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亚博app官网采用百度引擎5(Baidu 0)The next few months are going to be dominated by big awards movies (think Bombshell, Little Women) and even bigger blockbusters (The Rise of Skywalker). But they re not the only films worthy of your attention, and money, on the horizon. There is some great indie fare, much of which debuted on the festival circuit this year, coming to theaters and streaming services soon. So mark these dates down – at least the ones we have; we re still waiting for release info on some of them – to get your quality indie fill.Guns Akimbo (2019) 51%Courtesy of TIFFAccording to critics, Jason Lei Howden’s latest action-packed adventure is just the right balance of good old-fashioned American excess and pointed social commentary about our fascination with guns, violence, and masculinity. Starring Daniel Radcliffe as Miles, a bumbling ne’er-do-well, Guns Akimbo is what Robert Daniels at rogerebert.com calls an  exciting and sometimes trite adventure into the world of tech, the internet, and our insatiable need for brutality on demand. When Miles is unwillingly recruited into a notorious and illegal underground death match called “Skizm,” he must figure out how to survive the day, save the girl, and become the hero. Nothing goes according to plan, of course, but the journey is what makes it fun.Pursued by Skizm champion Nix (played with campy fun by Samara Weaving in another killer role following her breakout performance earlier this summer in the Certified Fresh Ready or Not) and trying hard not to “shoot his dick off” with the guns literally bolted into his hands, Miles embarks on a darkly funny race through the city. According to Birth.Movies.Death., the movie overflows with a frenetic, intense energy that supports Radcliffe s progressively-more-unhinged performance.  Release date TBD.The Obituary of Tunde Johnson (2019) 89%Courtesy of TIFFAli LeRoi’s feature debut is a lyrical take on police brutality and the many vagaries of living as a black gay man in America. Working from a screenplay by USC film student Stanley Kalu, LeRoi blends terror and fiction in this time-loop drama: his protagonist wakes up dead every day, repeating old routines, meeting with his secret boyfriend, and coming out to his parents again and again before being murdered by police once more.The film’s slow build makes these rash of deaths feel immediate and terrifying. Each path to the end  is different from the last and tragic in its own way. As Tunde navigates his relationships anew each day, he is never quite conscious of the last, forced to make new decisions without any knowledge of his past and future. But as he’s constantly reminded that he has so much to live for, the arc of his fateful day begins to bend. Beandrea July for The Hollywood Reporter writes that The Obituary of Tunde Johnson is “an agonizing tale about the weight society hoists upon too many black gay men’s weary shoulders.”Release date TBD.The Platform (2019) 79%Courtesy of TIFFCritics are calling this debut from Spanish director Galder Gaztelu-Urrutia a thrilling morality tale about the radical power of working toward the common good. The film’s focus is the terrifying prison of Urrutia’s near-future dystopia: The Pit. Vertically stacked cells set around holes in the ceiling and floor connect each level’s two captives to each of the others. Every day, a decadent feast is sent down to the prisoners through the tower’s delivery system, stopping at each floor for a brief time. Those at the top are kept well-fed, while those at the bottom starve. One citizen volunteers to serve a six-month sentence in exchange for professional credentials upon his release, but the horrors he experiences as he makes his way through the Pit’s “vertical self-management system” force him to think about what we owe each other, how we can support each other, and who precisely wins when we choose neglect instead of cooperation.Critics and audiences are saying that the Spanish thriller is disorienting, but incredibly arresting in its tight critique of our current political climate. Variety called it a “brutalist nightmare for the way Urrutia’s vivid and inventive cruelties flesh out the psychological madness of living in such casually cruel conditions. The prisoners demonstrate how social mores can break down when people are pushed to the outer edges of their own humanity. The Platform is coming to Netflix. Release date TBD. How to Build a Girl (2019) 79%Courtesy of TIFFStarring Booksmart and Lady Bird’s Beanie Feldstein and based on the novel of the same name by screenwriter and journalist Caitlin Moran, How To Build A Girl is what Rendy Reviews calls  another cementing case of the gleaming star power of Feldstein s talent. The film follows protagonist Johanna Morrigan (Feldstein) through the highs and lows of rock and roll. Initially lonely and longing for adventure, Morrigan gets it when she auditions to be the rock critic for English magazine D ME with a review of “Tomorrow” from the musical Annie. Writing under the alias Dolly Wilde, Morrigan constructs a version of herself she thinks other people prefer but loses herself in the process. Critics say what follows is an earnest but devilish adventure into teen girlhood, and how finding yourself can mean breaking yourself down and starting from scratch. Variety writes, “How to Build a Girl dares to argue that reinventing yourself doesn’t make you a poseur.”Release date TBD.Waves (2019) 84%© A24Still sizzling from the Certified Fresh Luce, Kelvin Harrison Jr. leads the highly acclaimed Waves alongside a cast of highly recognizable faces. Written and directed by Trey Edward Shults, Waves explores the struggles of a young African-American teen with his family and his ambitions, and his ultimate fall from grace. The film is “a kinetic essay on the beauty of the body in motion” according to the Los Angeles Times, and blends music and memory to create what Film Inquiry calls a “grandiose, quasi-Greek tragedy.”In limited release November 15, 2019.Hala (2019) 86%Courtesy of TIFFThis quiet, contemporary coming-of-age film written and directed by Minhal Baig is a stunner in every way that matters. Starring Geraldine Viswanathan (the breakout star of 2018’s Blockers) in the titular role, Hala explores the intimacy of family life and the weight of cultural expectations. As Hala, a young Muslim woman of Pakistani descent, comes into herself and discovers the ways in which her parents were people before she came along, she begins to find the dividing line between who they are, who she is, and who they want her to be.Faced with budding romantic and sexual feelings and her parents’ disapproval, Hala starts meeting a male classmate in secret, telling as many lies as are necessary to give her a solid alibi. But when she discovers a devastating secret about the state of her parents’ marriage, she’s forced to re-evaluate her position in the family and her willingness to pretend for the sake of appearances. As 812 Film Reviews puts it, the film “balances the familiar with the foreign to pull for a girl whose strength of freedom is at once powerful and quiet.” In limited release November 22, 2019.Clemency (2019) 91%© Neon Chinonye Chukwu’s sophomore feature stars Alfre Woodard as Bernadine Williams in what Nick Allen of rogerebert.com calls a “towering performance [that] is sure to push her into awards contention.” Woodard takes on the role of a prison warden tasked with carrying out the execution of inmate Anthony Woods (Aldis Hodge). The film not only explores the emotional toll executions take on the prisoners facing certain death, but also digs into the long-term psychological effects of being mandated to take another human life.As Woodard’s Bernadine struggles with taking pride in a job that means carrying out legal but often unjust sentences, her marriage crumbles. Populated with strong supporting performances from the likes of Wendell Pierce and Danielle Brooks, Clemency is a study in how the barbaric can become mundane, and what changes for the people forced to witness or inflict violence as a matter of course.In limited release December 27, 2019.Honey Boy (2019) 94%© AmazonShia LaBeouf makes his screenwriting debut and stars as an analogue of his father in a reimagining of his own life story. Honey Boy recounts the difficult childhood of Otis Lort (Lucas Hedges) as he reflects on life with his abusive father. Reckoning with the trauma of his past, LaBeouf finds a way to create “the cinematic exorcism needed to deal with a major actor’s PTSD,” according to Brian Tallerico at rogerebert.com. A.A. Dowd at the AV Club writes of LaBeouf: “It’s just fascinating to see the actor play with the power of his persona and our association with it.” A Quiet Place’s Noah Jupe plays young Otis, giving a performance that EW s Leah Greenblatt calls “remarkably tender and unsentimental. In limited release November 8, 2019.Midnight Family (2019) 97%A documentary that provides what The Hollywood Reporter calls “a visceral understanding of the cutthroat nature of this private-ambulance business,” Midnight Family follows the exploits of a family of EMTs in Mexico City as they try to make a living by providing critical medical care. Filling in the gaps left by the government’s inadequate resources, the Ochoa family battles with other private ambulance providers to race to the scene of accidents and earn their keep – all while knowing that they have no recourse should a client be unable or simply refuse to pay.As they come up against the glad-handing and corruption of the city (money changes hands in transactions that seem less than legal), it is the 17-year-old Juan Ochoa who maintains order in the household, taking care of his brother, minding the money frugally, and trying to keep his struggling family together. As Alissa Wilkinson at Vox puts it, Midnight Family is ultimately a “sweet, fascinating portrait of a group of people trying to make the best of a bad situation, and sometimes succeeding.”In limited release November 15, 2019.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

1. 亚博app官网
(Photo by Michele K. Short. ©Universal Pictures/courtesy Everett Collection )All Tiffany Haddish Movies Ranked by TomatometerAfter toiling through the stand-up and TV guest appearance circuit for well over a decade, and using a memorable supporting role in Key Peele s Keanu as a major stepping stone, Tiffany Haddish broke into the mainstream with 2017 s Girls Trip. The biggest and best-reviewed female ensemble comedy since Bridesmaids, the Certified Fresh Trip would raunchify audiences up to a 0 million haul at the domestic box office. Haddish capitalized on her new, sudden fame with a steady yet varied slate of films in 2018, including starring opposite Kevin Hart in Night School, working with Tyler Perry on Nobody s Fool, and turning those Kyrie Irving Uncle Drew commercials into an unlikely (and Fresh!) feature.In 2019, there was no animated sequel with a 2 in its title that Haddish could resist, as she voiced fowl (The Angry Birds Movie 2), a Shih Tzu (The Secret Life of Pets 2), and shapeshifting plastic (The Lego Movie 2: The Second Part).Haddish kicked off 2020 with Like a Boss, but critics were less than enthused: See where it places as we rank all Tiffany Haddish movies by Tomatometer! 在英雄联盟手游的出海历程中,中国玩家扮演了“流浪地球”的角色。有玩家在社交媒体上表示,无论在日服、韩服还是东南亚服,一局游戏的十名玩家中,至少有五名玩家来自中国,他们使用汉语或汉语拼音组成的游戏ID,忍耐着跨区域网络的波动与卡顿,构成了手游的用户主体。
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
不得不说,不管是LOL手游还是英雄联盟端游,其实都是代表着英雄联盟玩家们心目中的热爱。即便毒纪转型成为一名LOL手游的主播,心目中依旧是对英雄联盟充满着喜爱与尊敬。并且,从毒纪转型成为LOL手游主播之后,他已经轻松上到了钻石。或许,LOL手游也将会成为毒纪直播生涯中的“第二春”。那么,对于毒纪来讲,自然也是不允许任何人来“侮辱”LOL手游的。亚博app官网t is shaken when a sudden event makes her rethink her teen years and who she really wants to be.Justin Timberlake will play The Gong Show host Chuck Barris in an Apple TV+ series about Barris’ life. The series will be based on the late Barris’ 1984 memoir Confessions of a Dangerous Mind, in which he claimed his gigs as game show host and creator of game shows The Dating Game and The Newlywed Game were actually covers for his other job: as CIA assassin. The book was already adapted as the 2002 George Clooney–directed movie adaptation of the same name, with Sam Rockwell playing Barris. (Deadline)(Photo by Cindy Ord/Getty Images for FIJI Water)Renée Elise Goldsberry, star of Hamilton and Tina Fey’s upcoming Peacock series Girls5Eva, will also star in the Disney+ Marvel series She-Hulk, playing a character named Amelia. The series, starring Tatiana Malany in the title role, started filming this week in Atlanta. (Deadline)Christine Elise McCarthy and Alex Vincent are the latest Child’s Play franchise stars who will join their titular creepy doll co-star in the upcoming USA/Syfy series Chucky. McCarthy (Beverly Hills 90210) will again play Kyle, which she also played in Child’s Play 2 and Cult of Chucky, while Vincent will play Andy Barclay, a role he played in the original 1988 Child’s Playmovie, as well as Child’s Play 2 and Curse of Chucky. Original movie star Brad Dourif is returning as the voice of Chucky in the series, while Dourif’s daughter Fiona will reprise her role as Nica, which she played in Curse of Chucky and Cult of Chucky. Jennifer Tilly (Bride of Chucky, Seed of Chucky, Curse of Chucky, and Cult of Chucky), Barbara Alyn Woods (One Tree Hill) and her daughter Alyvia Alyn Lind (The Young and the Restless), and Devon Sawa (Final Destination) also star. (EW)District 9 star Sharlto Copley has joined the upcoming second season of Natasha Lyonne’s Netflix hit Russian Doll. No details have been released about the storyline or new characters for season 2 of the dramedy. (Deadline)All-American star Jordan Belfi will join the cast of NBC’s Good Girls for a recurring role this season. He’ll play Z, who Dean (Matthew Lillard) meets when he gets mixed up with a multi-level marketing group. (Deadline)New Amsterdam star Anupam Kher, one of the series’ original cast members as Dr. Vijay Kapoor, has left the series to spend more time with his wife, actress Kirron, as she battles cancer. (EW) Rob Delaney will co-star with Chiwetel Ejiofor in Showtime’s The Man Who Fell to Earth. Catastrophe alum Delaney will play Hatch Flood, the black sheep of a wealthy tech family who becomes involved with Ejiofor’s titular alien character. Andrew Dice Clay and Pepi Sonuga (9-1-1) are joining the cast of Hulu’s Pam Tommy limited series about the infamous sex tape made by former marrieds Pam Anderson and Tommy Lee. Clay will play a shady loan shark character, while Sonuga will play Anderson’s best friend. (Deadline)PRODUCTION DEVELOPMENT: Hulu’s The 39 Steps Limited Series Will Star Benedict Cumberbatch(Photo by Dave J Hogan/Getty Images for Entone)Hulu is developing a limited series adaptation of the classic 1915 John Buchan thriller novel and 1935 Alfred Hitchcock movie The 39 Steps, starring Benedict Cumberbatch. Reteaming with his Patrick Melrose director Edward Berger on the project, Cumberbatch will play Richard Hanney, a man who becomes a pawn in a global conspiracy to change the world, via 39 steps. The actor and Berger are also executive producers on the limited series. (Deadline)Magic Mike star Channing Tatum and director Steven Soderbergh are among the executive producers of The Real Magic Mike, an upcoming HBO Max reality series in which 10 men will compete for cash and a shot to perform in the Magic Mike Live stage show in Las Vegas.Kenan co-star Don Johnson confirmed he’s set to begin production in San Francisco on a Nash Bridges reboot that may be a full reboot or a two-hour movie, airing on NBC or Peacock. He’ll be joined by original co-stars Cheech Marin and Jeff Perry. (TVLine)EPIX has greenlit the 10-episode sci-fi horror series From, created by John Griffin (Crater). The cliffhanger-packed drama “unravels the mystery of a nightmarish town in middle America that traps all those who enter. As the unwilling residents fight to keep a sense of normalcy and search for a way out, they must also survive the threats of the surrounding forest – including the terrifying creatures that come out when the sun goes down.” Game of Thrones and Lost director Jack Bender directs the first four episodes of From, which begins production in May in Nova Scotia for a planned 2022 premiere.(Photo by Russ Martin/CBS)Star Trek: Picard and upcoming Strange New Worlds co-showrunner Akiva Goldsman says the new series, which stars Anson Mount as original Trek captain Christopher Pike, will be more episodic, like the original series that launched the Trek universe, with stories jumping from horror to “hard sci-fi” to more comedic turns, like the classic “The Trouble with Tribbles” installment. (THR)Ron Howard and his character-actor brother Clint are writing a joint memoir about their lives as child actors. The Boys: A Memoir of Hollywood and Family will be released on October 12 from William Morrow, and will unfold a story “by turns confessional, nostalgic, heartwarming, and harrowing” that “lifts the lid on the Howard brothers’ closely held lives. It’s the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived child-actor syndrome to become fulfilled adults.”VAX LINE: The Concert to Reunite the World will air and stream on May 8 as a concert to try to inspire vaccine confidence around the world. Selena Gomez hosts and performers include Foo Fighters, Jennifer Lopez, Eddie Vedder,  J Balvin and H.E.R. for the special, which will air on ABC, CBS, FOX, YouTube, and iHeartMedia.Demi Lovato may be doing double duty for NBC, as the network ordered pilots for her comedy Hungry and romantic comedy Someone Out There. The autobiographical Hungry stars Lovato (who also executive produces) as the member of an eating disorder group, and the romantic comedy stars the singer and actress as one half of a stubborn duo who are inspired by strangers to change their ways and potentially find love (and possibly with each other).Netflix will be the home for the live-action movie adaptation of the 1979 TV series Gundam, which Brian K. Vaughn (Y: The Last Man) will write and Kong: Skull Island director  Jordan Vogt-Roberts will direct.Colton Underwood, star of season 23 of ABC’s The Bachelor, announced he is gay during an interview on Good Morning America on Wednesday, and on Thursday Variety reported he is filming a reality show for Netflix about living as a gay man.The original cast of NBC’s ER, including George Clooney, Noah Wyle, Laura Innes, Anthony Edwards, Paul Crane, Ming-Na Wen, Gloria Reuben, Julianna Margulies, Goran Visnjic, Yvette Freeman, CCH Pounder, and Alex Kingston, are reuniting on April 22 in a live, virtual gathering on Stars in the House, in a benefit for the Waterkeeper Alliance, the global nonprofit focusing on clean water. Reuben is the president of Waterkeeper Alliance, and the reunion will stream on People magazine’s social media platforms at 8 PM ET on April 22.On an Apple device? Follow Rotten Tomatoes on Apple News.

3. 激战团竞模式
This week in TV news brings you behind-the-scenes drama on one of DC Universe s biggest 2019 launches, major video game adaptation casting news, and much more in the world of TV.TOP STORYTrouble in the Water for Swamp Thing?News broke earlier this week that production on DC Universe’s upcoming series Swamp Thing had been halted after five months of shooting. Some reports — including the initial story from one of the local news outlets, the Wilmington Star-News, that brought the story from the Wilmington, North Carolina set to national attention — noted that the shut-down was actually a pause so creators could “rewrite an ending” that would shave the series’ initial episode order from 13 down to 10. But others included the seemingly unfounded speculation that the move marked not just a creative shift for the series, but certain doom for the streaming service altogether.DC Universe’s response to that? Nah. The company’s metaphorical mic drop of a response involved releasing the very first teaser for the series, which noted that it would arrive on its original, already-announced release date: May 31. Watch it above.We Can See Your Halo(Photo by Elizabeth Goodenough/Everett Collection)American Gods star Pablo Schreiber has landed the coveted lead role in Showtime’s upcoming adaptation of Halo, based on the popular Xbox game. He’ll play Master Chief, Earth s most advanced warrior in the 26th century and the only hope of salvation for a civilization pushed to the brink of destruction by the Covenant, an unstoppable alliance of alien worlds committed to the destruction of humanity. The series will introduce a new character to the Halo universe, too: newcomer Yerin Ha will play Quan Ah, a shrewd, audacious 16-year-old from the Outer Colonies who meets Master Chief at a fateful time for them both. Production begins in Budapest, Hungary, this fall.Stranger Things Lawsuit Heads to Court(Photo by Netflix)A lawsuit against Stranger Things creators Matt and Ross Duffer alleging that the filmmaker brothers stole the idea for their hit series is headed to trial next month. A Los Angeles judge ruled against a petition for summary judgment that the Duffers and Netflix had submitted, ensuring the matter would proceed to trial. (A summary judgment means the judge would rule on the matter without a full trial.) Plaintiff Charlie Kessler alleges in his lawsuit that he pitched the Duffers a project at the 2014 Tribeca Film Festival based on “various urban legends, and paranormal and conspiracy theories,” and that he’s owed a third of the show’s profits. The Duffers allege that the casual, 10- to 15-minute chat “is the sole bases for the alleged implied contract at issue in this lawsuit and for Kessler’s meritless theory that the Duffers used his ideas to create Stranger Things.” Check out more on the suit at The Hollywood Reporter.Lena Waithe on Westworld, Mike Myers on Netflix, and more Casting News(Photo by Dee Cercone/Everett Collection)Lena Waithe is the latest star to join the currently filming third season of Westworld, according to Entertainment Weekly. She joins fellow new cast member Aaron Paul in a top-secret role.Comedian Mike Myers will executive produce and star in a new comedy series for Netflix. The half-hour limited series will see the Austin Powers star play multiple characters over six episodes.Joel Edgerton will play a slave-catcher named Ridgeway in Amazon’s upcoming series from Barry Jenkins, The Underground Railroad, Variety reports. The series is based on Colson Whitehead’s book of the same name, which follows a young slave escaping her Georgia plantation only to find a literal underground railroad system, and will consist of 11 episodes (all directed by Jenkins).And finally, three new actors have joined CBS All Access’ upcoming Picard-focused Star Trek series: Alison Pill, Harry Treadway, and Isa Briones. The three will all be series regulars alongside Sir Patri

4. 呼朋唤友 随心所欲
You probably remember where you were the first time you came across A’ziah King’s Internet-exploding story about why she and “this b h here fell out.” Back in 2015, King’s road-trip-gone-WTF tale – a seemingly harmless trip to Florida takes some incredibly wild and potentially harmful turns – played out in 148 Tweets sent from King’s @Zola handle and gave new meaning to the word “viral.” Seriously, for a while there Zola/A’ziah and “this white b h” she met at Hooters (that would be Jessica) were all anyone on the Internet could talk about. And so naturally someone had to make a movie about it.This month, Zola, co-written and directed by Janicza Bravo, finally arrives in theaters on a wave of buzz thanks to its inventive direction, razor-sharp and hilarious script (co-written by Tony-winning Slave Play playwright Jeremy O. Harris), and star-making performances from Taylour Paige as Zola, Riley Keough as Stefani (a fictionalized Jessica), as well as Nicholas Braun, and Colman Domingo. Ahead of the movie’s release, Rotten Tomatoes editor Jacqueline Coley spoke with Bravo, Harris, Paige, Keough, Braun, and King herself about their first reactions to the @Zola thread, Bravo’s “genius” direction, and how they managed to capture the spirit of the Internet on film.Zola is in theaters Wednesday June 30, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.

5. HD 画质与高品质音讯
使用強大的百度引擎4建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

7. 官方资讯
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2.38.6 8月喜迎《使命召唤手游》自从移植到手游之后,也是快速吸引了一大批的玩家进入,尤其是FPS玩家,更是纷纷下载了这款热门手机游戏,目前《使命召唤手游》也是在手游市场中占据了不小的市场。
WARNING: MASSIVE SPOILERS!Want to know how many bad guys fall by John Wick s hands in Chapter 3 Parabellum? (We’re including death by horse, by the way.) How about that Iron Chef shout-out with Mark Dacascos? And haven t we seen that pair of assassins from a certain Indonesian action classic? Find out all that and more, including references to Andrei Tarkovsky, Keanu Reeves 90s alternative band, and callbacks lots of callbacks to The Matrix.
It s been a while since Mark Ruffalo starred in a non-MCU movie – three years in fact. In his first post-MCU and post-Endgame role, the three-time Oscar nominee plays corporate attorney Robert Bilott in the true-to-life thriller, Dark Waters, which tells the story of the lawyer s investigation and ultimate exposure of a major West Virginia pollution scandal involving mega-corporation DuPont. Directed by Todd Haynes (Carol, Far From Heaven), the movie is Certified Fresh, and critics are praising Ruffalo for his turn as the dogged attorney. In the lead-up to the film s release, Ruffalo sat with us to go deep on how he came to embody real-life hero Bilott, from the time he spent with him on- and off-set to why he felt compelled to tell his story.

Ewurakua Dawson-Amoah’s To the Girl That Looks Like Me is part of the Scene in Color Film Series, presented by Target, which shines a light on incredible filmmaking talent. As part of the series, three emerging filmmakers will receive mentorship from producer Will Packer, and their films are available to watch on Rotten Tomatoes, MovieClips Indie Channel, Peacock, and the NBC App. Ewurakua Dawson-Amoah is no stranger to the biases Black women face when it comes to beauty standards in the world, which is why her latest film, To the Girl That Looks Like Me, is an essential watch for those interested in challenging the status quo.A recent graduate of  New York University’s Tisch School of the Arts, Dawson-Amoah is working to elevate representation in the industry both in front and behind the camera with her company Melacast, which connects BIPOC filmmakers with BIPOC talent, as well as acclaimed works like To the Girl That Looks Like Me. It is a unique visual poem unlike anything you ve likely seen, a collection of images and scenes – many shot in locations with special meaning to her – that play out as she reads her deeply personal poem. What emerges is a beautiful celebration of Black womanhood in America, and one that caught the eye of Will Packer, who mentored her as part of the Scene in Color Film Series.Here, Dawson-Amoah is interviewed by Tomatometer-approved film and TV critic Sharronda Williams, who hosts Pay Or Wait on YouTube.Sharronda Williams for Rotten Tomatoes: This is such an amazing opportunity to have everyone see your work on so many different platforms. What has this experience been like for you? Ewurakua Dawson-Amoah: It s still kind of crazy now. I m like, is this really happening? When I got the first email from NBC, I thought it was definitely fake. Like, this is a scammer [laughs]. I was not even about to answer it! I m just so happy that other girls who didn t have this growing up will be able to show it to future girls who will have it as they re growing up in white spaces or just in spaces where they just don t look like everything around them. So I think that s the most exciting thing for me, knowing that other little Black girls will be able to see it and see themselves in some of the scenes or in some of the words and just double in confidence with who they are.Williams: Can you speak to the essence of what inspired you, in your own personal experiences, to speak towards the beauty of being a Black woman today?Dawson-Amoah: I mean, the main reason for what pushed me to tell this exact story, it was frustration. I was online and I was seeing boxer braids being the hottest new trend. And it was the word new that really got me, because it s not a new style at all. It s something I wore growing up, and I would literally cry . Like, if my mom had to cornrow my hair or give me extensions for school, I would cry because I just knew that I would feel so different. And I really want people to know how frustrating it is to have our culture put on display and kind of pointed at. But then when someone else does it, it s suddenly this cool new thing and it s suddenly celebrated and it s suddenly beautiful when other women do it.I wanted to show that frustration, but I also had to turn it into, okay,
Okja director Bong Joon-ho Enters the Race for the Palme d Or with ParasiteJoel MearesWednesday, May 22: Day 10 of the Cannes film festival was an all-the-café conversation focused on who will take home the top prize. Current Palme d’Or frontrunners Portrait of a Girl on Fire, Pain Glory, and Les Misérables got some new competition late Tuesday night with premiere of Bong Joon-ho’s Parasite (2019) 98%. The Korean director’s follow-up to 2016’s Okja is an instant critical darling that earned rapturous bursts of applause not just at the end of its critics’ screening, but also in the middle of it, according to Vulture. Jessica Kiang of Variety called Bong’s social thriller Roaringly furious, because [its] target is so deserving…Parasite is a tick fat with the bitter blood of class rage. With just one day of competition films left before the closing night ceremony, most of the pundits agree one of the favorites above will walk away with the top prize – well unless Tarantino can pull off a shocker with Once Upon A Time in Hollywood.No voice for Sharon Tate? Tarantino and Robbie push back.Wednesday, May 22: The buzz and spectacle of the Once Upon A Time in Hollywood premiere undoubtedly stole some attention away from Parasite’s impressive debut: two days after the fictionalized retelling of the Manson Family murders debuted, it s still dominating the festival headlines. Reports broke late on Tuesday night that hundreds of ticket holders were turned away from the premiere; as some had paid as much as ,200 to secure one ticket to the starry event, and many members of the press were among those turned away, the festival was forced to issue an apology for the mixup. Then Wednesday afternoon Tarantino continued to make headlines during a press conference when he rejected the hypothesis of a question that said Margot Robbie had limited dialogue portraying the Manson Family murder victim, Sharon Tate. The Aussie actress, however, was quick to counter the assumption saying,  I think the moments I was on screen gave a moment to honor Sharon, I think the tragedy was the loss of innocence. To show the wonderful sides of her could be done without speaking. I did feel like I got a lot of time to explore the character without dialogue, which is an interesting thing. Rarely do I get an opportunity to spend so much time on my own as a character. (Photo by Daniele Venturelli/WireImage)Once Upon A Time In Hollywood Gets Six-Minute Standing Ovation, But Tarantino Doesn t Want to Know the Tomatometer ScoreTuesday, May 21: The moment that all of Cannes – and just about everyone else – had been waiting for finally arrived on Monday night, when Quentin Tarantino premiered his ninth studio film, Once Upon a Time... In Hollywood (2019) 85%, starring Leonardo DiCaprio, Brad Pitt, and Margot Robbie. Before the curtains parted for the screening of the Hollywood drama that s loosely based on the Manson Family s murder of Sharon Tate and others, Cannes Film Festival director Thierry Frémaux reiterated (in English and French) Tarantino s plea to avoid spoilers when discussing the film. It s debatable if such precautions were needed, but as of yet, most critics are keeping the key plot points out of reviews. Angeleno Tarantino was six years old when the Manson Murders rocked Hollywood and the nation, and critics are calling Once Upon A Time in Hollywood a deeply personal and violent ode to the summer of 69. While 1960s Hollywood played out on the screen, today s Hollywood looked: Timothée Chalamet, Chloe Sevigny, Diego Luna, Xavier Dolan, Tilda Swinton, Dakota and Elle Fanning, Chris Tucker, and Adrien Brody were all spotted at the premiere. Tarantino s close friend and Grindhouse co-director Robert Rodriguez was also on hand to congratulate and celebrate with cast and crew and gave us his one-word review: Outstanding! After enjoying a six-minute standing ovation at the premiere, Pitt, DiCaprio, and Tarantino headed to a glitzy after-party at the JW Marriott joined by most of the star power on the Rivera. During the party, Tarantino chatted with guests about film, Cannes memories, and was in high spirits. When we caught up with him, we asked if he wanted to know the Tomatometer score for the film (which we had just revealed), and he quickly recoiled as if we were about to shout a spoiler to his film. Oh God, no! he said, laughing.  If they re bad I wanna enjoy my night, and if they re good, it s a gift. A gift I will happily unwrap – tomorrow. Tarantino Asks Viewers Not to Spoil the Hollywood EndgameMonday, May 20: Everyone is worried about spoilers these days – even legendary director Quentin Tarantino. After a script for The Hateful Eight leaked before production began, forcing the director to make significant changes, Tarantino is taking no chances with his latest film. Once Upon a Time... In Hollywood (2019) 85%, the A-lister–stuffed 60s period feature starring Brad Pitt, Leonardo DiCaprio, and Margot Robbie, premieres Tuesday and has been shrouded in mystery. Little is known of the plot, save that it will feature numerous late 60 s icons such as Bruce Lee, Steve McQueen, Sharon Tate, and her infamous murderer Charles Manson. Speaking to Rotten Tomatoes to promote his film The Mustang earlier in the year, costar Bruce Dern said, “All I can say is — this is me telling you — he’s a magician, because in this movie, he did something mad. It’s probably the most unique endeavor I’ve seen a director undertake and do. Without ruining the movie for you — I can’t tell you what that is, but the minute you get to see it, you will say, ‘Bruce Dern is absolutely right. ” Hoping to keep the movie s surprises under wraps as long as possible, Tarantino posted an open letter asking those that see it first to be mindful of spoilers, adding, The cast and crew have worked so hard to create something original, and I only ask that everyone avoids revealing anything that would prevent later audiences from experiencing the film in the same way. Rotten Tomatoes has secured a coveted ticket to the glamorous premiere, so check back here on Tuesday for the first reviews and a detailed recounting of the star-studded premiere and afterparty.Check out Everything We Know About Once Upon a Time In Hollywood
手游作为游戏平台鄙视链仅高于页游的平台,但由于非常便捷市场及为广大。这也导致了很多公司(比如说企鹅)制作了成千上万的手机游戏。我很久以前玩手游,现在弃坑开始玩端游,现在在做游戏开发(业余),想要表达一下自己的观点。
Red Carpet Pictures: Oscars 2019 It's been a long road to Oscar gold, but first see the amazing celebrity looks on the red carpet! by RT Staff | February 24, 2019 | Comments
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Ghcxuf aming service — Apple TV+ — for the eight-episode adaptation of Lisey s Story, which King himself has penned. King has said the novel — which follows the widow of a famous novelist coping with his death, and which King wrote following his own serious car accident — is his favorite, so it makes sense that the author himself would shepherd it to the small screen.Julianne Moore stars as the titular character and Clive Owen as her late husband, Scott Landon, and the story goes back and forth in time from the past to Lisey s present, with a visit to dream world Boo ya Moon in between as an obsessive fan (Dane DeHaan) tries to gain access to Scott s unfinished manuscripts.Rotten Tomatoes spoke to Abrams about Lisey s Story, his past (and hopefully future) collaborations with King, and what else he and his team at production company Bad Robot have in the works.(Photo by Apple TV+)Jean Bentley for Rotten Tomatoes: You ve worked with Stephen King before, but he has said many times that Lisey s Story is very personal to him. Did you have a different experience this time around because of that?Abrams: Well, it was different in that he wrote all the episodes. I think that obviously speaks to how much it means to him. I had read over the years that this was his favorite book he d written, and it was when he said he wanted to write every episode that I realized he meant it. What was wonderful about it was that he really did adapt it, which is to say it s a very internal book. Instead of doing a kind of transcription to another form, he really did something that I think is far harder to do than it might seem: look at the work and figure out how to take what s so internal and translate it to a different medium. Pablo Larraín, our director, was super helpful with that as well. [Stephen was] all in on this one. What was wonderful was that he loved what not just Pablo but the cast was doing, and became our loudest cheerleader as the production was underway.Rotten Tomatoes: What about from your perspective? Was anything particularly different with this collaboration? How hands-on were you in this show?Abrams: Sometimes being a producer is putting out fires everywhere you look. In some cases, it s figuring out how to identify what the story really is or might be, or how to fix things that are evidently broken. In the case of this, it was really to help put together the team and be there to talk to any of the players at any time when necessary, but really to get out of the way and let them do their job. Stephen King is such a master of the form. Being the recipient of these drafts of the episodes that he was writing was really just a gift to all of us and Pablo. Again, there were always creative conversations about how to best do it. Lisey s Story is a very interpretable book, which is to say the idea of Boo ya Moon, this other world, this other existence, everyone who reads the book is going to have a slightly different vision. Pablo is responsible for making that a very specific and very photo-real thing. How do you do that best? What does that look like? How does it work?I was always nervous, of course, that somehow Stephen would feel like that character, that relationship, that world, that look didn t quite [translate]. He s been doing this a while, [so] he understands that a director s job is to interpret for all of us what it is he or she sees. What was great was that Stephen was as supportive as he was along the way.(Photo by Apple TV+)Rotten Tomatoes: From a wider perspective, where do you think Lisey s Story fits in with what you are doing at Bad Robot and the kinds of projects you re producing there?Abrams: We are producing all sorts of things and just recently getting into animation. We re doing some stories that are based on books — in some cases comic books, in some cases original ideas, which are some of my favorite things that we re working on. A lot of the strategy or planning of what one might think your job is or your company is going to be, frankly, I m doubtful that those strategic plans always make sense and work. The only litmus test I have for a project that we work on is does it have an ooh factor. Am I leaning in to that project? It could be a comedy, it could be a horror film, it could be science-fiction, it could be a straight drama, it could be a love story, it could be live-action or animated, TV or film. It could be a book, it could be a stage production. If there s something that makes me feel like I want to see that, I want to read that, I want to listen to that, that, to me, is the only litmus test. I m just a bit dubious about long-term plans that go beyond truly making the best decision that you can moment to moment, and signing on to work with people that inspire you. Certainly, in the case of Lisey s Story, that was true.Rotten Tomatoes: You ve named a lot of different genres, not just the ones you re best known for. But people don t only watch one genre, so it feels like you re running the whole gamut of what anyone would be interested in.Abrams: I know that it might seem like Bad Robot is, Oh, it s that place where they do the sci-fi movies. We re about to start shooting a movie with Allison Janney and Jurnee Smollett that is a great survival drama with these two women at the center. There s nothing science-fiction or otherworldly about it. It s a compelling story. I just feel like whenever we find something that we really can sink our teeth into, those are the kinds of stories that we would like to tell. All of us, I think, are open to any genre if the story is told well.Rotten Tomatoes: Like your other Apple TV+ show, Little Voice. It s just a nice drama.Abrams: It was a very sweet series. It reminded me a lot of back in the day when we were doing the show Felicity — it was just the idea of young people who were opening their hearts to each other and struggling with what it is to be alive in the world. There isn t a genre that I feel doesn t potentially fall into the category of something we would love to do.Rotten Tomatoes: Exactly, and then you move on to a show with Julianne Moore and Clive Owen traversing different worlds.Abrams: Yeah, totally. Again, I can t explain it other than to say I don t think any of us want to eat one meal every day for the rest of our lives.(Photo by Apple TV+)Rotten Tomatoes: Lisey s Story tackles the themes of toxic masculinity and entitlement and fandom in a really interesting way that I have not necessarily seen you tackle in your other work, and it s probably something that both you and Stephen King have experience with.Abrams: I think one of the reasons that this was so important to Stephen King is that it spoke to his real life. Not just his work, but his marriage. Not just his work that he does, but the result of the work that he does. I think anyone who is in the public eye, anyone who is putting out work that touches people in any way runs the risk of having the kinds of fans that you find, certainly, in this story. I think that that was one of the things that he was really wrestling with. If he were to be gone and Tabitha, his wife, were to be there, what would that be like if some of the fans [showed up] that he knows have acted in a certain way? It s a scary and wildly relatable thing to anyone who s in that and many other professions.The story is Lisey s, and this is ultimately a story of hope and perseverance, but also deep suffering. What that character goes through is so horrific, not only in the backstory and understanding what she s been through, but what she goes through in real time and having to basically bear the burden of what it is that her husband has left for her. I think that it is a frighteningly realistic aspect to this really unique combination of genres, but it s something that Stephen obviously had a lot of feelings about. I completely understand where he was coming from with it because it s clearly something that is probably on the mind of anyone who s in the public eye.Rotten Tomatoes: It feels like a lot of people in the past year have taken a step back and started to reflect on their lives and their life s work. It feels timely in that sense, too.Abrams: I know exactly what you mean. The truth is that for all of us this year has been a year of loss, a year of struggle, a year of introspection and reconsideration, and in many cases, a year of gratitude and re-prioritizing things. I feel like part of what the story is about, which I think is very much in line with what you re saying, is that when your life is going on, there is a sense of an autopilot mode. When things get interrupted, you cannot help but stop and reconsider. I think that s what, certainly, Lisey goes through about her life, her marriage, and then having to question, how do you handle this? How do you overcome this? Who are you going to be moving forward? I think, to some degree, we re all going through that.(Photo by Apple TV+)Rotten Tomatoes: Were there any really difficult aspects of this show from conception to finished product? You had to stop production in the middle of everything, but what else was just a real struggle?Abrams: There were things like how do you bring to the screen something that is so fanciful and as fantastical as Boo ya Moon? Clearly, that was Pablo Larraín, our amazing director s vision and work, very much alongside Stephen King. Weirdly, when I started to see what he was doing with Boo ya Moon, I felt like, Oh. Wow. That was what I saw in my head, even though everyone will have their own version. I think the hardest thing was what you mentioned, the fact that well into production we had to shut down as the world did. We were one of the first productions to get back up and running again, doing so both here and, unexpectedly but we had to, overseas in Germany. I m incredibly grateful to the production people at Bad Robot and Warners and the entire cast and crew who managed to complete this thing. At the end of the day, it s seamless, but I know what had to happen for this thing to be finished. It was certainly challenging and a lot. I m grateful to all of them for that.Rotten Tomatoes: In that same vein, is there something about this project in particular that you re really proud of?Abrams: Well, obviously, any time we get to work with Stephen King is a point of pride. I m incredibly honored to have gotten to be associated with him on this. The cast is remarkable. Julianne Moore, I can t say enough about her. What she has to do in this project is enormous. She s so good and she s so lovely as a human. She makes it seem weirdly inevitable and effortless, none of which it is. I think to the entire cast and crew, I m just deeply moved by what they were able to do.For me, one of the unsung heroes — but maybe he will be sung — is Dane DeHaan, who brings this bad guy to life in a way that is so weirdly dimensional, and real, and funny, and horrifying, and awful. He ends up being one of the villains for the ages. I m enormously indebted to him. But like I said, Pablo and Stephen, to me, are the two people who came together to be remarkably more than the sum of their parts. I m so grateful for that.The first two episodes of Lisey s Story premiere Friday, June 4 on Apple TV+, with new episodes released weekly.On an Apple device? Follow Rotten Tomatoes on Apple News. 😈😈

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亚博app官网 When the Emmy nominations are announced on Tuesday, July 16, there are some names and series that will definitely be on the list: Game of Thrones, Veep, and Chernobyl (and plenty more series and miniseries from other networks) are among the frontrunners. But in a world where around 500 scripted series are set to air in 2019, there s a lot of excellent TV out there that will unfortunately not be recognized by the Television Academy.The Rotten Tomatoes staff wanted to make sure to recognize some of our favorite series and stars that might not necessarily receive a nod come Tuesday, so read on for our list of Emmy underdogs we re rooting for.Superstore 93%, Outstanding Comedy SeriesOver the last four years Superstore has quietly established itself as one of network televisions’ best offerings. It’s the rare show that can successfully tackle a wide-array of hot-button issues — from identity politics to immigration and every robot-trying-to-take-our-jobs in-between — while consistently providing full-belly laughs. The season four finale alone is a masterclass in finding levity in impossible situations. It also features one of TV s most exceptional (and insanely-likeable) ensembles, who vibe so well off of one another that it brings a whole new meaning to the phrase “work family.” It’s smart, insightful, ridiculously funny, and absolutely worthy of awards consideration. – Haña Lucero-ColinBroad City 99%, Outstanding Comedy SeriesBelieve it or not, Comedy Central’s ode to female friendship from Ilana Glazer and Abbi Jacobson has never been nominated for an Emmy, despite its critical success — four of its five seasons are Certified Fresh at 100% on the Tomatometer (and the first is CF at a not-too-shabby 96%). Broad City has paved the way for plenty of female-fronted comedies currently on TV, like Hulu’s PEN15, Netflix s animated Tuca Bertie, and Pop TV’s just-premiered Florida Girls — so honoring the groundbreaking sitcom in its fifth and final season would be a fitting end for the series. – Jean BentleyTuca & Bertie 99%, Outstanding Comedy SeriesTuca Bertie is for those wondering how their lives will go on after the end of Broad City. Creator Lisa Hanawalt’s buddy comedy goes to some pretty heavy places, but with a more surreal and absurdist bent. There’s an array of talented actors voicing the supporting characters (Steven Yeun! Richard E. Grant! Isabella Rossellini!), but Ali Wong and Tiffany Haddish really bring the endearing, sloppy charm of these characters to life. An Outstanding Character Voice-Over Performance nom for either would be awesome, but the show’s adult themes and newness probably won’t work in its favor. – Sara AtaiiyanOne Day at a Time 99%, Outstanding Comedy SeriesTalk about a Cinderella story. Imagine this: The critically acclaimed sitcom reboot that Netflix axed following its third season, but which — after a long fan campaign — was saved by Pop, takes home the Emmy for Best Comedy. Gods, wherever you are: Make it happen. It would be a miracle of course, but it would be a well-deserved one. One Day at A Time, created by Gloria Calderon Kellett and Mike Royce and executive produced by Norman Lear, has shown that the multi-camera sitcom can still be hilarious, heartfelt, and just as edgy as many of the rougher-edged comedies on streaming and cable. The setup is simple — a working-class Cuban-American family lives in an apartment building where they are friendly with their hipster landlord — but the character arcs and writing are anything but. Watch how skillfully the showrunners blend complex narratives about immigration and gentrification into the laughs, and how organically season-long storylines coalesce. It’s smart, underappreciated stuff. As are the performances, particularly from Justina Machado as the mother trying to keep everything together and Rita Moreno as the scene-stealing live-in grandma, Lydia. – Joel MearesBoJack Horseman 93%, Outstanding Comedy SeriesSeason 5 gave Bojack his Horseman-aissance after being cast in an edgy TV show. We also got a deeper look at supporting characters Diane, Princess Carolyn, and everyone’s favorite asexual, Todd. Maybe it’s because of and not despite the fact that it’s a cartoon that allows the series to deal so astutely with questions about what it means to be person who’s trying to be better, and the #MeToo movement. – AtaiiyanFleabag 100%, Outstanding Comedy SeriesPhoebe Waller-Bridge is seemingly a lock for a comedy actress nomination, but with the comedy series category overstuffed with hilarious options, we’re unsure if this member of our exclusive 100% club is an underdog or a frontrunner. Look at the contenders: Veep, The Marvelous Mrs. Maisel, Barry, The Kominsky Method, The Good Place, GLOW, Russian Doll, black-ish, Schitt s Creek, Better Things, and on. What’s a Fleabag got to do to get some recognition around here? – Debbie DayThe Good Fight 95%, Outstanding Drama SeriesThis tight and punchy spin-off to The Good Wife is the single best reason to subscribe to CBS All Access (and there are a bunch of very good reasons its competing against, with The Twilight Zone and Star Trek: Discovery available on the streaming service). The super-smart and sometimes surreal legal drama offers fascinating cases — many of which touch on “big issues” in tech and politics in small and intimate ways — and a compelling crew to tackle them. Chief among that crew is Diane Lockhart (played by Christine Baranski, who deserves her Emmy, now!), who featured in The Good Wife, and she’s well-matched by rising star and new mom Lucca Quinn (Cush Jumbo), senior partner Adrian Boseman (Delroy Lindo), and the scandal-hounded young Maia Rindell (Rose Leslie), who’s taken a liking to Fentanyl lollipops in season 3. The Good Fight deserves its nomination not just for being the smartest legal drama out there, but for being one of the few shows on TV right now to grapple with — and laugh at — some of the meatiest issues in American politics, law, and society. – MearesBusy Tonight , Outstanding Variety Talk SeriesBusy Philipps translated her personable, intimate online presence into a TV show that felt more like eavesdropping on friends hanging out than a traditional late-night series, which made Busy Tonight’s untimely cancellation sting a little bit more. The actress proved to be both a likable and skilled host, and her accomplishments deserve to be recognized. – BentleyEmmy Rossum, Shameless 82%, Outstanding Lead Actress in a Comedy SeriesFor years Emmy Rossum has been turning in some of the best work of her expansive career on Shameless, and for years the TV Academy has been ignoring her in favor of William H. Macy’s much showier role as the deadbeat patriarch of a large Chicago family. But Rossum’s performance as the eldest child keeping her siblings together as they struggle to keep their heads above water is at times hilarious and heartbreaking, and what better way to repent for their years of ignorance than by the Academy recognizing her work in her final season on the show? – BentleyCatherine O’Hara, Schitt's Creek 93%, Outstanding Lead Actress in a Comedy SeriesCatherine O’Hara has never won an Emmy award for acting, and that, in and of itself, is criminal. O’Hara, who currently stars as matriarch Moira Rose on Canadian Pop TV sensation Schitt’s Creek is as good as it gets. Schitt’s Creek itself deserves all the awards. From the writing to the acting to hair and makeup, the series is genuinely one of the greatest shows to ever hit the small screen, but what O’Hara brings to Moira makes the character so special and the actress so deserving. She has given an unlikable person a depth and a growth that is unseen in on television today. She is eccentric, she is quick-witted, she is wearing a fabulous wig, and she truly deserves to be in the conversation for best actress in a comedy series. – Zoey MooreSuranne Jones, Gentleman Jack 90%, Outstanding Lead Actress in a Drama SeriesNot content to simply act the role, Gentleman Jack star Suranne Jones paints her worldly, outsider character, Anne Lister, with bold strokes into otherwise placid scenes of lush 19th–century West Yorkshire, England. When she takes on local graft, she bares her teeth with such palpable menace that in her more vulnerable moments — as when she confronts a skittish lover — her tears break hearts. But in a category stuffed with meaty dramatic roles performed by names more familiar to voters, Jones, like her Lister, seems an upstart with an uncertain fate. – DayStephan James, Homecoming 78%, Outstanding Supporting Actor in a Drama SeriesSam Esmail’s Homecoming was one of the best reviewed series of 2018, and it’s not hard to see why. This taut adaptation of the beloved narrative podcast played out like 11 little shots of Hitchcock — a slow burn that caught fire as the story evolved, back and forth through time, with twists upon twists and some of the finest performances of the year. Julia Roberts has been rightly lauded for her put-upon Heidi Bergman, and Bobby Cannavale gives excellent Cannavalian obnoxiousness as Colin Belfast. But Stephan James, as military veteran Walter Cruz, gives what could be a pretty cold affair its warmth and heart and makes that final diner scene so damn devastating. – MearesAnnie Murphy, Schitt's Creek 93%, Outstanding Supporting Actress in a Comedy SeriesYes, Twitter, we know, and we agree: Catherine O’Hara is everything in Schitt’s Creek, and the fact that she doesn’t have four Emmys on a shelf somewhere right next to a collection of Moira Rose wigs is some sort of crime against comedy. But let’s shine equal light on Annie Murphy, who plays the younger socialite-in-the-sticks, Alexis Rose, in the Canadian series. It’s the less showy role — no wigs, no accent — but it’s also stealthily a bit of genius. Murphy plays a ditzy rich girl mid-awakening and every season her characterization deepens. She still gets to nail those insane Alexis lines alluding to a wild past of kidnappings, engagements, and foreign dignitaries, and put out the occasional puppy-dog whine. But she’s also increasingly real, grounded, drawing us into her increasingly tender relationships with her family and Ted. David, giver her an Emmy nom, like, now! – MearesLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.Thumbnail photo credit: Tyler Golden/NBC; Pop TV; Amazon Prime Video

The Film Has A Vintage Look(Photo by @ Warner Bros. Pictures)From the first second, the teaser shows that Joker will look different. The glossier color grading of films like Aquaman and the animated quality of Batman v. Superman: Dawn of Justice have been replaced with an older aesthetic derived from the stripped-down crime dramas the studio produced in the 1970s. While still cleaner than Taxi Driver or Serpico, it is clear Phillips wants to invoke the rundown feel of New York captured in those films for his vision of Gotham City.Of course, those WB-produced films achieved that look by simply going on location and shooting a city in decline, so Joker’s rundown Gotham will look a little artificial. Nonetheless, it still has a sense of place with real exteriors and a mundane-looking Arkham Asylum. While the Dark Knight trilogy tried the stripped-down approach, it never aimed for the 1970s level of grit seen Joker s subways and alleys. It definitely sets the film apart from Joker’s other cinematic appearances.Joaquin Phoenix Transforms Into A Classical Joker(Photo by @ Warner Bros. Pictures)Reportedly, Phoenix lost 50 lbs. for the role. And as seen in certain shots of his back, the transformation is startling. A wiry Joker is not a new idea. That rendition of the character is all over the Batman: Arkham video game series and is a constant design choice in the comics with artists like Jim Aparo and Brian Bolland giving him impossible proportions. But in getting into this “fighting weight,” Phoenix’s whole face takes on the angular visage that artists in comics, animation, and games have been giving the character for decades.It is probably why he so instantly looked the part in those early costume tests the studio released.Of course, lanky proportions are not required when bringing the character to the screen as Cesar Romero, Jack Nicholson, and Heath Ledger proved. And once you add the suit into the mix, the actor’s dedication to a skinny body gets lost under layers of clothing. Nonetheless, Phoenix’s commitment to changing himself into that classic Joker body is commendable. At the same time, we hope he s enjoyed a good meal or two since production wrapped.Arthur Fleck Is Sympathetic(Photo by Warner Bros. Pictures)As the landmark graphic novel The Killing Joke by Alan Moore and Bolland established, the Joker is unknowable — even to himself. Part of what makes him Batman s nemesis is the lack of a simple motivation or even a genuine history. In the 1989 Batman, the character receives an origin as a Gotham City mob enforcer who only turns to theatrics when his boss betrays him and Batman lets him fall into a vat of chemicals. In The Dark Knight, he arrives in town fully formed, but we learn almost nothing about him. This approach was lauded because it skews so close to the comics: the Joker is a force of nature.But now we have Arthur Fleck.In one of the most critical departures from the established comic book canon, Joker sets out to give him a relatable and concrete history. He’s a failed comedian, down on his luck and, as the shot of his notebook reveals, suffering from some sort of mental illness.We also see him being good to his mother, Penny (Frances Conroy), and having a genuine moment with Zazie Beetz’s Sophie. Also, we witness him getting kicked to the curb a lot by Gotham scum of both the blue- and white-collar varieties. The end result is a Joker who is knowable and, ultimately, relatable. He has to be if he is the protagonist of the story. But in doing so, the movie opens up the possibility of the character being viewed as a hero, a thematic choice it must apply carefully and consciously position for its tragic consequences.Thomas Wayne Is A Loudmouth(Photo by @ Warner Bros. Pictures)At one point, rumors surfaced indicating that Alec Baldwin would play a version of Thomas Wayne more akin to a certain publicity-hungry 1980s land developer than the caring patron of the city we usually see. Considering Baldwin is known for playing a parody of that land developer, the casting suggested the film might have a broader tone than the one we are seeing in the teaser.And to that end, the preview offers a glimpse of Thomas Wayne. Played by The Dark Knight Rises veteran Brett Cullen, we see Bruce’s father is more than happy to appear on TV and decry the latest string of Gotham City calamities. Of course, his key statement — “What kind of coward would do so something that cold-blooded? Someone who hides behind a mask.” — is an obvious joke about the Batman, but the overall context of his morning talk show appearance is clear.But it is also clear Wayne will be a little more nuanced than the broad caricature some may have expected during Baldwin’s very brief association with the project. In fact, the tone of the film as presented in the teaser is a far cry from anything one might have expected from The Hangover director Phillips. The apparent seriousness on display, ironically, makes it all the more compelling.It Is A Love Letter To The King Of Comedy(Photo by @ Warner Bros. Pictures)At the same time, Phillips is not forgetting his comedy roots. In fact, the film seems to derive a lot of its soul from Martin Scorsese’s 1982 film, The King of Comedy. In it, Robert De Niro plays a sad-sack, failed comedian whose obsession with a Johnny Carson-esque late-night talk show host (Jerry Lewis) leads to kidnapping and, surprisingly, the character’s best chance at stardom.De Niro’s one appearance in the teaser in front of a multi-colored curtain — a la Carson’s monologue backdrop in the 1970s and early 1980s — invokes the look and tone of King of Comedy. The parallel is pointed and no doubt one of the film’s early selling points. Getting De Niro to essentially play the Lewis role gives the film a very different association from its comic-book trappings.Also consider the banner for Charlie Chaplin’s Modern Times seen in the trailer. That film is a comedy classic with a number of pointed comments about the workaday world crushing the little guy. Sure, Joker is still a comic book movie, but it is pulling ideas and influences from a wide array of sources.The fact most of these sources are ultimately owned by WarnerMedia may even be a joke in itself.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.Joker is in theaters October 4, 2019 从大家想也不敢想的MOBA这一类型玩法登录手机之后,越来越多端游的玩法也出现在了手机之上。近期,我发现“逃离塔科夫like”游戏似乎正在变多。这让早已经百花齐放的射击手游又多了一种玩法选择。

2021-12-07

Netflix s Ozark, created by Bill Dubuque and Mark Williams and showrun by Chris Mundy, follows the downward spiral of a seemingly innocent Chicago accountant, Marty Byrde (Jason Bateman). When his secret money-laundering deal with a Mexican cartel goes south, he decides to move his family to central Missouri to protect himself and the lives of his wife, Wendy (Laura Linney), and kids Charlotte (Sofia Hublitz) and Jonah (Skylar Gaertner).Over the course of the show s first two seasons, Marty s various criminal dealings resulted in overly bloody consequences; in fact, the amount of bone-chilling violence featured here, along with the strong performances delivered from each member of the cast, resulted in a bleak, yet action-packed series that surpassed genre expectations.It s no surprise that, upon its initial premiere, Ozark drew heavy comparisons to AMC s Breaking Bad. Each shows a family unit on the verge of collapse as its patriarch — whether it s Bryan Cranston s Walter White or Bateman s Marty Byrde — dabbles, to varying degrees, in the criminal underworld. Add in a cartel menace, snooping law enforcement entities, and the inevitable collateral damage each family faces, it s easy to see the similarities here. But as the story evolved in its second season, Ozark completely broke free from the Breaking Bad mold, as the Byrdes became complicit in Marty s crimes. His deal-with-the-devil became the family business, causing the overall brokenness of their fragile union to grow exponentially.(Photo by Guy D'Alema/Netflix)In the wake of Wendy s infidelity and the constant tension of who may be trying to kill them next, Marty tapped his significant other for help in a move to find solidarity and support. But things have a habit of not going his way, and as Wendy s taste for breaking the law grew, Marty was faced with one more challenge for him to deal with, or try to avoid at all costs in his crime boss–in–training wife.Season 1 didn t exactly dazzle critics, scoring a decent, but not stellar, 70% on the Tomatometer with 69 reviews. The second installment of the Netflix series performed a bit better and is now Certified Fresh at 76% on 45 reviews.Now, with new episodes dropping on Netflix, the question lingers: Is Ozark able to breathe new life into this bleak family drama or is the jig finally up for this bloody money-laundering tale?Here s what critics have to say about season 3 of Ozark.Marty and Wendy s Marital (and Criminal) Conflict Carries the Season(Photo by Steve Deitl/Netflix)Though the Byrde’s situation remains tenuous in some ways, they’re in a better position than ever before in others, the problem being that Marty and Wendy simply don’t see eye to eye on what’s best for their business and their family. As such, the series opens the door for the long-building conflict between the couple to finally come to a head. And the results are some of the best and most tense episodes of the series to date. — Kevin Yeoman, ScreenRantWendy seems hellbent on roaming the same criminal grounds Marty is now too afraid to retread while avoiding (or repeating) his mistakes. She wants to expand the family business. She wants to increase their profile, despite its obvious fallbacks (like attracting the FBI). And when her husband refuses to continue laundering money for the cartel and their other interests, Wendy picks up the pace of her campaign against him. — Andrew Husband, Den Of GeekEvil Laura Linney Is the Best Laura LinneyWendy in particular realizes her penchant for illicit and illegal activities this season, taking the lead of operations against Marty’s wishes, allowing Laura Linney countless moments to dominant a scene, proving exactly why she deserved her Emmy win. — Katie Awad, HypableIn some ways, this run of episodes is all about Wendy, whose new, flinty resolve scared her husband at the end of season two—and who is now putting that mettle to the ultimate stress test. The results are fascinatingly shaded; Wendy realizes she’s in perilously deep, while also digging in further. She’s horrified by the erosion of her ethics, while quietly thrilled by what’s possible once those bonds have been shaken off. This is the most that Linney has been allowed to tear into her character, and it’s thrilling to watch. — Richard Lawson, Vanity FairRuth Langmore Is the Unexpected Heart of the ShowJulia Garner, who won a supporting actress Emmy last year, is the saving grace of this season as Marty’s right hand and most senior employee, Ruth Langmore. Through brashness and bravery, her loyalty to Marty affords her increasing responsibility. Soon she’s running the casino and closer to the apex of danger. Through the loss of her father, uncles and cousins, we get to see Ruth’s vulnerable side. She softens in the face of a potential love interest, and toward Marty, who fills a fatherly void. It’s predictable character arc yet it doesn’t disappoint because it’s the season’s most finely drawn development. — Rachna Raj Kaur, Now TorontoFresh off her Emmy win for Best Supporting Actress last year, Garner remains a standout in this series. Ruth’s foul-mouthed spitfire attitude is still an absolute delight, but Garner continues to flesh out this character with complexity and a moving vulnerability that makes her one of the most interesting characters on the show. — Adam Chitwood, ColliderAfter a fine first season and a so-so second, this show is full of fresh energy. The best character is the casino manager (Emmy-winning Julia Garner), a spitfire you’ll want to meet. — Tim Appelo, AARPSeason 3 Is an Improvement, but Ozark Isn t Taking Any Narrative Chances(Photo by Steve Dietl/Netflix) Ozark lacks that brilliance that only few achieve, but it continues to do more with each season, and always manages to solve with efficiency all the mishaps in which it puts its characters. — Mikel Zorrilla, EspinofEven with a lot of the right pieces in place, “Ozark” remains short-sighted in how it manufactures drama, relying far too often on quick positional pivots and bad decisions to generate immediate conflict, rather than building long-term arcs with more satisfying payoffs. — Ben Travers, IndieWireOzark season 3 premieres on Friday, March 27 on Netflix.

亚博app官网 of any Crazy sequels in 2019 unlikely. Instead, the plan appears for both sequels to be filmed back-to-back, probably in 2020, for release dates in 2021 (and possibly 2022). The other challenge for an ambitious two-movie shoot (go ask Marvel) is getting all the cast scheduled, and Crazy Rich Asians had a large ensemble cast. As for what comes after In the Heights, China Rich Girlfriend, and Rich People Problems, Chu is also now developing Don t Stop Believin about Journey lead singer Arnel Pineda s unlikely route to a dream rock star gig.3. CAPTAIN MARVEL S BRIE LARSON AND HER NETFLIX MOVIE WITH CHARLIE KAUFMAN (Photo by Claire Folger/Paramount Pictures)Brie Larson was very much in the spotlight this week with the launch of the second trailer for next year s Captain Marvel (3/8/2019) (which has people asking all sorts of questions). As it often happens, however, there was actually another story about Larson s career this week, as she is the latest actor to sign on for an ambitious project at Netflix. Brie Larson has signed to star in I m Thinking of Ending Things, Netflix s first film with writer/director Charlie Kaufman (Anomalisa, Synecdoche New York). Based on a 2016 novel by Iain Reid, I m Thinking of Ending Things tells the story of a woman s trip to a family farm that leads to an an unexpected detour leaving her stranded, a twisted mix of palpable tension, psychological frailty and sheer terror ensues. Jesse Plemons (of TV s Breaking Bad and Fargo) also signed on this week as the film s male lead. Going back to Captain Marvel, Marvel Studios also released the first teaser this week for Avengers: Endgame (4/26/2019), and we may be getting the first Spider-Man: Far From Home (7/5/2019) teaser this weekend (though how that fits in with Spidey s current status is still anyone s guess).4. I TONYA DIRECTOR TAPPED FOR ANOTHER MISUNDERSTOOD HEROINE: CRUELLA?(Photo by Buena Vista Pictures courtesy Everett Collection)For the most part, Disney s remakes of their animated classics are pretty straightforward (Dumbo is Dumbo, The Lion King is The Lion King, etc.), but then you have a movie like Maleficent, which took Sleeping Beauty and told its villain s story instead. (Let s note real quick here that Maleficent II recently wrapped filming and it s scheduled for May 29, 2020.) Disney is going to do the same thing with their revisit to 101 Dalmatians by adapting it as Cruella, telling her origin story before she ever met all those black-and-white puppies. Emma Stone has been attached to play the young Cruella for a while, and this week, Disney found its director in the form of Craig Gillespie (I, Tonya, Lars and the Real Girl). Alex Timbers (of Amazon s Mozart of the Jungle) had been attached, but had to drop out due to scheduling issues. Cruella doesn t have a release date yet, but it s most likely aimed at either late 2020 or sometime in 2021. Disney s remake slate currently includes three confirmed for 2019 (Dumbo, Aladdin, The Lion King) and two for 2020 (Mulan, Maleficent II). Tom Hanks also started talking to Disney last week for Pinocchio, which is another possibility for 2020 or 2021.5. TIFFANY HADDISH AND AWKWAFINA MIGHT BE NEXT JUMP STREET COPS (Photo by Michele K. Short/Universal Pictures, Warner Bros. Pictures)One of the funniest parts of 22 Jump Street was actually the ending, which promised a long series of sequels with different themes starring Jonah Hill and Channing Tatum (Medical School, Foreign Exchange Students, Art School, etc). That was followed, for a while, by talk about Hill and Tatum starring in a 23 Jump Street which was also a new Men in Black movie, but those plans eventually fell apart, and Hill and Tatum are apparently done with the franchise now. Instead, in whatever form the third 21 Jump Street movie takes, the two cops-undercover-in-a-school will be women. Tiffany Haddish broke out after 2017 s Girls Trip, and Awkwafina co-starred this year in both Ocean s 8 and Crazy Rich Asians. If deals go through the way Sony hopes, it will be Haddish and Awkwafina who star in the next 21 Jump Street movie. Since she s 39, you might think Tiffany Haddish would have a harder time passing as a student, and you would be right, as she s reportedly in talks to play a cop undercover as a teacher, a mom, or maybe even both. In related news, the Men in Black spinoff now has a title, Men in Black International, which brings to mind the long-running DC Comics series Justice League International. This week, we also got our first image of Thor: Ragnarok stars Chris Hemsworth and Tessa Thompson in character, complete with fancy guns and men in black suits.6. ANNE HATHAWAY MIGHT TELL YOU HOW TO GET TO SESAME STREET (Photo by Giles Keyte/Focus Features)Next year will mark five years since Muppets Most Wanted, and since then we haven t heard much about any new installments. Instead, the attention seems to be turning to Sesame Street, which continues to air on both PBS and HBO. Sesame Street is also sort of a thematic cousin of Mister Rogers Neighborhood, which was the subject of this year s hit documentary Won t You Be My Neighbor? So, the time might be right for a different kind of Sesame Street movie. Warner Bros. is reportedly hoping to sign Anne Hathaway to star in their new Sesame Street movie, which will also be a musical. Of particular interest is the name of Hathaway s character, which is Sally. Going all the way back to the original 1969 Sesame Street pilot episode, it was a little girl named Sally who Gordon Robinson first introduced to Sesame Street. (Anne Hathaway, born in 1982, is too young by about 15 years to have actually been in that 1969 episode.) Big Bird, Bert Ernie, Elmo, Oscar the Grouch, Cookie Monster, The Count, Mister Snuffleupagus, and Zoe are all also likely to be in Sesame Street.Rotten Ideas3. THE MUSIC OF PRINCE TO INSPIRE A MAMMA MIA-STYLE MUSICAL (Photo by Kevin Winter/Getty Images)During his lifetime, Prince was famously super protective of both his music and legacy (Kevin Smith recounted his efforts to make a Prince documentary in An Evening with Kevin Smith). Since his death in 2016, the music of Prince has been in the public eye, including commercials and a recent all-Prince episode of Black-ish. Universal Pictures had success with the ABBA musical Mamma Mia (and to some lesser extent, it s sequel Mamma Mia: Here We Go Again), and now the studio is hoping to replicate that, but with the music of Prince. Universal has made a deal with Prince s estate for an original movie (ie, not a Purple Rain remake, for example) inspired by the songs of Prince. The reports about the movie specifically reference Mamma Mia!, so don t expect a Prince biopic, but a fictional story that just features the songs. In related news, Universal is also partnering with Issa Rae on a musical romance called Love in America. Considering Universal has had mixed success with Mamma Mia! (the first film was Rotten at 55%, while the second was Certified Fresh at 81%), and considering Prince s music is good enough to stand on its own, without shoehorning it into a made-up story, we aren t especially optimistic here. Maybe they ll prove us wrong.

2021-12-07
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