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亚博登录网页采用百度引擎9(Baidu 1)做手游代理,首先需要解决的就是游戏渠道的问题,现在手游代理行业想要拿到手游的授权,一般是三个渠道,一个是直接联系游戏的厂商,获得游戏代理的授权,这种一般是主推某款游戏或者是准备搭建游戏联运平台,需要有着一定的资金实力或者玩家资源的;常见的则是和手游联运平台合作,平台上的游戏均能够申请获得授权代理;最后则是二级三级的推广代理,这种一般是根据上级代理提供的游戏去进行推广,大多都是市面上的免费代理。对于游戏渠道选择建议是有资源的可以选择直接和游戏厂商合作,想要推广多款游戏的话,可以选择和手游联运平台合作。

1. 亚博登录网页
Critics are split so far over Netflix s highly anticipated adaptation of Gabriel Ba and My Chemical Romance frontman Gerard Way s The Umbrella Academy. The series, which drops on February 15, boasts a motley crew of heroes — a discordant family of young adults with special abilities who face a global apocalypse.Will it live up to comic fans expectations? Is it a pulpy masterpiece or a tacky mess? Are we likely to love the cast of misfit now-adults, all mysteriously born on the same day way back when? With the likes of Ellen Page, Mary J. Blige, Tom Hopper, David Castañeda, and Cameron Britton starring, some critics say we should remain hopeful, but others aren t as optimistic.In the reviews registering so far, some critics celebrate the show s focus on trauma and family melodrama. Others say the series is marred by unnecessary new subplots and lack of ambition. Some feel the show surpasses the comics and believe new audiences will be impressed, too. Others feel it doesn t take enough risks.Can The Umbrella Academy: Season 1 (2019) 76% hold on to its Fresh Tomatometer score? Check out what critics have to say about the series so far:Is the show as wonderfully weird as the comics?  The show is every bit as good, as delightfully odd, and as touching as the comic. — Alex Abad-Santos, Vox Netflix’s The Umbrella Academy leans hard into the absurdity of Gerard Way’s and Gabriel Bá’s superhero epic comic series, while also expanding the original character arcs in meaningful ways. — Samantha Puc, The Mary Sue It s clear that everyone involved with this adaptation has real love for the comic, from the way it accurately recreates the young Umbrella Academy s costumes to the camera angles that recall the work of film auteur Wes Anderson but it also feels like they don t fully understand what makes Way and Ba s fast-paced, minimalist, vignette-heavy family drama so effective. — John Saavedra, Den of Geek [F]or reasons not entirely clear, the show — created by Steve Blackman, an Emmy-nominated producer on Noah Hawley s Fargo series — sheds the vibrant colours and some of the fantastical elements that gave the comics its wacky feel, leaving behind a production with a dour, gloomy aesthetic that makes it feel as generic as many others. — Akhil Arora, Gadgets360 Fans of The Umbrella Academy comic will no doubt be satisfied, as the show gifts them with a deeper look at what they love. — Alexandra August, CBRWhat if I haven t read the comics? This is the kind of show that will take your jaded, I’m-so-tired-of-superhero-adaptations mindset, screw it up, and blow it away. — Sher 明日之后新资料片下载是一款多人在线生存手游,引导玩家从一开始就加入营地,这里不但有僵尸的威胁,同时还有自然环境对玩家造成的影响,能活下去只能靠自己的努力,游戏气氛压抑,末日的世界有时候也能带来另一种美感,在这片废土中活下去。
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
Debut writer-director Channing Godfrey Peoples  Miss Juneteenth was one of the surprise hits of this year s Sundance Film Festival, where critics singled it out for the charming ways in which Peoples unfurled its touching story. The movie tells the tale of Turquoise Jones (Nicole Behari), a single mom and former beauty queen who s preparing her daughter, Kai (Alexis Chikaeze), for the Miss Juneteenth pageant, which she herself won years ago. Ahead of the movie s release on June 19, Peoples spoke with Rotten Tomatoes about what Juneteenth means to her, the challenges of making her debut feature, and why she felt the need to tell Turquoise and Kai s stories.亚博登录网页Chuck Jones had already achieved the impossible with 1966 s How the Grinch Stole Christmas!, turning Dr. Seuss’ popular short book into 24 minutes of stunning animation and beautifully transferring its heartwarming charm to the small screen. Boasting voice work led by the legendary Boris Karloff and an iconic song to match in “You’re a Mean One, Mr. Grinch,” the beloved TV special seemed poised to stand the test of time. Alas, what is dead may never die, and in 1998 a new feature film adaptation directed by Ron Howard and starring Jim Carrey as the iconic Christmas grump was announced, ensuring a very different Grinch would lodge itself in the memories of a younger generation.Like Martin Scorsese, Francis Ford Coppola, and James Cameron, actor-turned-director Howard began his career behind the camera under the tutelage of Roger Corman. But soon enough, Howard s earnest, old-fashioned, unobtrusive filmmaking became his calling card, with movies like Cocoon, Willow, and Splash. His talent for world-building and his ability to make audiences fall for his characters turned him into a powerhouse director and producer across multiple genres, and both skills would prove invaluable in his adaptation of the Dr. Seuss tale.Howard’s How the Grinch Stole Christmas divided critics upon its release 20 years ago today, but it went on to become the sixth highest-grossing film of 2000. Audiences were met with a frenetic, bombastic version of a story they were already acquainted with, and, well, if they were expecting something akin to what Howard pulled off with Tom Hanks in Apollo 13, they were sure to be disappointed and possibly confused. But taken on its own merits, the film is a worthy expansion of the source material that features great performances and tackles still-relevant themes. How the Grinch Stole Christmas deserves to be recognized as one of the best modern Christmas movies and one of Ron Howard s most overlooked films.It Gave the Grinch and Cindy Lou Who Important BackstoriesIn what is perhaps the biggest departure from the original story, Ron Howard’s Grinch makes the Whos the antagonists and shows how their unchecked vanity created their biggest “monster.” In this version, it is Cindy Lou Who’s (Taylor Momsen) kindness and empathy that not only turns the Grinch into a mensch, but also turns the entire town of Whoville away from their obsessively capitalistic ideals.The Grinch’s new backstory as a kid who was bullied out of Whoville gives us a reason to root for him and helps establish that maybe the Whos do deserve his Yuletide scorn after all. Cindy Lou learns through some spiffy documentarian investigating that the Grinch was ostracized for looking different and thinking differently (and for being in love with the Who that grew up to be Christine Baranski). As a result, he became cynical and resentful, locking himself away from a world that rejected him.The film is a little clumsy in its attempt to be a story about “the other” – a shame, since there is something to the idea of how capitalistic societies tend to ignore and cast out their most vulnerable – but it’s executed well enough to be effective. Howard’s interpretation turned the Grinch into someone we could care about, a tragic victim of the Whos selfish and obsessive natures, which makes for a more interesting take on the classic tale.It s a Clear Critique of Hyper-Consumerist CultureWhen Dr. Seuss wrote the original story in 1957, he was expressing his disdain for the consumer-focused direction Christmas seemed to have taken at the time; Howard clearly wanted to show that things hadn t changed all that much since then. The 90s were a time of angst and excess; with this adaptation, Howard created something that was more familiar in theory to the wasteful world audiences were living in at the turn of the millennium. There are even jokes about how the Grinch collects most of the gifts the Whos toss out after Christmas every year.Speaking of which, we see the townsfolk fret and obsess obnoxiously over everything Christmas-related, from mailing gifts on time to competing for Best Christmas Light Display (shout-out to Molly Shannon in her small role here as Betty Lou Who, A+ suburban mom). After the Grinch’s mischievous Jubilation rampage, we even see a Who offering to sell another clearly distressed man a hat rather than attempt to help him. Their mayor, Augustus Maywho (Jeffrey Tambor), is even more useless; he sets the example with zero compassion for his citizens in a time of need. It’s no wonder Cindy Lou is concerned that her fellow Whos might have lost sight of what Christmas is really about. The Whos aren t just antagonistic; their unsatisfied thirst for material possessions makes them blind to their own faults.Aesthetically, How the Grinch Stole Christmas is Baz Luhrmann-meets-Joel Schumacher, and it’s both wonderfully bonkers and thematically appropriate. Ron Howard and production designer Michael Corenblith crafted a world that felt lived in despite its over-the-top features and made it easy to escape into in a way remarkably reminiscent of what Howard did in Willow. It s a significant departure from holiday films of the time, which were almost too-wholesome, too-perfect depictions of the holidays. No shade on Home Alone, but the chaotic energy that this new Grinch brought to the holiday scene was bold and attuned with the excess that accompanies consumeristic greed.Jim Carrey and Taylor Momsen Are Perfectly Cast Against Each Other(Photo by ©Universal courtesy Everett Collection)Speaking of chaotic energy, it was an inspired choice to cast Jim Carrey. This Grinch has curious interior design instincts, an appetite for glass, and a penchant for the absurdly gross. Carrey seamlessly steps into the role and fully owns its hysteria. When the Grinch grapples with whether he has time in his oh-so-busy schedule to step outside the safety of his home, let alone decide what to wear if he chose to attend the Whos’ Jubilation ceremony, it’s a relatable and hilarious moment that only works thanks to Carrey’s gloriously manic performance.But Carrey gets to show a smidge of his dramatic acting chops here, too, in one of the film’s most heartbreaking scenes. When we return from the flashback to the Grinch’s childhood, the grown-up Grinch gazes down at Whoville, clearly hurting from the trauma of his past. The scene lasts only a brief moment, but it s effective enough to secure our empathy (even if Roger Ebert vehemently disagreed).The dawn of the new millennium was a post-angst, post-meta time, and How the Grinch Stole Christmas features an unusual amount of existentialism that makes it highly relatable to millennials. Who didn’t shed a tear at Cindy Lou Who’s power ballad Where Are You Christmas? Written by Mariah Carey (yes, that Mariah Carey), the film’s composer James Horner, and Will Jennings, the song is performed by Taylor Momsen in a scene that’s a little high on the cheese factor, but is really effective in expressing Cindy Lou’s sorrow over the seeming death of the true Christmas spirit. (All while wistfully looking out her bedroom window, no less.)Beyond that, Momsen’s Cindy Lou is a spunky and unlikely Christmas crusader, and she s a perfect foil to Jim Carrey’s intense energy. There is a warmth to her performance that is as comforting as hot chocolate on a cold winter day, and it’s palpable the moment we meet her holding a hilariously oversized bundle of gifts for her dad. With her earnest portrayal of Cindy Lou Who, Momsen holds her own and grounds the film whenever Carrey s Grinch threatens to send it too far off the rails.It s Frenetic Because It Has to Be, and It WorksWhen the film was released, the majority of critics pointed out that its tonal inconsistencies and overly meta jokes seemed out of place and made for a jarring experience. These are valid points; the film is oddly concerned with the very adult lives of the Whos and, in particular, the breathy, sensual presence of Martha May Whovier (Baranski, who knew exactly how to play the role).Without its hyper pacing, though, the film’s satire doesn’t quite land. Next to Jim Carrey s delivery of spastic, hee-haw humor, a stilted, sedated Whoville just doesn t make sense and wouldn t inspire any sympathy for the Grinch in a way that would stand apart from the 1966 TV special. Ron Howard knew this and deployed a splashy, flamboyant directorial style, turning the Whos into bombastic, self-absorbed creatures every bit as preposterous as the Grinch himself and teetering between campy excess and surprisingly dark pathos. From the moment James Horner’s score chimes in and Anthony Hopkins begins his narration, Howard chaotically blends Dr. Seuss’ iconic poetry and illustrations with surreal, heightened creations meant to remind us that this is as much a fantasy as it is a reflection of our own reality.The commentary is sometimes overshadowed by the film s candy-colored distractions, but it s there, and it only works because of the choices Howard made. For decades, he has been a reliable storyteller of a certain vision of America (for better or worse), and in How the Grinch Stole Christmas, he boldly stepped away from that vision to critique it. It was a risk that paid off, and the film remains both a whimsical piece of holiday entertainment and a reminder of what makes the season a cause for celebration. Only a Grinch would argue otherwise.How the Grinch Stole Christmas was released in theaters on November 17, 2000.On an Apple device? Follow Rotten Tomatoes on Apple News.

3. 激战团竞模式
使命召唤手游在圣诞节一大早就正式上线,开门纳客,短短几天人气爆棚,虽然不确定之前预约的6000多万玩家是否都能如约进入游戏,但可以肯定的一点是,使命召唤手游创造了手游有史以来最高的开服在线纪录。

4. 呼朋唤友 随心所欲
We re just going to say it: The TRON: Legacy soundtrack is one of the best pieces of movie music to grace theaters in decades. Scored entirely by legendary French electronic duo Daft Punk, it seamlessly combines more typical orchestral fanfare with the their signature synthwavey staccatos, and the result is both modern and sophisticated. There are moody synths and percussion moments like the theme of the movie s villain, and much of the score sounds like it was recorded using sounds from an actual computer.But Daft Punk don t let their reputation and background define their work on the film. Sure, they pull from their signature repertoire for the banger of a dance track that plays during their big cameo scene, but they also demonstrate a knack for big, emotional pieces that feel fully operatic, like an even moodier version of John Carpenter if he worked with an 85-piece orchestra. The whole album is a fantastic listen from beginning to end, and it likely saw heavy rotation in the collections of more than just film score nerds.The Film Is a Giant Allegory for Movie Sequels(Photo by ©Walt Disney Pictures)Though the plot of both Tron and Tron: Legacy are simple at their cores, they both keep their big allegories just barely hidden beneath the surface. The original film was about a world of anthropomorphic computer programs waiting for the day a human user would arrive and save them from the evil program ruling over them; when Flynn enters the Grid and does exactly that, he s regarded as a god. Legacy centers on Flynn s reunion with his son Sam (Garrett Hedlund), but the film utilizes that reunion to tell a story about Flynn the god and his creation, and likewise about a movie sequel and its predecessor.When Legacy reintroduces the audience to Flynn, he s living in exile in the Grid, cast out from its society by Clu — a program created in young Flynn s own image. Clu s entire purpose was to realize Flynn s vision of a perfect system; he s a reflection of a young Flynn s hubris and pride. So it makes sense that Clu would then try to purge everything he saw as imperfect — including his creator. In turn, Clu tries to be the creator of his own world by tearing everything down and building it back up to his liking, by eradicating the programs known as isomorphic algorithms or just ISOs and brainwashing everyone else into following him. Clu may be severely misguided, but his entire reason for existence was to carry out his creator s very specific bidding.In many ways, this creator/creation relationship is a mirror of the father/son one between Flynn and Sam. In the first act, we see Sam refuse to take his rightful place at his father s company s board, pranking them instead by stealing new products and releasing them for free before pulling a Batman-like escape from the building complex. Like Sam, Tron: Legacy also had to make its own name in the shadow of its predecessor s legend. Trying to please fans of the original while offering something to new audiences is a near impossible standard to meet, and the film itself seems to anticipate any blowback in the form of Clu — a creation that did everything its creator wanted and yet failed to please him.The Scenery-Chewing Is Delicious(Photo by ©Walt Disney Pictures)One of the biggest changes made in Tron: Legacy was Jeff Bridges portrayal of Flynn. In the original, he wasn t a hero. He went into the Grid to find evidence of a colleague stealing his code, but he didn t care for the programs. The fact that, mathematically, Sam should have already been born by the time of the first film but never appeared in it is a clever bit of retconning to make Flynn even more of an absentee jerk. But when we see him again in Tron: Legacy, he s part Steve Jobs, part The Dude from The Big Lebowski. And who doesn t love The Dude?Kevin Flynn turned from an ambitious programmer to a wise sage who won t abide people messing with my Zen thing, who reminisces about jamming and appreciates the miracle of bio-digital jazz. Bridges is clearly having fun with the character and the legacy the audience has in their head.Meanwhile, Michael Sheen shows up for a short but very memorable role as the shadowy nightclub owner Zuse, a digital love child of Ziggy Stardust and Frank-N-Furter from The Rocky Horror Picture Show. who swings his cane traipses through the End of the Line club fight scene like a cackling vaudevillian. It s as if he dropped in from the set of another film entirely, but somehow, it just works.It Manages to Recapture the Visual Marvel of the Original(Photo by Douglas Curran/©Walt Disney Pictures)The original Tron was praised for its groundbreaking use of computer-generated visuals, paving the way for everything from Pixar movies to Avengers: Endgame. Though Tron: Legacy suffers a bit from the uncanny valley effect when it comes to Clu, the film still manages to present a massive, vibrant world of its own.Remember the disc fights from the original Tron? The sequel reimagines them by amping everything up to 11 with high-flying acrobatics and pristine derezzing effects. Remember the then-revolutionary light cycle races? Legacy takes the concept three-dimensional with a huge set piece that twists and turns on a multi-level racetrack and even finds time to work in a dogfighting sequence that feels straight out of Star Wars.But the film also ventures beyond the Grid and depicts a sprawling, apocalyptic world with busy, shadowy streets and alleyways, vast deserts, and otherworldly mountains. Watching the light cycles for the first time may not be as groundbreaking as it was in 1982, but Tron: Legacy takes full advantage of the technological advancements of the past few decades to present a cutting-edge world you would want to live in. The film is glossy and designed to the teeth, and a decade after its release, it s still one of the slickest, most visually spectacular films to look at.Tron: Legacy was released in theaters on December 17, 2010.Thumbnail image by ©Walt Disney PicturesOn an Apple device? Follow Rotten Tomatoes on Apple News.

5. HD 画质与高品质音讯
使用強大的百度引擎7建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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1.35.7 5月喜迎(Photo by Matt Sayles/The CW)After what seems like ages, but has actually only been a little less than a year, Stargirl returns to The CW on August 10. And though fans keenly felt those months between seasons, for since Courtney Whitmore (Brec Bassinger) and her friends in the Justice Society of America, only a few weeks have passed since they effectively ended the threat of an older generation of supervillains in season 1’s conclusion. Her greatest challenge now is surviving summer school. The decision to pick up so shortly after season 1 was just one of the few things Rotten Tomatoes learned during a press day with Bassinger, fellow stars Yvette Monreal, Anjelika Washington, Cameron Gellman, Amy Smart, Luke Wilson, and executive producer Geoff Johns. We’ve rounded up the key details to know (or recall) before you sit down to watch the season 2 premiere.1. Summer School Starts NowSummer school will be big part of Courtney’s plight in the new season. So much so that the second year is even subtitled “Summer School” – a choice Johns joked was part of changing the episodic naming convention.“[In] the first season, every episode was named after one of the characters, one of our cast. I think we would have run out of characters by episode four or five [this season] or strained to do that,” Johns said. “And we wanted to shake it up. I wanted to do a subtitle like this with the Stargirl movie — like, the sequel to Stargirl.”As it happens, Johns was developing a feature with the character — one of his own contributions to the DC Comics library — for quite some time before the opportunity to make a series appeared.“It’s also is a lot easier to name the episodes once we decide on a subtitle,” he said. So, instead of individual episode titles, each is a chapter of the “Summer School” story. “We’re telling a serialized story — 13 chapters, rather than single episodes,” Johns explained.For Courtney’s part, that story begins with her eagerness to be Stargirl.“It gets her into trouble sometimes, like, how non-reluctant she is,” Bassinger said.  From the very beginning, she is looking for villains — looking for trouble — even though there are none, because she just loves being a superhero so freaking much. And it’s fun to have that.  Just as an actor, it’s fun to play such a positive person, because I feel like it brings positivity to me, too, personally.”Courtney will need that positivity as her eagerness leads to summer school and, of course, those villains she hoped to find.2. The Villains Take Stargirl to a Darker Place(Photo by The CW)In lieu of the Injustice Society, the majority of whom were defeated last year, Courtney and the JSA will face a darker form of villainy via two characters literally shrouded in darkness: Eclipso and The Shade (pictured). The latter, a shadow wielding Flash villain created by Gardner Fox and Harold Wilson Sharp in 1942, was a favorite of Stargirl producer James Dale Robinson – so much so, in fact, he spent much of the 1990s writing him as a sort of “anti-villain” in the pages of DC’s Starman comic book. Johns also said he pitched the character on the first day they began discussing the Stargirl TV series.“We never had plans to bring him into season 1, clearly, but we planted him in that mural with all the ISA. We wanted to elevate The Shade and make him feel special because he is a special character,” Johns said. “James took him in the ’90s and the 2000s and really gave him a personality and made him an interesting, complex character.”Johns was also pleased to find the character in the form of actor Jonathan Cake, who he said really “highlights” the layers of the character as developed by Robinson two-plus decades ago.(Photo by Tina Rowden/The CW )The other villain, Eclipso, is, “a demonic force in the same vein as a Freddy Krueger or a Pennywise,” according to Johns.The character, created by Bob Haney and Lee Elias in the 1963, evolved over the decades from petty villain into a force of darkness and evil who uses people s own regrets and doubts to control them. He also famously slaughtered an entire Justice League team. But for the purposes of Stargirl, at least as the season begins, he is a far more subtle presence voiced by Nick Tarabay. Although, both actor and character will eventually be seen in what Wilson described as a “really cool” costume (seen above in this first-look image).“When he finally does set foot in Blue Valley for real, and you see him manifest, it felt deserved, it felt scary, and it felt like everything had changed,” Johns added.The decision to focus on villains powered by darkness was a purposeful choice on the part of the production. As Johns explained, it was all about darkness versus light, which is very perfect for somebody like Stargirl. In terms of the characters, he felt it was important to “go up against something like that this season — something that gets inside their heads and tries to expose their fears and their regrets and their guilt and use it against them — and see if these heroes can rise up and stop it.”It means the show will shift in tone a bit, but Johns assured everyone Stargirl is still “the same show with the same characters that love each other and want to help each other at their core and want to be good and do good and love and be loved and still have humor and heart and all of that.”3. And the Darkness Within Will Come To Light(Photo by The CW)Since Eclipso preys on fear and regret, some of the personal stories only teased in the first season will get examined across the “Summer School” story.For Monreal’s character, Yolanda, there’s still all the weight of her actions before Courtney came to town. Add to that the consequences of killing Brainwave last season and a new dimension from which to examine it: her faith.“From the very start, Yolanda’s just really huge on her Catholicism,” Monreal explained. And with that background, the guilt she continues to feel can be interpreted as mortal sins — something which could make her susceptible to certain influences. “There’s all this judgment that she feels, especially after the mistake that she made and then after she killed Brainwave. It adds a psychological factor. And it’s like, do or die. She has to escape this psychological factor.”(Photo by Bob Mahoney/The CW)Meanwhile, Beth (Washington), still faces a strained relationship with her parents — based on their appearances in season 1, they don’t seem to like their energetic daughter very much. But Washington teased Beth’s parents will “learn a lot about Beth in the best ways.” She also said the most exciting element she cannot wait for viewers to see is the way Beth “learns what is her light and how she contributes to her team.”Rick (Gellman) still has a hard time feeling at ease in Blue Valley, but he may have bonded with a certain character from season 1 that will prove surprising. Oh, and that’s not a tease about a possible relationship between Rick and Beth. Although Johns said their friendship (or otherwise) is “very deep,” he also said “the slow developing romance[s] in the show is just part of the show. It’s the show’s storytelling.”It also proved an asset as the show went back into production amid COVID-19 lockdowns and safety protocols. Even the more casual intimacy had to be carefully coordinated to protect the actors. “We needed a rapid test right before a hug,” Smart said.“Now we fist bump and you just try and put that same emotion into it. I think we did OK,” Wilson quipped.Gellman felt the emphasis on ideas other than teen romance is one of the show s strengths: “[We] dig into everybody’s individual mission and challenge. [That might] get lost on the show if we were constantly looking at dating and breakups and feelings hurt and all of that.”4. Joel McHale Is Part of a Slow-Burn Storyline(Photo by The CW)As viewers will recall from the end of season 1, Joel McHale’s character, Starman Sylvester Pemberton, is seemingly not as dead as he appeared to be in the pilot. McHale will be seen in season 2, but Johns warned those in attendance that his appearances will be a part of a slow-burning storyline.“In the best comic books, I always loved the long brewing subplots. And the return of Starman, Sylvester Pemberton, is one of those,” he explained. Part of the brewing process is a flashback in episode 209 which features a “Justice Society flashback with the original members, with Luke and Joel and the other JSA founders.” This episode will also feature John Wesley Shipp as the Jay Garrick of Courtney’s Earth (aka “Earth-2” per the conclusion of the “Crisis on Infinite Earths” crossover event) — a version of the character he currently plays on The Flash.Shipp’s appearance is the first acknowledgement of just how close Stargirl is to the Arrowverse.“To have John play Jay Garrick, The Flash, in Stargirl connects our universe directly with the other shows and also shows that we’re part of a grander universe,” Johns said.  He also noted that maintaining the casting across the two programs also “opens up the door to opportunities for us to eventually interact with those characters. And that was important. Just like the comics.” From his comments on the matter, it was clear he is interested in continuing the Arrowverse crossover tradition — although he added, “when we eventually do do it, we’ll do it in a hopefully very special Stargirl way.”As for McHale? Johns teased there will be more of him in “the latter half of the season.”5. There Will Be a Third Season(Photo by The CW)Now that Stargirl is firmly a CW show — its first season was originally produced for the now-defunct DC Universe streaming service — it enjoys one of the network’s great benefits in an early season 3 renewal. As with “Summer School,” it will get a subtitle. Johns even said, “You’ll see by the end of season 2 what that is.”According to Johns, the writing team is hard at work on the scripts. We got picked up almost immediately for the third season. We didn’t have to wait for it to air. I think everybody’s super excited. And it’s helped us jump right back into it, he said. For me personally, there’s nothing else I’d rather do more than this. Stargirl returns on Tuesday, August 10 at 8/7C on The CW.
当初传奇这款手游的玩家总数早已远远地超出了网络服务器的承受力,想玩这款玩家还需要历经漫长的排队等待时间。进入游戏就能好好玩了吗?那你就错了,那时手游安全区满满都是玩家,并且由于玩家太多导致很多人都打不着怪。也就是由于如此导致网络服务器每一天都要崩溃,玩家移动都有延迟,老玩家都懂得一步一卡顿的痛苦。
10月8日,腾讯英雄联盟手游团队正式官宣,不限号不删档测试于上午10时正式开启。据悉,不限号不删档测试面向所有安卓及iOS用户开放,玩家可使用QQ或微信登录游戏。其中,未成年用户仅可在周五、周六、周日和法定节假日的20时至21时进行游戏。因版本开发进度问题,本次测试阶段暂不支持未成年人参加排位模式。

活跃气氛,就像日常生活一样,游戏不可能每天都有大力的活动,这时就需要推广员来活跃游戏氛围了,有好的手游氛围玩家才会投入时间,好的氛围也是游戏乐趣的一方面。
Join us weekly as Rotten Tomatoes reports on what s opening, expanding, and coming to the specialty box office. From promising releases from new voices to experimental efforts from storied filmmakers – or perhaps the next indie darling to go the distance for end-of-year accolades – we will break it all down for you here each week in Fresh Indie Finds. This week at the specialty box office, we are keeping it 100 with three soon-to-be-Certified Fresh gems and revisit of a recent film with unprecedented access to the most famous landing in the history of landings. Last week we spoke about the tough as nails 2020 best documentary race and this week adds two more alongside a gritty foreign-language thriller. In our indie trailer section, we see new clips from Kathy Griffin and Casey Affleck.Opening This Weekend
2. GARY OLDMAN TO STAR IN DAVID FINCHER S CITIZEN KANE SCREENWRITER BIOPIC MANK (Photo by Emiley Schweich/Everett Collection)Hollywood has a long history of adapting industry biopics, but most of them are usually about actors or directors. Screenwriters, meanwhile, have been very rarely covered in the genre, especially if you separate those who had careers outside of the movies (2015 s Trumbo is a rare example of a screenwriter biopic). Herman J. Mankiewicz was one of the great screenwriters of Hollywood s golden age with a filmography that included Dinner at Eight, The Pride of the Yankees, some of the Marx Brothers most famous films (Duck Soup, Horse Feathers, Monkey Business), and most famously, Orson Welles Citizen Kane. Last year, Netflix released the long-lost Orson Welles film The Other Side of the Wind, and now the streaming studio is developing a Mankiewicz biopic called Mank. Gary Oldman is already attached to star as Mankiewicz in the film, which is expected to be David Fincher s (Fight Club, Seven, The Social Network) next project as director after a 5+ year gap following 2014 s Gone Girl.3. HELEN MIRREN AND CHARLIZE THERON BOTH RACING BACK FOR FAST AND FURIOUS 9 (Photo by Elizabeth Goodenough, John Nacion/Everett Collection)This summer sees the release of the spinoff Fast Furious Presents: Hobbs Shaw, and the next Fast Furious film proper is currently three weeks into filming in London. Universal Pictures hasn t made many official announcements about the returning cast for Fast Furious 9, but we did learn last month that John Cena would be one of the new actors joining the franchise. (One cast member we know won t be returning for Fast Furious 9 is Dwayne Johnson, which he confirmed himself in January.) This week, Vin Diesel did confirm that two returning cast members (both of whom joined the franchise with 2017 s The Fate of the Furious) will be Charlize Theron as Cipher and Helen Mirren as Magdalene Shaw, the mother of the characters played by Jason Statham and Luke Evans (it s not yet known whether either will return). Universal Pictures has scheduled Fast Furious 9 for April 10, 2020, and Fast Furious 10 for April 2, 2021.4. DON CHEADLE JOINS SPACE JAM 2(Photo by DreamWorks courtesy Everett Collection)Following the events of Avengers: Endgame, several of Marvel s heroes are moving to star in series for the upcoming Disney+ app (The Falcon The Winter Soldier, Loki, WandaVision, and Hawkeye). One character whose future is not yet known in the Marvel Cinematic Universe is War Machine, as played by Don Cheadle. This week, however, we learned about a new franchise that Cheadle will be joining, as he s now the biggest non-professional basketball star to join the cast of LeBron James sequel Space Jam 2, which is currently filming. Don Cheadle s role hasn t been revealed yet, but one has to wonder if he will be just playing himself, like Bill Murray did in the original Space Jam. Warner Bros. hasn t announced yet which NBA stars will be joining LeBron James in Space Jam 2. The original 1996 Space Jam was Rotten at 43%, but we re interpreting Don Cheadle s involvement
And while Bassinger does have a background in gymnastics and would have loved to have been allowed to do more stunts, she acknowledges that it was safer to let her stunt double, Kristina Baskett, handle most of the heavy lifting. Bassinger admits that she did enjoy the days when she got to be harnessed into wires, such as a scene when she slides across the Staff in an early episode.But there were some things Bassinger purposefully avoided in an effort to make this Stargirl her own, such as opting not to watch Britt Irvin portrayal of the character on Smallville or Sarah Grey’s on DC’s Legends of Tomorrow. Both of those shows featured an older version of the character who was not the lead, while this iteration allows Bassinger to devote more time to developing Stargirl’s backstory.“I feel like playing younger characters is just more fun and, Courtney specifically, is like a optimistic funny character,” says Bassinger, who until now was mostly known for Nickelodeon shows like Bella and the Bulldogs and that network’s TV adaptation of School of Rock. “While a good dramatic scene is fun every once in a while, it s nice just to be more lighthearted, I feel like, on a day-to-day basis.”(Photo by DC Universe)Although Stargirl isn’t officially part of The CW’s “Arrowverse” collection of shows that include The Flash and Supergirl, fans did get a glimpse of some of these characters during the network’s elaborate Crisis on Infinite Earths crossover episodes, which aired this past winter and famously feature the heroes from other programs. Bassinger says there were talks of other crossover opportunities before the coronavirus pandemic shut down Hollywood this spring, but she doesn’t know how it will happen now – especially since her show’s chronology might not match up with the others’ (these programs rely on a multiverse theory, or the concept that infinite universes exist, and while Stargirl is part of Earth-1, not every character is).There’s also the issue with the title of her character. These shows run for years (The Flash, for example, is in its sixth season). Eventually, her character will grow up and leave high school. Does that mean her name may ever be changed to Starwoman?“I think she’ll always be Stargirl,” Bassinger says. “Like, even in the comics when she ages, she’s always Stargirl.”Stargirl premieres Monday, May 18 on DC Universe and has its broadcast premiere on The CW on Tuesday, May 19 at 8/7C.
评分 & 评价
9.2
5.1 万 个评价

7 天前

游戏时长 48分钟

After the pandemic brought the industry to a halt, delaying multiple release dates for the studio, Marvel has finally returned with limited series WandaVision, kicking off the beginning of its Phase 4 slate. It s also the studio s first foray into delivering some original programming to Disney+, with the first two episodes of the series premiering to the streamer on Friday, January 15.The highly-anticipated series puts Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) and her synthezoid boyfriend Vision (Paul Bettany) in the spotlight. A 1950s-style sitcom spotlight, to be specific. On the surface, WandaVision looks to be unlike anything Marvel has done within the 13-year framework of its Marvel Cinematic Universe.But does the program work? Here s what critics are saying about WandaVision:HOW DOES THE SITCOM NARRATIVE WORK?(Photo by Marvel Studios/Disney+) Each new episode replicates a different decade of yesteryear sitcoms beginning with 1950s I Love Lucy and The Dick Van Dyke Show in the premiere episode. The second episode tackles series like Bewitched and I Dream of Jeannie, and the third shadows The Mary Tyler Moore Show, and so on. —Megan Vick, TV Guide It’s played almost as a straight tribute to those ancient shows, but there are tiny touches, here and there — beyond the employment of superpowers — that suggest that something is very wrong. — Helen O Hara, Empire Online In a break from the traditions of the ’50s and ’60s, the faux-sitcom vehicles of the first two episodes go out of their way to cast people of color, and to poke at the blatant misogyny that turned shows like Leave It to Beaver into symbols of a bygone era. When actress Teyonah Parris pops up in episode 2 as one of Wanda’s new neighborhood pals, Geraldine, WandaVision has its cake. Old shows never had Black women playing this type of role to chipper perfection, but “Geraldine” clearly knows she isn’t supposed to be there. — Matt Patches, Polygon With each installment, a few more cracks in the sitcom facade appear, but the bigger mystery is unveiled at an excruciatingly slow pace. In the second episode, Teyonah Parris is introduced as mysterious neighbor Geraldine, but those who have been following Marvel casting news will know there s more to her than that. The third offers some tantalizing peeks at what might really be going on but stops short of explaining it. As a weekly series, it s an aggravating and unsuccessful structure. — Kelly Lawler, USA Today WandaVision isn’t just another story about superheroes; WandaVision is a love letter to the history of sitcoms, one that sharply dissects how and why the format endures and why it remains culturally significant. Yep—WandaVision is a superhero show (a genre that’s frequently dismissed by critics) that analyzes sitcoms (a format frequently overlooked by critics). — Brett White, DeciderHOW IS THE PRODUCTION QUALITY? (Photo by Marvel Studios/Disney+) The set design, the performances, and the specific feel of a multi-camera sitcom — WandaVision’s pilot was filmed in front of a live studio audience — reflect a love for these indelible shows. — Alex Abad-Santos, Vox The look and feel of each episode is true to the spirit of its respective sitcom era as much as to any one show, as it’s clear everyone did their homework(*). — Alan Sepinwall, Rolling Stone Though it gets off to a slow start, the show has plenty going for it, from gorgeous, extremely expensive-looking production design and breathtaking special effects to punchy performances, a trippy mood and a plot that does eventually become quite absorbing. — Judy Berman, TIME Magazine Christophe Beck nails the jaunty sitcom score interstitials that bookend scenes, while Frozen songwriters Robert Lopez and Kristen Anderson-Lopez gift our leads with period-appropriate jingles that befit whatever decade they’re trapped in now. — Clint Worthington, The Spool HOW DOES IT CONNECT TO THE MCU? (Photo by Marvel Studios/Disney+) As the saturation drains from the title card, and the opening notes of WandaVision’s first theme song begins to play, the episodic nature of the series jumps out, and reminds you that this debut Marvel series on Disney’s streaming service isn’t quite trying to conjure up your traditional MCU shock and awe. — Charles Pulliam-Moore, io9.com These Disney+ series, though, expand the story of characters we know from the movies in way that the movies simple did not have time to do. It also allows WandaVision creator Jac Schaeffer and director Matt Shakman to put a uniquely stylized and deeply emotional spin on a story that would have (had this been a movie) otherwise been shackled by the mandated aesthetics of the overall MCU. — Allison Keene, Paste Magazine There is an overarching story to the series, one that will presumably explain how these very surreal events connect back to the lives (and deaths) of matter-and-mind manipulating Wanda Maximoff (Elizabeth Olsen) and the artificial “synthezoid” known as Vision (Paul Bettany) from the more cinematic entires of the Marvel Cinematic Universe. Through the first third of WandaVision’s season, though, its Marvel mythology remains in the background. — Matt Singer, ScreenCrush What s really going on here, given where movie-goers saw these Avengers last? That s the fundamental mystery, one the producing team is clearly in no hurry to divulge. Patience becomes a virtue, taking in the sitcom homages while maintaining a watchful eye for sly Marvel references and cleverly placed dollops of color, presenting possible cracks in the black-and-white veneer. — Brian Lowry, CNNHOW ARE ELIZABETH OLSEN AND PAUL BETTANY? (Photo by Marvel Studios/Disney+) Olsen and Bettany are delightful as they channel sitcom performers of the 1950s, 1960s, and 1970s, demonstrating their sharp comedic timing. It s a testament to their strengths as actors that they don t come across as doing imitations of the old shows WandaVision draws from, which helps immerse viewers in each new period. — Chris Agar, ScreenRant If you were looking for charming stars to convey a Mary Tyler Moore/Dick Van Dyke vibe, you couldn t do much better as Olsen and Bettany get to spell out the sweet chemistry that the movies have only hinted at. — Dan Fienberg, Hollywood Reporter Bettany has had a few comedic roles in the past, but none that demanded this level of full-on slapstick commitment — yet his follow-through makes him feel like a pro with 100+ episodes of syndicated hilarity under his belt. And it s not just that he can deliver some killer punchlines, it s how fiercely he throws himself into the relevant archetypes of each era while always allowing the glimmer of artifice to stand out. — Liz Shannon Miller, ColliderWHAT ABOUT THE SUPPORTING CAST? (Photo by Marvel Studios/Disney+) The leads aren’t left alone to do all the heavy lifting thanks to a terrific supporting cast of character actors that wouldn’t normally find their way into a Marvel Studios production. Notably, Kathryn Hahn uses her comedic skills to great effect as the precocious neighbor Agnes and That 70’s Show alum Debra Jo Rupp, as the wife of Vision’s boss, is a perfect addition to add to the period feel of the show.  — Kyle Wilson, Lamplight Review Alongside Olsen and Bettany is Kathryn Hahn as a nosy neighbor, whose comic relief develops and darkens as the show moves into the 1970s. She’s as invaluable in WandaVision as she is in most things, perfectly capturing the series’s mood of perky, tireless energy slowly being consumed by paranoid sci-fi dread. — Richard Lawson, Vanity Fair The supporting cast is also a delight, with hints of further meaning yet to be unveiled, with the impeccable Kathryn Hahn bringing the sass as the couple s helpful neighbour Agnes and Mad Men’s Teyonah Parris as the mysterious Monica Rambeau. — Lewis Knight, Daily Mirror (UK)ANY FINAL THOUGHTS? Unabashed, off-kilter, and unlike anything Marvel has ever attempted, WandaVision is a reality-warping joy that promises a new beginning of the MCU. — Lauren J. Coates, Consequence of Sound Stretched out into three (and likely more) episodes, the stuck-in-a-TV-show premise starts to seem like a better idea for an interlude within something larger, rather than a whole thing unto itself. — Richard Lawson, Vanity Fair Working as both a love letter to classic sitcom television and a modern comic book mystery, WandaVision is just weird and charming enough to work. — Kyle Wilson, Lamplight Review Consider WandaVision an unusual first step for this new Marvel phase. The best parts lovingly conjure the mood of very old television shows. The worst parts feel like just another movie. — Darren Franich, EW WandaVision premieres its first two episodes on Friday, January 15 on Disney+.

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亚博登录网页 In 2019, Rotten Tomatoes turns 21, and to mark the occasion we’re celebrating with a series of features that look back at the brightest moments on screen of the past two decades – and one year – and the things that have us excited for the future.Game of Thrones is the latest title in the history of era-defining television – Seinfeld, Friends, The Sopranos – to reach its conclusion. Now that we know more – that Dany’s visions of the Red Keep at the House of the Undying so many years before was about ash, not snow, for one – some of the standout moments that brought us to this conclusion become clearer as well. We also talked to director Alan Taylor about a few of the epic scenes he oversaw. Read more of our interview with Taylor here.Below are 21 of the biggest moments in the series’ eight seasons. Don t like our picks? Take our poll or tell us your top moments in the comments.21. “Hodor”(Season 6, Episode 5: "The Door" 98%)Directed by: Jack BenderWritten By: David Benioff, D.B. WeissThe Moment: Bran wargs into Hodor to help fight the wights invading the Three-Eyed Raven HQ. When Bran and Meera are safely out the door, she pleads with Hodor to “hold the door” – a refrain that young Hodor hears in Bran’s time-travel realm, forever changing the character.MVP: Kristian NairnWhy It’s On the List: Understanding how Hodor came to be afflicted was hugely satisfying, harrowing, and unforgettable.20. Cleganebowl(Photo by HBO)(Season 8, Episode 5: "The Bells" 49%)Directed by: Miguel SapochnikWritten by: David Benioff, D.B. WeissThe Moment: The Hound finally faces off one-on-one against his brother.MVPs: Rory McCann, Hafþór Júlíus BjörnssonWhy It’s On the List: It’s the battle royale that fans had been clamoring for, and the series did not disappoint.19. Battle of Blackwater(Season 2, Episode 9: "Blackwater" 100%)Directed by: Neil MarshallWritten by: David Benioff, D.B. WeissThe Moment: Tyrion summons all of his bravery and leads the King’s Landing forces against Stannis’ army.MVP: Peter DinklageWhy It’s On the List: Dinklage’s delivery of Tyrion’s speech: “Those are brave men knocking at our door. Let’s go kill them.”18. The North Remembers(Season 6, Episode 10: "The Winds of Winter" 99%; Season 7, Episode 1: "Dragonstone" 93%) Directed By: Miguel Sapochnik; Jeremy PodeswaWritten By: David Benioff, D.B. WeissThe Moments: We re cheating a little here, combining two moments — one season s finale and the next season s opening — into one. First, Arya Stark shows us what epic vengeance looks like when she plays the role of serving wench to feed Lord Walder Frey two of his sons, Black Walder and Lothar Frey, in a pie in season 6 s finale. Then in season 7 s premiere, she sports the face of Lord Frey to poison his brood of murderous sons with wine. She peels off the old man s face and turns to his stunned wife: “When people ask you what happened here, tell them the North remembers. Tell them winter came for House Frey.”MVPs: Arya Stark, David BradleyWhy They’re On the List: At the time, the extermination of House Frey was Arya’s bravest and most brutal move yet.17. Cersei’s Walk of Atonement(Season 5, Episode 1: "Winter Is Coming" 100%)Directed by: David NutterWritten by: David Benioff, D.B. WeissThe Moment: Cersei finally escapes imprisonment by the High Sparrow by agreeing to his walk of atonement.MVPs: Lena Headey with Hannah Waddingham as Septa UnellaWhy It’s On the List: It was an unforgettable turn of fortunes for Cersei.16. Jaime Pushes Bran from the Tower(Photo by HBO)(Season 1, Episode 1: "Winter Is Coming" 100%)Directed by: Timothy Van PattenWritten by: David Benioff, D.B. WeissThe Moment: Climbing a Winterfell tower, Bran Stark happens upon the queen, Cersei, having sex with her twin, Jaime. The latter pushes Bran from the tower hoping to permanently silence him.MVPs: Nikolaj Coster-Waldau, Isaac Hempstead WrightWhy It’s On the List: Jaime’s act set the tone for the series to come: no one is safe.15. The Execution of Littlefinger(Photo by Helen Sloan/HBO)(Season 7, Episode 7: "The Dragon and the Wolf" 88%)Directed by: Jeremy PodeswaWritten by: David Benioff, D.B. WeissThe Moment: Sansa Stark puts Petyr “Littlefinger” Baelish on trial at Winterfell and sentences him to death for his crimes. Arya carries out the sentence.MVPs: Sophie Turner, Aiden Gillen, Maisie WilliamsWhy It’s On the List: Machiavellian Littlefinger – the man who betrayed Ned Stark in season 1, then traded Ned’s daughter Sansa to the Boltons – finally gets the end many thought he long deserved.14. Mountain Vs. the Viper(Photo by HBO)(Season 4, Episode 8: "The Mountain and the Viper" 96%)Directed by: Alex GravesWritten by: David Benioff, D.B. WeissThe Moment: Accused of regicide in the death of his nephew Joffrey Baratheon, Tyrion Lannister opts for trial by combat. Cersei chose violent, cruel, and massive Ser Gregor “The Mountain” Clegane as her champion. Tyrion named his brother, skilled swordsman Jaime, to fight for him, but was refused because the elder Lannister was far away fighting in the Riverlands. Because the Mountain raped and killed Elia Martell and murdered her children, her brother, Dornish prince Oberyn Martell – “The Viper” – steps up to defend the former acting hand of the king. Instead of a triumphant victory, he gets his eyes squished out of his head after taunting The Mountain.MVPs: Pedro Pascal, Hafþór Júlíus Björnsson, Indira VarmaWhy It’s On the List: One of the series’ most gruesome moments, the Viper’s death was the eye-squishing that shocked the world. The events lead to a complete breakdown of the Martell family’s rule over Dorne. The Viper’s lover, Ellaria Sand, stages a coup of the kingdom-state, murdering Prince Doran Martell, and later allies with Daenerys Targaryen.13. The Purple Wedding (Death of Joffrey) (Season 4, Episode 2: "The Lion and the Rose" 100%)Directed by: Alex GravesWritten by: David Benioff, D.B. WeissThe Moment: Olenna Tyrell facilitates the poisoning of cruel King Joffrey at his wedding to her granddaughter Margaery Tyrell.MVP: Jack GleesonWhy It’s On the List: After 31 episodes of Joffrey, “The Lion and the Rose” provided fans with a brutal end to the kingdom’s first vicious, idiot king.12. The Murder (and Resurrection) of Jon Snow(Season 5, Episode 10: "Mother's Mercy" 92%)Directed by: David NutterWritten by: David Benioff, D.B. WeissThe Moment: Several disgruntled Night’s Watch brothers, led by Alliser Thorne, lure Jon Snow into a corner of Castle Black’s courtyard and take turns stabbing him.MVPs: Kit Harington, Owen Teale as Alliser Thorne, Brenock O Connor as OllyWhy It’s On the List: Another Stark family death that no one saw coming – based on the show’s history, there was no reason to think that a Stark would come back – except the Red Woman. Melisandre’s presence rightly gave viewers hope that Jon would be resurrected, but they would have to wait until season 6 to find out.11. The Trial of Cersei Lannister (Season 6, Episode 10: "The Winds of Winter" 99%)Directed by: Miguel SapochnikWritten by: David Benioff, D.B. WeissThe Moment: Don’t remember Cersei’s trial? That’s because there wasn’t one. The Queen Mother blew up the Great Sept of Baelor – and one-fourth of King’s Landing along with it – with wildfire rather than submit herself to examination by the High Sparrow and his righteous thugs.MVPs: Lena Headey, Dean-Charles Chapman, Natalie Dormer, the VFX team, editors, and composer Ramin DjawadiWhy It’s On the List: Cersei’s simmering glee, Queen Margaery’s desperate terror, the green plumes of ignited wildfire, and King Tommen’s utter devastation after the explosion – all accompanied by Djawadi’s haunting score – added up to a beautiful symphony of treachery, mayhem, and death.10. The Wall Falls(Season 7, Episode 7: "The Dragon and the Wolf" 88%)Directed by: Jeremy PodeswaWritten by: David Benioff, D.B. WeissThe Moment: Beric Dondarrion and Tormund Giantsbane are on hand to witness a terrifying and historic moment for the Seven Kingdoms – and for fans of the show – when the Night King appears out of the fog riding ice dragon Viserion, who blasts a hole in The Wall. Thousands of wights and their White Walker overlords stream through the passage created by the fallen ice.MVPs: VFX teamWhy It’s on the List: Ice dragon + falling 700-foot magical ice Wall = top 10.9. Aegon Targaryen(Photo by HBO)(Season 8, Episode 1: "Winterfell" 92%)Directed by: David NutterWritten by: Dave HillThe Moment: Samwell Tarly tells his best buddy Jon Snow who his birth parents are: “You’ve never been a bastard. You’re Aegon Targaryen, true heir to the Iron Throne…sixth of his name — all of it.” The next episode, “A Knight of the Seven Kingdoms,” followed this moment with its companion scene: Jon telling Daenerys (to her horror). Sam and Jon s chat was also preceded in the season premiere by Jon riding Rhaegal (pictured above) — as if Dany needed more proof of his lineage.MVPs: John Bradley, Kit HaringtonWhy It’s On the List: It wasn t the splashiest scene or the most dramatic, but it finally aired out the best-kept secret in the Seven Kingdoms. It was a highly anticipated moment and it had arrived.8. Burning of King’s Landing(Photo by HBO)(Season 8, Episode 5: "The Bells" 49%)Directed by: Miguel SapochnikWritten by: David Benioff, D.B. WeissThe Moment: The Northern coalition led by Jon Snow and Grey Worm meet the Golden Company at the gates of King’s Landing. While they stare each other down, Daenerys has been busy blowing the Ironborn fleet to hell with dragon fire on Blackwater Bay. When she’s done there, she starts on the city’s ramparts, destroying the scorpions meant to bring down her dragon, and finally makes her way to the main gate where she surprises Harry Strickland and his men with a blast of dragon fire from behind. Daenerys takes a breather with Drogon on the wall waiting for the bells to ring, signaling the city’s surrender. The bells do ring, but the Dragon Queen gets a wild-eyed look and sets upon the streets of King’s Landing, unleashing Drogon’s fiery vengeance. “You slaughtered a city!” Tyrion later scolds her.MVPs: VFX team, Emilia Clarke for her effort in selling a moment that no one wantedWhy It’s On the List: Many didn’t agree with this plot turn, arguing that the behavior Daenerys displayed was out of character and only served as a cheap way of getting to an end; that is, giving Jon Snow irrefutable cause to also act out of character and execute her. The episode landed dead last on the Tomatometer of all 73 episodes. The burning of King’s Landing makes our top 10 here for its artistry, horror, and infamy.7. Viserion Becomes an Ice Dragon(Photo by HBO)(Season 7, Episode 6: "Beyond the Wall" 84%)Directed by: Alan TaylorWritten by: David Benioff, D.B. WeissThe Moment: Traveling beyond the Wall to save Jon Snow and his wight-hunting party, Daenerys finds out that her dragons are vulnerable when the Night King hurls a lance and kills Viserion. Before he can reload his magical throwing arm, she loads up Drogon with the hunting party (minus Jon) and flies away back to Eastwatch-by-the-Sea.MVPs: VFX team, Kit Harington, Emilia ClarkeWhy It’s On the List: From the wight army threat to the dragon flame, exploding ice, and downing of the great beast, everything in the final fight of the episode up and through the moment of Viserion’s death was epic, and the turning of the dragon was one of the series’ most surprising twists. Plus, the emotional investment the actors put into the moment was palpable and perfect.Director’s Note: “The fact that you re basically killing a puppy,” Taylor told Rotten Tomatoes, “you know it s gonna have a very strong resonance with the audience, so I was really grateful to be able to handle that moment. And the reveal of the turn at the end, of course, was one of the yummiest episode-enders I d ever been given – when we see the blue eye open and know what that means.”Read more of Taylor s take on the birth of ice dragon Viserion.6. The Battle of the Bastards / The Death of Ramsay Snow(Season 6, Episode 9: "Battle of the Bastards" 98%)Directed by: Miguel SapochnikWritten by: David Benioff, D.B. WeissThe Moment: Technically two moments, but so intertwined that the latter could not have happened without the former – and Sansa Stark gets mad credit for both. From her “I’ll do it without you” shaming of Jon at Castle Black, to calling in the Knights of the Vale, to releasing the hounds on Ramsay: all Sansa. “Your words will disappear. Your house will disappear. All memory of you will disappear.” Jon swung the sword, but when all hope was lost, the future queen’s diplomacy and strategy saved the day.MVPs: Sophie Turner, Kit Harington, Iwan RheonWhy It’s On the List: All corners of the episode from performance to directing, to production and art design, costuming, and the pure blood, sweat, and tears – surely there were tears! – that made this scene come together were superb. The episode won six Emmys in 2016: Outstanding Directing for a Drama Series, Outstanding Writing for a Drama Series, Outstanding Makeup for a Single-Camera Series (Non-Prosthetic), Outstanding Special Visual Effects, Outstanding Sound Mixing for a Comedy or Drama Series (One Hour), Outstanding Single Camera Picture Editing for a Drama Series. The series also won Outstanding Drama Series that year.5. Arya Stark Kills the Night King(Photo by HBO)(Season 8, Episode 3: "The Long Night" 74%)Directed by: Miguel SapochnikWritten by: David Benioff, D.B. WeissThe Moment: Theon Greyjoy finds redemption protecting Bran Stark from the wight horde and the Night King, but loses his life. Just when it seems all hope is lost, the hero of Winterfell breezes past the White Walkers before they even know she’s there, and puts a knife in the Night King’s belly. He shatters into a million ice shards, the White Walkers also explode, and the wights, including ice-dragon Viserion, all crumble to the ground as so many rotting bags of bones.MVPs: Maisie Williams, Alfie AllenWhy It’s On the List: Thus, the war against the dead ends.4. Dragons!HBO(Season 1, Episode 10: "Fire and Blood" 100%)Directed by: Alan TaylorWritten by: David Benioff, D.B. WeissThe Moment: Daenerys Targaryen honors her dead husband with a king-size funeral pyre and places her dragon eggs alongside him, she adds the witch for a taste of vengeance, sets the lot on fire, then walks into the inferno. At daylight, Jorah Mormont and Rakharo approach the smoldering embers and find Daenerys, naked with three newly hatched dragons.MVPs: This was Emilia Clarke’s moment with an impressive debut by three adorable baby dragonsWhy It’s On the List: The arrival of Daenerys’ children delivered the fantasy to this fantasy epic after an entire season of talk of magic, monsters, and dragons.Director s Note: A lot was going on there, obviously. It s a tragedy, it s a funeral, it s the end of things, and as we discovered, it s the beginning of everything, too. I know — I ve heard this, and we spoke about it — that Emilia did not think her character expected to die in the flames There s a wonderful look she gives to Iain Glen, when he s all torn up, when she s about to walk in, she looks at him, and it s such a forgiving, letting-go look, from such a place of wisdom, that I thought it was really beautiful, and that for me, was sort of the attitude that Emilia had Daenerys take into the flames, that she knew the rightness of what she was doing, Taylor said. She s a Targaryen, and I think in her mind, she sort of knew flames were not gonna be the problem that it wasn t necessarily her death that she was walking to. I don t think, certainly nobody, including her, expected the birth that happened, with her three sidekicks. But that was the beginning of the new dawn. Read more of Taylor s take on the hatching of Daenerys children. 3. Jon Snow Kills Daenerys Targaryen(Photo by HBO)(Season 8, Episode 6: "The Iron Throne" 47%)Written and directed by: David Benioff, D.B. WeissThe Moment: So it’s all come down to this. Eight seasons of following the adventures of the young Night’s Watch warrior and the Dragon Queen, worrying about their choices and the dread of what’s to come, feeling their heartbreak and pain, and witnessing their phoenix-like rebounds, only to have the one (Ice – not the sword) kill the other (Fire). And to punctuate the moment, Drogon melts down the Iron Throne.MVPs: Emilia Clarke, Kit Harington, and the episode’s VFX team for DrogonWhy It’s On the List: Putting aside other major developments from the finale – that Bran the Broken is now king of the Six Kingdoms, the North seceded the union and crowned Sansa queen in the North, and Arya is now a famed and feared assassin-adventurer of Westeros – this was the true end of the tale, the “Song of Ice and Fire.” That this Targaryen love story couldn’t have a happily-ever-after ending was devastating to a vast swath of fans who hoped or expected that the characters would choose love, not tyranny and assassination. Vocal fans on social media weren t the only ones grousing; critics weighed in and gave the episode one of the worst scores in the series 73-episode history, and, in perhaps an even more stunning turn of events, the season is now Rotten on the Tomatometer.2. The Death of Ned Stark(Season 1, Episode 9: "Baelor" 100%)Directed by: Alan TaylorWritten by: David Benioff, D.B. WeissThe Moment: King Joffrey fools everyone, promising that Ned Stark will get to confess his sins against the crown and head to the Wall to take the black, joining the Night’s Watch. Instead, and seemingly on a whim, he decides that Ned should lose his head.MVPs: Sean Bean, Sophie Turner, Maisie Williams, Jack GleesonWhy It’s On the List: Ned’s death set the stage for his son to be named King in the North – and every tragic consequence of the Seven Kingdoms’ split.Director s Note: The most emotional moments [of the scene] for me were some of the stuff between the way we crosscut between Ned and his daughters and certainly between Ned and Arya, who sort of inherits the narrative, at the end of that episode. We hand off from Ned, and sort of take it to her in a way that I was happy with, because of course, her character, like all characters, has a long road ahead of them, Taylor said. Ned Stark was the lynchpin, the centerpiece of the whole thing, and his performance, I still think, is just heartbreaking and beautiful, and it s partly because I have daughters but I think I identify with him up there: kind of a combination of anguish and shame and despair. His performance was perfect. Read more of Taylor s take on the beheading of Ned Stark.1. The Red Wedding(Season 3, Episode 9: "The Rains of Castamere" 100%)Directed by: David NutterWritten by: David Benioff, D.B. WeissThe Moment: Roose Bolton along with Walder Frey and his brood of murderers kill Robb and Talisa Stark, their unborn child, Catelyn Stark, and the Stark army.MVPs: Michelle Fairley as the Stark matriarch, and David Bradley as the head Frey in chargeWhy It’s On the List: The Red Wedding drew the ultimate line in the sand between the Lannisters and the Starks – between ruthlessness and decency. From that point forward, the series became a battle of good and evil.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

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2022-01-29
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目前版本 3.32.0
游戏大小 504 MB
更新时间 2022-01-29
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