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欧宝下载网址采用百度引擎7(Baidu 5)This year’s Oscar race may indeed come down to two battle-weary veterans, with Martin Scorsese’s The Irishman and Quentin Tarantino’s Once Upon a Time in Hollywood in prime position for a classic Hollywood showdown next February. On the other side country, tucked back on a nondescript road amidst the farmland of New Jersey, sits the home of another iconic veteran who’s got a new film that may not challenge those films for Best Picture glory, but which thematically feels right at home with the Scorsese and Tarantino movies. It’s called Western Stars, and it marks the feature directorial debut of rock legend Bruce Springsteen.Co-directed by Springsteen and his longtime collaborator Thom Zimny, Western Stars is part concert film, part meditation on the complexities of getting older. With some of the film set on Springsteen’s farm and some set out among the quiet stillness of the Californian desert, Western Stars isn’t as big, bold, and flashy as both The Irishman and Once Upon a Time in Hollywood, but all three films contemplate the effects of aging, of confronting regrets and mistakes, of trying to embrace what’s there instead of what isn’t. Springsteen, who turned 70 last month, is certainly aware of the similarities between the pictures – and even more revealing: Irishman and Hollywood are two of his favorite films of the year.Seated comfortably on a couch inside his New Jersey recording studio, dressed in classic Springsteen attire (blue jeans, jean jacket and white undershirt, natch), the music legend and now film director spoke at length with Rotten Tomatoes about how his love of film has inspired him as a man and as an artist. From the Westerns of John Ford to the sprawling meditative works of Terrence Malick, the musician doesn’t hold back when it comes to his own cinematic influences.(Photo by Rob DeMartin, © Warner Bros. )“The Grapes of Wrath had a huge influence on me when I saw it – just the imagery and the story it was telling,” he said. “Of course, The Searchers and all the Westerns, which I had seen as a kid, but never really absorbed. Also, the noir stuff, like Out of the Past with Robert Mitchum… that was a huge film for me. And then there were more modern things, like Martin Scorsese’s pictures – but also I remember at the time I wrote ‘Nebraska,’ I had seen a Terrence Malick picture for the first time. [His films] are meditative; lots of voiceover… Days of Heaven, Tree of Life. The soundscape for Nebraska really came from Badlands, the Malick picture.”Springsteen told Rotten Tomatoes he began watching a lot of films when he was about 27, “from ‘Darkness on the Edge of Town’ forward.” He said: “I became a bit of a film buff; I was looking at other artists and the way they were conceptualizing their work. So of course, I ran into John Ford, and I thought it was interesting how he was working on certain consistent themes in every picture. How every picture sort of related to another one in certain ways; you had the cast of characters and an ensemble that he worked with really steadily. You know, I had my band and I was interested in telling this longer story where each album would relate to another in a certain way.”That consistency in collaboration is what also drew Springsteen to Scorsese’s work, and it’s what is top of mind when he discusses the director’s epic new work, The Irishman.“With The Irishman, it was beautiful to see that cast working together again,” he said. “To see Marty at the top of his game… those guys and that history, you’re never going to see that again. That group of actors – there’s never going to be a group of actors quite like that again. And if you grew up with them, as folks in my generation did, that’s a powerful picture.”(Photo by Rob DeMartin, © Warner Bros. )In Western Stars, Springsteen chose a unique format through which to share his newest album with the world. Instead of touring with it, he created this film as a record of the music and the stories behind each song, but also of his love for his wife, Patti Scialfa, who plays beside him on each tune with the duo backed by an orchestra inside an old barn on Springsteen’s sprawling farm in New Jersey. The film – featuring songs about lost, often broken men in search of redemption interspersed with thoughtful, almost-poetic words of wisdom from the Boss himself – feels like it’s about a man letting go of his mistakes in order to embrace the love that’s all around him.We asked Springsteen if that was an accurate take on Western Stars as a whole.“That’s as good an explanation of it as any, you know,” he said with a smile. “It’s about a trip or a journey that everyone has to make. When you’re young, you wanna do what you wanna do when you wanna do it. Individual freedom means an awful amount to you. But as you get into your thirties and certainly your forties, life begins to thin out, if that’s how you’re approaching it. And so [you’re on this] pursuit of a fuller life, and in a very strange way it’s the domestic constraints [that] provide you with a freer life. As you get older, you have a home, a place to gather yourself and reasons for the work that you’re performing. The definition of what freedom is alters as you grow older, and so the film is about the way that that word changes as time passes by. But it’s also about the price you pay if you don’t grow or change as that time passes by.”As he so often does at all of his shows, Springsteen ends the film with a more celebratory encore, covering Glen Campbell’s “Rhinestone Cowboy,” as if to leave audiences with one last anecdote: never stop chasing your dreams.“The character in the film makes this journey, and it needed to be celebrated a little bit,” he said. “When the song comes up, it’s a release for the audience. It’s also slightly connected to the genre I was working in; Glen Campbell was an inspiration for a lot of the song stylings.Of course, it’s hard not to discuss “Rhinestone Cowboy” and the aging cowboys featured in Western Stars and The Irishman without also bringing up the aging cowboys at the center of Quentin Tarantino’s Once Upon a Time in Hollywood. Springsteen not only told us that he had seen the film, but also that he’s a big fan of Tarantino’s latest. “I did see it, and I thought, yeah, that’s a funny little coincidence,” he said when the thematic similarities were brought up. “I really loved it – that was one of my favorite pictures of the past year. It was quite touching, and quite lovely.”Western Stars is in limited release October 25.

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根据随意的游戏体验,国内的手游跟单机游戏最大的区别在于,对于单机而言,付出了金钱,能够完成体验到如读书、听音乐、看电影一般一次完整的体验。而氪金游戏则是做减法。把完整的游戏体验分隔开,氪得越多,肝得越多,才能逐渐解锁原本该有的游戏体验。 (Photo by VCG/Getty Images)You may not immediately recognize Yuen Woo-ping s name, but if you ve seen the Matrix movies, the Kill Bill movies, or Crouching Tiger, Hidden Dragon, then you ve seen his work. The renowned martial arts director and fight choreographer has orchestrated some of the most memorable and thrilling action sequences in all of cinema, working with people like Jackie Chan, Jet Li, Michelle Yeoh, and Donnie Yen. Some of his films, like Iron Monkey, Wing Chun, and the original Drunken Master, are widely celebrated classics of the genre, which has benefited from his talents for nearly half a century.This week, Yuen releases his latest directorial effort, a spinoff of the popular Ip Man franchise called Master Z: Ip Man Legacy. The film focuses on a martial arts master in 1960s Hong Kong who loses a duel with Ip Man and decides to retire, only to be drawn back into fighting by a local drug dealer. Normally, we would ask Yuen what his Five Favorite Films were, but with such an extensive list of credits, we thought we d do something a little more interesting. With that in mind, read on for Yuen Woo-ping s five favorite fight scenes that he himself directed.

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The seemingly abrupt cancellation of Krypton left fans of the odd-but-scrappy series blindsided. Then again, fans of comics often know the sting of cancellation.Because of the much smaller lead time involved in comic book publishing, a well-known series can end quickly with a surprise announcement on social media (see: the end of The Walking Dead). And, every so often, they end in mid-story. In the late 1970s, when market forces turned against DC Comics’ expanding lineup, the company released two issues of Canceled Comics Cavalcade — a collection of completed stories from the many comic books it cancelled in 1978.Looking at the last year, there are certainly enough now-cancelled television shows based on comic books to form a “Cancelled TV Cavalcade” all their own. A few shows, like Arrow and Legion, were (or are) able to end on the creators own terms. Others managed to complete their stories despite the presumption of another season. But still others might not have been so lucky.Below, we examine the cancelled comic book shows of 2018 and 2019 to find out which fit best in a present-day version of Cancelled Comics Cavalcade.Krypton(Photo by Steffan Hill/SYFY)Where It Left Off: Brainiac (Blake Ritson) kidnapped baby Jor-El and took him to Earth. Nyssa-Vex (Wallis Day) found herself on a strange planet bracing for a Thanagarian Invasion and, possibly, an Omega Men intervention.Cancelled Too Soon? Absolutely. In the season 1 finale, Superman ceased to exist and the show made no effort to restore him. Instead, it found its own story to tell with Seg-El (Cameron Cuffe) making his way back to Krypton while his grandfather Val-El (Ian McElhinney) led a resistance against Dru-Zod (Colin Samon). Across the 20 episodes of the series, Cuffe, Salmon, and actors like Georgia Campbell and Rasmus Hardiker breathed life into the characters, making them more than just weird footnotes in Superman’s backstory. The show also pulled off the most interesting, accurate, and terrifying version of Doomsday yet realized on screen.Thanks to showrunner Cameron Welsh, we know the third season would’ve seen Brainiac raising Jor-El on modern-day Earth — a twist on the Superman: Red Son story we are shattered we’ll never get to see. Maybe it can be resolved on Lobo — the Krypton spinoff that may still make it to air, as it s still being shopped around to networks — or a revived Krypton series itself. Stranger things have happened.Marvel s Jessica Jones(Photo by David Giesbrecht/Netflix)Where It Left Off: Despite putting Trish (Rachael Taylor) on The Raft — Marvel’s high security prison for super-powered people — and planning an escape from New York, Jessica (Krysten Ritter) decides to embrace her heroic self and defend her city.Cancelled Too Soon? Oddly enough, no. The shape of Jessica Jones as a series was always defined by Jessica and Trish. Both aspired to be heroes and both suffered for it across the three seasons. That Trish’s fondest wish would curdle and set her against Jessica makes sense. At the same time, Jessica’s decision to turn Trish in to the authorities — and make Trish’s slide into vigilantism public — felt like the appropriate climax for this version of the series. And Jessica s decision to go back to her office at the end has a sense of thematic finality to it. No matter what adversary she might have faced in a fourth season, Jessica’s doubts are behind her.While the series might have found a way to continue has Netflix wanted another year, this feels like the ending showrunner Melissa Rosenberg always aiming toward.Swamp Thing(Photo by Brownie Harris/2018 Warner Bros. Entertainment Inc.)Where It Left Off: Swamp Thing (Derek Mears) learned he was a plant who thinks he is a man, but decides to remain in physical form to both stay with Abby (Crystal Reed) and protect the swamp. Meanwhile, at the Marais PD, Jason Woodrue (Kevin Durand) completed his transformation into the Floronic Man.Cancelled Too Soon? Most definitely. DC Universe’s Swamp Thing proved a high-quality series can be built around the character and other members of DC Comics’ horror gallery. The writing often felt like reading a DC Vertigo book from the 1990s and the performances never faltered — at least until the truncated ending, where slow burns for Daniel Cassidy (Ian Ziering) and Maria Sutherland (Virginia Madsen) suddenly went into overdrive to feel more conclusive. Swamp Thing also proved a high-quality series based on the character is out of the financial reach of most streaming services. Maybe if another platform wanted Swamp Thing — and a few other characters like Madame Xanadu and the Phantom Stranger — as their only prestige DC show, the budget might actually work out.The Tick(Photo by Amazon Prime Video)Where It Left Off: AEGIS director Tyrannosaurus Rathbone (Marc Kudisch) is compromised by the squid hiding in his heart, not that The Tick (Peter Serafinowicz) or Arthur (Griffin Newman) noticed anything different about him. They were too busy heading off on patrol. Meanwhile, in space, Superian (Brendan Hines) plans to turn back the flow of time.Cancelled Too Soon? Yes and no. Though it is clear creator Ben Edlund wanted to keep going, the final episode of season 2 works as a fine coda to the ideas established early in the first season. The Tick and Arthur end up as recognized heroes and Arthur’s family shed all their various secrets. Even Overkill (Scott Speiser) has found some acceptance. If not for the two cliffhangers regarding Rathbone and Superian, this would feel like a natural end of the story.But then again, it is The Tick and we can never get enough of it — especially in this incarnation. And as Newman told us back in March, the show was nearing a place where it could introduce some of the classic characters from the cartoon and 2001 live-action series. The Tick always finds a way back to TV, though, so we imagine a new iteration will be here before too long.Marvel s Luke Cage(Photo by Netflix)Where It Left Off: After both protecting and facing off against Mariah Stokes (Alfre Woodard), Luke Cage (Mike Colter) found himself in control of her family’s nightclub, Harlem’s Paradise, and her criminal enterprise. Uneasy lies the head that wears a crown.Cancelled Too Soon? Yes. Perhaps more than any other Marvel shows on Netflix, that hypothetical next season of Luke Cage had a clear direction in front of it: Could Luke turn Mariah’s poisoned chalice into a boon for the neighborhood? Or would the power consume him as it did Mariah, her cousin Cornell (Mahershala Ali), and the rest of her family before her? Those questions are so powerful that they echoed over into Jessica Jones’s finale thanks to Luke’s brief cameo. It set up a showdown between the two characters we will never see.But beyond the crossover potential, we just wanted to see Luke in charge and seeing what self-imposed rules he would bend to be Harlem’s undisputed defender.Gotham(Photo by Justin Stephens/Fox)Where It Left Off: After ten years of relative calm, the criminal insane of Gotham City returned to raise havoc. But this time, things will be different as Jim Gordon (Ben McKenzie) has a new ally in the war on crime: the Bat-Man (David Mazouz).Cancelled Too Soon? Gotham ended at just the right moment, which seemed to be the point of the final storyline. It was clear Jim’s leading role was coming to an end. It had to, as there were few ways left to compromise his integrity and still make him worthy of the Bat-Man’s friendship at the end. Also, most of the villains, like Penguin (Robin Lord Taylor) and Riddler (Cory Michael Smith), were fully formed by the end of season 4 — meaning it was time to end that story and begin a legend of the Dark Knight.Preacher(Photo by Alfonso Bresciani/AMC/Sony Pictures Television)Where It Left Off: There are still a few episodes to go.Cancelled Too Soon? This is the Goldilocks show — the creative team paced it out just right. The original Preacher comic book spanned 66 issues, five special releases, and a miniseries focused on the Saint of Killers. It was never really built to run that long. At the same time, it is something of a miracle that AMC gave the show four years to raise Hell and make Hitler an ongoing character. But a story flirting with the profane like Preacher can only last so long.Marvel s Daredevil(Photo by David Lee/Netflix)Where It Left Off: With Wilson Fisk (Vincent D’Onofrio) defeated and Matt Murdoch’s (Charlie Cox) soul intact, the Daredevil of Hell’s Kitchen found himself ready to reclaim his public identity and form a new law firm with Foggy Nelson (Elden Hensen) and Karen Page (Deborah Ann Woll). Meanwhile, a broken Dex (Wilson Bethel) sees nothing but bull’s eyes.Cancelled Too Soon? Despite the clearer creative direction of season 3 and the Bullseye stinger, Daredevil found thematic completion in its final moments by reuniting Nelson, Murdoch, and Page. Their friendship — and the way Matt tested it as Daredevil — was as much the story as Matt’s struggle against Fisk or The Hand. Sure, Foggy and Karen were always willing to help Matt, but his journey to be worthy of their friendship was something he had to finish in the most ridiculous and brutal fashion. The fact all three characters came out of the brutality of season 3 in tact makes it difficult to imagine how the series would go back to that blood-soaked well for a fourth. Like Jessica Jones, there could be a way, but we don’t think it would be as satisfying a story as the one presented in Daredevil’s final Netflix appearance.Deadly Class (Photo by Allen Fraser/Syfy)Where It Left Off: Marcus (Benjamin Wadworth) managed to recover Chico s severed head, but he and Maria (María Gabriela de Faria) immediately find Chico s father waiting for them with guns drawn. Meanwhile, Gao (Olivia Cheng) took Lin s (Benedict Wong) daughter for an initiation.Cancelled Too Soon? Yes. The show was only getting started. That said, while Deadly Class may not have been as satisfying as Krypton or Happy!, it nonetheless had a solid cast, and interesting setting, and a world in which Wong could get a fight scene all his own. Also, that cliffhanger is just a rough place to leave things. But let s just pretend Saya (Lana Condor) bailed Marcus and Maria out of their current predicament.Marvel s The Punisher(Photo by Nicole Rivelli /Netflix)Where It Left Off: Frank (Jon Bernthal) left a trail of bloody corpses ranging from Billy Russo (Ben Barnes) to the leaders of a religious movement. He also saved Amy s (Giorgia Whigham) soul. Madani (Amber Rose Rivah), meanwhile, transferred to the CIA and offered Frank a job, but The Punisher always goes his own way.Cancelled Too Soon? In its Netflix form, no. One of the things that makes Frank so appealing also makes him wrong for a ongoing television series: He cannot change. As both seasons of The Punisher demonstrated, he is a killing machine who will only be at peace while plotting murders or executing people he perceives as the bad guy. There s no journey for Frank — especially now that all of the people connected to his family s execution are dead. The narrative weight falls on characters like Madani and Amy. But with Amy off in Florida and Madani an employee of The Company, their character arcs are at an end. Like Jessica Jones and Daredevil, the series completed its thematic throughlines. It also used every bit of plot it could wring from Frank s time on Daredevil. All a subsequent season could do is pit him against the Gnucci crime family — or Annabella Sciorra s Rosalie Carbone — but it would be little else than violent scenes. Sure, there s a catharsis there, but that s only good for a handful of episodes before it becomes repetitive.Because of his inflexibility, Frank is better suited as a support character who is not required to grow and change.Happy!(Photo by Syfy)Where It Left Off: God (Jeff Goldblum) told Happy (Patton Oswalt) to look out for the half-zombie of Nick Sax (Christopher Meloni). Six months later, Sax reappeared to get his revenge on Smoothie (Patrick Fischler), but it is unclear if death suits either of them. Meanwhile, Hailey (Bryce Lorenzo) is off becoming an assassin with Meredith (Lili Mirojnick) while Amanda (Medina Senghore) stews in the slammer.Cancelled Too Soon? Yes and no. On the one hand, we re pretty disappointed we ll never see Happy and Nick s Halloween reunion. On the other hand, something as wild as Happy! must burn brightly and fade quickly to maintain its unique character. Sure, there would be ways for the show to continue — there are more holidays to satirize — but the best destiny of Grant Morrison and Crank co-director Brian Taylor’s strange and wonderful TV show was always that of an all-too brief firework. If it had continued, we can t imagine the show keeping its spark past Halloween.Marvel s Iron Fist(Photo by Linda Kallerus/Netflix)Where It Left Off: Danny Rand (Finn Jones) and Colleen Wing (Jessica Henwick) both have powers of the immortal Iron Fist in their weapons. Somehow, Ward Meachum (Tom Pelphrey) is still alive.Cancelled Too Soon? Ha, no. Despite a stronger second season, Iron Fist never fixed its key conceptual problem: Danny Rand — at least in his TV form — is a supporting character. Consider his much stronger guest appearance in the second season of Luke Cage, or the way Colleen and Misty Knight (Simone Missick) steal the series from him, and you see just how misguided this endeavor really was. That’s said, we’d happily watch all of these characters in a Heroes for Hire series played by these actors.Featured image credit: Steffan Hill/SYFY; Netflix; Myles Aronowitz/NetflixLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.欧宝下载网址(Photo by New Line, 20th Century Fox Film Corp./courtesy Everett Collection)All 21 David Cronenberg Movies Ranked by TomatometerOver the course of six decades, David Cronenberg has built a bloody, slimed-over, and warped throne of flesh and bone to sit upon as the king of body horror. His first two films, Stereo and Crimes of the Future, are little-seen, ready for Cronenberg fans to re-discover and find that his obsession with pushing the boundaries of science, sexual perversity, and our oh-so-tenuous grasp on our physical self was present from the beginning.Rabid and The Brood made more of a squeamish splash with general audiences. And in the 80s, Cronenberg came into his own: Scanners was all over horror magazines for its legendary exploding head sequence. The Dead Zone contributed to a hot streak of Stephen King adaptations happening across the industry, following Carrie and The Shining. The Fly was the rare excellent remake and had the good sense to parade Jeff Goldblum around in his underwear (and vomit). And Videodrome seemed to best express Cronenberg s vision of how the self can be utterly compromised by sinister forces.The 90s saw Cronenberg experimenting with an expanded dramatic palette (M. Butterfly, Naked Lunch) with varied results, which would pay dividends in the following decade. That s when he released A History of Violence, which would become his highest-grossing movie, be nominated for two Oscars, and mark the start of a fruitful collaboration with Viggo Mortensen. The actor was nominated for the Oscar in their follow-up Eastern Promises, which boasts a bath house fight that ll please those who think the tighty-whities Goldblum wore in The Fly were too much clothing. The third Viggo movie was A Dangerous Method, a kinky yet classy flick of psychology that brought in Keira Knightley and Michael Fassbender.And you know how Robert Pattinson is your new favorite actor, especially after you had written him off for those Twilight movies? You can thank Cronenberg for giving Pattinson the opportunity to do weird roles to shake up his image, in movies like Cosmopolis and Maps to the Stars. Cronenberg has appeared to have retired in recent years with the shifting movie and media landscape. If that s the case, then it s been an impressive, influential, and gross – really, really gross – career, which we re celebrating now with all 21 David Cronenberg movies ranked by Tomatometer!

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(Photo by Netflix)In their initial meetings, the executive talked about the sensation of jeopardy the old cartoon conveyed to younger viewers despite being outwardly silly. To his mind at the time, it was possible for Skeletor to win. Only with as he grew older did he come to understand why that would never be the case on the Filmation show. Nevertheless, the experience of that potential jeopardy stayed in his mind.“The dude kind of charged us with recreating a memory, if you will, of [that] feeling,” Smith said. And as viewers will see, jeopardy is definitely part of Masters of the Universe: Revelation. There are big shake-ups and, indeed, revelations that will surprise fans of the old show: from the selection of featured characters to the way it incorporates ideas from other MOTU projects.(Photo by Netflix)Another of the program’s interesting twists is its focus on Teela (Sarah Michelle Gelllar), a member of He-Man’s inner circle despite being denied key secrets about the world around her. When she learns about one of them at the beginning of Revelation, it sets her on a new path. According to Smith, giving her a bigger role in the series was part of a desire on both Biaselli’s and Mattel’s part to give the other characters more of their own individual stories. Or, as Smith phrased their request: “Look, we love that He-Man sells, but we got a bunch of f ing toys. So use all the characters.” As it happens, a lot of Teela’s story was already suggested by ideas in the toys and the 1980s series. But the format of both meant she could never find resolution – something which is possible in Revelation.“We started diving into the Teela of it all, man, and then realizing like, ‘oh, s , this is a story of betrayal,’” Smith said.Fans of the Filmation cartoon may remember two secrets withheld from her by He-Man, Man-at-Arms, and the Sorceress. One is definitely more important to the events of Revelation’s first batch of episodes while the other is … not forgotten.“That created rich situations for drama,” Smith said. “To me, [He-Man and Masters of the Universe] has always been family melodrama. You go back and look at all the shows, and it s all about like, ‘We got a problem. We re going to get through it together’ and stuff like that. All the characters like and respect one another on each side and whatnot.”The old show was also famous for recapping its moral quandaries at the end of each episode. “So for us, the same thing is going in here,” Smith continued. “The idea is like all the relationships are the absolute same [from the old show]. They just have to deal with death and consequences for the first time.”(Photo by Netflix)That sense of consequences extends out to other relationships like Evil-Lyn’s (Lena Heady) and Beast Man’s (Kevin Michael Richardson) devotion to Skeletor. It also changes the way Teela regards her adoptive father Duncan — aka Man-at-Arms — especially after the events of the first episode, which really alter the Eternian battlefield after nearly 40 years.The overall effect is not a bleaker Master of the Universe, but a more serious version in which even joke characters like Orko (Griffin Newman) can carry dramatic content. As it turns out, giving the character a chance to shine was something Smith and the other writers seriously debated.“Some people swear by him, and other people [were like,] ‘He ruined the show for me. I hate the stupid magic jokes and [things] like that,’” Smith said of the writing room conversations.(Photo by Netflix)The floating and legless magician of questionable skill was a favorite of Filmation co-founder Lou Scheimer, who also voiced the character in the ’80s. He was popular enough to get a toy of his own in the classic MOTU line, but his presence made the old series feel more, well, childish. Watching episodes of the show now — or clips from He-Man She-Ra: A Christmas Special — will definitely illustrate why he can be a divisive character for anyone over the age of 9.But that debate led to a mission statement: “How do we make Orko tattoo-worthy?”“We knew that Orko was a kid’s way into the show, right? Every kid who watched the show, they re going to dream about being He-Man. They can aspire to that, but who do they identify with? The dude who is always shoved to the side and not as good as the adults and can t be counted on to do the right thing. And he s little as well, so that s their way in,” Smith explained. “In this iteration, it s telling the kids like, ‘From little acorns, great oaks grow.’ The smallest can, at the end of the day, become the biggest under the right circumstances. So we thought so much about Orko. We wanted to make him bulletproof, so much so, that if anyone was like, ‘Orko sucks,’ it s like, all right, we failed.”Smith also credited Newman, who actively lobbied for the role on Twitter, for bringing an extra level of pathos to the part: “That f ing speech … I’d give Griffin Newman a f ing Emmy right now for his performance, where he s just like, Take me on an adventure. I promise I won t mess up like the old days.’”

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nny in Philadelphia for nearly 15 years. Somewhere in there McElhenney (along with Charlie Day and Megan Ganz) found time to create Mythic Quest: Raven’s Banquet for Apple TV+. The new series chronicles the highs and lows of a video game studio run by a crew of misfits and eccentrics. At the helm is Ian Grimm (McElhenney), whose righteous self-absorption often rubs his lead engineer Poppy Li (Charlotte Nicdao) the wrong way, and pushes the game and workplace in myriad directions. Mythic Quest is a thoughtful and hilarious celebration and critique of a complicated industry. The fifth episode, written by Katie McElhenney and directed by Rob (and starring New Girl’s Jake Johnson and Fargo’s Cristin Miloti), is especially breathtaking. You’ll never look at shovels (or flashlights) the same way again. – Haña Lucero-Colin, TV Curation ManagerWhere to watch: Apple TV+Commitment: 4.5 hours (one season)Unorthodox: Miniseries (2020) 96% (Netflix)This Netflix four-part limited series initially presents itself as unassuming as its main character does in the drama, but minutes into the first episode, the rich inner life of an ultra-Orthodox Jewish girl escaping the oppression of strict religion leaps from the screen. Shira Haas plays Esty Shapiro, a 19-year-old  New Yorker who, unhappy in her marriage, flees to Berlin. As Esty s story unfolds, the series, based on the bestselling memoir by Deborah Feldman, reveals how damaging forced ignorance can be to individuals, families, and entire communities. Diminutive Haas gives an award-worthy performance that is both deeply rooted and ethereal simultaneously, as the saddest Manic Pixie Dream Girl ever gets fed up with being the supporting character in her husband’s life and embarks on her own heroic tale. – Debbie Day, Sr. TV EditorWhere to Watch: NetflixCommitment: 4 hours (four-part limited series)Recess  (Disney+)(Photo by © Walt Disney Television / Courtesy: Everett Collection)Recess tracks six 4th-grade friends and their rabble-rousing escapades on the school playground. The blacktop and grassy field of the series are depicted as a mythical arena, promising vast personal freedom away from chores and homework, yet demands conformity through rigid class hierarchy. That s because all the children, lords of flies and rubber balls, have created their own top-down society. They ve built a monarchy ruled by a 6th-grade king, with a punishable unwritten code of conduct, where identity and reputation are everything. It s a complete, utterly amusing microcosm. Watching Recess in 2020 is certainly a nostalgic and comforting experience. But this was always a nostalgic show, even when it was airing new. It feels like it was written by actual empathetic adults, with each segment taking a core emotion or question from their own childhoods and exaggerating them to comedic extremes. And in doing so, they find wisdom and the departing lesson, revealed with the distance of time. Each episode is comprised of two standalone 10-minute segments, so there s no waffling about with the plot; in fact, I still haven t encountered such ruthlessly efficient dialogue and slapstick, scaled to a kind of screwball tempo, in television entertainment – children s or otherwise. – Alex Vo, Film EditorWhere to Watch: Disney+Commitment: 23 hours (65 episodes over three seasons)The Witcher: Season 1 (2019) 68% (Netflix)The Witcher is an action-fantasy series based on author Andrzej Sapkowski s novels, which spawned a wildly popular video-game franchise, but you don t have to be a fan of those to enjoy it. It has a bit of everything: action, horror, romance, and – maybe surprisingly – humor. You ll follow the intertwining storylines of intriguing characters, including the titular man himself, Witcher Geralt of Rivia (played by Henry Cavill), as he slays monsters on his journey to find and protect the young princess Ciri. Geralt is joined by his loyal companion, Jaskier the Bard, who quickly became a fan favorite with his humor and cheeky songs, including Toss a Coin to Your Witcher, which will most definitely get stuck in your head after the first time you hear it. The narrative is confusing at first – the show plays with time and chronology – but stick with it, because once you make it to episode 4, “Of Banquets, Bastards and Burials, the characters storylines come together. The Witcher pays off and will leave you anticipating season 2. – Lucy Bruckner, ProducerWhere to watch: NetflixCommitment: Approx. 8 hours (one season)The Other Two: Season 1 (2019) 94% (Comedy Central)In The Other Two, millennial siblings Brooke (Heléne York) and Cary (Drew Tarver) are in thrust into the shadow of their 13-year-old brother Chase s (Chase Walker) spotlight when his song Marry U at Recess goes viral. Former teen dancing star Brooke and struggling actor Cary have both been scraping by for years when their younger brother becomes famous literally overnight. The series offers a fascinating look at the inanity and indignity of showbiz in the digital age; the rules have changed, but the sheer nonsense stays the same. Molly Shannon is brilliant as the Midwestern Mom, and the show never forgets to hammer home that Chase is still just a kid. It s hard to imagine that viewers of any of age will be surprised by the manufactured details of celebrity life, like Chase s fake relationship with another teen superstar, but they all land with big laughs in this cringe-comedy.Where to watch: Comedy Central, FandangoNOW, Amazon, VuduCommitment: 3.5 hours (one season) () % (Masterpiece PBS/BBC)I recently finished Hilary Mantel s award-winning historical novels, Wolf Hall and its sequel Bring Up the Bodies, which both follow the quick rise to power of the wise, decent, and secretive Thomas Cromwell in Henry VIII s court. They re dense books, and take some time to get into, but once you acquaint yourself with the rhythms of Mantel s incredible prose – and develop a functioning knowledge of the endless list of characters involved – the story is frankly bingeable. In Mantel s pages, you get to witness the rise and fall of a ruthless Anne Boleyn, step behind curtains for political treachery and backstabbing, and even learn a bit about the history of England. And there s plenty of twists and turns and sex and violence and all that good stuff, too. The BBC adaptation of the two books – which are combined into one miniseries – is a similar experience: A little slow and potentially challenging at first (this is definitely not The Tudors), but once you adjust to its deceptively relaxed rhythms – and, yes, get to know who s who – you ll be hooked. And it boasts a formidable cast: Mark Rylance as Cromwell, Damian Lewis as Henry VIII, and a pre-Crown Claire Foy showing us the star she would become as Boleyn. Mantel just released a third book in the series; here s hoping we get a follow-up miniseries to go with it. – Joel Meares, Editor-in-ChiefWhere to Watch: Amazon, iTunes, VuduCommitment: 6 hours (six-episode miniseries)Check out our regular April Binge Guide. Thumbnail image Anika Molnar/Netflix, Apple TV+, Masterpiece PBS/BBC

5. HD 画质与高品质音讯

6. 团队合作

7. 官方资讯

Version 9.42.32022-01-18

4.43.7 0月喜迎经过几个小时的体验,整体来看这次《泰拉瑞亚》手游还是很值得体验的,如果你是新手玩家这么经典的游戏一定不能错过,如果你是老玩家,在手机上就能随时随地吊打月总,酣畅淋漓的战斗你不想随时随地体验一下?
(Photo by HBO)The dawn of a new day breaks on Westeros in “The Last of the Starks,” episode 4 of Game of Thrones season 8. And it’s a grim one.The pyres are piled high with bodies of every stripe: Dothraki, Night’s Watch, Northern warriors, Mormonts, a Dondarrion, and on.How do you follow that? Lots of alcohol.1. Funeral(Photo by HBO)The remaining revengers assemble to say goodbye to the heroes who gave their lives fighting the army of the dead. (The revenging will have to wait – though not for long.)“They were the shields that guarded the realms of men, and we shall never see their like again,” Jon Snow says, in a nod to the Night’s Watch creed.Ghost survived, so we have that to thankful for. We’ll later see that he was battered and had his ear torn, and we wonder why Jon wouldn’t pull a surviving stable boy aside and tell him to – gently – tend to the direwolf, feed him, and give him a bath. That wolf is still covered in wight funk the last time we see him.2. Dinner(Photo by Helen Sloan/HBO)At dinner, Daenerys legitimizes Gendry: He is now Lord Gendry Baratheon of Storm’s End.Tyrion and Ser Davos continue their strange friendship in the only eulogy that Melisandre will likely receive.“To Arya Stark, the hero of Winterfell,” Daenerys says, but Arya is nowhere to be found.Tyrion outs Brienne as a virgin, which is so not cool to do in public that we really wish Tyrion would never drink again. At least Brienne gets something out of it Then there was the Starbucks cup controversy:You re telling me they had TWO YEARS to put together a decent show and they couldn t even spot the goddamn Starbucks cup in Winterfell??!?! #GameOfThrones pic.twitter.com/8opg7nyydv Jenna Guillaume (@JennaGuillaume) May 6, 20193. Relationship Drama(Photo by Helen Sloan/HBO)Gendry finds Arya, tells her his good news, and proposes to her in a hugely romantic gesture. She turns him down (we think): “I’m not a lady. I never have been. That’s not me.” But she can totally be a “not a lady” with Gendry — in a nice, historic castle with lands and loyal bannermen to grab some ale after work with.Who was that smiling at Podrick after dinner? She’s in for a surprise. Later, he embraces both her and a woman whose advances The Hound spurned. Correction: They’re in for a surprise.Jaime seduces Brienne – “I’ve never slept with a knight before” – then leaves her. On his way out, he confesses to her that he pushed Bran from the tower, he strangled his cousin, and he would have murdered everyone at Riverrun for Cersei: “She’s hateful. And so am I.” Brienne sobs. Been there, girl.Tormund’s wildling heart breaks at dinner over Brienne. The Hound is not interested. Willa says he can touch her, and Tormund miraculously recovers.And Gilly is pregnant. Can’t help but wonder: Will full-Craster Little Sam inherit Horn Hill or this half-Craster–Tarly child?4. Daenerys UnravelsAt dinner, Daenerys becomes crazy-eyed jealous when Tormund puts Jon in the spotlight and calls him “king.” Her seething gets Varys’ attention.Later in private, Daenerys tells Jon she loves him, but their kinship stops him mid-snog. She wants to un-know that he’s Rhaegar’s child. When he tells her that he has to tell Arya and Sansa who he is, she replies, “I’ve never begged for anything, but I’m begging you. Don’t do this. Please.”She’s under stress and people are seeing her sweat. “We’ll rip her out root and stem,” Daenerys says in a strategy session. You can see the mad king ranting and burning Starks in Varys’ eyes when he looks at her.Tyrion and Varys convince Daenerys not to immediately burn down the Red Keep and all of the innocents Cersei has gathered to her side as dragon-fodder should Daenerys attack.When Sansa suggests – Daenerys: stop talking, Sansa.“We have won the Great War. Now we will win the Last War,” Daenerys promises, and looks at Sansa. “In all Seven Kingdoms, men will live without fear and cruelty – under their rightful queen.” (Her attitude will come back to bite Daenerys in the butt when Sansa weighs whether or not to share a big secret.)5. Family DramaDebbie DayJon agonizes during the Stark family meeting in the godswood over whether to tell his sisters that he s really their cousin. Arya calls him “brother,” as in full rights to bogart the TV remote brother. He s dying inside and tells Bran to tell them – he’s not officially responsible for having told them if Bran tells him, right? He never really promised Daenerys that he wouldn’t anyway.Despite promising to keep his secret, Sansa promptly tells Tyrion, who promptly tells Varys, who notes that it’s no longer a secret, but is now “information” (which is a commodity he trades in).“A Targaryen father and a Stark mother – Jon’s the one man alive who might actually be able to keep the North in the Seven Kingdoms,” Varys says.Tyrion calls Varys’ musings “treason.”“You know where my loyalty stands. You know I will never betray the realm,” Varys says, in what may be the most important exchange in the episode.6. R.I.P.(Photo by HBO)When the Targaryen fleet drops anchor off of Dragonstone, Euron Greyjoy attacks. He has mounted scorpions on the front of his ships and unleashes on Rhaegal, who dies horrifically and plunges into the sea. Daenerys moves to attack, but retreats when she realizes how vulnerable Drogon is. Euron then attacks the Targaryen fleet, and, we later find out, takes Missandei prisoner.Tyrion, Daenerys, Grey Worm, and a group of Unsullied arrive at the walls of King’s Landing to deliver a message: surrender and release Missandei of Narth. Instead, The Mountain beheads Missandei, whose last word is “Dracarys,” indicating to her queen, we thought, that she should burn King’s Landing to the ground.(Photo by HBO)Plus, Arya takes the King’s Road with The Hound to settle some “unfinished business.” (Arya says she doesn’t plan on coming back to Winterfell, which sounds ominous – Sansa only just got her sister back. Don t leave me alone with weird Bran!) Bronn negotiates with the Lannister brothers: Their lives in exchange for Highgarden, the former home of the extinct House Tyrell. And, Jon tells Tormund to take Ghost with him beyond the Wall. OK, but who doesn’t hug their direwolf when they leave forever? Bad form, Aegon Targaryen, sixth of his name.Next week on episode 5: The Last War.What was your favorite moment of the episode? Tell us in the comments!Game of Thrones airs Sundays at 9 p.m. on HBO.

You re probably thinking to yourself, Isn t this the third animated family movie about not-so-abominable snowpersons that s been foisted upon me, the unsuspecting average moviegoer, in the last year alone? And you would be correct, dear unsuspecting average moviegoer: Smallfoot hit theaters almost exactly a year ago, we got Missing Link back in mid-April, and this week sees the release of Abominable, from the same studio (as the poster proudly declares) that gave us How to Train Your Dragon. The previous two films were both Certified Fresh, and so far, it looks like Abominable is enjoying a similarly positive reception. Chloe Bennett (Marvel s Agents of S.H.I.E.L.D.) voices a young woman in Shanghai named Yi, who s never fully recovered from losing her father. When she encounters an escaped Yeti hiding out on her rooftop, she and her friends set out on the journey of a lifetime to escort their new friend back to its home on Mt. Everest. In other words, this isn t exactly groundbreaking stuff, as far as storytelling goes, but it hits all of the requisite beats so charmingly that critics find it difficult to resist. Toss in a supporting cast that includes Eddie Izzard and Sarah Paulson, as well as some striking visuals of China s vast and varied landscape, rendered in gorgeously framed cinematography, and Abominable is shaping up to be a pretty solid piece of family entertainment.
(Photo by © A24)The Green Knight isn’t production designer Jade Healy’s first quest with director David Lowery. Among her impressive string of credits, which include A Beautiful Day in the Neighborhood, Marriage Story, and I, Tonya, you’ll see Lowery collaborations like the live-action Pete’s Dragon and the existential meditation A Ghost Story. Their latest project together, which has been dubbed by many a visual masterpiece, is an adaptation of the legendary 14th-century 2,500-line poem Sir Gawain and the Green Knight, and it is a vast reframing of the gallant Arthurian myth for a modern audience.For those unfamiliar with the medieval text: During a Christmas celebration, a magical, menacing knight who appears to be made of tree bark, vines, and armor arrives to play a game – whoever lands a blow against him must venture to the Green Chapel one year hence to receive an equal blow in kind. The young plucky nephew to King Arthur, Gawain (Dev Patel), takes the challenge and, one year later, travels to face the supernatural foe.In this exclusive interview, Healy breaks down how she brought to life the fabled sets – the famed Camelot, the otherworldly Lady and Lord’s castle, the verdant Green Chapel – working with Lowery to turn this parable into an enchanting yet bleak and psychologically thrilling adventure.Crafting A New Look for Camelot(Photo by © A24)Jade Healy: I spent a long time researching different architecture of the time period and looking at different castles. I was really just trying to find something that felt right. For me, often the design process is seeing it in my head, and then trying to figure it out and put it down on paper. That comes with a lot of exploration and research and drawing.I found this French Abbey called L abbaye du Thoronet, and it was so organic and beautiful and Romanesque. It had a simplicity to it. And I wanted to avoid fussiness. Often these sort of castles have so much going on. There are all of these ornate carvings.As soon as I saw it, it almost felt like a warm womb. It’s got a sand-colored brick and it sort of conjured up images of early Star Wars, which, you know, David [Lowery] is always referencing. It was ancient and modern at the same time. That image was sort of my Eureka moment. And then from that I started designing the look and shape and feel. That was how I ended up with this sort of sand and stone color, which changes depending on how Andrew [Droz Palermo] would light, going from a gray-blue to warmish pink colors.A More Intimate Round Table(Photo by © A24)Healy: I was trying to find something that would really encompass the round table. We, of course, were limited by size. We weren t a huge movie. We had a stage space and we had to figure out how to work within the limits of our space while we were building other sets as well.Often, as you start looking at castles, [you discover] they re actually really small. The rooms are quite small because that s just how they were. So we thought in this room should just be the round table, in a specific chamber that s just for that. And by building it around the shots that David needed – the entrance of the Green Knight and this Christmas celebration – that s how we landed on that design.The Cottage of St. Winifred and Its Surrounds(Photo by © A24)Healy: As soon as I landed in Ireland, we got to drafting because we didn t have that much prep. When I read the script, I knew in my head how it should look, and then it s always just finding some reference images that are of the period. Based on these images that I found of these old cottages, we built the interiors next to the great hall right on the stage. The exterior facade was built separately in a field, and we built the pond in front of the exterior. Design is always a little bit of figuring out how you can cheat things together. The exterior we found on some land, but it was just a basic structure. Then we went in and added a thatch roof, and we added some wood detail to get it to feel right.An Intimidating Home for the Lord and Lady(Photo by © A24)Healy: For those locations we knew we d have to find them because we didn t have the money to build something like that. So, we were really looking for the right castle that could be the Lord and Lady’s. When we saw this castle, it was so interesting because it wasn t [from] the same time period at all. But that s where we felt we could jump into this magical fantasy realm and create a castle that felt totally different from the world Gawain’s left behind in Camelot. To create something that felt almost like an illusion, a dream.This castle was decrepit. This interesting old couple bought it and they re slowly restoring it with the help of volunteers that go and stay there. But there are cats roaming and the top two floors have holes. God, it was freezing cold everywhere. Which kinda helped in a way with the feeling of being in this Medieval time.But we also wanted to adapt it. The windows were so huge, which I didn t like, so I wanted to find ways to close them up. So I built around them to create these skinnier windows. I knew I wanted it to be sparse, allowing for negative space. I wanted it to have this unsettling quality in a way that it s so large and yet there s not much there. And it s not homey. It’s intimidating. We wanted to bring in a little bit more blue, and it was really fun to play with these colors that were totally out of the rest of the film – especially the Lady’s dress and the bedding being almost sort of the same color.The Lady’s Library: Books and An Anachronistic Camera(Photo by © A24)It s so fun. We knew the books were going to be fun to design because while finding these old ancient books, we had such amazing artists and craftsmen in Ireland. Our graphic designers shot all these beautiful drawings, just gorgeous. Amazing.And then for the camera, it was one of those things in the script where you knew at this point, you were moving into a more magical world because obviously they didn t have that kind of technology then. So we talked a lot about what that could be. We thought of it being some kind of pinhole camera room, like one of those giant camera obscura sort of rooms, allowing ourselves not to get too bogged down by the mathematics or the science of it. When you get bogged down you start to think, well, how does the light get back there and where did it come from? But those are the things that we allowed ourselves to go, well, it s magic. Guys, there s like this abandoned chapel back here. (Photo by © A24)We knew we just wanted this very overgrown castle. And, of course, you have something in your mind and if you could build it, there s always this perfect green chapel, but then we found this one and it really was perfect. The ivy and all those greens were really overgrowing; in fact, we had to cut some of them back to let light in. But then we brought all the moss and all the greens, and we built the river into it. In my mind when I first started designing, I envisioned it as being bigger. But then, in the end, I just really loved the intimacy of that space.We found the chapel by accident. It was right next to a location we went to scout that we didn t end up using. We were looking at it for the Lord and Lady’s castle, but we didn t like it. And then as we were leaving, the first AD went into the woods to go to the bathroom, and he was like, Guys, there s like this abandoned chapel back here. We were like, What? That s what I love about the scouting process. You just can t replicate it when you re building everything from scratch. We just walked in the woods and there was this beautiful abandoned castle. And it was just how Gawain would have come across it.The Crooked Tower Comes Together(Photo by © A24)That one was really fun because we had to figure out how to create the space, and we couldn t build on the stage because there was no stage space. It was this creative problem-solving, because I knew exactly what I wanted it to look like, but it s so hard when you have it in your head yet you can t build it. That s the suffering of a designer in a nutshell.We just found this empty old barn that was near some of our other locations that had like one-and-a-half stone walls. And then the other two walls were wood. But it had an interesting ceiling. I just said, Can I take this wall off over here? And that wall off over there? And then I just started to design. Like we’re going to match, we re going to build this on the match, we re going to add the details in the arches to the roof so we can get this medieval roof structure. Then we re going to build all the medieval windows, and then build this massive fireplace, and then put down a real stone floor.(Photo by © A24)They’ve used that barn for so many movies and for so many different things. And everyone s like, Whoa, we ve never seen it look like this before. So it was fun and amazing. Like the fireplace looks so good. It was really, really fantastic.The exterior location, where Gawain walks up to the crooked tower, there s just sort of a low wall of this real castle. When you re scouting, it’s your job as a designer to say, What about over there, those tiny, weird little steps? What if we extended that and that’s the crooked tower? That s the fun part about being a designer and being able to sort of see the world. Sometimes you see things that the DP and the director don t, and then you have the opportunity to sort of draw on it and present it. And then when everyone loves it and it makes it into the movie it s rewarding.The Green Knight is in theaters now. On an Apple device? Follow Rotten Tomatoes on Apple News.
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