s3赛季什么时候开始

s3赛季什么时候开始

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s3赛季什么时候开始采用百度引擎1(Baidu 5)Ryan Fujitani for Rotten Tomatoes: I read that Climax is loosely based on something that actually happened.Gaspar Noé: Yeah, it s an open adaptation. I was working on two other scripts based on true stories, and the moment you decide to make a movie about a true story you need to have the permission of the families. Also you can guess when you weren t in a situation and you see it from the outside or a newspaper, it s reduced to a situation in which people die or something.The whole movie happened quickly, although my line producer was obsessed with the story and I remember that story at the time. The movie was kind of improvised around what we had in mind for the story. So we said, like in the opening of the pitch, we can do a movie about a cult, you can do a movie about a war, you can do a movie about a couple of artists who committed suicide in their house, and you don t know what happened. Then you can invent a story out of that couple of artists who committed suicide in the mountain. But, it s an open adaptation.And certainly the dancers were not as good as the ones that were in the movie. I mixed the story with the dancers that I wanted to film, so you will certainly know this type of dancing.RT: Were you always interested in exploring the dance/musical format at some point?Noé: No, I did once a music video with filmed dancing that I really enjoyed shooting, but I had never shot choreography even two weeks before shooting. I never even thought I would work with a choreographer, hopefully secure Nina McNeely, who s a genius, and the casting, and what she created with them. I discovered on the third day of shooting, I had the crane, and then I started playing with the crane as Nina was playing with the dancers and the dancers were playing with the other dances. That particular scene is certainly the most corrective scene I ve ever shot, because I thought I was more like a documentary director shooting something that I instigated but I was not responsible for. It s like being the captain of a football team you re inside the team, but there are eleven players trying to win. So you can shout, but dancing didn t come from my mind. In my mind I said, Well, I want to do the choreography, and I found my favorite dancers around Paris. If someone has to be congratulated it s more them and Nina than me.RT: The film s themes are open for interpretation, though it s easy to imagine some people will simply take the central message to be an anti-drug warning, and I don t think that s your intention.Noé: It s like, no, some people are for abortion, some people are against abortion. Drugs are everywhere, even coffee, and even wines. The movie s not pro or against the use of chemicals. What I know is that there are situations that are portrayed in movies that exist in real life, and I like watching serious movies that would warn you about things that happened during wartime or in a hippie basement, but it s like everything. Alcohol I like alcohol. It s very good when you take one glass of wine, two glass of wine, and then a third one and fourth, and the energy is going up and up, and everything that is constructive and funny can suddenly turn totally destructive. I ve been in situations in which there were no drugs involved, in which a happy party turns into hell. Some people can handle alcohol, some people can not. Some people can handle small amounts of plants or chemicals, and the alternate. The movie s not a cautionary tale. Drama exists in your life even without substances.Climax is currently in theaters.

1. s3赛季什么时候开始
目前还不知道LOL手游赛事什么时候推出,但时间也快了,因为国内的LOL手游解说名单已经出来,这也就意味LOL手游赛事很快就有举行。 冒险大陆online是一款唯美燃情激战的奇幻回合制对战手游,也是你将体验极致英雄对战乐趣的冒险游戏,游戏里玩家在选择好自己喜欢属性英雄角色的同时,可以跟随着他展开热血激烈的冒险战斗,游戏里还可以解锁新上线的玩法模式,感兴趣的朋友赶紧来下载试玩吧!
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2. 公平游戏环境
This Week s Ketchup brings you more headlines from the world of film development news, covering such titles as Captain Marvel 2, Cyrano, John Wick 5, and Disney s Pinocchio. This WEEK S TOP STORYKEANU REEVES TO FILM JOHN WICK 5 BACK-TO-BACK WITH JOHN WICK 4(Photo by David Lee/©Summit Entertainment)Staging any major film production is a costly affair, so for decades, when a studio knows they re going to make more than one movie anyway, they will sometimes produce movies back to back, which basically means two or more movies are produced at the same time, using the same cast, crew, etc. The most famous example of back-to-back production was probably Peter Jackson s Lord of the Rings trilogy, but other examples include Keanu Reeves two Matrix sequels, the two Back to the Future sequels, and Quentin Tarantino s two Kill Bill films. Lionsgate obviously has something of a cash cow in their John Wick franchise, so it s not surprising that this week, the studio announced the greenlighting of John Wick 5, which will be filmed back-to-back with John Wick 4. Lionsgate had originally scheduled John Wick 4 for release on May 21, 2021, but the COVID-19 pandemic pushed that film s production back, so the release was pushed back a year to May 27, 2022. John Wick 5 does not yet have a release date. In related news, director Chad Stahelski (who will be directing the two John Wick sequels) and screenwriter Derek Kolstad (who has written or co-written all of the John Wick movies) are also now signed to adapt an English-language remake of the 2010 South Korean action thriller The Man from Nowhere, whose plot incidentally bears some resemblance to the first John Wick.Other Top Headlines1. CANDYMAN DIRECTOR NIA DACOSTA TAPPED FOR CAPTAIN MARVEL 2(Photo by Priscilla Grant/Everett Collection)This story is best started with a little bit of recent history. In 2018, director Gina Prince-Bythewood was getting ready to direct the Marvel Comics movie Silver Black (about Silver Sable and Black Cat) for Sony Pictures for what would have been their 2019 release after Venom, but then the studio flinched and pulled Silver Black from their calendar, and Prince-Bythewood directed The Old Guard (Certified Fresh at 80%) for Netflix instead. Also in 2018, Selma director Ava DuVernay signed with Warner Bros. to direct the DC Comics property The New Gods, but two years later, we still don t know when that project will start production. That means that before this week, neither Marvel nor DC had yet had a major superhero movie directed by an African American woman, but it may be Marvel Studios that gets there first. Nia DaCosta (Little Woods, Certified Fresh at 95%), who directed the upcoming Candyman reboot, has signed with Marvel Studios to direct their sequel Captain Marvel 2 (7/8/2022), starring Brie Larson. The premise of Captain Marvel 2 is not yet known, but one possible story could involve Monica Rambeau, who in the comics was the first woman to be called Captain Marvel. Monica Rambeau was depicted as a young girl in the 1990s in the first Captain Marvel movie, but the upcoming Disney+ series WandaVision will introduce Teyonah Parris as the adult version of the character. Other possibilities include the MCU introduction of the New Avengers, and also a continuation of the Kree/Skrull war from the first Captain Marvel. There are seven other Marvel Cinematic Universe movies scheduled before Captain Marvel 2: Black Widow (11/6/2020), The Eternals (2/12/2021), Shang-Chi and the Legend of the Ten Rings (5/7/2021), Tom Holland s third Spider-Man (12/17/2021), Thor: Love and Thunder (2/11/2022), Doctor Strange in the Multiverse of Madness (3/25/2022), and Black Panther II (5/6/2022).2. LIVE-ACTION MULAN TO DEBUT ON DISNEY+ FOR A PREMIUM FEE (Photo by ©Walt Disney Studios Motion Pictures)As studios and theater chains alike struggle with the financial realities of the COVID-19 pandemic, Walt Disney Pictures arguably made the biggest move of the year by announcing that their epic live-action remake of Mulan (originally scheduled for March 9th) will debut in the United States on September 4, 2020 on Disney+ for a price of .99. That price is more than some of this year s other VOD debuts (like Trolls World Tour for a .99 rental), but the difference is that Mulan will not have a rental window of 24 or 48 hours, but will instead remain on Disney+ accounts as long as the subscription remains active. Marvel fans were quick to demand a similar release for Black Widow (11/6/2020), but Disney CEO Bob Chapek was quick to promise that the Mulan offer is a one-off that will not apply to Black Widow (though the pandemic has repeatedly had a way this year of changing plans and circumstances). Disney s decision to effectively pull Mulan from theatrical release in most theaters in the US has also had a quick reaction from the theatrical distribution industry. The Mulan news also came in the same week that Disney+ announced that they had met their five year goal of over 60 million subscribers in just eight months. The other, other related news, Lionsgate announced this week that they will also be releasing the Janelle Monáe horror film Antebellum (originally scheduled for 4/24/2020) on PVOD streaming on September 18, 2020.3. BRADLEY COOPER IN TALKS FOR PAUL THOMAS ANDERSON S 1970S TEEN DRAMA(Photo by John Baer/Rogue Pictures)Many film directors are influenced throughout their career by the period in which they were born, and Paul Thomas Anderson (born in 1970) is no different. His first major success, Boogie Nights (Certified Fresh at 93%) was mostly set in the 1970s, Inherent Vice was entirely set then, and the films of the 1970s have had an influence over most of his work, starting with 1996 s Hard Eight. Anderson has also worked with some of Hollywood s biggest stars, including Mark Wahlberg (Boogie Nights), Tom Cruise (Magnolia), Daniel Day Lewis (There Will Be Blood), and Joaquin Phoenix (Inherent Vice), and this week, he added another luminary to that list. Bradley Cooper is now in talks with MGM to star in Paul Thomas Anderson s next untitled project, which is described as a coming-of-age drama about a child actor set in the San Fernando Valley (also the setting of Boogie Nights) in the 1970s, though it s not yet known what role Cooper will be playing. Cooper s other upcoming film is Guillermo del Toro s remake of 1947 s Nightmare Alley (Fresh at 100%).4. PADDINGTON 2 DIRECTOR RECRUITS RYAN REYNOLDS FOR MONSTER MOVIE EVERYDAY PARENTING TIPS (Photo by ©20th Century Studios)One of the more disappointing stories in 2018 was the reporting that director Paul King, who directed both Paddington (Certified Fresh at 97%) and Paddington 2 (Certified Fresh at 100%) likely will not be returning for a third installment. Instead, King is preparing to direct a family comedy called Everyday Parenting Tips set during the Great Monster Uprising, based on a short story in The New Yorker, which you can read right here. Universal Pictures has put together a package for Everyday Parenting Tips that includes Ryan Reynolds attached to play one of the titular parents, with Paul King directing from a screenplay by the short story s author, Simon Rich, who also wrote the short story that inspired this week s Seth Rogen comedy An American Pickle. Bringing to mind Pixar s Monsters Inc, the story is based on a father s advice to his kid about what to do if a monster lurks under their bed, and then shows what happens when such Lovecraftian beasties as Gorgog the Annihilator [and] Ctharga the Eater of Souls actually do show up.5. PETER DINKLAGE WILL HAVE A NOSE THAT KNOWS THE CYRANO MUSICAL (Photo by HBO)When George R.R. Martin s A Song of Ice and Fire novels were adapted for HBO as the popular series Game of Thrones, one of the many details that were changed involves the face of Tyrion Lannister, as played by Peter Dinklage. Specifically, it s Tyrion Lannister s nose, which for much of the story in the novels doesn t even exist, while Peter Dinklage s version instead got away with n nothing but a nasty scar across his cheek, presumably so HBO viewers wouldn t be disgusted by one of their favorite characters having a huge hole in the middle of his face. In this week s news, Dinklage is fully going the opposite direction, as he is now attached to star in an MGM musical called Cyrano based on the classic 1897 play Cyrano de Bergerac by Edmond Rostand, which has previously been adapted as a film a few different times, including one in 1950 starring Jose Ferrer and one in 1990 starring Gerard Depardieu. Peter Dinklage also starred as Cyrano de Bergerac in a 2018 stage production, and Hayley Bennett, who co-starred opposite Dinklage as Roxanne, will also reprise that role in this musical version. Cyrano will be directed by Joe Wright, who recently earned Gary Oldman a Best Actor Oscar for his performance as Winston Churchill in Darkest Hour, and whose next film is the upcoming The Woman in the Window (which will debut on Netflix), starring Amy Adams. Ben Mendelsohn and Brian Tyree Henry will also co-star in Cyrano.6. TOM HANKS TO REUNITE WITH ROBERT ZEMECKIS FOR DISNEY S PINOCCHIO (Photo by Everett Collection)As Walt Disney Pictures proceeds to adapt the bulk of their classic animated canon as live action remakes, one of the biggies that still hasn t happened yet is 1940 s Pinocchio (Certified Fresh at 100%), which was Disney s second feature film after Snow White and the Seven Dwarfs. Disney has gotten close in the past few years, with a few different filmmakers attached, but it appears this week that they may have finally found the winning combination. Tom Hanks has remained in talks to co-star as Gepetto, and the new director now being eyed for the job is Robert Zemeckis, himself a frequent collaborator with Tom Hanks. The pair first worked together in Forrest Gump, which was followed a few films later by both Cast Away and The Polar Express. Zemeckis next film, still awaiting release during the COVID-19 pandemic, is his remake of Roald Dahl s The Witches, featuring Anne Hathaway, Octavia Spencer, and Chris Rock.7. JAMES WAN REVVING UP A KNIGHT RIDER REBOOT (Photo by ©Universal TV courtesy Everett Collection)In between directing and producing the first several Saw movies and directing The Conjuring 2 and Aquaman, James Wan also directed the 2014 car heist sequel Furious 7 (Certified Fresh at 82%). Wan is now looking to add another movie featuring, no doubt, some crazy automobile handling, as his Atomic Monster production company is on board bringing back the classic 1982-1986 NBC TV show Knight Rider. David Hasselhoff starred in Knight Rider as Michael Knight, an ex-cop recruited to pilot an A.I.-powered super car called K.I.T.T. as they travel across the United States solving various crimes. This is far from the first time that a Knight Rider movie has been put into development, which dates at least as far back as the 2000s. Former video game writer TJ Fixman is now adapting the Knight Rider screenplay, which will reportedly be set in the present day.8. WHITNEY HOUSTON BIOPIC I WANNA DANCE WITH SOMEBODY LIKELY FOR LATE 2022 (Photo by Suzie Gibbons/Getty Images)Following the 2018 box office success of the Queen movie Bohemian Rhapsody, Hollywood has been stepping up its various plans for musical biopics, with both Respect (about Aretha Franklin) and Baz Luhrmann s Elvis Presley project now due out by late 2021 (thanks, pandemic). One of the projects we ve been hearing the most about is I Wanna Dance With Somebody, chronicling the life of Whitney Houston. This week, Sony Pictures came on board the project, with director Stella Meghie (The Photograph) now attached. Sony reportedly hopes to start production in time for a release around Thanksgiving, 2022. In the meantime, of course, Meghie and Sony will have to find the singer and/or actress who will be able to reasonably approximate Houston s singing talent.9. JENNIFER GREY S NEW DIRTY DANCING MOVIE OFFICIALLY CONFIRMED (Photo by Vestron Pictures courtesy Everett Collection)One of the stories in The Weekly Ketchup just a few weeks ago involved what at the time was just this side of a rumor. What was known was that Jennifer Grey, who probably remains best known for starring in Dirty Dancing (just above playing Ferris Bueller s sister), was rumored to be producing and starring in a new Dirty Dancing movie, possibly set in the 1990s. The setting is not directly confirmed in this week s news, but we can now report that Lionsgate has indeed confirmed that they are developing a new Dirty Dancing movie in which Jennifer Grey will star and executive produce. The major new element to be added to the story this week is that the film, whatever it actually is, will be directed by Jonathan Levine, a frequent Seth Rogen collaborator whose credits include 50/50 (Certified Fresh at 93%), Warm Bodies (Certified Fresh at 81%), and Long Shot (Certified Fresh at 81%). It s not yet known if Levine s involvement might suggest Rogen could join Jennifer Grey as one of the new Dirty Dancing stars. Is it okay to put Seth Rogen in the corner?s3赛季什么时候开始找手游联运系统谈做手游代理需要做些什么准备?手游是目前游戏里的主流,就算是火了几十年的电脑端游也逐渐的向手游发展。因为现在科技已经比以前发达了许多,所以手机的功能也越来越强大,以前不可能实现的现在通过手机都可以实现。这也注定了手游会越来越火爆。

3. 激战团竞模式
当然,在LOL手游里面,你要是对自己的操作有足够的信心,那么同样可以以操作取胜,但这也仅限一对一或者是一对二的时候,再多一点就肯定不行了。之所以说同样也可以以操作取胜,是因为目前为止,无论是线上的防御塔伤害还是野区的野怪伤害,都不能够直接威胁到英雄,那么在某种程度以上,一些打破常规的套路是可以使用的。

4. 呼朋唤友 随心所欲
2.体验感,玩法较差,过于肝。由于刚开服不久,会遇到各种各样的bug,这严重影响了玩家的体验感,比如匹配机制中,多位玩家表示低段位匹配到了高段位玩家,很不公平。而在国内游戏中很常见的卡牌玩法也成了一大槽点,卡牌中的移动战斗系统给人一种不完善不连贯的感觉,不像真正的3d手游也不像卡牌手游。众所周知,肝是网易游戏的一大特色,很多没有玩过网易手游的玩家无法接受,而且很多原著粉早已成年上班,无法花费太多的时间在游戏上,这也是玩家流失的原因。

5. HD 画质与高品质音讯
使用強大的百度引擎4建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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0.75.5 6月喜迎(Photo by Rogue Pictures, Dimension Film, New Line, DreamWorks / courtesy Everett Collection)All 20 Wes Craven Movies Ranked by TomatometerWes Craven s debut, 1972 s scarring rape-revenge thriller The Last House on the Left, was among the first cross-cultural grindhouse flicks out there: It cost ,00 to make and made back 36 times as much. At the time, America was mired deep in a losing Vietnam War slog just as its citizens lost faith in their social institutions, a mood reflected in Last House s success, announcing audiences new appetite for gritty, grubby, boundary-pushing cinema. Craven, already hardened beyond most normal sensibilities after a previous career directing pornographic films under different nom de guerres, knew how to push the violence, sex, and rage right up to the edge.With aspirations to emerge from the horror grotto, Craven nonetheless returned to the genre in 1977 with the agitated, belligerent The Hills Have Eyes, which transported the menace of Last House into the desert mountains.The 80s were the golden age of slasher movies, with thanks in no small part to Craven. He dipped his toe into the subgenre with 1981 s Deadly Blessing, before making the enormous slashy splash with A Nightmare on Elm Street. Dozens of slashers were being released a year by 1984, but it was Craven s bright idea to freshen things up by bringing the supernatural into the mix, thus creating one of horror s great icons: Freddy Krueger, as portrayed by Robert Englund.Horror films had a tough go at it in the 90s, both creatively and at the box office, with Craven one of few genre directors to survive with a career intact. Always one to infuse satire and literacy into the shocks wherever he could, Craven turned to meta-textual tricks for New Nightmare and Scream. The latter fit like a knife in snug flesh with the decade s laid-back cynicism, ushering in a new age of teen slashers.Highlights of Craven s post-Scream career include, of course, the well-received first sequel, directing Meryl Streep to an Academy Award nomination in Music of the Heart, and the Certified Fresh thriller Red Eye. Scream 4, in 2011, would become his final movie – and it just recently ticked over onto Fresh territory. Here, we look back on a storied film journey from one of the undisputed masters of horror, with all Wes Craven movies ranked by Tomatometer!
峡谷新程这个活动还有一个比较吸引玩家的地方,那就还对端游玩家的回馈。虽说在开服的这几天,很多玩家表示,手游与端游完全就是两个不一样的游戏,但是这不妨碍玩家直接绑定端游。而只要绑定玩家端游账号,就能凭借端游账号的活跃度以及资产等级获得回馈奖励。
Horror movie fans will be familiar with the concept of the Final Girl. The term was originally conceived in 1992 by Carol J. Clover as a way to describe the traits of the sole female victim who remains alive to tell the story of a film’s violent crime – or many violent crimes. Clover’s central idea was that, in the films where the trope is evident, the viewer initially sees the Final Girl through the killer’s perspective, but that partway through the movie, they begin to identify directly with her instead.Final Girls illustrated the moral split between the chaste and the virtuous. You know the deal – the hard-drinking, promiscuous girl dies first, and the demure, virginal girl survives to take down the murderer. She s the final one standing. Pop culture is replete with characters that fit the bill – Jess Bradford in the original Black Christmas, Sally Hardesty in The Texas Chainsaw Massacre, Nancy Thompson in The Nightmare on Elm Street – and their existence has become as integral to the slasher genre as the killers themselves.(Photo by Lionsgate/Courtesy Everett Collection)But that was then and this is now. The original Final Girl is slowly but surely being crowded out by a newer, more progressive iteration that acknowledges the restrictive ideas that initially gave birth to her. Over the last couple of decades, and particularly in the last 10 years, the last girl standing has looked a lot different from the final girls of the past. Progressively, in films like Scream, The Cabin In The Woods and It Follows, final girls have complicated the existing frame of the trope by pushing against its restrictions. Whether it’s by having sex, refusing to be constricted by archaic ideas of femininity, or simply by teaming up to fight together, these women now survive despite leading lives the genre used to consider wholly immoral and in need of corrective punishment – they’re a new kind of Final Girl. The Final Girls who were introduced in the 1970s and 1980s have become more nuanced over time, and that progress paved the way for the Finals Girls of Ready or Not and 2019’s Black Christmas who directly confront issues of misogyny and sex negativity.In some ways, the New Final Girl is almost the original Final Girl’s polar opposite. Rather than surviving because of her innocence, naïveté or virginity, the New Final Girl is the woman who makes it to the end of the film alive specifically because of her rejection of the old norms about what makes a woman morally deserving. The New Final Girl embraces drink, drugs, and sex and defends her engagement in each of them. She insists on being seen as a full human being and actively, often violently defends her right to do so. Most of all, the New Final Girl is still an active participant in her own survival – she knows the original Final Girl shouldn’t have had to sand off her edges to stay alive. The New Final Girl is not a virginal survivor but an intentional fighter who asserts her right to exist despite perceived moral flaws.(Photo by © Universal /Courtesy Everett Collection)In the 2019 sequel slasher Happy Death Day 2U, Tree Gelbman (Jessica Rothe) finds herself once again stuck in the murderous time loop of the first film. Over and over, she relives the same day, and it ends when she is brutally murdered by a serial killer known as Babyface. In the first film, the culprit is Tree’s sorority sister and roommate Lori (Ruby Modine). The two women are both having an affair with the same married professor, and Lori’s jealousy puts Tree in her crosshairs. In the sequel, Babyface is none other than the philandering professor himself, trying to eliminate any evidence of his transgressions.What makes Tree’s Final Girl status so interesting is that she begins the story as one of the “immoral women” who would usually die in a thriller. Tree is, by all accounts, a typical sorority mean girl. When we meet her, she is recovering from a night of partying and on her way to meet the professor she’s carrying on with. And in fact, she does die, over and over again, punished for her ruthlessness, immorality, and general misbehavior. But through the mechanics of the film itself, she evolves into a New Final Girl through sheer determination. (Photo by © Universal /Courtesy Everett Collection)In both films, Tree breaks her loop and returns to her life not by becoming more virtuous, but by becoming a more compassionate and considerate person. She improves and grows as a character – including ending her affair – not because those things make her unworthy of redemption, but because they are not the best choices for her as a person. She undergoes significant character growth without ever placing a moral frame on her sexuality or femininity. And through each of the infinite deaths it takes her to get there, she plots and schemes to find her killer and thwart them, determined to prevent her eventual death and save herself. Tree is a novel subversion of the trope because it’s her death itself that furthers her character growth. Several times, she intentionally kills herself in service of a larger goal; sometimes to gather more information about her situation and sometimes to undo the murders of other characters. As a result, her deaths then become an intentional sacrifice that signals her increasing virtue, instead of confirming its absence. It’s a large departure from the way the original Final Girls functioned in films like these.Cate YoungSimilarly, the evolution of Halloween’s Laurie Strode (Jamie Lee Curtis) into a New Final Girl in the film’s 2018 sequel of the same name is particularly notable because the character’s first iteration was in many ways the definitive final girl – most other examples are direct descendants of her legacy. In the first film, Strode is left as the sole survivor of the serial killer Michael Myers murder spree – the only young woman in the film who chose to abstain from the usual vices. Her survival largely conformed to expectations for women in horror at the time, and helped to cement the trope in the genre.But in the film’s most recent sequel – which retcons several that had come before –Laurie is now an older woman, driven to extremes by her fixation on stopping Myers return. In the 40 years since the events of the first film, Laurie has grown into an obsessive, battle-worn veteran of the war in her own mind. She may not be having sex or doing drugs, but she s far from the pure, likable babysitter we met decades earlier. She is convinced that Myers will return and has devoted her life to preparing for that eventuality. In the process she has lost custody of her daughter and become estranged from her daughter’s family. She is perceived as a lonely old woman too traumatized by her past to move on. Cate YoungOf course, Myers does eventually return. But this time Laurie is ready for him, having rigged her entire house to trap and kill him. Whereas in 1978 she was permitted to survive by virtue of her moral purity, in 2018 she fights like hell for that survival, taking active steps to make sure that Myers can no longer victimize her. She takes the lead in tracking Myers down and trapping him on her home turf. After spending years contemplating and preparing for the return of his torment, Laurie has transformed herself into the Ultimate Final Girl through sheer force of will. She has no intention of being defeated yet again.Critically, Laurie must also protect her daughter Karen (Judy Greer) and granddaughter Allyson (Virginia Gardener) this time around, folding them into a generational legacy of victimization and defense. When the threat they have dismissed for so long reveals itself to be real, they join forces with Laurie to fight and eliminate it – Myers is now a specter that haunts them all, the source of their estrangement and the origin of their familial trauma. Defeating Myers together connects the women as Final Girls of a new generation, forcing them all to overlook their own and each other s flaws in order to face the embodiment of their fractured relationships. Laurie leads the charge, but her family takes up her mantle. This isn’t to say that the old trope never survives. In fact, Allyson’s best friend Vicky is killed during a babysitting job soon after letting her wayward boyfriend into the house. It wouldn’t be a stretch to interpret her death as the same kind of stark moral judgement that historically happened in slasher films. This is especially true given the contrast with Allyson’s own encounter with Myers. After her boyfriend’s best friend inappropriately propositions her, he is immediately murdered while she survives. His overeager instinct to breach her consent should absolutely have been corrected, but death is a disproportionate response. The message couldn t be clearer: all sexual impulses exist along the same punishable continuum, regardless of how welcome they might be to the participants involved.(Photo by © Neon /Courtesy Everett Collection)One of the starkest examples of this shift in recent years is 2018’s Assassination Nation, which explored the trope in thrilling style. Set in conservative Salem, the movie focuses on a group of teen girls who find themselves at the center of a small-town lynch mob when they are blamed for the release of the community s private information. The girls are not guilty of the mass doxing, but their reputations as “loose women” make them ideal targets for the ire and anger of the town’s men and boys. The girls — Lily (Odessa Young), Sarah (Suki Waterhouse), Bex (Hari Nef), and Em (Abra) – are known at their high school for their skimpy outfits, their questionable choices in boys, and their perceived promiscuity. They are open about and proud of their burgeoning sexuality and enjoy exploring their relationships to the men in their lives. Lily is dating an abusive high school boy and carrying on an illicit affair with a married neighbor. Bex is trans and keeping her relationship with the popular football player a secret at his request. Sarah and Em are living with their mother Nance, who is implied to be operating a brothel out of her home. When the community devolves into ultraviolence, the citizens hunt the girls across the town, determined to punish them for being forced to confront their own once-private sexual shames. As the balance of power shifts, the horror genre tropes follow in quick succession. From a coordinated home invasion to a horde of masked killers to the use of guns and baseballs bats — the most American of weapons — the girls suddenly find themselves in the middle of their very own slasher film.(Photo by © Neon /Courtesy Everett Collection)At another time, all four of these women would be fated to die before the credits rolled. Their proximity to vice marks them as fallen women, and only the morally pure survive the transformative power of abject terror. But as New Final Girls, all four of them not only survive but continue on to restore order to the town. The girls rescue each other from the outsized violence the men are trying to inflict on them (including an attempted rape and hanging) and take up arms to defend themselves both literally and in abstract. The film ends as they deliver a call to action to the town’s girls, surrounded by bodies and covered in glitter, both claiming the righteousness of their femininity and rejecting the ubiquity of patriarchal terror. Through female solidarity they all survive and mete out the violence necessary to do so. Assassination Nation is unique in that the girls are explicitly targeted because of their sexuality – usually, this aspect of the genre is left as subtext. But here, the trope is almost deconstructed by bringing both the reasons for their attack and subsequent defense to the surface. They become New Final Girls because, given the plot constraints, their only options are to transform themselves or die. (Photo by © Universal Pictures / courtesy Everett Collection)The New Final Girl is a natural evolution of the original trope. Stories are becoming more egalitarian, and with that comes a necessary examination of the moral dimension of the traditional way women are depicted on film. But in the end, all these Final Girls aren’t as different from each other as we might think. The virtuous distinction that we make between them is largely based on an old patriarchal frame that divides women into Madonnas and Whores, then kills the whores. Part of making the genre more progressive – or dare I say feminist – is rejecting that binary entirely.Teenaged Laurie Strode and college-aged Tree Gelbman might have led different lives and made different choices, but when it came down to it, they both survived because they resolved to fight and refused to die. The haunting specter of violent masculinity came for all the women mentioned here, and they all triumphed, even under the restrictive gaze of a society that expects feminine perfection. But no matter how stark the contrast may be, these changes are progressive strides that honor the history of the slasher genre in inventive ways while bringing them into the contemporary moment. The Final Girl survived, but the New Final Girl thrives, and she’s ready to fight again another day.Follow Catherine Young on Twitter @battymamzelle

(Photo by Amazon Prime)Podcasts are invading the TV medium in earnest with adaptations of top series dropping across broadcast and streaming — and even more on the way.It used to be that the only way to experience a hit podcast was to pop in your earbuds. But now, it’s just as easy to plop yourself down on the couch and turn on the TV. Three podcast adaptations made their television debuts in November 2018 alone — Amazon’s Homecoming, Bravo’s Dirty John, and Oxygen’s Up and Vanished. The first two are now up for Golden Globe awards on Sunday for best drama series and best performance by and actress in a TV drama (Julia Roberts) for Homecoming and best actress in a limited series or TV movie for Connie Britton s Dirty John performance.Though the three shows are hardly the first podcasts to make the jump to TV, they do seem to be indicative of the growing trend.“This year was a big pivotal moment because you had very aggressive formal interest from television and film studios, as well as coordinated and formalized attempts by podcast companies to build that pipeline,” explains Nicholas Quah, a journalist who covers podcasts and writes a newsletter about the industry, Hot Pod. Quah credits one outlet in particular, Gimlet Media, for jumpstarting the adaptation process. The ambitious company’s non-fiction, real-time account of its founding, Startup, became the ABC sitcom Alex Inc., starring Zach Braff.While the saccharine ABC comedy was quickly canceled (its 40% Tomatometer score reflects its critical appeal), the company’s second attempt has been a resounding success. The Julia Roberts–starring Amazon Prime Video series Homecoming, based on the fiction podcast of the same name, is Certified Fresh with a glowing 98% Tomatometer score. That these two podcasts from the same company had such drastically different fates once they reached the small screen speaks to how variable the podcast-to-TV trend is.Good podcasts don’t inherently make great TV. There are some things that podcasts can do that TV can’t, and the reverse is certainly true as well. Rotten Tomatoes spoke to the creators of all three of November’s shows to learn about what went into adapting these podcasts, and what that means for the future.Homecoming’s New Televised HomeEven as a podcast, something about Homecoming always felt cinematic. The scripted radio drama, a psychological thriller about a facility whose purported mission of helping returning veterans transition to civilian life might mask something more nefarious, featured top-tier talent from the start. Actors Catherine Keener and Oscar Isaac voiced main characters, and the dialogue-driven script resembled the flow of a TV show or film. It was a natural fit for television, and many of its characteristics stayed the same when it jumped mediums. The podcast’s creators and writers, Eli Horowitz and Micah Bloomberg, oversaw the TV show as well, with Mr. Robot creator Sam Esmail executive producing and directing. There were some changes, though, like a new, possibly even more star-studded cast (Julia Roberts!), and the whole “adding visuals” thing.“In the podcast, we really had complete control of information, the questions, and the scope of the story,” Horowitz tells Rotten Tomatoes, noting how the audio-only version of the story didn’t have room for background details or questions. If a character didn’t mention something, it didn’t exist. On a TV show, though, the way objects are arranged on a character’s desk can be telling.“In the podcast, the whole world is based on voices and ambient tones and when people are speaking to another person,” Bloomberg adds. “When you go to script format or visual, there’s a way to communicate stuff faster and more precise when you can see it.”He cites the opening of the Amazon show’s fourth episode, a wordless montage of a drug manufacturing process, as a prime example.“That’s the type of communication that is totally unavailable to the podcast,” he says,” [that] you get so much story from in this two- or three-minute scene.”Then again, there are other things a podcast does that a television show can’t.“Audio offers this real immediacy and authenticity and connection with the characters,” Horowitz says. “You can really sink into these conversations and listen to the way you would any conversation. Television, I don’t think, has that. There’s a greater sense of artifice, a greater sense of separation between you and it.”Horowitz and Bloomberg say they were both focused on making a story that was right for the specific medium when working on both versions of the show. Neither is “the definitive” version, they say. Some people will like both, some might prefer the podcast, and others, like Bloomberg’s mom, will prefer the show.“My mom couldn’t listen to the podcast,” Bloomberg recalls. “She was bored to tears by it, but she watched the show all in one sitting, got to the end, and was crying. I think they offer different people different stuff, so I think they’re both great in different ways.”Dirty John Gets the Bravo TreatmentDirty John, now approaching its series finale, is a different sort of adaptation than Homecoming. Bravo’s series dramatizes the popular true-crime podcast from the Los Angeles Times, which followed the exploits of John Meehan, a serial liar who conned his way into a dangerous, abusive relationship with well-off Orange County designer Debra Newell.Bravo’s scripted dramatization casts Eric Bana and Connie Britton as the main characters, and retells the story with an uncanny mix of ridiculousness and creepiness. It’s akin to a ripped-from-the-headlines version of Desperate Housewives, which makes sense, given that one of t
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Join us weekly as Rotten Tomatoes reports on what s opening, expanding, and coming to the specialty box office. From promising releases from new voices to experimental efforts from storied filmmakers – or perhaps the next indie darling to go the distance for end-of-year accolades – we will break it all down for you here each week in Fresh Indie Finds. This week at the specialty box office, we focus on three dark new films that will terrify you in exciting, original, and confronting ways. Fun, right? Walton Goggins plays a snake-charming faith healer with a dark disposition in Them That Follow; Octavia Spencer plays the meddlesome teacher of a star student who may be hiding a secret in Luce; and director Jennifer Kent chronicles the horrors of colonization in Australia for her The Babadook follow-up, The Nightingale. In our indie trailer section, we see have our first look at Robert Pattinson – OK, fine, Battinson – in The Lighthouse and the first trailer for a Sundance standout.Opening This Weekend
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• Sweet Tooth is the series adaptation of the comic by Jeff Lemire, a post-apocalyptic fairytale about a hybrid deer-boy and a wandering loner who embark on an extraordinary adventure together. Stars Christian Convery, Nonso Anozie, Will Forte, and narrated by James Brolin. Premieres June 4. (Netflix)• The Me You Can’t See is a mental health docuseries from producers Oprah Winfrey and Prince Harry. Premieres May 21 (Apple TV+)• Home Before Dark, season 2, continues the drama based on the life of journalist Hilde Lysiak, who tries to unravel a cold case that even her own father tried to keep a secret. Stars Brooklynn Prince, Jim Sturgess, Abby Miller, Michael Weston, Joelle Carter, and Sharon Lawrence. Premieres June 11. (Apple TV+)• Feel Good, season 2, continues Mae George’s complicated love story continues as Mae struggles to come to terms with the ghosts from her past. Stars Mae Martin, Charlotte Ritchie, Eve, Anthony Head, John Ross Bowie, and Lisa Kudrow. Premieres June 4. (Netflix)• Good on Paper is a comedy about a comedian who meets a quirky nerd who makes her reconsider focusing solely on her career. Stars (and was created by) Iliza Shlesinger. Also stars Ryan Hansen, Margaret Cho, and Rebecca Rittenhouse. Premieres June 23. (Netflix)• The Ice Road is an action movie that sees Liam Neeson playing an ice road truck driver who has to lead a rescue mission across a terrifying (and thawing) frozen ocean to try to save the victims of a remote collapsed diamond mine. Also stars Laurence Fishburne. Premieres June 25. (Netflix)• The Fear Street Trilogy is a series of horror movies that take place in 1994, 1978, and 1666, which are released as a three-week event on July 2, July 9, and July 16, respectively. Stars include Maya Hawke, Fred Hechinger, Jordana Spiro, and Gillian Jacobs. (Netflix)• 1971: The Year That Music Changed Everything is a docuseries about the music and musicians of 1971, who continue to influence the music world today, including The Rolling Stones, Aretha Franklin, Bob Marley, Marvin Gaye, The Who, Joni Mitchell, and Lou Reed. Premieres May 21. (Apple TV+)For all the latest TV and streaming trailers, subscribe to the Rotten Tomatoes TV YouTube channel.CASTING: Disenchanted, the Enchanted Sequel, Finds Newcomer Gabriella Baldacchino Moving to the ‘Burbs With Mom and Dad Amy Adams and Patrick Dempsey (Photo by Walt Disney Studios)Disney+ has set the cast of Disenchanted, the live action musical comedy sequel to the Oscar-nominated movie Enchanted. Amy Adams, Patrick Dempsey, James Marsden, and Idina Menzel return from the original; newcomer Gabriella Baldacchino will play Morgan, the daughter of Giselle (Adams) and Robert Philip (Dempsey); and new cast members include Maya Rudolph as Malvina, Giselle’s new adversary in Monroeville, Kolton Stewart (Some Assembly Required) plays Malvina’s son, Yvette Nicole Brown will portray Rosalyn, Jayma Mays (Glee) will play Ruby, and Oscar Nunez will play Edgar. The sequel finds Giselle and Robert leaving Manhattan and moving to the ‘burbs.Jeremy Irvine (Treadstone) is a leading contender to play gay superhero Alan Scott (the first Green Lantern) in HBO Max’s Green Lantern series, Variety reports. Finn Wittrock (American Horror Story: Freak Show) has already been cast as Guy Gardner in the series.Add another one to the impressive Knives Out 2 cast list: One Night in Miami Oscar nominee and Hamilton star Leslie Odom Jr., who joins Daniel Craig, Edward Norton, Kathryn Hahn, Janelle Monae, and Dave Bautista to shoot the sequel for Netflix in Greece this summer. (THR)Jenna Ortega (Scream, The Fallout) has been cast in the Tim Burton-directed Wednesday, a live-action Netflix comedy about Addams Family daughter Wednesday Addams. The series will be not only Burton’s TV directing debut, but it will mark the first time Wednesday has been the star of her own adult vehicle, separate from her creepy, kooky, altogether ookie family. Netflix’s official description of the series: it is a “sleuthing, supernaturally infused mystery charting Wednesday Addams’ years as a student at Nevermore Academy. Wednesday s attempts to master her emerging psychic ability, thwart a monstrous killing spree that has terrorized the local town, and solve the supernatural mystery that embroiled her parents 25 years ago — all while navigating her new and very tangled relationships at Nevermore.” Al Gough and Miles Millar (Smallville) will be the Wednesday showrunners.Grey’s Anatomy alum Sara Ramirez has joined the Sex and the City reboot And Just Like That …, playing a non-binary queer comedian, Che Diaz, who hosts a podcast that Carrie Bradshaw (Sarah Jessica Parker) frequently guests on. (TVLine)Noah Mills (The Falcon and the Winter Soldier) has joined the cast of CBS’s NCIS: Hawaii spin-off, where he’ll play a former homicide detective named Jesse, who moves to Hawaii to start a new life. (Variety)Cherry Jones will play a hospital administrator in Five Days at a Memorial, the limited series about the devastation of Hurricane Katrina, at Apple TV+. The Emmy and Tony winner will star with Vera Farmiga in the project, from Carlton Cuse and John Ridley, based on the Pulitzer Prize-winning book of the same name by author Sheri Fink.(Photo by Kevin Winter/Getty Images)Jon Bernthal, Josh Charles, and Jamie Hector have joined the cast of We Own This City, HBO’s limited series about the Baltimore PD’s Gun Trace Task Force. The Walking Dead alum Bernthal will play a police sergeant at the center of the federal corruption case surrounding the Task Force, while Hector (The Wire) plays a BPD homicide detective who had to testify before the jury in the case, and Charles (The Good Wife) plays a Baltimore cop whose brutality on the job made him the subject of many complaints from the city’s residents. Based on the book of the same name by Baltimore Sun reporter Justin Fenton, the six-episode series is executive produced by The Wire producers David Simon and George Pelecanos.The second season of HBO’s The Righteous Gemstones is adding Eric Roberts, Eric Andre, and Jason Schwartzman to the cast of the televangelist family comedy. Roberts will play the son of John Goodman’s Eli, who suddenly re-enters his father’s life; Andrew plays a megachurch pastor from Texas; and Schwartzman plays a journalist doing a story on the Gemstone Salvation Center.The cast of Mindy Kaling’s HBO Max comedy The Sex Lives of College Girls has added Sherri Shepherd, Rob Huebel, and Nicole Sullivan to a line-up that stars Pauline Chalamet, Amrit Kaur, Reneé Rapp, and Alyah Chanelle Scott as the titular roommates at a prestigious New England college.Outlander star Graham McTavish has confirmed he is in the Game of Thrones prequel series House of the Dragon, though he declined to share any details about his role in the series about the ancestors of Daenerys Targaryen. Matt Smith, Paddy Considine, Olivia Cooke, Eve Best, Steve Toussaint, Rhys Ifans, and Sonoya Mizuno also star in the HBO series.HBO has added several cast members to its Watergate drama White House Plumbers, Variety reports, including Gary Cole, who will play the deputy director of the FBI, who was eventually revealed to be the famous “Deep Throat,” and John Carroll Lynch will play John Mitchell, the head of Richard Nixon’s re-election campaign. Nelson Ascencio,  Toby Huss, Zoe Levin, Zak Orth, Tony Plana, and Tre Ryder will also join leads Woody Harrelson and Justin Theroux, and supporting cast Lena Headey, Domhnall Gleeson, Kiernan Shipka, Ike Barinholtz, Yul Vazquez, David Krumholtz, Rich Sommer, Kim Coates, and Liam James in the five-episode project.PRODUCTION DEVELOPMENT: Arnold Schwarzenegger Father-Daughter Spy Series a Go a Netflix (Photo by The Chosunilbo JNS/Imazins via Getty Images)Netflix has picked up to series an untitled Arnold Schwarzenegger spy drama that is the action movie star’s first TV series. Ah-nold and Monica Barbaro (Top Gun: Maverick) will play a father and daughter who are forced to work together after learning they’ve both actually been working as CIA operatives for years. Schwarzenegger will also be an executive producer on the project.Like The Last Dance with Michael Jordan, The Captain is an upcoming ESPN docuseries that will include full access to its subject – New York Yankees legend and Baseball Hall of Fame member Derek Jeter. The series will be executive produced by Spike Lee, and is scheduled to premiere in 2022.Peacock has ordered a 10-episode season of Vampire Academy, another vampire drama from Julie Plec (The Vampire Diaries and The Originals). The series is an adaptation of a series of YA paranormal romance novels by international bestselling author Richelle Mead.Hulu will premiere McCartney 3,2,1 on July 16. The six episodes will feature Beatles legend Paul McCartney in conversation with super producer Rick Rubin, with McCartney doing a deep dive on “his life’s work – more than 50 years of culture-defining music” with the Beatles, Wings, and his decades of solo songwriting and singing.Great news for fans of Housewives and various people who sell real estate and work on yachts: BravoCon returns to New York City in October. Tons of “Bravolebrities” will be in attendance at the follow-up to the massively popular inaugural 2019 event, as well as series producers and the ring leader of the entire event, Andy Cohen.(Photo by Roy Rochlin/Getty Images)Kumail Nanjiani will star in and executive produce the eight-episode true story of Somen “Steve” Banerjee, the Indian-American entrepreneur who started Chippendales in Hulu’s Immigrant. Banerjee’s tale is, Hulu says, an “insane, darkly comedic, crime-ridden story” about his revue that became a pop culture phenomenon. Meanwhile, Discovery+ is producing Curse of the Chippendales, a four-part true crime docuseries that “tells the story of how a new kind of dance troupe took the L.A. nightclub scene by storm and ended up with international fame and untold wealth, along with bizarre murder plots and multiple deaths entwined in their legacy.”FX has ordered two seasons of Welcome to Wrexham, a docuseries that will unfold the story of how It’s Always Sunny in Philadelphia and Mythic Quest creator Rob McElhenney and Ryan Reynolds bought one of the world’s oldest professional football (soccer) teams. McElhenney and Reynolds were social media pals when they teamed up in 2020 to buy the struggling British team from Wrexham, a working-class town in North Wales, UK. The series will document their efforts to make the underdog Red Dragons a comeback story, as well as the actors’ commitment to doing right by the townspeople rooting for the team. The Red Dragons were founded in 1864, and currently compete in the National League, the fifth tier of the English football league system.Issa Rae is bring back Project Greenlight, the HBO reality series in which the next generation of female filmmakers are given the chance to direct a film. The eight-episode series will find Rae mentoring the women along the way, as they make a film that will then premiere on HBO Max.30 Rock alum Jack McBrayer will produce and star in an Apple TV+ kids series called Hello, Jack! The Kindness Show, a live-action series that uses McBrayer’s infectious humor and positivity to teach children how to solve problems with “The Three Cs”: Caring, Connection, and Cascading from one person to another. McBrayer created the series with Angela C. Santomero, co-creator of Blues Clues and the author of the book Radical Kindness.WarnerMedia is celebrating the 20th anniversary of Harry Potter and the Sorcerer’s Stone with a five-night event that includes four one-hour quiz shows that will give Potter fans the chance to share their knowledge of the Potterverse, followed by a retrospective special on the movie. The event will premiere on HBO Max, Cartoon Network, and TBS at the same time, later this year.J.J. Abrams, Matt Reeves, and Batman: The Animated Series co-creator Bruce Timm (one of the gold standards for superhero storytelling) are executive producing Batman: Caped Crusader, a new animated reimagining of the Batman mythology for HBO Max and Cartoon Network. The networks are also teaming up for My Adventures with Superman, another animated series that will feature The Boys star Jack Quaid as the voice of Superman/Clark Kent.Adult Swim is launching four new digital shorts that are spin-offs inspired by characters from Rick and Morty, Your Pretty Face Is Going to Hell, Robot Chicken, and Aqua Teen Hunger Force. The online series will feature all new storylines, and will premiere later this season. Each spin-off series – The Vindicators, with superhero characters from Rick and Morty; Alabama Jackson, a time traveler played by Donald Faison, who also created the character during a Robot Chicken panel at San Diego Comic Con; Aquadonk Side Pieces, a where are they now continuation of the Aqua Teen world; and Your Pretty Face Is Going to Hell: The Animated Series, a fifth season of the comedy, now animated – will consist of eight to 10 episodes.

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s3赛季什么时候开始 It s worth noting that Angel of Darkness, while technically a sequel to the first season, works as its own standalone story. Brühl s Dr. Kreizler reunites with his rag-tag investigative cohorts Sara Howard (Dakota Fanning), now running her own detective agency, and New York Times journalist John Moore (Luke Evans) as they work to solve a string of baby murders amid a backdrop of political and cultural turmoil. The themes of women s rights, police brutality, and racism create a conflicted, yet timely, story here.Ahead of the show s return, Rotten Tomatoes spoke with Brühl about how his character has evolved since the series premiere, whether the show s disturbing subject matter gives him nightmares, how the themes explored in The Alienist: Angel of Darkness are relevant today, and if the COVID-19 shutdown delayed his work on The Falcon and The Winter Soldier.(Photo by TNT)Aaron Pruner for Rotten Tomatoes: This season focuses a lot on Sara Howard, while Kreizler is cultivating his own relationships. Has Kreizler, as a character, changed in how you interpret him since you first took on the role?Daniel Brühl: Knowing about Sara s psychological skills, Laszlo Kreizler is eventually willing to share power and to give in and to let Sarah Howard be in charge of that new mystery and of that new case. He becomes, emotionally, a more open-minded man thanks to the friendship with Sara and John and eventually even finds a kindred spirit, someone who he finds very fascinating.It s so interesting because my wife is an alienist in real life. And she told me that many times the most brilliant psychologists you know, become very nervous when they have to deal with, you know, their own introspection and their own inner life. So they may be brilliant in, you know, analyzing their environment, and yet, they have problems in expressing what they are going through.The theme of child murder continues in season 2. Is it tough to separate yourself from the dark subject matter of the show?Brühl: It didn t affect me that much when we were shooting the actual show, but watching it now gives me nightmares. I m the father of a little boy and expecting my second baby to arrive soon. The fact that this show this time around deals more with motherhood and fatherhood, respectively, felt more universal. It was also interesting to realize how engaged my wife was when she watched the show. She said that it resonated more with her than the first season.(Photo by Nelly Kiss/TNT)This is a period piece, yet the issues explored in the series continue to feel quite timely — women s rights, sensationalism in the news, police corruption, income inequality, and racism. What message are you hoping viewers will take away from watching?Brühl: It is very sad to see how long it takes for mankind to really make a change. It s funny how history goes in waves. I wouldn t say that it always goes in the wrong direction. Sometimes we advance, sometimes we evolve, and then, sometimes we go three steps back. So it is sadly fascinating to see that a story set in 1897 and a book written about that period that was published in the 1990s still feels so current.And what the story tells us is that it always takes a couple of courageous liberal modern minds to make a change. Unfortunately, mankind needs to have the worst things happen in order to move on. So the eruption that, fortunately, we witness these days internationally, due to the things that happened in the U.S., gives me a bit of optimism, because that avalanche, that eruption, and that message that racism has to stop, is being heard loudly and clearly at the moment. I hope that, finally, we will change and, hopefully, carry on doing so. We always have to hope that we will learn something from history.

The Florida Project Director Sean Baker Debuts Latest to Rave Reviews(Photo by Pascal Le Segretain/Getty Images)Wednesday, July 14: The Florida Project director Sean Baker is the focus of our final installment of the Cannes Ketchup. The festival will continue until Saturday with an award ceremony on Friday, but we will end our daily French Dispatch with the premiere and reactions from Baker s Red Rocket. The Tangerine helmer s latest like his previous films is an urban fantasy about a group of people who exist in the margins of society, particularly those who work in the sex industry.This time around, his subject is a narcissistic former porn star turned suitcase pimp down-on-their-luck (usually homeless) hustlers who prey on women to fund them under the guise of being cared for. We follow one who returns home to the Texas gulf after his dreams of porn star glory are dashed out in Los Angeles. Mikey Saber (Simon Rex) may have hit a rough patch, living with his estranged wife, but thanks to a donut counter girl he meets three weeks shy of her 18th birthday, he sees dollar signs in his future.Baker himself has admitted that he expected backlash due to the subject and general lack of accountability for doing dirty deeds, but so far, that has not been the case. Jo-Anne Titmarsh of HeyUGuys wrote, Baker s skewering of modern life is as vibrant and bleak as ever. He elicits some phenomenal performances, through which we see the hollow heart of the America dream. An interesting film to try and peg for end-of-year awards, it will undoubtedly have success at the Independent Spirit Awards, with possibly just enough for an Oscar push for Best Original Screenplay or Rex for Best Actor. Jury President Spike Lee also seemed to be a fan, marking this one a possible dark horse for the Palme d Or. Come back to Rotten Tomatoes on Monday for our festival wrap-up on the best things we saw at Cannes and where you can watch them.Blue Bayou and Aline Impress; Titane Brings Truly Bats t Energy(Photo by Dominique Charriau/Getty Images)Tuesday, July 13: The cast of The French Dispatch had to assemble quickly after the premiere for an early morning photocall on Tuesday, and while everyone opted for a laid-back look, the film, which is Fresh at 88% on the Tomatometer, is still the toast of the town. Later in the day, Justin Chon brought his latest effort, Blue Bayou, to Cannes, and it was received well by critics. Iana Murray of The Playlist wrote, What Blue Bayou does wonderfully in these quiet moments is illustrate that being Asian is not a one-size-fits-all identity but a vast tapestry of different cultures. Chon wrote and directed the feature as he has for all of his previous films, and this time around, he plays a Louisiana man who learns he was adopted illegally and now faces deportation. The Focus Features film looks to hit theaters in September, just in time for an awards season/festival run.(Photo by Carole Bethuel)After its trailer lit up the Twittersphere a few weeks ago and neared cult status among Dion/pop music fans around the globe, the highly buzzed-about unofficial Celine Dion biopic Aline was also surprisingly well received, with Vanity Fair s Richard Lawson noting the film accesses what lies at the heart of Dion as a public figure: she s a bit of a weirdo, goofy and corny and gaudy and fabulous. Aline would have been the hottest topic of the day if it weren t for the film that closed it out, as Julia Ducournau took the shine off everyone with Titane. If you caught and enjoyed Ducournau s first feature, Raw, you will feel right at home with her follow-up, a truly bats t film that features, among other things, vigorous sex with a car, impregnation of said car, a serial killer orgy takedown, and, best of all, the 1990s one-hit wonder Macarena making a triumphant and lifesaving appearance.so many walkouts and shrieks of horrified, delighted laughter during Titane… genuinely demented, totally original body horror serial killer car sex buddy movie… Julia Ducournau you’re truly crazy for this one and I love u rachel handler (@rachel_handler) July 13, 2021Star-Studded Cast of The French Dispatch Wows the Crowd(Photo by Pascal Le Segretain/Getty Images)Monday, July 12: Last night’s premiere for The French Dispatch was the first gala with the electricity and vibrancy of pre-pandemic times. The cast all rode together in a throwback party bus to the Grand Lumiere Theatre, where the assembled crowd was treated to selfies and autographs from the cast members who disembarked. Bill Murray, Timothée Chalamet, Tilda Swinton, Benicio Del Toro, Owen Wilson, Adrien Brody, and director Wes Anderson were greeted with loud cheers as they made their way up the red carpet steps.The film stitches together a series of vignettes related to the final issue of a Kansas newspaper’s French edition. Possibly the most hyper-stylized film of his career with plenty of his signature shots, The French Dispatch dazzled the audience. Festival attendance is significantly down this year with less than half of the delegates from last year present, so many galas have had to close the balcony to fill seats. This was not the case here, as the premiere of Wes Anderson’s tenth feature filled every seat of the grand theater with many outside still hoping for a ticket.The reception has been overwhelmingly positive, with Jessica Kiang of The Playlist calling it, “A work of such unparalleled Andersonian wit, that at times the sheer level of detail mobile, static, graphic and typographic that bedecks the screen will slacken your jaw in awe.” This is one of several films Searchlight will have in contention for the Oscars, but a gorgeous love letter to journalism could be their best bet to repeat after winning last year with Nomadland. Check out our round-up of first reviews to hear what else critics are saying about The French Dispatch.Spike Lee Catches the Euro Cup Between Screenings(Photo by Stephane Cardinale - Corbis/Getty Images)Sunday, July 11: The weekend gave us a flurry of Palme d’Or contenders that many are betting will be favored by the Jury led by Spike Lee. Lee himself still managed to balance a bit of football time between screenings at the Kering Women in Motion dinner. Huddled with some other Croisette A-listers, Lee tried to see what he could from a tablemate’s cell phone before the event organizers wheeled out a television with the Italy vs. England Euro Cup Final on screen.Viva la cinema! Spike Lee pulled up a chair and watched the soccer game during the Kering Women in Motion dinner. #Cannes2021 pic.twitter.com/GQzkK2hw9y Ramin Setoodeh (@RaminSetoodeh) July 11, 2021While the two football clubs battled it out, Ryûsuke Hamaguchi’s Drive My Car debuted to rapturous reviews, with many calling it the best of the festival. The three-hour epic road-trip film centers on a theater director and his chauffeur as the pair build a friendship to heal past trauma along the road. Other favorites of the day were Compartment Number 6 and The Worst Person in the World. Compartment Number 6, which takes place on a fated train ride to somewhere near the top of the world, had many remarking on its inventive plotting. Todd McCarthy of Deadline noted it was filled with “vivid emotional twists and turns that are charted with unusual acuity. THE WORST PERSON IN THE WORLD is one of the best films i’ve seen so far at an exceedingly excellent cannes and i can’t wait to see it again and again. review for the playlist here! https://t.co/Wcc0kyLOYH iana murray (@ianamurray) July 9, 2021The Worst Person in the World hits on more of a comedic note, but it is often just as tragic as the tense train ride in Compartment Number 6. Richard Lawson of Vanity Fair wrote that this new melancholy romance for aimless thirtysomethings is a journey that finds such beauty in all the emerging grain and variation of being alive. These may be the ones to beat midway through the festival, but we still have several noteworthy entries ahead, including Wes Anderson’s The French Dispatch and Sean Baker’s Red Rocket. Sean Penn Makes a Hopeful Return to Cannes(Photo by Lionel Hahn/Getty Images)Saturday, July 10: Sean Penn returned to Cannes hoping to erase his previous trip with The Last Face, which was booed and noted by some as the worst film to ever screen in competition. This time, Penn directs and stars as a father to a young girl in Flag Day, as told in chapters over several years. The narrative begins in the 1970s and follows the daughter (played by his real-life daughter, Dylan Frances Penn) from youth to adulthood as she grapples with the realization that her father is an inveterate conman, even as she loves him deeply. While this is a step up from his last effort, initially favorable reviews for the film have cooled to a more mixed reception, and the most memorable thing to come out of the Cannes premiere of Flag Day will most likely be Penn’s pointed comments on the American COVID response.Jodie Turner-Smith Lights Up the Red Carpet(Photo by Lionel Hahn/Getty Images)Thursday, July 8:  The first night of the festival with palpable buzz kicked off when After Yang star Jodie Turner-Smith lit up the red carpet ahead of the film’s premiere. The Queen Slim star was the living embodiment of the word statuesque, draped in a strapless Gucci gown with a black vinyl and crystal bustier over a cream skirt with yellow crystal embroidery and canary yellow ostrich feathers. It was a fitting ensemble for a film that also captured the attention of critics here on the ground, where it is still Fresh at 89% after a handful of reviews.It only took until day 3 but AFTER YANG is the first #Cannes2021 film to make me ugly cry. Without a doubt the best movie about AI since Ex Machina, and a beautiful exploration of memories, family, being an immigrant, and humanity. Rafael Motamayor @ Cannes (@RafaelMotamayor) July 8, 2021The film is a delicate tearjerker with lofty ambitions as it attempts to dissect grand notions about grief, death, identity, and ethical technology, and many are already pegging it as an early favorite for the Un Certain Regard competition. Director Kogonada’s (Columbus) second feature film also stars Colin Farrell, Haley Lu Richardson, newcomer Malea Emma Tjandrawidjaja and The Umbrella Academy s Justin H. Min as the family AI, which suddenly malfunctions.Stillwater Earns a Standing Ovation That Brings Matt Damon to TearsThursday, July 8: Premiering just after After Yang was the Focus Features film Stillwater, which will hit theaters in just a couple of weeks. Starring Matt Damon as an Oklahoma oil rig worker out to free his daughter from prison in Marseille after she is convicted wrongfully, she claims of murder. Stillwater was well received by critics it s currently Fresh at 88%  and Damon, who wiped away tears during the film s standing ovation, was clearly touched and surprised by the rapturous reception from the festival crowd. Carrying the entire narrative while sporting a thick Oklahoman Accent, Damon could be a play for Best Actor at end-of-year awards. Couple this with the fact that it s the first film from director Tom McCarthy since 2015 s Best Picture-winning Spotlight and it will undoubtedly end up in the conversation.(Photo by A24)Also gaining significant buzz yesterday was Joanna Hogg’s follow-up to her previous feature, The Souvenir. The Souvenir: Part II is a continuation of her semi-autobiographical tale about a romance between a film student named Julie and a heroin addict. It picks up shortly after the events of the first film, as Julie attempts to translate what she experienced into a narrative feature; a meta premise that is masterfully executed. Honor Swinton Byrne reprises her role as Julie, and she is joined by her real-life mother, Tilda Swinton, who has five features at the festival this year, including Wes Anderson s highly anticipated The French Dispatch.Well, so THE SOUVENIR II is not just masterful, it s the kind of masterful that retroactively engulfs and electrifies the already-very-good THE SOUVENIR,reshaping it, too, into a subtly different magnificence. Jessica Kiang (@jessicakiang) July 8, 2021Day Two: A Pair of Docs Are the Talk of the TownWednesday, July 7: Day two of the first Cannes Film Festival back from the pandemic saw things get into the groove. After sparse mask compliance on day one, the staff at the Grand Lumiere Theatre seemed to make more of an effort to remind patrons to comply with the mask-always-on mandate. This was a welcome action, as a COVID-19 outbreak would be the worst possible outcome for a festival that seems to have made considerable efforts to keep the events safe.However, day two wasn t all about compliance or daily COVID tests; the two most talked-about films were English language documentaries. Todd Haynes presented an artful time capsule chronicling the history and influence of the iconic counterculture band The Velvet Underground. Rodrigo Perez of The Playlist wrote, Todd Haynes striking and daring The Velvet Underground doc is as jagged, artful and unconventional as the iconoclastic art-rock group itself. With just a handful of reviews in so far, it s currently at 100% on the Tomatometer, placing it atop our Cannes Scorecard, followed closely by yesterday s other highly buzzworthy doc, Val, which centers on actor Val Kilmer. Kilmer himself tweeted his followers looking forward to  “sharing [his] life s story with all of you.”It feels like yesterday and yet it has been a lifetime. As I write this, my documentary is getting ready to premiere at Festival De Cannes. And as grateful as I am for being selected with this high honor, I look forward most to sharing my life s story with all of you. Val Kilmer (@valkilmer) July 6, 2021In May, Amazon Studio acquired the US and North American distribution of Val from A24, then just hours before the film screened at Cannes, Amazon released a compelling trailer for the intimate doc. Chronicling the highs and lows of Val Kilmer s four decade-long career, Val uses deeply personal archival footage shot by Kilmer himself along with contemporary interviews to give a fuller picture of his unflappable spirit and the man we meet off screen. This raw, wildly original, and unflinching documentary reveals a life lived to extremes and a heart-filled, sometimes hilarious look at what it means to be an artist and a complex man, writes Jen Maravegias of Pajiba.Adam Driver and Marion Cotillard Are Pioneers for Simulated Sex on Screen(Photo by Toni Anne Barson/Getty Images)Tuesday, July 6:  Annette, the new rock opera starring Adam Driver and Marion Cotillard, seemed destined only to flourish in the sunlight of the French Riviera, and we have to ask, Would that be such a bad thing? Driver, who returns to open Cannes as he did in 2019 with Jim Jarmusch s The Dead Don t Die, has made a few headlines in just mere hours. His co-star Marion Cotillard helped him out by proclaiming him as the Neil Armstrong of musical cunnilingus, going as far as to say, We found ourselves singing in very complicated positions, doing back-crawling or mimicking cunnilingus; acrobatic positions that technically modify your song. Whether this choice was authentic realism or merely a sex sells ploy has somewhat split critics, but the first English-language feature from Leos Carax currently sits at 90% on the Tomatometer and enjoyed a 5-minute standing ovation on opening night, so who s to say it mattered? During that ovation, Driver made his second batch of headlines by lighting up a cigarette another moment only possible in Cannes.We are on Minute 5 of the ANNETTE standing ovation and Adam Driver has begun smoking a cigarette pic.twitter.com/F56r0W0nGL Kyle Buchanan (@kylebuchanan) July 6, 2021Despite the upbeat trailer we saw a few weeks ago, Annette is a more dour affair than the opening pop song So Can We Start would have you believe. The catchy earworm penned by the Sparks brothers, along with all of the film s music, is a compelling entry for the Best Original Song at the Oscars, but that would be the only tune of Anette that could aspire to such heights. Bizarre, heady, moving, and ridiculous all in the same moment, the film was summed up best by Ed Potton for Times (UK) sums, who called it an anti-La La Land with dashes of Pinocchio, a fitting curtain-raiser to a Cannes like no other. If that sounds like your cup of tea, or maybe you just wanna see Kylo Ren go down on someone while intermittently crooning, be on the lookout for it when Amazon releases the audacious rock opera stateside later this year.Day One: Cinema Returns to Cannes(Photo by Daniele Venturelli/Getty Images)Tuesday, July 6: Cinema on The Croisette (the affectionate name for the area in Cannes where the world gathers to see the best in cinema) is back; festival director Thierry Frémaux said as much in his opening night remarks. Frémaux and his team dared to dream the impossible dream an in-person premiere film festival and then made that dream come true. The stars and press have now gathered after rigorous testing and COVID protocols, and for the most part, things look to be on track for a seamless event. That was the sentiment everyone who took the stage on opening night wanted to convey: We are here. At the opening ceremony, Bong Joon-ho, last year s Palm d Or winner for Parasite, and 2021 Honorary Palm d Or recipient Jodie Foster were joined by this year s Jury President Spike Lee and director Pedro Almodóvar to officially kick things off with one word spoken in Korean, French, Spanish, and English: Open. While the same could not be said for the issue-plagued Cannes ticketing website, however, which faltered most of the day Tuesday, even that failed to dim the intoxicating air of this year s festivities. The program is much as it has always been but also something entirely new, overcrowded but now with a (mostly) masked audience, bureaucratic but now paying careful attention to testing and (most of) ticketing. And the event organizers look to have pulled it off. The opening night film and a few soirees have gone off without a hitch. But the big questions are yet unanswered, namely which film will be the one to rise above the rest. Follow along with us here to find out.Check-in daily for more updates from the Cannes Film Festival.On an Apple device? Follow Rotten Tomatoes on Apple News. 在《黑暗与光明手游》的沙盒世界中,玩家可以感受像真实世界一样的生存玩法跟自由建造玩法,在前期,玩家没有任何主线跟剧情,主要目的就是适应这个魔幻世界并且学会各种生存技能,相比传统沙盒手游,在这里玩家的肝度更大,因为玩家不仅要像真实世界一样生存,尽可能研习学识来解锁有利于生存的工具,还要面对各种魔幻生物,很多从来没有体验过沙盒玩法的玩家因为频繁的死亡而感到崩溃。

2022-01-19

The 2010s were an exciting time for comic book–based television shows. The decade began with Smallville demonstrating a superhero show could be done on a budget, pull off the occasional iconic comic book moment, and sustain an audience for ten seasons. Almost immediately after it left the air in 2012, a whole second generation emerged to prove you can be faithful to the source material and still strike out in new directions. Soon, we had a whole superhero multiverse dominating one network’s lineup, a S.H.I.E.L.D. television show offering a weekly dose of the Marvel Cinematic Universe, and even a few shows proving comics can offer television prestige-caliber material.Of course, as we reflect on the decade past, only a handful of shows — or seasons of shows — can truly prove to be exemplary of the types of stories comics pioneered and still make for great TV. Some shows stand above the rest in terms of consistent quality, while others deserve recognition for the key time they got it right or advanced their genres on television. These 10 shows reveal just how wide in scope and far in storytelling we’ve come since Smallville started the 21st century’s comics on TV revolution.Watchmen: Season 1 (2019) 96%With only one season under its cape, Watchmen did two impossible things: 1.) It adapted the classic comic book by Alan Moore, Dave Gibbon, and John Higgins into something wildly different, yet wholly consistent as the source. 2.) It got AT T to pay for a long-form treatise on American racism. And even if that topic had not become relevant in the last few years, Watchmen would still feel worthy for using this specific comic book to talk about these issues. Considering how much the source embeds itself in American history, taking this angle feels like mining the original comics’ great missing chapter. Meanwhile, the show features some powerhouse acting talent with Regina King, Louis Gossett Jr, Jean Smart, Yahya Abdul-Mateen II, and Tim Blake Nelson delivering better and better performances each week. Though the most recent entry on the list, it’s certainly earned its place.Legion 91%Though it wavered in the second season, Legion proved one can take the basic concepts behind the X-Men and make a provocative, meaty, and artistically diverse program. With its dance sequences, rap battles, and genre-bending episodes, creator Noah Hawley put his directors in the driver’s seat as they found unique ways to further the tale of Charles Xavier’s son David (Dan Stevens) and his cohort of would-be saviors. And in the end, it left us feeling as though we watched the most compelling X-Men prequel ever devised. Well, a prequel if you consider the future they showed Xavier (played by Harry Lloyd in the third season) was prevented by him founding the X-Men.Arrow: Season 2 (2013) 95% (Photo by The CW)We’ll be honest, Arrow’s quality wavers in the extreme, but its second season was a standout in terms of achievement and intent. Intended to be a season-long tale called “City of Heroes,” the show expanded its universe with the arrival of Sarah Lance (Caity Lotz), the return of Slade Wilson (Manu Bennett), and the debut appearance of Barry Allen (Grant Gustin). It was also the year its flashbacks to Lian Yu felt the most resonant. In that story, we see what turned Slade from Oliver’s (Stephen Amell) best ally into his worst enemy just as the present day story carefully built up Slade’s plan for revenge. The show would try to mine that idea the next few seasons, but the device never works as well again as it did here. Also, this season set the standard for all the Arrowverse shows to follow.Marvel's Daredevil: Season 3 (2018) 97% In its final run on Netflix, Daredevil finally found the tone it needed all along: a tense legal thriller in which the plucky lawyer just happens to be a vigilante who fights people on rooftops. Very loosely based on the classic “Born Again” comic book story line, the third season played to all of the show’s strengths by pitting Matt Murdoch (Charlie Cox) against Wilson Fisk (Vincent D’Onofrio) once again and pairing down all of the characters to their essentials. This technique even extended to its one major introduction: Wilson Bethel as a not-yet-Bullseye whose usually ambiguous origin becomes definitive and downright compelling. And though we previously said the series felt complete with season 3, we would have loved to see this take on Daredevil continue.Marvel's Jessica Jones: Season 1 (2015) 94%(Photo by Myles Aronowitz/Netflix)Taking its cues from the early issues of Marvel’s Alias comic book and the later Purple story line, Jessica Jones first season continues to be the most satisfying of its three-year lifespan because it is directly about something: surviving rape. Thanks to the stellar performance of Krysten Ritter as Jessica and, of course, David Tennant as Killgrave the program used superhero trappings to talk about astonishing mental anguish and what people do to cope. Consider the way Jessica avoids any sort of support while Malcom (Eka Darville) almost immediately forms a support group for Killgrave’s victims. Sure, Jessica’s ultimate answer is violent, but it is cathartic. The story also gave the series a focus it would never have again even as it continued to produce quality work.Swamp Thing: Season 1 (2019) 92%Swamp Thing was not just true to its comic book roots, it was true to a whole genre of comics DC’s horror titles of the mid-1980s and early ’90s. Moody, gothic, and as often about relationships as existential terror, they were the post-Punk books DC needed to produce. And as a short-lived DC Universe original series, Swamp Thing captured this feeling in episodes like “Darkness on the Edge of Town,” in which an old evil in the swamp returns, passing from person to person as it tries to create more death and despair. The story feels like a single issue of Hellblazer or Swamp Thing while also serving the program’s ongoing plots. The series also served up the production values Swamp Thing always deserved. Sadly, that dedication to quality and fidelity meant the series enjoyed an all-too-brief life.The Walking Dead: Season 8 (2017) 65%While the series made a number of strides since Rick Grimes (Andrew Lincoln) woke up in that hospital — and some wavering moments in quality — season 8 and its “All Out War” story line may be the best run of the series to date. It is the last time the core characters were unified, both physically and in purpose. Say what you like about Negan (Jeffrey Dean Morgan), but he brings people together — even if the vast majority of them united just to bring him down. And there is that magic moment when Negan met Shiva. The season also gave Rick the win he so badly needed, even if it cost him his son Carl (Chandler Riggs). For a show loathed to traffic in happy endings, this was Rick’s chance at a vanquishing a foe and the closest it could come to letting its protagonist have anything remotely “happy.”DC's Legends of Tomorrow: Season 3 (2017) 88%(Photo by The CW)Proving superheroes can be wildly funny while still saving the universe, Legends fully shed the dour trappings of its first season with this inventive and off-beat year. The initial story saw the Legends fixing time after nearly tearing it asunder the previous year. But their efforts to patch the timestream also let a literal demon into their world. John Constantine (Matt Ryan) made a few appearances to help with the magical angle while Zari Tomas (Tala Ashe) arrived to abuse her snack privileges aboard the Waverider and call out the team for their constant failures as heroes although she proves equally disposed to goofing off in the end. Also, the season gave us Beebo, and how can we resist its strange must-have-Christmas-gift power?Wynonna Earp 92%(Photo by Michelle Faye/Wynonna Earp Season 2, Inc./Syfy)Born of a somewhat obscure 1990s Image Comics title, Wynonna Earp fills a niche so under-represented that its dedicated fanbase is now as much a part of the story as the chronicles of the title character. Returning to her hometown, Wynonna (Melanie Scrofano) discovers her legacy has a supernatural element and that her family is nothing like what she believed it to be. Playing loose, fast, and funny with language, mythology, and the heart, the show never shies away from its influences or weaving tension into its comedy. And as its cast grew and the world-building deepened, it did for horror tropes what DC s Legends of Tomorrow does for the DC Comics milieu. The result is a seemingly light show with the power to de

s3赛季什么时候开始 Have you revealed what you would do #FortheThrone yet? HBO s marketing campaign for the final season of Game of Thrones is in full swing. Next up: beer #ForTheThrone. The series is also getting a making of documentary as a digestif for its final season. Plus, Killing Eve slays the BAFTA TV nominations, but some argue that the BBC America original doesn t meet the criteria to be eligible for all 14 of its nominations. And another Sex and the City? Really?TOP STORYGame of Thrones Season 8 Is Getting a Documentary(Photo by Helen Sloan/HBO)HBO will offer a behind-the-scenes-look at filming of the final season of Game of Thrones with a two-hour documentary later this year, titled Game of Thrones: The Last Watch. The film traces the making of the series’ upcoming eighth season, and is set to air May 26, one week after the series final season finishes airing. Directed by British filmmaker Jeanie Finlay, The Last Watch promises “unprecedented access” while the cast and crew “contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers,” according to HBO. Game of Thrones showrunner D. B. Weiss, producer Bernadette Caulfield, and writer David Benioff are executive producers on the documentary. The Last Watch will be available on HBO NOW, HBO GO, and HBO On Demand on May 26.In other Thrones brand-extension news, Brewery Ommegang and HBO Licensing Retail will release the latest Game of Thrones beer nationwide in early April. Called For the Throne, the 9.5% ABV golden ale is co-fermented with pinot grigio and viognier grape juices and then bottle conditioned with Champagne yeast. For the Throne joins the four other Game of Thrones beers Ommegang has available, including Queen of the Seven Kingdoms (a blend of sour and blonde ales), Mother of Dragons (smoked porter and kriek ale blend), King in the North (a barrel-aged imperial stout), and Hand of the Queen (a barleywine ale). Find out where to purchase on the brewery s site. Let the #HoldMyBeer #ForTheThrone memes begin.The beer is just one part of HBO s #ForTheThrone campaign, which includes outdoor events, social media emojis, a Quest for the Throne worldwide hunt for Iron Throne locations, a partnership with the American Red Cross to Bleed for the Throne, and an art collection of inspired by props, from swords to fashion, from the show.And, as Tyrion might remind us, don t forget the wine Killing Eve Tops BAFTA TV Nominations — But With a Hitch(Photo by BBC America)Killing Eve and A Very English Scandal led the British Academy of Film and Television Arts (BAFTA) 2019 awards nominations with 14 and 12 nominations, respectively. Patrick Melrose received six, while Bodyguard and The Little Drummer Girl each received five, BAFTA announced on Thursday. See all of the nominees on BAFTA s site here.British media reports note, however, that the spy comedy from Phoebe Waller-Bridge, which stars Jodie Comer as assassin Villanelle and Sandra Oh as MI5 officer Eve Posner, violates the awards rules that state that to be eligible, a series must have had the worldwide premiere in the UK and a UK broadcaster must have primary control over it. Killing Eve was commissioned by BBC America, however, which is co-owned by the BBC and U.S. cable network AMC. Killing Eve should only be eligible in the international series category, according to one interpretation of the rules.The Virgin Media British Academy Television Awards ceremony will be held at the Royal Festival Hall on Sunday, May 12, with the British Academy Television Craft Awards taking place two weeks earlier on Sunday, April 18 at The Brewery, London.Another Sex and the City Sequel?(Photo by Warner Bros.)There might be another Sex and the City sequel after all — but it’s headed to the small screen. According to Deadline, Paramount Television has acquired the rights to SATC author Candace Bushnell’s latest book, Is There Still Sex in the City?, that examines love and dating after 50. Bushnell will write a pilot script and executive produce alongside Liza Chasin and Robyn Meisinger. The most recent effort in the franchise, CW series The Carrie Diaries, starred AnnaSophia Robb, focused on a teenage Carrie Bradshaw, and was canceled after two seasons.Pose Picks Patti(Photo by FX)Pose executive Producer Ryan Murphy announced at PaleyFest last weekend that there will be a “time leap” between seasons 1 and 2 of the FX series about the New York City ball scene. While season 1 is set in the 1980s, season 2 will pick up in the 1990s on “the day Madonna releases ‘Vogue,’” Murphy teased.After the success of Pose producer Janet Mock’s directorial debut, the Billy Porter–fronted episode “Love is the Message,” the writer will return to direct this coming season (and, of course, will continue to write throughout the season as well).Murphy teased that Tony Award winner Patti LuPone would be “coming to play with us in a couple weeks,” when she will share several scenes with Blanca (MJ Rodriguez). Season 1 guest star Sandra Bernhard has been promoted to series regular for season 2.Jussie Smollett UpdateAll charges against Empire star Jussie Smollett were dropped after the actor was accused of faking a hate crime he reported in January. According to reports, the charges were dropped as a part of a settlement that included the actor participating in community service and the forfeiture of his ,000 bond.CONFIRMED: As part of settlement with Cook County SAO, #JussieSmolett performed combined 16 hours of community service at Rev. Jesse Jackson Sr’s @RPCoalition. Included critiquing students in broadcast center, working in bookstore, and talking to visitors. @fox32news Dakarai Turner (@Dakarai_Turner) March 26, 2019The actor s troubles aren t over, however, as the prosecution s decision to a deal with the actor has sparked widespread criticism about special treatment for a celebrity. The FBI and Department of Justice were even called upon to review the matter. One insider tied to Empire told Deadline, “Things are so unclear and there is a feeling that this isn’t over, that there’s more to come.” The U.S. Postal Inspection Service is also reportedly working with law enforcement to investigate a hate-filled letter that the actor received on the set of the Fox drama. If it is discovered that the letter was sent by the actor to himself, he could face 5-20 years of jail time.Chicago Mayor Rahm Emanuel, who has been critical of the deal prosecutors agreed to in the attack, is sending Smollett a bill for 0,000 for police overtime.In the meantime, the actor is nominated for the Outstanding Supporting Actor in a Drama Series NAACP Image Award to be presented on Saturday. The ceremony will air live on TV One at 9 p.m. EDT.Homeland’s Family Reunion and More Casting News(Photo by Showtime)Hugh Dancy is set to join real-life wife Claire Danes for the eighth and final season of Danes’ award-winning series Homeland. He’ll play John Zabel, a savvy Washington consultant who joins the White House as a new foreign-policy advisor to the president and a formidable opponent to Saul (Mandy Patinkin). Per Showtime, the final season of the series will fin

2022-01-19
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