delivered. Director David Gordon Green had created a direct sequel to John Carpenter’s original that was scary, funny (some would say too funny), and which ultimately drove a stupidly large kitchen knife through the heart of toxic masculinity, as wielded by three generations of tough-as-f k Strode scream queens. The movie would eventually be Certified Fresh, and open to nearly million. That was, Curtis pointed out in a viral tweet, the biggest ever opening for a horror movie with a female lead, the second biggest October opening ever, and the biggest opening ever for a movie with a lead over 55. No dou

2022-01-27
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