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九游会平台采用百度引擎0(Baidu 1)It’s estimated that between 75 and 90 percent of films made before 1929 are either lost or only exist in incomplete form. As part of our RT Archives project, we are collecting contemporaneous reviews for those films – see a full list here and read what critics said about them at the time – and shining a spotlight on the stories and people behind them.Recently, our tireless team of review curators were able to dig up new reviews for over 100 films that have been lost or destroyed over time, providing us with new and fascinating insights from contemporaneous critics for motion pictures we ll never get to see again. A fair number of those films featured real people portraying themselves on screen, as the line between documentary and narrative filmmaking wasn t so clearly defined in the earliest days of cinema. Of course, celebrity cameos are pretty common in today s Hollywood, but those celebrities are rarely the actual subjects of the films themselves, unless they re playing caricaturized versions of themselves. With that in mind, we ve put together a list of movies starring real people playing themselves, from a survivor of the Titanic disaster to Babe Ruth to the man who invented steer wrestling. Read on for the full list.Dorothy Gibson, Titanic Survivor  Saved from the Titanic (1912)(Photo by Eclair Film)Although she enjoyed a successful career on stage and later appeared in several films, Dorothy Gibson is probably most famous for surviving the sinking of the Titanic and then starring as herself in the first film to be made about the tragedy. That film, Saved from the Titanic, was a 10-minute short that centered on Gibson, who also co-wrote the script, as she relayed the harrowing experience to her parents and fiancé; she even dressed in the same outfit that she wore the night of the sinking. Perhaps the most remarkable thing about the film, though, was that it was released less than one month after the Titanic sank. None of Gibson s other films survive to this day, with the exception of an adventure-comedy called A Lucky Holdup, which, incidentally, premiered while Gibson was on board the Titanic.Pancho Villa, Mexican Revolutionary  The Life of General Villa (1914)(Photo by Everett Collection)Pancho Villa was, of course, one of the most well-known leaders of the Mexican Revolution, but it may surprise some to learn that he agreed to star in an autobiographical film in the middle of said revolution. Looking to secure funds for his wartime efforts, Villa signed a contract with Mutual Film Corporation, which would later become part of the renowned RKO Pictures, and producer D.W. Griffith (yes, he of Birth of a Nation and Intolerance). The film featured authentic battle footage, which wasn t unusual for newsreel films of the time, but also incorporated staged scenes to fill in the blanks and reportedly took instructions from the production company on how and when to fight those battles. The end result was allegedly so unbelievable that a major portion of the film had to be reshot on studio stages. The story behind these rumors and the others that swirled around other figures of the revolution are fascinating in their own right, but we ll never know what The Life of General Villa really looked like, because it s lost to time.Anna Howard Shaw, Suffragist Your Girl and Mine (1914)(Photo by Library of Congress/Getty Images)Born in England in 1847, Anna Howard Shaw emigrated to the US with her family when she was just four years old. She endured a difficult childhood but went on to live an accomplished life, first as a teacher, then as an ordained minister (the first female Methodist one, at that), and then as a doctor. But her most important achievements were in the women s suffrage movement, when she worked alongside Susan B. Anthony and Elizabeth Cady Stanton to advocate for the passage of the 19th amendment. In 1914, she would appear as herself the film Your Girl and Mine, a pro-suffrage film showcasing the kinds of problems an average, everyday woman would face in states without voting rights for women. Writing for the early trade publication Moving Picture World, critic James S. McQuade predicted, The near future, I firmly believe, will reveal to those who advocate equal suffrage that moving pictures, as shown in Your Girl and Mine, will accomplish more for the cause than all that eloquent tongues have done since the movement was started. Mary MacLane, Writer  Men Who Have Made Love to Me (1918)(Photo by Perfection Pictures / Essanay Film Manufacturing Company / George Kleine System)There s nothing particularly revolutionary these days about people who air their dirty laundry in public; it seems, in fact, to power a significant chunk of reality entertainment. But back at the turn of the century the last century, that is it was outrageous and controversial especially for a woman to write frankly about her sexual desires and exploits, and that s exactly what Mary MacLane did. Fiercely independent and unusually raw and honest, MacLane s salacious writings and feminist ideas influenced a generation of young women and rankled conservative thinkers of her time, but they also inspired an autobiographical feature film in which she starred as herself. Based on an eponymous series of syndicated articles, the film is comprised of six vignettes depicting MacLane s various love affairs, in between which she smokes and addresses the audience in what is widely considered the earliest example of consistently breaking the fourth wall. It was the only film she made, but no copy of it survives to this day.Arshaluys Aurora Mardiganian, Armenian Genocide Survivor Ravished Armenia (1919)Arshaluys Mardiganian was only 14 years old when the Armenian Genocide in Turkey began in 1915, and as the daughter of a prominent Armenian family, she bore witness to atrocities no teen or human being, for that matter should ever be made to endure. Her father and brother were imprisoned, while she and the rest of her family were deported in a 1,400-mile death march, during which she was sold into slavery more than once. Mardiganian eventually escaped and found her way to the U.S., where a screenwriter named Harvey Gates caught wind of her story and helped her write a memoir of sorts, which then became the basis for the silent film Ravished Armenia. A dramatized chronicle of the horrific events of the Armenian Genocide, the film starred a 17-year-old Mardiganian as herself, requiring her to relive her past trauma in order to shed light on the situation back home. Though Mardiganian later took issue with some of the representations in the film, as well as the pay she earned for it, she became the de facto spokesperson at the time for the victims of the genocide, and the film helped raise million for the American Committee for Armenian and Syrian Relief. In modern times, there is an annual humanitarian award, the Aurora Prize for Awakening Humanity, named in her honor.Ormer Locklear, Stuntman and Daredevil  The Great Air Robbery (1919)(Photo by Everett Collection)Technically speaking, The Great Air Robbery isn t specifically about real-life stuntman/daredevil Ormer Locklear s life, unless he was moonlighting as a U.S. Postal Service pilot caught up in a deadly rivalry with an archnemesis intent on stealing a shipment of gold. That said, the film was only made to showcase Locklear s incredible talents it was originally intended to be the first in a series of films featuring Locklear s aerial stunts so, in a sense, he was just doing what he did best. Though the film was a success, Carl Laemmle and Universal Studios opted not to continue the partnership with Locklear, which led to a lawsuit, and Locklear s next film, The Skywayman, was produced at Fox. During the filming of that movie, Locklear and his co-pilot died in a midair crash, and Fox kept the footage in the final cut, utilizing the tragedy to sell the film. Today, no copy of either The Great Air Robbery or The Skywayman exists.Bill Pickett, Rodeo Cowboy  The Bull-Dogger (1921)It could be argued that The Bull-Dogger is less a narrative feature than a documentary showcase, but it s noteworthy if only because its subject s legacy lives on to this day. The subject in question is Bill Pickett, the son of a former slave and an internationally renowned rodeo cowboy whose unique ability to take a steer down with his bare hands otherwise known as bulldogging caught the eye of a silent filmmaker named Richard Norman. Norman filmed Pickett s exploits and performances for a wider audience, and although some places found the footage offensive on grounds of animal cruelty, Pickett also stood out as an African-American celebrity, and his bulldogging technique evolved into modern steer wrestling, a staple rodeo event. Only a few clips of The Bull-Dogger remain today.Babe Ruth, Baseball Legend Babe Comes Home (1927)In 1927, Babe Ruth had arguably the greatest season by any athlete, ever, in any sport. He hit for a .356 batting average, with 164 RBI and a slugging percentage of .772, and he hit a record-setting 60 home runs, which was more than the totals of 12 other teams. But before the season began, he also took some time to star in a goofy romantic comedy called Babe Comes Home, playing a star baseball player named  Babe Dugan who falls in love with the woman who launders his uniform every week. In other words, while Ruth wasn t technically playing himself, it wasn t much of a stretch from his real-life persona. The film was notable for its use of an experimental and short-lived technological gimmick called Vocafilm, which provided a music and sound effects soundtrack, and according to critics of the era, it wasn t too shabby. Unfortunately, there are no surviving copies of the entire film, and all we have are snippets of footage.Thumbnail images by Everett Collection, Perfection Pictures/Essanay Film Manufacturing Company/George Kleine SystemOn an Apple device? Follow Rotten Tomatoes on Apple News.

1. 九游会平台
作为一款原汁原味的正版传奇手游,延续经典1.76版本,不仅保留战法道经典三职业,玩法上继承了传奇的多样经典玩法。打怪掉宝、PK出宝、活动产宝、免费寻宝,职业技能,自由PK,夺旗战,沙巴克攻城等玩法都将给玩家带来指尖上的极致震撼体验。各种珍稀装备道具无限制掉落,让每一个玩家都能获得顶级装备,配以全自动化的PK操作、实时语音系统、蓝光级画质,带来极具代入感的畅快战斗体验!是兄弟一起来,重铸昔日荣耀。 万众期待的射击手游大作《使命召唤手游》在2020年年末正式上线,游戏一上线后就迅速登上了国内诸多平台的排行榜榜首。或许有很多玩家会认为,《使命召唤手游》的成功是因为《使命召唤》系列的知名度。虽然这也是一部分原因,但是游戏3A级的游戏品质同样也是不可忽视的部分。
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
手游自开创以来,就一直背着抄袭、借鉴的外套。从英雄联盟到王者荣耀;从黎明杀机到第五人格;从绝地求生到和平精英;从我的世界到迷你世界;不管承认与否,手游中大多数优秀作品都或多或少有着和端游酷似的设定。但抄袭的边界和范围现在看来还是不好界定,没有一个标准答案,主体还是要看玩家的选择。本次我们就来聊一款这样的手游——《狩猎时刻》九游会平台两极反转,端游和页游都在近12年中首次出现了负增长。这一年客户端游戏市场实际销售收入亿元,同比下降了。网页游戏市场实际销售收入为亿元,同比下降1。而手游同比增长,前一年则达到了惊人的。

3. 激战团竞模式
地铁跑酷是一款休闲好玩的跑酷手游,游戏的背景是在地铁上,玩家操控游戏角色在画面中狂奔,途中需要通过跳跃和翻滚等动作越过各种障碍,一边跑一边收集各种道具。地铁跑酷考验的是玩家的敏捷操作,虽然玩法很简单,但也有难度系数较高的任务可以冒险。

4. 呼朋唤友 随心所欲
而LOL手游则是比王者荣耀多出了一个召唤师技能和一个召唤师技能,多出的技能会使游戏的技能组合相对来说搭配会更多,LOL手游技能cd较长,伤害较低,使得英雄在对战时技能释放的时机很重要,操作的容错率会比较低,更考验玩家在对战时的操作想法。

5. HD 画质与高品质音讯
使用強大的百度引擎3建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

7. 官方资讯
更多资讯请关注我们的官方社群:
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4.15.5 8月喜迎If you have a suggestion for a movie or show you think we should do an episode on, let us know in the comments, or email us at rtiswrong@rottentomatoes.com.Meet the hostsJacqueline Coley is an editor at Rotten Tomatoes, with a focus on awards and indie coverage but with a passion for everything, from the MCU to musicals and period pieces. Coley is a regular moderator at conventions and other events, can be seen on Access Hollywood and other shows, and will not stand Constantine slander of any kind. Follow Jacqueline on Twitter: @THATjacqueline.Mark Ellis is a comedian and contributing editor for Rotten Tomatoes. He currently hosts the Rotten Tomatoes series Versus, among others, and can be seen co-hosting the sports entertainment phenomenon Movie Trivia Schmoedown. His favorite Star Wars movie is Jedi (guess which one!), his favorite person is actually a dog (his beloved stepdaughter Mollie), and – thanks to this podcast – he s about to watch Burlesque for the first time in his life. Follow Mark on Twitter: @markellislive.On an Apple device? Follow Rotten Tomatoes on Apple News.
首先截止到国服上线,全球玩家已经在《使命召唤手游》中进行了超过300亿局游戏,从这个庞大的数字就能够管中窥豹了解到《使命召唤手游》的火爆程度了。
There’s a lot of excitement to be had with the release of Black Widow (out in theaters and on Disney+ with Premier Access on July 9). For one, the title character, played by Scarlett Johansson in the Marvel Cinematic Universe since 2010, finally has her own solo movie. Also, MCU fans finally get a new theatrical feature after two years of drought due to an unfortunate delay. And, finally, it’s also apparently pretty good and worth those two waits.The first crop of reviews for Black Widow, most of them positive, highlight additional things to be excited about specifically, from the performances by Johansson and Marvel newbie Florence Pugh to the relatively grounded action scenes and darker emotional themes for the franchise. It’s obviously not as epic as the last two Avengers movies, though, and whether that makes this a lesser entry or a breath of fresh air will be up for debate.Here’s what critics are saying about Black Widow:Is it worth the wait?Black Widow is finally here after years of delays and pushbacks due to the state of the world – but does it deliver where it needs to? The short answer is yes.  Tessa Smith, Mama s GeekyAfter the extended delays of Natasha Romanoff’s long-overdue solo film, Black Widow was certainly worth the wait.  Doug Jamieson, The Jam ReportOur patience pays off… Marvel Studios does it again and delivers the goods.  Danielle Solzman, Solzy at the MoviesBlack Widow manages to be an extremely welcome case of better late than never.  Jamie Jirak, ComicBook.comTruly better so very late than never.  Brian Tallerico, RogerEbert.comThere is a too little, too late sense of closure that makes some of the film’s narrative choices confusing at times.  Mae Abdulbaki, Screen RantHow does it compare to other parts of the MCU?The best aspects of Black Widow echo the ‘70s spy movie tone of one of the best films in the MCU, Captain America: The Winter Soldier. Brian Tallerico, RogerEbert.comThink a scaled-down version of Captain America: The Winter Soldier. Joey Magidson, Awards RadarBetter than Captain America: The Winter Soldier? Probably not. Superior to anything with the word Ant, Doctor, Hulk or even Thor in the title? Most def. Joey Morona, Cleveland Plain DealerBlack Widow is certainly no Thor Ragnarok or Black Panther and has fairly average MCU visuals and fight scenes. Nicole Ackman, Next Best PictureBlack Widow reminds me the most of Doctor Strange — a movie about a complicated adult character facing up to their own actions and redefining their place in the world without blaming it all on bad daddies. Evan Dossey, Midwest Film JournalShifting away from the superhero template into high-octane espionage thriller territory, it makes a far more satisfying female-driven MCU entry than the blandly bombastic Captain Marvel. David Rooney, Hollywood ReporterBlack Widow may be the least Avenger-like movie in the series so far. No offense to the other Avengers, but after all this time a tweak in the formula is a good thing. Caryn James, BBC.com(Photo by ©Marvel Studios)Does it bring anything new to the franchise?More than other Marvel movies, Black Widow tries to ground the story in a personal, character-driven narrative. Brian Lloyd, entertainment.ieIt has some of Marvel s best character dynamics to date. Jamie Jirak, ComicBook.comWhat sets Black Widow apart from the other MCU movies is that it embraces the darkness inherent in the premise of the character. Evan Dossey, Midwest Film JournalMuch of it doesn’t feel like a Marvel film at all, thanks to the darker tone. Nicole Clark, IGN MoviesDoes it work as a standalone movie?The plot… feels small by MCU standards, but that simplicity is a refreshing change of pace for a franchise that’s too often about saving the world. Rob Hunter, Film School RejectsIt s the palate cleanser the franchise needed… a self-contained, back-to-basics adventure that works just as well for newbies and casual viewers as it does for longtime fans. Angie Han, MashableBlack Widow is a pleasure exactly because it is inessential. Nick De Semlyen, Empire MagazineBlack Widow reminds us of the pleasure that can be offered by an MCU movie that isn’t having to do the legwork of setting up the next five chapters. Alonso Duralde, The WrapSomething is definitely set up for the future, but… Marvel could use these occasionally more self-contained films. Joey Magidson, Awards RadarBlack Widow is a rare Marvel production… that almost, almost pulls off the trick of being wholly its own thing. Richard Lawson, Vanity FairBlack Widow is merely a stepping stone film that fills in a few blanks that weren’t really there to begin with. Matt Rodriguez, ShakefireThis movie feels more like an introduction and set up for what is to come, than the solo film this character deserves. Tessa Smith, Mama s Geeky(Photo by ©Marvel Studios)How is the action?The film has some of the best action sequences in recent memory. Mae Abdulbaki, Screen RantA vast team of choreographers, stunt folks and trainers… gives the movie a visual coherence that most Marvel movies lack. Roger Moore, Movie NationThe fight choreography and stunt work here is impressive and occasionally thrilling, but more often than not, the effect is undercut by the over-cutting. Alonso Duralde, The WrapThe editing of the fight scenes is perhaps a touch too unrelentingly fast, often blurring the choreography, but the physical side never feels overwhelmed by CG enhancement. David Rooney, Hollywood ReporterThe physics are different here than in other Marvel movies, more finely attuned to the hardness and weight of things. It all feels a bit more real. Richard Lawson, Vanity FairFeels more grounded than many MCU entries… while we still get some comic book antics showing the expected disregard for physics we also see the physical toll that all that fighting takes on a human body. Rob Hunter, Film School RejectsThe (comparatively) grounded choreography leads to some of Marvel s most thrilling battles since at least Captain America: The Winter Soldier. Angie Han, MashableIt’s a nice dial back from Marvel films whose heroes can feel immortal… feels satisfyingly street level, in a Jessica Jones kind of way. Nicole Clark, IGN MoviesHow is Cate Shortland s work as director?There are moments where Black Widow absolutely benefits from having a woman in the director’s chair. Alonso Duralde, The WrapShortland proves to be one of the few filmmakers to make the leap from the indie circuit and put her own singular fingerprint on the visual identity of the film — Black Widow is one of the most visually coherent solo films of the MCU, with a gritty, streetwise style that feels like Shortland didn’t just hand off the action scenes to a second unit director. Hoai-Tran Bui, SlashfilmShortland s previous work in psychological thrillers The Berlin Syndrome and Lore gives her an edge with the kind of pulpy material at play here. Brian Lloyd, entertainment.ieShortland keeps things moving along, never letting you feel the runtime — efficiently paced and exciting. Joey Magidson, Awards Radar(Photo by Jay Maidment/©Marvel Studios)What about Scarlett Johansson s performance as Natasha?Scarlett Johansson [is] at her best. Jenna Busch, VitalThrills.comJohansson shines in the role, layering her signature bad assery with a previously unseen vulnerability. Joey Morona, Cleveland Plain DealerThe actress makes the most of it and delivers a powerful, moving performance that serves as a fitting farewell to her tenure as this Avenger. Josh Wilding, ComicBookMovie.comIt’s Scarlett Johansson who holds the film together and gives it its touch of soul… [She] makes the most vulnerable emotions part of the humanity of her strength. Owen Gleiberman, VarietyDoes Florence Pugh fit well into the franchise?If you re not already a fan of Pugh, you will be by the end of Black Widow. Yelena s a firecracker with great one-liners. Kirsten Acuna, InsiderOne of the most exciting additions to the MCU in some time. Josh Wilding, ComicBookMovie.comShe nails it with the spark of someone who’s been kicking around the Marvelverse since day one. Philip De Semlyen, Time OutShe shares much of Natasha’s fighting style while displaying even more sass. Rob Hunter, Film School RejectsHer deadpan is pitch-perfect, coaxing humor out of a traditionally stoic Scarlett Johansson. Where Natasha has coped by turning cold, Yelena has coped with humor. Nicole Clark, IGN MoviesPugh has a dangerous physicality to her as well, which lends to one of the best aspects of Black Widow. Hoai-Tran Bui, Slashfilm(Photo by Jay Maidment/©Marvel Studios)How are the villains in the film?Taskmaster certainly isn’t going to go down as one of the MCU’s best villains, but Black Widow makes good use of the character [as] a seemingly unstoppable force. Josh Wilding, ComicBookMovie.comRay Winstone also makes a great antagonist as Dreykov, conveying an insidious cruelty that is more devastating than most other MCU villains that have come before. Mae Abdulbaki, Screen RantOne of the better executions of villainy in the MCU… Dreykov’s character coheres effortlessly and successfully, feeling earned and without a hint of desperate pandering to feminists. Courtney Howard, Fresh FictionJust having Winstone in this picture lifts it several notches, and he is deliciously fun and scarily authentic as the villain of the piece. Pete Hammond, DeadlineRay Winstone is one of the weakest in the franchise. Joey Magidson, Awards RadarHow is the script?The plot [is] blessedly clean, caulking the spaces in between the stepping stones with characters’ interpersonal dynamics while avoiding any convolution. Courtney Howard, Fresh FictionThere is a lot of talking here, and if you aren’t willing, interested or inclined to invest yourself in the characters, it will likely be at the bottom of your re-watch pile. Evan Dossey, Midwest Film JournalThere is a moment that the writers seem to have decided they didn t have an answer to so they just skipped past it and onto the resolution. Amelia Emberwing, WhatToWatchBlack Widow feels of little consequence, delivering a story that has written itself into a corner with nowhere to go. Matt Rodriguez, ShakefireRyan FujitaniIs it a positive step for female characters in the MCU?We finally get to see Natasha… in a film full of women. Sorry, I mean freaking badass women. And it’s wonderful. Jenna Busch, VitalThrills.comBlack Widow puts female issues front and center without ever making it feel forced or preachy. Rob Hunter, Film School RejectsNeedless to say, the movie does a far better job than the rah-rah inclusivity gesture at the end of Endgame to play up its feminist leanings. Black Widow not only passes the Bechdel Test; it forces men to squeam as it puts them in their place. Eric Kohn, IndieWireDeriving strength from enduring suffering feels as slimy as it does tragic, a nail in the coffin to Marvel’s handling of women superheroes. Nicole Clark, IGN MoviesDoes the movie have any major problems?Natasha is more of a driving force for the other characters around her… even with her name in the title, the spotlight is constantly on someone else. Matt Rodriguez, ShakefireThe movie definitely wraps up a little too quickly; it s as if Marvel Studios had suddenly remembered they had to get Natasha where she needed to be for Infinity War. Josh Wilding, ComicBookMovie.comDescribing the horrors of the Red Room and the Black Widow program in a scene that s meant to be solely comedic because Disney s too afraid to get real with its media? That s maybe something we could have done without. Amelia Emberwing, WhatToWatch(Photo by Jay Maidment/©Marvel Studios)Will it leave fans hopeful for the future of the MCU?The themes of family and women s agency that it explores are a welcome addition to the MCU and hopefully a good indication of where Phase 4 is going. Nicole Ackman, Next Best PictureThe swings that the film takes make it an interesting entry… I’m glad the studio was willing to go all the way with it. Here’s to Marvel taking more risks in the future. Evan Dossey, Midwest Film Journal[It] should hopefully set the bar of inclusiveness for the remainder of Phase Four. Nate Adams, The Only CriticBy delivering a story that satisfies on its own terms… it makes a compelling case for moving ahead with this franchise into the future. Angie Han, MashableThe sorry thing of the film, really, is that this needn’t have been a Marvel movie at all. Richard Lawson, Vanity FairBlack Widow releases in theaters and streams on Disney+ with Premier Access on July 9, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.

(Photo by ©AVCO Embassy Pictures courtesy Everett Collection)In 1978, director John Carpenter released the seminal horror film Halloween and it flopped. Or at least he thought it had. The truth was, it opened in such limited release that it took a long time for word of mouth to build momentum. Once it had, he found himself with a million gross (on a 5,000 budget making it the highest grossing indie film ever until The Blair Witch Project in 1999) and mounting expectations for a killer follow-up. We didn t want to make another knife picture, explained producer Debra Hill in the DVD documentary Tales from the Mist: Inside the Fog. While on vacation in England, she and Carpenter visited Stonehenge and took note of an eerie fog bank surrounding the mystical structure. What do you think is in that fog? asked Carpenter. And just like that, they had their follow-up.The Fog was released on February 8, 1980, and although Carpenter would have slightly more money than he did on Halloween, it was still paltry even by early 80s standards. He and Hill set out to craft an old-fashioned ghost story about the fictional seaside California town of Antonio Bay, and how its 100-year anniversary is marred by the arrival of a mysterious rolling fog masking dark and deadly secrets. To get it done, they d have to get crafty.To honor the 40th birthday of The Fog, let s take a peak inside the Carpenter-Hill playbook to learn how to make million dollar scares out of a coupons and a dream budget.Lesson 1: Set Yourself Up For Success(Photo by ©Embassy courtesy Everett Collection)No one wants to tell an artist to dream smaller, but there is something to be said for keeping your vision manageable. The conceit of hidden ghosts in a dense fog gave Carpenter a huge break on his FX budget right from the get-go. The killers are mostly seen in silhouette (if they re seen at all), which nicely works both thematically and as a cost-saving measure. No need to blow your wad on CGI ghouls when you can suggest more than you show.Lesson 2: Location, Location, Location(Photo by Lionsgate)Similar to the unseen threat idea, Carpenter wisely kept Antonio Bay nicely and cheaply small town. He secured two main locations, an actual lighthouse (located in Point Reyes Beach, California) and an old church (the Episcopal Church of the Ascension in Sierra Madre, California), and made the most of them. The movie didn t require sprawling locales or elaborate sets, because the sense of isolation and claustrophobia served the overall story so well.Lesson 3: If You Shoot Big, It ll Look Big(Photo by Lionsgate)Carpenter and his frequent collaborator, cinematographer Dean Cundey, understood that the best way to mask The Fog s lack of budget muscle was to shoot its small ideas in the biggest way possible. The duo chose to shoot in widescreen Panavision, which made the most of the vast seaside locations witness the scene when the son of local radio DJ Stevie Wayne (Adrienne Barbeau) discovers the driftwood on the beach, or when Elizabeth and Nick (Jamie Lee Curtis and Tom Atkins) take a stroll along a dock. These scenes give you big, spacious backgrounds and a real sense of scale, even though there isn t any real action taking place in them. It s subtle, but it works. A lot of cheap movies involve tight close-ups in nondescript cafes and they feel cheap. The Fog, meanwhile, feels more expansive than that. Shooting in wide-open Panavision, according to Hill, made it look like you have a bigger-than-life movie. Lesson 4: Multitask and Call In Favors(Photo by Lionsgate)Low budget filmmaking means you make the most of what you have within figurative arm s length. Father Malone s (Hal Holbrook) assistant Bennet doesn t have a lot of screen time and even fewer lines, so Carpenter himself stepped in to play the role (he would admit in the audio commentary that his own performance was “terrible” and that he’d never act again except as “helicopter pilots and walk-ons”). Not only did the shadowy figures in dense fog help the FX budget, it also helped with keeping the stunt department lean. Whenever you see a ghost arm smashing through doors and windows, it was usually the same arm (even though it was often edited to seem like dozens) that of Carpenter s childhood  friend Tommy Lee Wallace, who also served as the movie s editor and production designer. Carpenter cast his then-wife, Barbeau, in the lead much to the chagrin of Hill, his ex-girlfriend and called in a favor to get his Halloween star Curtis into the mix. Including Curtis also helped convince her mom, screen legend Janet Leigh, to sign on as Antonio Bay s mayor. This had unexpected benefits, too: Carpenter wasn t shy when forced to use the Psycho actress star power to convince a local restaurant owner to stay open later so they could finish shooting.Lesson 5: Suggestive, Not Bombastic (Photo by Lionsgate) It didn t rely on the usual scares was how Cundey described The Fog in the Tales from the Mist doc, which is a euphemistic way of admitting they were under pretty tight constraints. But he and Carpenter built a sense of mounting dread and creeping unease through careful and inexpensive means. First, there was the score (done by Carpenter himself see Lesson 4), and then there were a series of simple but dramatic little moments like rattling bottles, honking car horns, dripping salt water, and sliding furniture that startled and creeped out the audience without having to rely on big, elaborate scares. There s also very little blood in the movie; the deaths are quick, brutal, and often off-screen. But the impact remains.Lesson 6: Pad If You Have To(Photo by Lionsgate)Carpenter s original cut of The Fog was a less-than-cinematic 85 minutes, so while keeping it lean and tight was good for the budget, it didn t help the finished product as much. He realized he needed to beef things up ever so slightly without stretching his already thin resources, so at the 11th hour he added the opening sequence of venerable actor John Houseman recounting the legend of Spivey Point over a campfire. The beach was faked on a soundstage, and the expository dialogue-disguised-as-local legend not only helped nudge the movie to a more respectable running time (alongside some additional shots of stabbings and a new sequence where a dead character appears to awaken in a hospital morgue to address concerns the producers had that the original cut wasn t scary enough), but it helped reinforce the overall ghost story feel without having to add much more than a simple fireside chat.Lesson 7: Compromise When You Must(Photo by Lionsgate)The character of KAB Radio DJ Stevie Wayne was modeled after legendary 60s and 70s DJ Alison Steele, known as The Nightbird. But where Steele played progressive counterculture rock and became a groundbreaking legend, Wayne rocks Antonio Bay with lounge music? Carpenter no doubt would have liked to have peppered his movie with cool rock tracks like Quentin Tarantino, but he had to program KAB with generic smooth jazz because, well, it was much, much cheaper. The only band Stevie mentions directly while giving an on-air shoutout to the crew of the Seagrass is The Coupe De Villes, which is Carpenter s side band (they performed the title track and even made a music video!  for Big Trouble in Little China).The Fog first opened in wide release on February 8, 1980.
就像股票与债券。中国的投资者需要高风险高收益的手游,也需要较低风险收益稳定的3A。从这个角度看,国产3A游戏的发展也算是一种必然。
King of the Crop: Ralph Breaks The Internet, the Bank, and a Non-Frozen RecordDebbie DayFor the fourth straight Thanksgiving holiday, Disney led the way. In 2012, Wreck-It Ralph kicked off the holiday movie season in November with a million opening. It went on to gross over 9 million (a 3.86 multiple) domestic and over 1 million worldwide. The sequel, Ralph Breaks the Internet, grossed .6 million over the weekend (the third best Thanksgiving weekend not counting Frozen) and .4 million since Wednesday (a five-day Thanksgiving weekend record not counting Frozen).The .3 million Ralph grossed on Thanksgiving is the highest ever for a film that had not played in a single theater yet. (Frozen made million.) That beat Moana’s .9 million and Coco’s .9 million, the two films not named Frozen that were the previous champions for the five-day turkey weekend with and .9 million. (Frozen made .5 million over the holiday when it expanded to 3,742 theaters from one.) The 86% Fresh animated film also made another .5 million overseas, and should have no problem becoming just the eighth Thanksgiving weekend opener to reach 0 million. Can it become the first film not named Frozen to reach the 0 million mark?Fresh Surprise: Creed II Crushes a Franchise Record(Photo by MGM, Warner Bros. Pictures)After the surprise financial (9.7 million) and critical success (95% Tomatometer score) of 2015’s Creed with a 33-year build-up from Rocky IV (0.5 million with inflation), and Creed II now delivers the highest live-action film opening over the Thanksgiving weekend. .2 million over the weekend and .8 million for the five-day. The latest in the Rocky franchise beat Enchanted’s .4 million and million, respectively, back in 2007. Creed did .6 million and .1 million. The sequel, which has an 82% Tomatometer score, has a long way to go to best Mrs. Doubtfire’s 9.1 million, but it certainly has a shot to join the top five list that currently includes Three Men and a Baby (7.7 million), 1996’s 101 Dalmatians (6.1 million), Rocky IV (7.8 million), and Enchanted (7.0 million).Rotten Returns: Robin Hood Sinks to the Bottom of the ChartsDebbie DayIn opposite news, Lionsgate’s latest attempt at a franchise flailed domestically. The million to 0 million budgeted Robin Hood made just .1 million in its first five days. The only Thanksgiving openers since 1990 to open between million to million over that period and surpass million are Martin Scorsese’s Hugo (.5 million) and Casino (.5 million). Lionsgate is clearly hoping this international hero will help bridge that gap overseas. Ridley Scott’s 2010 43%-rated version with Russell Crowe added 6.4 million international dollars to its 5 million domestic total, while 2018’s version has made .7 million so far. But in terms of films in 2018 that American audiences ignored, it’s down there with Pacific Rim Uprising (.4 million less domestic total than production budget), The Nutcracker and the Four Realms (-69 million less), Skyscraper (.2 million less), and Early Man (.7 million less). The film’s 12% Tomatometer score also makes it one of the worst reviewed films ever to be released over Thanksgiving ahead of just End of Days (11%), Out Cold (8%), Deck the Halls (6%), and both Old Dogs and Christmas with the Kranks at 5%.Top 10 and Beyond: Grinch and Queen Film Cruise, While The Favourite Joins Elite Company(Photo by Universal Pictures)Last week’s No. 1, Fantastic Beasts: The Crimes of Grindelwald dropped to third place, but dropped even further behind its predecessor; Fantastic Beasts and Where To Find Them was up to 6 million in its tenth day, while Crimes is at just 6.3 million. The first Twilight film had 9.7 million on day 10 and finished with 2.7 million. While it is likely to join Robin Hood in the red on budget vs. domestic totals, its worldwide tally is over 9 million.We are upping last week’s estimate on The Grinch from 0 million–240 million to 0 million to 0 million after a million five-day haul. That’s the third-best Thanksgiving holiday total for a film in its third weekend behind Skyfall (.5 million) and Harry Potter and the Chamber of Secrets (.7 million), which were at 0.1 million and 0.1 million after 17 days. The Grinch is at 0.4 million. Meanwhile the parallels between Bohemian Rhapsody and A Star Is Born are striking. The biopic of Queen’s Freddie Mercury is up to 2 million on its 24th day of release after a .8 million weekend. (It dipped just 13.6% despite losing 883 theaters.) Lady Gaga was at 8.6 million in the same period, though it grossed slightly more with million. The scale may be sliding in the other direction, but Bradley Cooper’s Oscar frontrunner is now up to 1 million (3 million worldwide) and with a lack of releases over the next two weeks could manage to cross the 0 million threshold. That Bohemian Rhapsody comes anywhere close to that is a victory nobody expected.Green Book (81%) jumped up to 1,063 theaters this weekend, though Universal certainly was hoping for a better per-theater-average of ,120 for a .4 million weekend. The film’s performance may shift the studio’s focus back to First Man as a more viable awards contender despite its disappointing box office. By the same token, Jason Reitman’s The Front Runner (58%) is anything but when it comes to awards right now. Despite an expansion into 870 theaters in its third week, the film earned just an additional 0,000 for a grand total of .06 million. It looks like the political film will be the lowest grossing wide release of Hugh Jackman’s career, replacing Deception (.59 million), which may have been released in a full 2,000 theaters, but even Woody Allen’s Scoop grossed million, and it never surpassed 541 theaters.In solid limited release news, Yorgos Lanthimos’s The Favourite (95%) opened to a robust 0,000 in just four theaters. Not only is that better than The Lobster (0,252) and The Killing of a Sacred Deer (5,120), but that is the seventh best per-theater-average for a film launching in just four venues behind The Grand Budapest Hotel (1,166), American Sniper (3,456), Moonrise Kingdom (2,996). Steve Jobs (1,522), The Imitation Game 9,352), The Revenant (4,560), and Birdman (4,397). That pushes even Best Picture Oscar winner Moonlight (2,075) out of that Top Ten list, eight of which went on to become Best Picture nominees. Its 5,000 average became the best of the 2018 beating Bo Burnham’s Eighth Grade (,949). Netflix is currently not reporting the numbers for Alfonso Cuaron’s Roma, whose advance theatrical release before its streaming premiere next month have been selling out.This Time Last Year: Coco Led and Justice League’s End Was Beginning(Photo by Disney/Pixar)Pixar’s Coco led the way with .8 million, besting the second week of DC’s Justice League, which grossed million over the holiday weekend. Remarkably, though the superhero film made just over million for the five-day holiday, it grossed just an additional .1 million total going forward. Award contenders Call Me By Your Name and Darkest Hour each opened in four theaters and grossed 2,932 and 5,006, respectively, for the best per-theater-averages. The latter went on to gross over million and win Gary Oldman the Oscar for Best Actor. The Top 10 films grossed 8.4 million from Friday to Sunday and scored 60.6% on the Tomatometer. This year’s films made 2.7 million over the three-day and averaged 68.2%On the Vine: New Releases Begin a Virtual Two-Week Vacation(Photo by Screen Gems)Screen Gems’ The Possession of Hannah Grace is the only new wide release we are getting for the next two weeks and even this one may not reach 2,000 theaters. It is also not being screened for press, so draw your own conclusions. Perhaps you can find where Orion (yes, Orion) is opening the zombie musical Anna and the Apocalypse, which is currently 92% Fresh on the Tomatometer.The Full Top 10: November 21-25Ralph Breaks the Internet .6 million (3-day) / .5 million (5-day) (.4 million total)Creed II .2 million (3-day) / .8 million (5-day) (.8 million total)The Grinch – .2 million (3-day) / .0 million (5-day) (0.4 million total)Fantastic Beasts: The Crimes of Grindelwald – .6 million (3-day) / .9 million (5-day) (7.1 million total)Bohemian Rhapsody – .8 million (3-day) / .3 million (5-day) (2.0 million total)Instant Family – .5 million (3-day) / .4 million (5-day) (.7 million total)Robin Hood .1 million (3-day) / .1 million (5-day) (.2 million total)Widows – .9 million (3-day) / .5 million (5-day) (.5 million total)Green Book .4 million (3-day) / .4 million (5-day) (.8 million total)A Star Is Born – .0 million (3-day) / .0 million (5-day) (1.0 million total)
因为现在玩英雄联盟手游的,大多数是靠情怀与好奇,而王者荣耀已经运营了好些年了。从目前用户基数上就可以确定英雄联盟手游短期内无法超越王者荣耀。更何况这俩游戏很相似,在王者荣耀玩了很久的玩家基本上不会抛弃王者去玩英雄联盟手游了。不然一切要从头开始,等级、英雄、皮肤什么都要重投开始,对于成年人来说,这得耗费大量的时间与金钱。游戏是用来打发时间的,显然靠情怀只能吸引一部分人……
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Adjusted Score: -1% Critics Consensus: A stellar series perfect for anyone looking for a little hope, Stargirl is delightful fun the whole family can enjoy.

九游会平台 The documentaries at this year’s Sundance Film Festival shared stories of good versus evil, of hard work and cutting loose, of reflections on life and death, of sharing never-before-seen stories and keeping viewers informed. With so many documentaries to choose from, it can be easy to get lost in all of the options. Fortunately, if you missed the film industry’s annual trek to Park City, many of these award-winning films will soon make it to a streaming platform or screen near you.Boys State (2020) 94%(Photo by Thorsten Thielow courtesy of Sundance Institute)Distributor: Apple TV+, A24First-time director Amanda McBaine made the jump from producing to collaborate with her The Overnighters director Jesse Moss for an incisive look at U.S. politics through the eyes of young boys in Texas. The result is an astonishing documentary that examines how young people are shaping politics and how campaign strategies affect our own views – even on the scale of a boys civics camp. On awards night, Boys State won the U.S. Grand Jury Prize in its category. Jordan Raup wrote in The Film Stage, “This extraordinary portrait of a democratic process in microcosm is both a testament to how Washington, D.C. and the rest of the country could achieve bipartisanship as well as a look at what has led to such a fractured political system.”The Truffle Hunters (2020) 97%(Photo by Courtesy of Sundance Institute)Distributor: Sony Pictures ClassicsDirecting team Michael Dweck and Gregory Kershaw set their sights on Northern Italy, where a secret society of village elders and dogs protect their ritual of hunting for rare Alba Truffles from prying eyes. Although demand for the truffles is high, the group resists giving out their locations and even hunts at night to avoid detection. The documentary is at once a delightful character study and a meditation on greed versus the need to keep the tradition alive. Lee Marshall of Screen International wrote, “A slow-burn watch, The Truffle Hunters is a film as distinctive and lingering as the scent of the rare tuber that inspires it.”The Dissident (2020) 96%(Photo by Jake Swantko courtesy of Sundance Institute)Distributor: N/AOscar-winning documentarian Bryan Fogel investigates the mysteries surrounding the death of Washington Post journalist Jamal Khashoggi after he entered the Saudi Arabian consulate in Turkey and never returned to his fiancée, Hatice Cengiz. The film retraces his steps through new footage and the testimonies of those who knew him for an intimate portrait of a man whose work continues to spurn the Saudi Arabian officials who tried to silence him. Eric Kohn of Indiewire said, “Fogel assembles a sturdy compendium of talking heads to explain how Khashoggi managed to speak truth to power for so long, and why his fate reverberates for other Saudis who share his sentiments.”Mucho Mucho Amor: The Legend of Walter Mercado (2020) 100%(Photo by Giovan Cordero courtesy of Sundance Institute)Distributor: NetflixCristina Costantini and Kareem Tabsch had just finished filming their documentary about famed Puerto Rican astrologer Walter Mercado when he died in November of 2019. At the height of his fame, Mercado reached around 120 million people with his messages of love and hope – before he mysteriously went off the air in the 2000s. The result became Mucho Mucho Amor, a tribute to the man behind many sequined capes that reveals what happened to Mercado before and after his time as one of TV’s most charismatic personalities. Writing for The Wrap, Carlos Aguilar called Much Mucho Amor “a tribute as inspired and jubilant as its majestic subject, a true original.”Bloody Nose, Empty Pockets (2020) 93%(Photo by Courtesy of Sundance Institute)Distributor: N/AIn the waning months of 2016, documentarians Bill Ross IV and Turner Ross filmed the closing night of a local Las Vegas bar, capturing the patrons’ tearful goodbyes and plenty of dazed stares from one too many drinks. Only, the premise was actually a set-up: the bar is still open (and located in New Orleans), and everyone involved was instructed to behave as if the set-up were true. Nevertheless, the film is full of genuine emotions coming from normal people, blurring the lines between documentary film and traditional narrative. Amy Nicholson of Variety wrote, “It s The Bachelorette wed to The Iceman Cometh: the setup is staged, but the tears are real.”Dick Johnson Is Dead (2020) 100%(Photo by John Wakayama Carey courtesy of Sundance Institute)Distributor: NetflixWith her feature debut, Cameraperson, Kirsten Johnson emerged as one of the documentary world’s most exciting new voices. Her next project, Dick Johnson is Dead, is radically different but no less inventive, challenging the way we talk about and imagine faith, aging, death, and the afterlife. As Johnson follows her own father s struggles with memory loss, the two confront the inevitable with plenty of laughs and heartfelt moments. Nick Allen of RogerEbert.com called it “a gorgeous blend of truth and fiction, with a guiding sense of humor that allows her film to always be honest and hilarious.”On the Record (2020) 99%(Photo by Becca Haydu courtesy of Sundance Institute)Distributor: HBO MaxAlthough Kirby Dick and Amy Ziering’s documentary On the Record may have first caught the national spotlight after the departure of one of its top producers and a distributor, they bounced back at the Sundance Film Festival with a rapturous premiere screening. Their movie follows Drew Dixon as she recounts in vivid detail the night Russell Simmons assaulted her and processes the impact it eventually left on her career, wrestling with the pressure of coming forward in the wake of the #MeToo era. Her story was later painfully corroborated by several women who Simmons also harassed or assaulted. Beandrea July wrote in The Hollywood Reporter, “The overall result is an intimate look at what is at stake when rape victims decide whether or not to tell their stories.”Welcome to Chechnya (2020) 100%(Photo by Courtesy of Sundance Institute)Distributor: HBODavid France heads to closed-off Chechnya to meet the LGBTQ activists bravely combating the government-sanctioned violence against their community and helping others escape almost certain death. The documentary captures their struggle against the persecution of LGBTQ individuals and anyone seen supporting them, as the international press is shut out and the Russian government turns a blind eye to the carnage. Alonso Duralde of The Wrap called the film “a chilling examination of both the brutality that the Chechen LGBT community is forced to face on a daily basis and the difficulty of leaving the country for peace and safety.”The Painter and the Thief (2020) 96%(Photo by Barbora Kysilkova courtesy of Sundance Institute)Distributor: N/AAfter two of Barbora Kysilkova’s paintings are stolen from an art gallery in Oslo, the artist approaches one of the men accused of stealing them, Karl-Bertil Nordland, and offers to paint his portrait in the hopes of learning where her still-missing paintings may have gone. Instead, the two strike up an unlikely friendship over several years. Benjamin Ree’s The Painter and the Thief won the World Cinema Documentary Special Jury Award for Creative Storytelling at the Sundance Awards on Saturday. Esther Zuckerman said in Thrillist, “Norwegian documentary filmmaker Ree paints a remarkable portrait of two lives that become intertwined.”The Fight (2020) 99%(Photo by Sabrina Lantos courtesy of Sundance Institute)Distributor: Magnolia PicturesCo-directors Elyse Steinberg, Josh Kriegman, and Eli Despres reunite after their first project together, Weiner, to film the ongoing saga of what it’s like to be an ACLU lawyer in the Age of Trump. It’s a behind-the-scenes look at headlines and the high-stakes battles for freedom behind closed doors. The film won the U.S. Documentary Special Jury Award for Social Impact Filmmaking at the Sundance awards ceremony. Kate Erbland wrote in Indiewire, “The unfussy stuff, the human stuff, is what works best, both for The Fight and the very people it follows.”Feels Good Man (2020) 95%(Photo by Christian Bruno courtesy of Sundance Institute)Distributor: N/AFirst-time filmmaker Arthur Jones follows the riveting transformation of the viral Internet character Pepe the Frog from an innocent comic figure to a symbol for internet trolls and the far right. Pepe’s creator, Matt Furie, now wants him back, but is it too late to save the frog’s reputation on the internet? Feels Good Man explores the unruly nature of internet meme culture and reveals how few rights creators have over their creations once they’re online. Jones won the U.S. Documentary Special Jury Award for Emerging Filmmaker. Angie Han of Mashable wrote, “Jones demonstrates an insatiable curiosity about his subject, speaking with everyone from a former Trump campaign insider to a collector of Rare Pepes to an expert on the occult.”Collective (2019) 99%(Photo by Courtesy of Sundance Institute)Distributor: Magnolia PicturesAs one of the standouts in the festival’s Spotlight section, Collective remained a must-see title, as director Alexander Nanau documents the step-by-step unfolding of a tragedy with in-depth details and breathtaking footage. After a devastating fire at a night club killed many and seriously injured several dozens more, investigative reporters discovered the government blocked survivors from life-saving treatments and covered up health code violations that led to the loss of several more lives. The harrowing account raises questions about who should be held accountable, if anyone will be at all. Vikram Murthi wrote for The Film Stage, “Collective sports a procedural-like pace that keeps the information legible and the action linear. It doesn t preclude a lighthearted touch nor get bogged down in misery to underline its points.”Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

2022-01-29
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