斯坦索姆刷马

斯坦索姆刷马

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斯坦索姆刷马采用百度引擎9(Baidu 1)当前国内手游圈中,FPS射击游戏数量并不少,各个大厂都有着代表性的射击手游。从十年前开始,射击类游戏,就在游戏圈中,占据着极其重要的位置。如经典的老IP穿越火线、逆战,都以手游的方式面向了玩家们,并且也都收获了不错的效果。

1. 斯坦索姆刷马
HBO)The Night King flies in on a high pressure storm front and, with a wave of his hand, commands his followers to create wight bridges over the trench fires, so that the others can climb over them. The zombies crawl up and over the walls World War Z style.Arya fighting on the wall is awe-inspiring and strikes Ser Davos silent. It also prompts The Hound to get his ass in gear to save her.7. “Not Today”(Photo by Helen Sloan/HBO)Arya plays a deadly game of hide-and-seek with the wights who have made it inside Winterfell.There are too many of them. So now we know what was obscured in the darkness of the trailer: dozens of wights chasing our petite hero.When Beric and The Hound later come to her rescue, it’s almost as if Arya had given up. She stares almost helplessly when wights attack Beric, which is very unlike her. The trio retreats to a room where Melisandre has been hiding/waiting for them, and Beric dies.“What do we say to the god of death?” Melisandre asks Arya, which immediately summons the ghost of Syrio Forel (not literally).Arya: “Not today.”(Photo by HBO)8. Dragon Fight!(Photo by HBO)The dragons in the moonlight above the storm clouds is a beautiful image – this-dragon-moment-is-brought-to-you-by-Hallmark beautiful. But the scene later turns deadly as Jon and Rhaegal lock together in dragon battle against the Night King and wight dragon Viserion, who tears at his brother’s flesh and snaps his jaws at snack-sized Jon on Rhaegal’s back. The Night King tries to be smooth and grabs for his ice spear, but falls off (not to his death, of course – because that would be too easy).The scene of Winterfell from the air at this point, by the way, looks like a nighttime Burning Man riot: a circle of fire and waves of bodies flowing this way and that.Rhaegal goes down and Jon tumbles off. Daenerys tries dragonfire on the Night King on the ground, but he does not burn (like a Targaryen). She retreats when he aims a spear her way, but Jon pursues him on foot with Longclaw. The Night King raises a new army from the freshly dead, including those inside Winterfell – including, they make a point to show, Lyanna, Qhono, and Edd. Was that Podrick standing behind the Night King before he pimp-walked away? OMG, where’s Podrick?Wights, meanwhile, swarm Drogon, and Daenerys falls off.9. Tales from the Crypt(Photo by Helen Sloan/HBO)Tyrion laments that he’s not out there. Sansa says he’d be dead. Then he suggests they should’ve stayed married. She rightly notes his divided loyalties (aka “You loooove her, you want to marry her…”) for Daenerys.The dead rise in the crypt of Winterfell even (thanks for the heads-up, Jared Harris), and dusty, ancient Starks start tearing at people.Next time, maybe freeze them in carbonite?10. Theon and Jorah(Photo by Helen Sloan/HBO)The Night King swaggers into the godswood with his court. Bran: “Theon, you’re a good man. Thank you.” Theon charges the Night King and gets a spear thrust into his side.Elsewhere, when a wight wave threatens to overcome Daenerys, Ser Jorah puts himself between them and her and is mortally (maybe, probably) wounded protecting her. He leans on Heartsbane in his final stand.11. “Arya Stark” Becomes a Verb(Photo by HBO)Holy sh ! Arya killed the Night King. She takes a flying leap and, despite being caught by the throat, still manages to thrust that ancient Valyrian-steel dagger into his belly. (To Arya Stark someone will forever refer to that move.) He explodes, his court explodes, Viserion (who Jon has been dodging all this time) collapses to the ground in a pile of loose bones and ragged flesh, as do all of the other wights.(We heard echos of Jon’s voice: “How did you sneak up on me?”)(Photo by Helen Sloan/HBO)There’s a roll call of who’s still alive: Arya, Bran, Daenerys, Jorah (until he s not), Drogon, Jon, Tormund, Gendry, Grey Worm, Brienne, Jaime, Podrick, Tyrion, Sansa, Varys, his new little crypt birds, Missandei, Gilly and Little Sam (did anyone see Samwell Tarly in the roll call?), The Hound, Melisandre (until she isn’t), and Ser Davos. Where s Ghost!? Did Rhaegal survive?I hit “replay.”What was your favorite moment of the episode? Tell us in the comments!Game of Thrones airs Sundays at 9 p.m. on HBO. Netflix made huge strides in the romantic comedy game this year, with one of the most memorable entries being Lana Condor and Centineo’s To All the Boys I’ve Loved Before. The role of Peter could have easily been the “cute and charming guy that’s been there all along” of many films past, but the springy script and Centineo’s bright-eyed performance make it one of the most swoon-worthy and surprising of the genre. Plus, it s all the more fun to watch his and Condor’s publicity tour for the movie, an adorable act that they should definitely take on the road.Other Roles: Sierra Burgess is a Loser (Jamey), The Fosters (Jesus)Cynthia Erivo — Widows (2018) 91%, Bad Times at the El Royale (2018) 74%(Photo by Merrick Morton/20th Century Fox)Erivo’s role in Widows as Belle, a scrappy, intelligent single mom, helped me research my way into knowing more about her accomplishments on Broadway (acknowledged by a 2016 Tony win). One of my few criticisms about the film was that it left me pining for more Erivo. I got my wish when Bad Times at the El Royale was released, and Erivo’s singing and double-crossing as Darlene was center stage and filled my tank, her sharp, complicated, grounded work in the film helping anchor a bonkers story. Hopefully my tank will remain full enough to coast into 2019, when she plays Harriet Tubman in Harriet.Henry Golding — Crazy Rich Asians (2018) 90%, A Simple Favor (2018) 84%(Photo by Sanja Bucko/Warner Bros.)Golding plays either the husband or the husband-to-be in both films, but he’s so much more than just a handsome accessory on women’s arms. Coming from the world of TV, hosting everything from variety shows to documentaries, Golding knows how to connect with audiences and pull them right in to whatever he’s inviting them to watch. As Nick, the son of an insanely wealthy family in Crazy Rich Asians, he deftly navigates between the two women at odds in his life. In A Simple Favor, his intriguing, secretive Sean heavily contributes to a story shrouded in mystery.Geraldine Viswanathan — Blockers (2018) 84%, The Package (2018) 42%(Photo by Quantrell D. Colbert/Universal Pictures)Both of these films are part of the modern wave of coming of age films, and Viswanathan represents everything they’re doing right. In Blockers as Kayla, the daughter of John Cena, she has the cunning and sex drive to rival that of any of the famous male cinematic horn dogs to come before her. Her turn as Becky in The Package is in the same neighborhood — she’s crush-worthy, but more than just eye candy for the main character. She’s persistent, inventive, and hilarious. With actresses like her seeing this kind of success early on in these kind of genre-bending films, it bodes well for the future of Hollywood.Other Roles: Nippers of Dead Bird Bay, EMO the Musical (Jamali)Isabela Moner — Sicario: Day of the Soldado (2018) 62%, Instant Family (2018) 81%(Photo by Richard Foreman Jr./Columbia Pictures)When your primary activity is wandering around a desert as a hostage or getting adopted by strangers, it could be easy to be a passenger in someone else’s journey. But when you’re as charismatic and interesting as Isabela Moner, you don’t need to worry. Both Isabel in Soldado and Lizzy in Instant Family are headstrong girls who stand 20 feet tall and hold their own against all the veterans alongside them. When you add in perfect amounts of vulnerability and toughness, you’ve got an actress worthy of Dora the Explorer, which is a movie I’m actually excited for now.Other Roles: The Nut Job 2: Nutty by Nature (Heather), Transformers: The Last Knight (Izabella)Brian Tyree Henry — Widows (2018) 91%, If Beale Street Could Talk (2018) 95%, Spider-Man: Into the Spider-Verse (2018) 97%(Photo by FX)Henry is in eight projects this year alone; it’s impossible to ignore him at this point. While it’s hard to imagine him having a better year in terms of volume, if his current incredible work is any indication, he’s only going to get better and better as time goes on. Don’t sleep on this man. From his role as a corrupt politician in Widows to an ex-con in Beale Street, Henry can do anything believably, which means lots more opportunities to shatter audience’s expectations and bring new things to whatever form he chooses to participate in.Other Roles: Atlanta (Alfred), White Boy Rick (Detective Jackson), Hotel Artemis (Honolulu), Family (Pete), Irreplaceable You (Benji), Vice Principals (Tavis Brown), Crown Heights (Clayton “Massup” Benton)
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
(Photo by © A24)The Green Knight isn’t production designer Jade Healy’s first quest with director David Lowery. Among her impressive string of credits, which include A Beautiful Day in the Neighborhood, Marriage Story, and I, Tonya, you’ll see Lowery collaborations like the live-action Pete’s Dragon and the existential meditation A Ghost Story. Their latest project together, which has been dubbed by many a visual masterpiece, is an adaptation of the legendary 14th-century 2,500-line poem Sir Gawain and the Green Knight, and it is a vast reframing of the gallant Arthurian myth for a modern audience.For those unfamiliar with the medieval text: During a Christmas celebration, a magical, menacing knight who appears to be made of tree bark, vines, and armor arrives to play a game – whoever lands a blow against him must venture to the Green Chapel one year hence to receive an equal blow in kind. The young plucky nephew to King Arthur, Gawain (Dev Patel), takes the challenge and, one year later, travels to face the supernatural foe.In this exclusive interview, Healy breaks down how she brought to life the fabled sets – the famed Camelot, the otherworldly Lady and Lord’s castle, the verdant Green Chapel – working with Lowery to turn this parable into an enchanting yet bleak and psychologically thrilling adventure.Crafting A New Look for Camelot(Photo by © A24)Jade Healy: I spent a long time researching different architecture of the time period and looking at different castles. I was really just trying to find something that felt right. For me, often the design process is seeing it in my head, and then trying to figure it out and put it down on paper. That comes with a lot of exploration and research and drawing.I found this French Abbey called L abbaye du Thoronet, and it was so organic and beautiful and Romanesque. It had a simplicity to it. And I wanted to avoid fussiness. Often these sort of castles have so much going on. There are all of these ornate carvings.As soon as I saw it, it almost felt like a warm womb. It’s got a sand-colored brick and it sort of conjured up images of early Star Wars, which, you know, David [Lowery] is always referencing. It was ancient and modern at the same time. That image was sort of my Eureka moment. And then from that I started designing the look and shape and feel. That was how I ended up with this sort of sand and stone color, which changes depending on how Andrew [Droz Palermo] would light, going from a gray-blue to warmish pink colors.A More Intimate Round Table(Photo by © A24)Healy: I was trying to find something that would really encompass the round table. We, of course, were limited by size. We weren t a huge movie. We had a stage space and we had to figure out how to work within the limits of our space while we were building other sets as well.Often, as you start looking at castles, [you discover] they re actually really small. The rooms are quite small because that s just how they were. So we thought in this room should just be the round table, in a specific chamber that s just for that. And by building it around the shots that David needed – the entrance of the Green Knight and this Christmas celebration – that s how we landed on that design.The Cottage of St. Winifred and Its Surrounds(Photo by © A24)Healy: As soon as I landed in Ireland, we got to drafting because we didn t have that much prep. When I read the script, I knew in my head how it should look, and then it s always just finding some reference images that are of the period. Based on these images that I found of these old cottages, we built the interiors next to the great hall right on the stage. The exterior facade was built separately in a field, and we built the pond in front of the exterior. Design is always a little bit of figuring out how you can cheat things together. The exterior we found on some land, but it was just a basic structure. Then we went in and added a thatch roof, and we added some wood detail to get it to feel right.An Intimidating Home for the Lord and Lady(Photo by © A24)Healy: For those locations we knew we d have to find them because we didn t have the money to build something like that. So, we were really looking for the right castle that could be the Lord and Lady’s. When we saw this castle, it was so interesting because it wasn t [from] the same time period at all. But that s where we felt we could jump into this magical fantasy realm and create a castle that felt totally different from the world Gawain’s left behind in Camelot. To create something that felt almost like an illusion, a dream.This castle was decrepit. This interesting old couple bought it and they re slowly restoring it with the help of volunteers that go and stay there. But there are cats roaming and the top two floors have holes. God, it was freezing cold everywhere. Which kinda helped in a way with the feeling of being in this Medieval time.But we also wanted to adapt it. The windows were so huge, which I didn t like, so I wanted to find ways to close them up. So I built around them to create these skinnier windows. I knew I wanted it to be sparse, allowing for negative space. I wanted it to have this unsettling quality in a way that it s so large and yet there s not much there. And it s not homey. It’s intimidating. We wanted to bring in a little bit more blue, and it was really fun to play with these colors that were totally out of the rest of the film – especially the Lady’s dress and the bedding being almost sort of the same color.The Lady’s Library: Books and An Anachronistic Camera(Photo by © A24)It s so fun. We knew the books were going to be fun to design because while finding these old ancient books, we had such amazing artists and craftsmen in Ireland. Our graphic designers shot all these beautiful drawings, just gorgeous. Amazing.And then for the camera, it was one of those things in the script where you knew at this point, you were moving into a more magical world because obviously they didn t have that kind of technology then. So we talked a lot about what that could be. We thought of it being some kind of pinhole camera room, like one of those giant camera obscura sort of rooms, allowing ourselves not to get too bogged down by the mathematics or the science of it. When you get bogged down you start to think, well, how does the light get back there and where did it come from? But those are the things that we allowed ourselves to go, well, it s magic. Guys, there s like this abandoned chapel back here. (Photo by © A24)We knew we just wanted this very overgrown castle. And, of course, you have something in your mind and if you could build it, there s always this perfect green chapel, but then we found this one and it really was perfect. The ivy and all those greens were really overgrowing; in fact, we had to cut some of them back to let light in. But then we brought all the moss and all the greens, and we built the river into it. In my mind when I first started designing, I envisioned it as being bigger. But then, in the end, I just really loved the intimacy of that space.We found the chapel by accident. It was right next to a location we went to scout that we didn t end up using. We were looking at it for the Lord and Lady’s castle, but we didn t like it. And then as we were leaving, the first AD went into the woods to go to the bathroom, and he was like, Guys, there s like this abandoned chapel back here. We were like, What? That s what I love about the scouting process. You just can t replicate it when you re building everything from scratch. We just walked in the woods and there was this beautiful abandoned castle. And it was just how Gawain would have come across it.The Crooked Tower Comes Together(Photo by © A24)That one was really fun because we had to figure out how to create the space, and we couldn t build on the stage because there was no stage space. It was this creative problem-solving, because I knew exactly what I wanted it to look like, but it s so hard when you have it in your head yet you can t build it. That s the suffering of a designer in a nutshell.We just found this empty old barn that was near some of our other locations that had like one-and-a-half stone walls. And then the other two walls were wood. But it had an interesting ceiling. I just said, Can I take this wall off over here? And that wall off over there? And then I just started to design. Like we’re going to match, we re going to build this on the match, we re going to add the details in the arches to the roof so we can get this medieval roof structure. Then we re going to build all the medieval windows, and then build this massive fireplace, and then put down a real stone floor.(Photo by © A24)They’ve used that barn for so many movies and for so many different things. And everyone s like, Whoa, we ve never seen it look like this before. So it was fun and amazing. Like the fireplace looks so good. It was really, really fantastic.The exterior location, where Gawain walks up to the crooked tower, there s just sort of a low wall of this real castle. When you re scouting, it’s your job as a designer to say, What about over there, those tiny, weird little steps? What if we extended that and that’s the crooked tower? That s the fun part about being a designer and being able to sort of see the world. Sometimes you see things that the DP and the director don t, and then you have the opportunity to sort of draw on it and present it. And then when everyone loves it and it makes it into the movie it s rewarding.The Green Knight is in theaters now. On an Apple device? Follow Rotten Tomatoes on Apple News.斯坦索姆刷马这是一款类似于动漫风格的沙盒手游,上线3年备受玩家欢迎。在游戏当中还独特的融入了RPG元素,玩家在游戏里能够自由探险,甚至是决定自己的职业。玩家能够捕捉宠物、建造房屋、成为大厨,各式各样的玩法在游戏里出现,让玩家们不容易玩腻。

3. 激战团竞模式
深受玩家喜欢的Apex英雄有很多玩家都一直在玩端游,听说有手游上线就开始预约,但似乎是预约很久很久,都没有等到上线。

4. 呼朋唤友 随心所欲
uccess (which included five Golden Globe and Emmy nominations and two Globe wins), he would soon find greater success as a director. After bursting onto the directing scene with This Is Spinal Tap, Reiner would follow it with The Sure Thing, Stand By Me, The Princess Bride, When Harry Met Sally…, Misery, and A Few Good Men.You read that list correctly: Rob Reiner’s first seven films as a director were, in order, a hilarious, genre-defining mockumentary; an 80s teen romp; a classic coming-of-age film; a beloved fantasy adventure; one of the greatest rom-coms of all time; a terrifying thriller; and an oft-quoted military courtroom drama. Yes, the guy who directed This Is Spinal Tap also directed this, this, and this.The crazy part is that all of these were critical and commercial successes. These seven movies average 90% on the Tomatometer, and This Is Spinal Tap kicked the whole thing off.Spinal Tap Is Now a Real (and Successful) Band(Photo by NBC/Getty Images)Unlike every other popular music group that received the rockumentary treatment, Spinal Tap was a fake band that became a real rock group.In the film, Spinal Tap was a washed-up group of has-beens that was “treading water in a sea of retarded sexuality and bad poetry,” but as a real-life band, their three albums have all charted in the Top 200 (with the latter two of the three making it into the Top 100), and they ve been called “top-notch and striking the right balance between parody and real rock roll.”And while, in the mockumentary, Tap played second fiddle to a puppet show, the band has since performed in front of a sellout crowd at Wembley Stadium, played Glastonbury Fest, and headlined a full U.S. tour.In fact, on their second real-life album, Break Like The Wind, Tap played alongside rock geniuses like Jeff Beck, Joe Satriani, Slash, and Waddy Wachtel, as well as Cher. Because who wouldn t want to play with Cher?And the reason why they’ve had such acclaim and success as a real band? Well Their Songs Are ExcellentWhile all the jokes and improvisational shenanigans in the film are inspired, perhaps the most impressive thing about it is the music itself.In fact, the music might be the one thing that doesn t quite fit the narrative of the movie; Spinal Tap s songs are simply too good to believe they re washed up. They span several decades and cover multiple genres, styles, and sensibilities, and they work both as a parody of and celebration of popular music, as well as a complex, well-written, fully functional rock compilation, regardless of the humor.“Gimme Some Money” perfectly mimics early Beatles songs like Money (That’s What I Want) and Do You Want to Know A Secret, but its skiffle-inspired sound, catchy lyrics, and a great Nigel Tufnel solo make it a tight nod to 60s rock and roll and a great marker to show when the Tap got their start. They even went psychedelic on the late- 60s parody song (Listen to the) Flower People and the prog rock song Stonehenge.  And while the inappropriate sex joke that forms the basis of Tonight I’m Going to Rock You Tonight admittedly hasn t aged very well, it still boasts a rocking guitar solo, a killer hook, and powerful drums.In fact, the whole Spinal Tap discography is full of incredible songs that perfectly straddle that line between parody and real, excellent rock music. It’s difficult to make a lasting music parody, but it’s even more difficult to make music that stands on its own. It’s also difficult to make a comedy film, but it’s even more difficult to make one that has been beloved and celebrated for 35 years.This Is Spinal Tap opened on March 2, 1984.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

5. HD 画质与高品质音讯
使用強大的百度引擎0建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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3.81.7 0月喜迎《明日之后》是一款末日题材的开放世界手游,末日题材的游戏一直受玩家的青睐。在游戏里玩家可以自由的探索冒险,建造自己的家园,采集、建造等等都有等级熟练度,玩家必须不断地采集、建造战斗才能让自己变得更加强大。
Technically, the fall season won t begin until September 23, but as far as the movie industry is concerned, summer is over. While we still have a few high-profile movies on the horizon this month, this means we ve officially entered that time of the year when worthy choices at the cineplex feel fewer and farther between. That said, a little horror sequel about a killer clown dominated our social polls on Facebook, Instagram, and Twitter, and earned the most Want-to-See votes on RT by a wide margin. But fans still had room for a sci-fi mystery starring Brad Pitt, the return of an 80s action icon, and a couple of period dramas based on a book and a popular TV series, respectively. Read on to find out the five most anticipated movies of September, as voted by Rotten Tomatoes users and our fans on social media.1. It: Chapter Two (2019) 62%4,955 Want-to-See Votes#1 pick by our Facebook, Instagram, and Twitter fansOpens September 6The Losers Club is back to contend with the shapeshifting evil that haunted them mercilessly as children 27 years ago. (Or was that just two years ago?) James McAvoy, Jessica Chastain, and Bill Hader lead the ensemble cast of grown-ups, while Finn Wolfhard, Sophia Lillis, and Jaeden Martell reprise their characters in a series of flashback sequences. Oh, and let s not forget about Bill Skarsgård s take on Pennywise the clown, which is officially a contender to enter the pantheon of all-time greatest horror villains. It: Chapter Two garnered the top spot across all of our social polls for September and earned the most Want-to-See votes of any film this month, and the critics who have seen it already have weighed in to the tune of 71% on the Tomatometer.2. Ad Astra (2019) 83%1,368 Want-to-See Votes#2 pick by our Instagram and Twitter fans, #3 pick by our Facebook fansOpens September 20Originally slated to open in January of this year and then in May, before it was pushed back again  Ad Astra s production delays initially inspired some skepticism, but the release of the film s trailer seems to have assuaged most fears. Brad Pitt stars as an astronaut who embarks on a journey to the farthest reaches of space in search for his father, who made the same journey decades earlier. Director James Gray mined somewhat similar territory in his last film, The Lost City of Z, which earned a Certified Fresh 86% on the Tomatometer, and after its Venice Film Festival premiere, Ad Astra has earned similar acclaim, also at 86%.3. Rambo: Last Blood (2019)#2 pick by our Facebook fans, #3 pick by our Instagram and Twitter fansOpens September 20Back in 2008, Sylvester Stallone attempted to revive John Rambo in the pop culture consciousness with Rambo, and while that movie had its defenders, it didn t find the same success that Stallone would later achieve with Rocky Balboa. Nevertheless, more than a decade later, the franchise brings us a new installment, which took almost as long to make it to the big screen. This time around, Rambo takes on a Mexican drug cartel when, in a fantastic display of cinematic bad judgement, they kidnap his niece. It should make for a perfect little popcorn movie for anyone who gets their kicks from occasional ultraviolence.4. The Goldfinch (2019) 25%
外国大厂在3a游戏制作方面确实有相对于国内的技术壁垒,而中国的游戏厂商通过发展手游实现了技术上的弯道超车。

Best-Reviewed Movies 2020: AustraliaThe Invisible Man may not seem like an Aussie film at first glance – it takes place in the U.S., is headlined by Americans Elisabeth Moss, Aldis Hodge, and Storm Reid, and was produced by Jason Blum. But look a bit closer and you’ll see the movie is a decidedly Down Under production: Written and directed by Aussie Leigh Whannell, co-produced by Australian company Goalpoast Pictures, shot in and around Sydney, co-starring Aussie thesps like Harriet Dyer (that knife scene!), and crafted by a largely Aussie crew. It tops a list of five films that speak to the absolutely stellar year for Australian cinema (one that will continue with the release of the acclaimed The Dry, starring Eric Bana, this year). Of particular note are two incredible debuts from women filmmakers: Shannon Murphy’s moving coming-of-age story Babyteeth and Natalie Erika James’ poignant and terrifying look at dementia, the horror film Relic.The order of the rank below reflects the Adjusted Score as of February 28, 2021. Scores might change over time.« Previous Category Next Category »
Rotten Returns: The Grudge Becomes Latest Reboot to Flounder at Box Office(Photo by Allen Fraser / © Screen Gems)Sony’s The Grudge reboot earns its place here not because it may be a big financial loser – the budget is reportedly only million – but because there were clearly bigger hopes even than the - million projections it had. Also going into this weekend it had a strong .8 million in Thursday previews. But with just .3 million, the movie s first-weekend haul ranks as the worst weekend total for a January release with previews over million. The previous low was Resident Evil: The Final Chapter’s .6 million; the second-lowest was last year’s Escape Room (.23 million). The Grudge’s number is also on the low-end of attempted franchise reboots, but still ahead of 2019’s Hellboy (.04 million), 2011’s Conan the Barbarian (.02 million), 2016’s Blair Witch (.57 million), and 2019’s Charlie’s Angels (.35 million). Those films all had final gross multiples between 1.81 and 2.17. 2019’s Child’s Play opened to .09 million and finished with just .20 million, a multiple of just 2.07. That would put The Grudge on pace for a final tally between million and million, which would be less than Rings finished with in 2017.The Top 10 and Beyond: Frozen II Becomes Biggest Animated Film Ever, Knives Out Continues Killer Run Sony did not have much luck with The Grudge this weekend but their other films are doing quite well. Jumanji: The Next Level may be million off Welcome to the Jungle’s pace after 24 days (2.22 million), but it is right behind it on the all-time December chart – 10th place in fact – at this period, well outpacing the last two Hobbit films, which finished with 5 and 8 million, respectively. All the films above The Next Level on the 24-day list grossed over 0 million. Only Titanic and The Fellowship of the Ring had grossed less at this point and went over the milestone. The Next Level’s million weekend is almost identical to Welcome to the Jungle’s fourth weekend and is the fifth-best weekend four for a December release ever, nearly million higher than even the first Lord of the Rings film.Greta Gerwig’s Little Women is hoping to just get that first 0 million and it took a solid step this week. Only one film has ever opened in December, reached million in 12 days, and failed to make it to 0 million (that would be 2008 s Valkyrie). Little Women just reached .5 million. Though its .57 million is on the lower end of the 12-day releases that grossed between - million, it is just over a week away from a likely slew of Oscar nominations that will no doubt boost its profile as one of the films to see over the next five weeks.Over on the animated front, Disney’s Frozen II continues to trend up the charts. The sequel is about to cross 0 million with another .29 million added this weekend. But more importantly, it has just crossed .32 billion, million more than the first film, which now makes it the highest-grossing animated film ever. With another million, it will pass Avengers: Age of Ultron and enter the top 10 movies of all time. Fox’s Spies in Disguise is not going to get anywhere near those numbers. What it is near are the numbers for The Adventures of Tintin, which had .47 million after 12 days following a .43 million second weekend; Spies is up to .72 million after an .08 million weekend. Tintin finished with .59 million, which would not be a great number for the 0 million production.Two of the great box office stories of the season are also still playing out. Rian Johnson’s Knives Out just crossed 0 million and is going to pass Once Upon a Time In Hollywood to become the second-highest grossing original film of the year. (Jordan Peele’s Us is number 1.) A total of 0 million is not out of the realm of possibility and 0 million globally is inevitable. Also doing great is Josh and Benny Safdie’s Uncut Gems. The Adam Sandler thriller grossed .4 million in its second week of wide release for a total of .48 million. It is behind just Lady Bird (.95 million) and Hereditary (.06 million) on A24’s all-time chart and soon it will become their highest-grossing film in their seven-year history.This Time Last Year: Aquaman Rules For a Third Weekend(Photo by © Warner Bros.)James Wan’s Aquaman led the way for a third straight week with million, driving its total to over 0 million. As with this week, a horror film was the sole new release to kick off the New Year and a new franchise may have been born with Escape Room: It finished second with .23 million and its sequel is due out this August. The top five was rounded out by Mary Poppins Returns (.86 million), Bumblebee (.20 million), and Spider-Man: Into the Spider-Verse (.12 million). The top 10 films grossed a total of 9 million, which was the best three-day weekend total of 2019 for the next eight weeks until Captain Marvel gave the box office a boost on March 8. The films averaged 66.4% on the Tomatometer. This year’s top 10 grossed an estimated 9.68 million and averaged 66.6% with critics.On the Vine:  One-Shot WWI Thriller 1917 Goes Wide and Could Unseat SkywalkerA loaded January weekend is likely to be led by one of two expansions. Sam Mendes’ 1917 has been doing solid business in limited release and should take the number 1 spot from not just its new challengers but from Star Wars as well. Just Mercy is also headed into wide release and may draw some pre-awards interest. Brand-new 2020 releases include the sci-fi horror film, Underwater, with Kristen Stewart, which is hoping to draw more interest than Charlie’s Angels did. Then there is the comedy, Like a Boss, with Tiffany Haddish, Rose Byrne, and Salma Hayek. Finally, 2019 layover, The Informer, with Joel Kinnaman will get a limited release after moving around on the schedule.The Full Top 10: January 3-5Star Wars: The Rise of Skywalker (2019) 52% – .74 million (0.77 million total)Jumanji: The Next Level (2019) 71% – .5 million (6.21 million total)Little Women (2019) 95% – .56 million (.02 million total)The Grudge (2020) 21% – .3 million (.3 million total)Frozen II (2019) 78% – .29 million (9.88 million total)Spies in Disguise (2019) 77% – .08 million (.73 million total)Knives Out (2019) 97% – .03 million (0.26 million total)Uncut Gems (2019) 91% – .83 million (.81 million total)Bombshell (2019) 68% – .08 million (.67 million total)Cats (2019) 20% – .6 million (.69 million total)
Making the long weekend of video panels feel a little bit more like the real-deal SDCC, Comic-Con@Home actually starts Wednesday – the traditional preview day at the physical event – with a single hour of content: a look at the upcoming film, Snake Eyes: G.I. Joe Origins. Featuring interviews with stars Henry Golding, Andrew Koji, Úrsula Corberó, Samara Weaving, Haruka Abe, Iko Uwais, Peter Mensah, Takehiro Hira, and legendary G.I. Joe comic books Larry Hama, there will also be a chance for some viewers to get access to early screenings of the movie later that night. The panel goes live July 21 at 1 p.m. PT.Thursday July 22(Photo by Eli Joshua Ade/HBO)In a departure from an in-person SDCC and even last year’s @Home event, Thursday programing starts late with panels premiering only from 3 p.m. to 6 p.m. PT. The bulk of them are devoted to the more educational and advocacy aspects of Comic-Con International’s mission, but one caught our attention.Debuting at 6 p.m., “GeekED Rewind 20-21: The True American Horror of Lovecraft Country” will take a look back at the series with an emphasis on how the series changed college learning across the year when education occurred at home. Panelists Jada Anderson (assistant resident director at UCLA), Alfred Day (associate dean of students at UC Berkeley), Dr. Andrea Letamendi (director of student resilience at UCLA and host of The Arkham Sessions Podcast), and Dr. David Surratt (vice president and dean of students at the University of Oklahoma) will look at how “numerous courses, lesson plans, and campus conversations emerged from Lovecraft Country, which served as both an analogy and an outlet for college students and educators alike.” They will also reflect on “the impact this story had on their experiences, the impact of Black horror and sci-fi, and the power of telling our own story.”Friday July 23Friday sets the new Comic-Con@Home standard with panels debuting between 10 a.m. and 6 p.m. PT. The long day also means more simultaneous content to enjoy, so pay particular attention to the times. Of course, as panels will remain available on CCI’s YouTube page afterward, you can always watch later on. All times bellow are Pacific.10 AM: HeelsIt might be virtual, but Stephen Amell makes his return to Comic-Con in support of Heels, his series about small-town pro wrestling. Joining him in the virtual conventions space will be series creator and executive producer Michael Waldron, showrunner and executive producer Mike O’Malley, and fellow castmates Alexander Ludwig Alison Luff, Mary McCormack, Kelli Berglund, Allen Maldonado, James Harrison and, Chris Bauer.10 AM: Paramount+: Peak Animation with the Star Trek Universe, The Harper House, and Stephen Colbert Presents Tooning Out The NewsWe’ll be honest, while the hour will present an overview of all the Paramount+ animated programs, the chief draw here is the Star Trek content. Jerry O’Connell will moderate Q As with the cast of Star Trek: Lower Decks and the upcoming Star Trek: Prodigy, featuring Kate Mulgrew, Brett Gray, Ella Purnell, Angus Imrie, Rylee Alazraqui, Dee Bradley Baker, and Jason Mantzoukas, executive producers Kevin Hageman and Dan Hageman, and director/co-executive producer Ben Hibon. Clips and trailers for all the shows presented are expected.11 AM: Amazon Panel(Photo by Amazon Studios)Amazon Prime Video and IMDb TV promise “something extraordinary for every Comic-Con@Home attendee” as Tim Kash spends some time with The Wheel of Time showrunner Rafe Judkins, Evangelion: 3.0+1.0 Thrice Upon a Time’s Hideaki Anno, S.O.Z’s Nico Entel, I Know What You Did Last Summer’s Sara Goodman, and Leverage: Redemption stars and directors Beth Riesgraf and Noah Wyle. We’ll be honest, we’re mainly interested in The Wheel of Time. Hopefully, a trailer for the series will emerge during the discussion with Judkins.12 PM: Netflix Geeked: Masters of the Universe: Revelation (see  Highlights above)2 PM: Motherland: Fort Salem A Look Into Season Two(Photo by Freeform/Jeff Petry)Motherland: Fort Salem creator Eliot Laurence and castmembers Taylor Hickson, Ashley Nicole Williams, Jessica Sutton, Demetria McKinney, Amalia Holm, and Lyne Renee gather to preview the program’s second season.2 PM: Teenage EuthanasiaAdult Swim’s new coming-of-all-ages comedy series claims it focuses on “death, family, and accidental resurrection.” That’s enough to at least get us to take a look at the panel, which will feature creators Alyson Levy and Alissa Nutting, Scott Adsit, who serves as a co-director and co-executive producer, and voice actors Maria Bamford, Jo Firestone, Bebe Neuwirth.3 PM: DuncanvilleExecutive producers Mike Scully and Julie Thacker-Scully, executive producer and star Amy Poehler, and stars Ty Burrell, Riki Lindhome, Joy Osmanski, Yassir Lester, and Betsy Sodaro gather to tease the rest of the season of Duncanville.4 PM: Rick and Morty(Photo by Adult Swim)Co-creator and executive producer Dan Harmon looks back on season 5 of Rick and Morty with showrunner Scott Marder and actors Chris Parnell, Sarah Chalke, Spencer Grammer, and other special guests.4 PM: Todd McFarlane Takes Over the Universe!While mainly a look at McFarlane’s varied endeavors in publishing and toys, we expect there will be at least some mention of the upcoming Sam and Twitch television series.Read more: Spawn Movie Is Still On and Sam and Twitch Will Become Series, Comic Creator Todd McFarlane Reveals5 PM: Blade Runner: Black Lotus(Photo by Adult Swim)Co-directors Shinji Aramaki and Kenji Kamiyama, executive producer Joseph Chou, voice director Wes Gleason and star Jessica Henwick gather to discuss the first Blade Runner animated series, coming to Adult Swim and Crunchyroll later this year. Honestly, we’re quite intrigued by the prospect of Blade Runner continuing in any form and this presentation will be Black Lotus s chance to truly sell us on the premise.6 PM: Flesh BloodShowrunner Ian Carpenter and creator Aaron Martin join cast members David Cronenberg, Rachael Crawford, and Paula Brancati to discuss the upcoming anthology series and share a first look trailer. Cronenberg’s decision to spend more time acting of late is intriguing. And we imagine that it will be the draw to this panel for some of you as well.Saturday July 2411 AM: Simpsons Season 33 and BeyondLisa Simpson voice Yeardley Smith will guide the production team in a special look at the upcoming thirty-third(!) season of the longest-running primetime animated series in history. You have to respect The Simpsons’ longevity even if you haven’t watched it in a while.11 AM: Ultra City SmithsBased on the description of the series alone — a stop-motion program using repurposed baby dolls to tell the story of fictional magnate’s mysterious disappearance — we’re inclined to give the Ultra City Smiths panel a look. Series creator, writer, co-director and showrunner Steve Conrad and co-director David Brooks will be joined by cast members Jimmi Simpson, Debra Winger, Luis Guzmán, Hana Mae Lee, Tim Heidecker, and Chris Conrad to offer some insight into the unusual AMC+ program.12 PM: Robert Kirkman @ Home(Photo by Amazon Studios)Like Friday’s McFarlane panel, we expect Kirkman will talk about his various projects in comic books, merchandise, film, and television. Hopefully, he’ll have some update on Invincible’s second season. Although we imagine for some Walking Dead fans, this will be the beginning of a whole afternoon of Walking Dead panels.1 PM: Fear The Walking DeadThe Walking Dead Universe boss Scott M. Gimple, showrunners Andrew Chambliss and Ian Goldberg, and Fear the Walking Dead cast members Lennie James, Alycia Debnam-Carey, Colman Domingo, Danay Garcia, Jenna Elfman, Karen David, Mo Collins, and Christine Evangelista gather to tease the upcoming season. Since this is a Walking Dead series, we expect those teases to be oddly vague – at least until the sizzle reel plays.1 PM: HBO Max and Warner Bros. Animation: Jellystone!HBO Max is reviving the Hanna-Barbara wacky animal characters for a new generation, and we’re intrigued for one reason only: Jabberjaw is part of the group this time. The Jellystone! panel will feature showrunner and executive producer C.H. Greenblatt, Ian Wasseluk, Yogi Bear voice Jeff Bergman, Grace Helbig, and Niccole Thurman (the new voice of Jabberjaw) as they preview this new take on Yogi s Jellystone.2 PM: The Walking Dead World Beyond A first-look clip from the second and final season of World Beyond will be part of the proceedings as cast and producers assemble to discuss the challenges in making the first Walking Dead limited series.3 PM: The Walking Dead (see Highlights above)3 PM: Netflix Geeked: The Last MercenaryJean-Claude Van Damme and director David Charhon are your pitchmen for upcoming Netflix action film The Last Mercenary. And as it is one of the few features at a Comic-Con more devoted to comics and television, we have to take a look.3 PM: Roswell, New Mexico Cast Conversation and Sneak PeekRoswell, New Mexico stars Jeanine Mason, Nathan Dean, Michael Vlamis, Lily Cowles, Tyler Blackburn, Heather Hemmens, Michael Trevino, and executive producer Christopher Hollier will gather for an at-home Q A while they also preview upcoming events on the series.4 PM Family GuyCelebrate 20(!) years of Family Guy with Seth MacFarlane, Alex Borstein, Mila Kunis, Seth Green, Arif Zahir, and executive producers Rich Appel and Alec Sulkin. The group will face a trivia contest which will no doubt reveal how little they remember about the last 20 years.4 PM: Horror NoireWriters Tananarive Due, Steven Barnes, Shernold Edwards, and Victor LaValle will preview the upcoming Shudder original anthology series, a showcase of Black horror from Black directors and screenwriters.5 PM: Netflix Geeked: Lucifer (see Hightlights above)6 PM: gen:LOCK Season 2Michael B. Jordan, Dakota Fanning, and showrunner/lead writer Daniel Dominguez take a look at the new gen:LOCK season and present a clip of the first episode.6 PM: Stargate Atlantis ReunionCast members David Hewlett, Torri Higginson, Rachel Luttrell, Paul McGillion, Rainbow Sun Francks, David Nykl, and Robert Picardo take look back on the second Stargate television series, which ended its run 11 years ago. Considering how Comic-Con usually features a number of nostalgic reunions like these, it is remarkable that Stargate Atlantis is the only show producing one this year.Sunday July 2510 AM: HousebrokenVoice actors Lisa Kudrow, Nat Faxon, Will Forte, Tony Hale, Sharon Horgan, Jason Mantzoukas, Sam Richardson gather alongside Housebroken co-creator, executive producer, and voice actor Clea DuVall — and co-creators, executive producers, and showrunners Gabrielle Allan and Jen Crittenden — for a Q A centered on their upcoming series about a therapy group composed of “neighborhood pets and stray animals.”10 AM: Doctor Who (see Highlights above)11 AM: Day of the Dead: Adapting a LegendShowrunners Jed Elinoff and Scott Thomas, director Steven Kostanski, and cast members Keenan Tracey and Natalie Malaika discuss the difficulties in adapting George A. Romero s beloved zombie film into a SYFY original series.11 AM: The Mysterious Benedict SocietyTake an hour with the cast and creators of Disney+’s The Mysterious Benedict Society as stars Tony Hale, Kristen Schaal, MaameYaa Baofo, Ryan Hurst, and Gia Sandhu — and executive producers and writers Phil Hay, Matt Manfredi, Darren Swimmer, and Todd Slavkin — discuss what’s transpired so far and tease some of what’s to come. Our memory of last year’s @Home content is a little fuzzy, but we’re pretty sure this is the first Disney+ panel at Comic-Con, which is sort of historic in some small way.12 PM: DC’s Legends of Tomorrow Cast Conversation and Sneak PeekCaity Lotz, Tala Ashe, Jes Macallan, Olivia Swann, Adam Tsekhman, Shayan Sobhian, Lisseth Chavez, Nick Zano, Matt Ryan, and executive producers Phil Klemmer and Keto Shimizu, get on Zoom to discuss the hijinks the season has offered so far and to tease what’s yet to come. Even if producing the show in the middle of a pandemic has made its weaknesses more apparent, DC’s Legends of Tomorrow is still a fun one to watch — due in no small part to this great cast.1 PM: DexterLike so many other revivals before it, Dexter is returning later this fall. But what could ever call Dexter Morgan back from his life as a lumberjack? Star (and executive producer) Michael C. Hall will offer some clarity on the matter with help from showrunner and executive producer Clyde Phillips, executive producer Scott Reynolds, director Marcos Siega, and new cast member Julia Jones. The group will also present a trailer which may also shed light on Dexter s return to duty. Well, provided you can call what he does duty. 1 PM: Meet the Creators and Cast of Netflix s NorsemenNorsemen stars Kåre Conradi, Trond Fausa, Nils Jørgen Kaalstad, Øystein Martinsen, Marian Ottesen, and series producers Jonas Torgersen and Jon Iver Helgaker take part in a Q A one hopes will shed some light on its final season.2 PM: Netflix Geeked: Army of ThievesNetflix continues to build on the world of Zack Snyder s Army of the Dead with the prequel film Army of Thieves. Snyder, along with fellow producers Deborah Snyder, Wesley Coller, director and star Matthias Schweighöfer, and star Nathalie Emmanuel take a look at the upcoming film, which reveals the hiest which put Dieter on the road to Las Vegas.2 PM: The Legacy of ChuckyChild s Play creator Don Mancini, Brad Dourif, Jennifer Tilly, Fiona Dourif, Alex Vincent, and Christine Elise take a look back at 30 years of Chucky rampages and take a look at the upcoming Chucky television series. There s definitely some fun to be had here as both Dourifs are fun interviews. Also, if the panel maintains some of the energy of a Child s Play or Chucky movie, it could be the best of Sunday.3 PM: Bob’s BurgersAs is tradition, the Bob’s Burgers cast and producers will present an hour of info on the new season, show some rare material, and answer fan questions. Sure, it all needs to be done over Zoom, but that awkwardness is part of the fun, right? Creator and executive producer Loren Bouchard, executive producer Nora Smith, H. Jon Benjamin, and voice actors John Roberts, Kristen Schaal, Eugene Mirman, Dan Mintz, and Larry Murphy take part in the festivities.4 PM: A Conversation with the Cast Executive Producers of EPIX’s ChapelwaiteStars Adrien Brody and Emily Hampshire take a look at their upcoming adaptation of Stephen King s short story Jerusalem’s Lot. What mysteries will Brody s character, Captain Boone, uncover when he relocates his family to Preacher’s Corners, Maine after his wife dies at sea? Perhaps this preview of the series will convince us Chapelwaite is a project to keep an eye on.Watching Comic-Con@HomeThe video presentations are available via the Convention schedule page or CCI s YouTube Channel. And though there is some push to watch the videos as they become available, they will be available on the YouTube Channel for the foreseeable future.On an Apple device? Follow Rotten Tomatoes on Apple News.
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Ghcxuf (Photo by Brooke Palmer)Masks are coming off in certain locations and more seats may be opening up in movie theaters but the films themselves are still not drawing much of an audience. Only four films this year have managed to open to more than million and if the Saw series has anything in common with Raya and the Last Dragon it may be the disappointment in not being able to join that exclusive club in 2021. Instead, the latest Saw film, Spiral, looks to become another footnote suggesting that even brand names are not bringing back people to theaters. Yet.King of the Crop: Spiral Wins the Weekend But Leaves Questions In Its WakeThe Saw series was on a seven-year hiatus after “The Final Chapter” when Jigsaw was launched in 2017 to a .6 million start. The previous low for the franchise was Saw VI (.1 million), when people decided they would rather have a Paranormal Activity film for their October horror than another Saw entry. After James Wan’s original opened to .2 million in 2004, the next four entries opened between million and million. Nobody expected Spiral: From the Book of Saw to approach those lofty numbers, even on the downslope of the pandemic. But it was widely expected to come somewhere in the vicinity of those Saw VI opening numbers. Though: Is it the pandemic or are people just tired of the Jigsaw shtick altogether?In terms of horror comps for 2021, a .7 million start is certainly better than The Unholy (.35 million) or Separation (.8 million). It is also better than last week’s Wrath of Man (.3 million). Heck, that makes it good enough for the fifth best opening of the year. But do not expect this film to chug along the way Nobody’s .82 million opening did to over million, so far. The last five films in the Saw series dropped between 60.6% and 67.6% after their first weekends. Wrath of Man just dropped 55% from its number 1 perch last weekend to gross .7 million this weekend. Assuming Spiral holds on to a narrow margin for first place next week we could be looking at the lowest number 1 gross since the weekend of February 19, when The Croods: A New Age made .71 million. The lowest since then was Raya and the Last Dragon’s third weekend victory, with .12 million. The Disney film has now officially surpassed Tom Jerry to become the second-highest grossing film of 2021 and the fifth-highest of the pandemic. Though the industry is certainly hoping that all the films on that list will be knocked down two notches sometime after Memorial Day weekend with the releases of A Quiet Place Part II and Cruella.Rotten Returns: The Devil Is in The Per-Theater-Average Details For a Number of Under-Performers 😈😈

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斯坦索姆刷马 Studio Ghibli is arguably the most recognizable and beloved animated studio outside of Disney/Pixar, one that has proven time and time again that animation is more than just entertainment aimed at kids thanks to critically acclaimed movies that challenge what you can do in the medium. So it s easy to understand, then, that the moment one of the studio s main directors, Hayao Miyazaki decided to retire (the first time), fans around the world began searching for a successor. Rather than a studio, could it be an auteur like Mamoru Hosoda (Summer Wars, Mirai) or Makoto Shinkai (Your Name, Weathering with You)? Would it be a studio founded by former Ghibli employees like Studio Ponoc, makers of 2018 s Mary and the Witch s Flower?It might, in fact, be none of the above. In truth, the animation studio that best captures the magic of Studio Ghibli and the themes they explore, all while carving out an identity and space in the industry of its own, is Cartoon Saloon. The Irish studio founded in 1999 has earned Academy Awards nominations for every single feature film it s produced, and all of them are Certified Fresh at 90% or above on the Tomatometer. Its latest offering, Wolfwalkers, is being called the best animated film of the year by several critics, and it demonstrates why Cartoon Saloon s unique blend of traditional animation and folklore make it the true successor to Studio Ghibli.Their Films Deal with Folklore and Myth(Photo by ©Apple TV+)You don t need to be familiar with yōkai or kodama to appreciate Princess Mononoke, and you certainly don t need to know what a tanuki is in order to enjoy Pom Poko, but with both, you certainly do get the feeling that you re watching a movie that s deeply rooted in Japanese culture. Hayao Miyazaki and the people at Studio Ghibli don t really adapt specific folktales the way Disney does, but they add creatures and beliefs as flavor to deepen the story and the cultural context. My Neighbor Totoro s titular character may not be based on any specific creature of lore, but he is still instantly recognizable as an uniquely Japanese being.The movies of Cartoon Saloon aren t direct adaptations of any particular tales either, but they incorporate folkloric creatures and beliefs. Wolfwalkers takes its central concept from old myths about natives of the Kilkenny region in Ireland being able to transform into wolves while their bodies lie in a sort of trance, while Song of the Sea is about selkies, or humans that could transform into seals. These two movies, as well as the studio s feature debut The Secret of Kells, make up an unofficial trilogy about Irish folklore, using legends and myths to tell fantastical stories about the conflict that arises when belief and tradition are threatened or abandoned.Even if The Secret of Kells and Wolfwalkers are period pieces steeped in important moments of Irish history, there is a universality to their stories. You don t need to know about Oliver Cromwell s conquest of Ireland to understand Wolfwalkers central conflict and how it affects its main character s relationship with her father — who works for Cromwell himself. But it does add some context that grounds the film in a real place and a real moment in time.They Explore Humanity s Relationship with Nature(Photo by Cartoon Saloon)As evident even in their earliest films, a big part of Ghibli movies is the focus on humanity s fragile relationship with the environment and the struggle between nature and industrial progress. Miyazaki s films in particular often explore how technology causes people to drift away from their cultural traditions while factories damage the land they live on. Perhaps the most obvious example of this is Princess Mononoke, a movie all about nature fighting back when humans start burning down forests to expand their towns and their industry.Song of the Sea is partially about a Celtic goddess who threatens to destroy the world, but director Tomm Moore uses that as a starting point to tell a story about what happens when people begin to lose their cultural identity. Like many a Miyazaki film, Song of the Sea depicts the city as an oppressive, dirty place that drowns the freedom of the country and its children as the ones who are best suited carry on the country s cultural heritage while the city s inhabitants forget about it.Wolfwalkers definitely takes some pointers from Princess Mononoke in its central conflict — a group of humans who set out to kill every wolf in the nearby woods — except the nature vs. industry conflict is used as an allegory for the Cromwellian ideal of taming the wild Irish lands and burning down traditions to replace them with English principles. As with Song of the Sea, the distinction between the city and the country informs the visual style as well. Kilkenny and its walls are drawn with geometric rigidity, and it almost resembles a prison as it looms in the background — just like the city cars in Song of the Sea, which only serve to spew black smoke and narrowly avoid hitting innocent children. Meanwhile, the art style of the woods, trees, and wolf of the forest are more sketched-out, with traditional Celtic spiral pattens to show the wolves haven t been tamed, for they represent the real cultural Ireland.Their Visual Styles are Exquisite and Unique(Photo by ©Apple TV+)As a studio grows and its films become more popular, a visual style is bound to emerge. Anyone can recognize Disney s particular trademarks, just as all of Pixar films take on a similar visual language. Studio Ghibli s films are instantly recognizable too, and yet they all feel and look incredibly different from each other. This balance between versatility and recognizability is the key to Cartoon Saloon.The Irish studio s unique visual style appears in every one of their movies, which feel like they belong in a strange sort of multiverse. At a time when CG animation is everywhere, Cartoon Saloon s style feels defiant and stunning, but each of their films feels distinct from one another, as they try to capture the aesthetic of their subject matter. The Secret of Kells feels like an illustrated picture book to mimic the illuminated Christian tome that gives it its name, whereas The Breadwinner looks and feels distinctly like Afghan art, and Wolfwalkers pays homage to the wood-cut illustrations of the 1600s. By now, you know how to recognize a Cartoon Saloon film, but they always manage to offer some surprises, too.They Aren t Afraid of the Dark(Photo by ©Apple TV+)Though animation has a bit of a reputation for being kids entertainment in the West, Studio Ghibli is a perfect example of why this is entirely untrue. Not only do their more kid-friendly movies like Kiki s Delivery Service tackle deeper and darker subjects like depression, but no one would dare call Grave of the Fireflies — a movie about two kids trying to survive in Japan during WWII — a kids movie.Similarly, Cartoon Saloon s movies are certainly entertainment made for broader audiences, but they also often go to darker places. The studio s debut film, The Secret of Kells deals with an incoming Viking invasion, and Song of the Sea s main theme is grief and loss, but they are still stories being told through the eyes of kids. The protagonist of Wolfwalkers is literally hunted by her father at one point, but it s The Breadwinner, the studio s third feature, that best exemplifies their diversity in storytelling. The film follows a young Afghan girl posing as a boy to help her family survive after her father is imprisoned as a dissident by the ruling Taliban. This film is clearly aimed at a slightly older audience — hence its PG-13 rating — as it explores a more mature subject matter in its war-torn world, and even the colors are more naturalistic compared to the rest of the studio s filmography.They Entrust the Future to Children(Photo by ©Apple TV+)It s not only that Cartoon Saloon s movies can get dark, it s that the worlds of the films feel like they re approaching a cataclysmic ending, even as they somehow remain optimistic about the future.A village is threatened by Vikings coming to destroy it; a little girl is engulfed in a war; a sea deity wants to turn the world to stone; the new people in charge want to burn the forest down. There s a sense of urgency and doom looming large over each of Cartoon Saloon s feature films, brought upon by the hubris of man — a theme the studio shares with Ghibli. Hayao Miyazaki s movies in particular often deal with the error of trusting mankind to treat the world with respect. And yet, both studios seem to deeply trust their young protagonists and believe that children are the ones who will save the Earth. Parvana faces horrible, horrible things in The Breadwinner, but in her own small way, she wins in the end. War and evil will continue and people will still reject wolves and nature, but at least the children will be all right and grow up to do incredible things, hopefully with the lessons they ve learned throughout their journeys in both Studio Ghibli s and Cartoon Saloon s films firmly rooted in their hearts.Wolfwalkers debuted on November 13, 2020 and is currently available to stream on Apple TV+.On an Apple device? Follow Rotten Tomatoes on Apple News.

《宝可梦大探险》在国服中安排了实时战斗PVP玩法,以往的宝可梦手游都更多的是在做回合制玩法,PVP战斗系统的加入,让《宝可梦大探险》国服有了不一样的体验。这是国服玩家期待这款游戏上线的原因之一。 Marvel Studios released a second full trailer for April’s Avengers: Endgame on Thursday. And now that Captain Marvel is out in theaters, it finally establishes Carol Danvers (Brie Larson) will be part of the roster as they take the fight back to Thanos (Josh Brolin). But as with so much of the Endgame publicity, it plays coy with the actual plot. For instance: we assume the mission takes them to that garden planet Thanos relaxes on at the end of Avengers: Infinity War. It is a solid guess based on shots in previous trailers and the later part of Marvel Comics’ The Infinity Gauntlet, but we don’t really know that it is part of “whatever it takes” to win the day. Some believe the Avengers will go elsewhere and even elsewhen to undo the Mad Titan s brutal Snap.Nonetheless, the trailer offers a few more clues to the film’s overall shape. Here are five of the things we gleaned from it.Tony Pulls Off One More Surprise(Photo by Marvel Studios)Despite both long-form trailers opening with Tony Stark (Robert Downey Jr.) recording a final account to Pepper Potts (Gwyneth Paltrow), Tony can be spotted in the group shot toward the end – which features the team in Avengers-branded uniforms reported to allow them access to the Quantum Realm. Since that slow-motion group walk, featured in some form during every Endgame trailer (more on this later), takes place at the Avengers HQ, this means Tony makes it back to Earth before the final act of the film. We’re going to assume the Benatar (the Guardians of the Galaxy s ship) makes its way to Earth in that scene from the “Big Game Ad” in which Steve Rogers (Chris Evans), Black Widow (Scarlett Johansson), Bruce Banner (Mark Ruffalo), and James Rhodes (Don Cheadle) look up at something mysterious. At the time, we thought Carol might be assisting the ship in landing, but eagle-eyed fans online noticed a mysterious gap in the composition between Rhodey and Bruce which could be Carol erased from the ad to conceal her presence in the film. With that in mind, we’re guessing either Thor (Chris Hemsworth) found them or Tony really did pull off one more surprise.Of course, there’s always the possibility the message will be delivered to Pepper after the Avengers complete their endgame. But we really don’t want to think about that yet.The Past Matters(Photo by Marvel Studios)The trailer opens with a very pointed reminder that Tony built the first Iron Man suit from scraps in a cave. It moves on to remind the audience of early moments from Captain America: The First Avenger and Thor. Rumors suggest time travel will help the Avengers defeat Thanos, so these shots may support that plot thread. Alternatively, the trailer could be setting up a big sacrifice as the three original Avengers with solo movies face down their endgame. It is no secret that Downey, Hemsworth, and Evans plan to walk away from the Marvel Cinematic Universe after the film makes its worldwide debut, but will their time within the studio s overarching story really end with their characters boldly dying to save the universe? That’s kind of epic, but we want more Thor after Thor: Ragnarok reset his tone.Scott’s Escape From The Quantum Realm May Be Ill-Timed(Photo by Marvel Studios)One thing we still don’t know about the film is just how much time has passed since the final moments of Infinity War and Endgame. According to some reports, it could be years. We’ve always subscribed to the thought that Endgame takes place a year later – more or less in real time with our world. There’s a nice extra-cinematic symmetry to that. But no matter how long the interval, it is clear Scott Lang’s (Paul Rudd) escape from the Quantum Realm will see him facing down the grim new reality without the Pym clan to explain it. Y know, since they all turned to ash in the Snap. The one featured shot of him in the new trailer sees him reacting to missing posters in the wake of the Snap; which means he will no doubt determine his family s survival before making his way to Avengers HQ. Some believe his ability to access the Quantum Realm will offer the Avengers a time travel portal, but in this scene, it is clear Scott has no ability to muck with time and must endure the pain of the Snap.But considering our next topic, Scott may join the Avengers sooner rather than later.Black Widow’s Going Back To Red(Photo by Marvel Studios)With all all the talk about time travel and the gap between the two films, it’s time to talk about Natasha Romanoff’s hair. That might seem silly, but the new trailer features Nat with a variety of styles, lengths and colors. And if anything marks the progression of time within the film, it is the return of the classic Black Widow look.But tracking that progression is not easy within the context of the second trailer. Going from Black Widow’s last appearance in it – when Thor meets Carol – her hair is short and blond as seen in Infinity War. In her first appearance in the trailer, in which she reconnects with Clint Barton (Jeremy Renner) it seems to be longer, but still blond. Then, when Cap invokes the “not us” phrase from the Big Game ad, it’s clear she’s letting the blond grow out. When we see her again, suited up aboard a ship we presume is the Benatar, there are only a few streaks of blond remaining in her braided hair. During the hero walk, her hair is also predominate red, but we also see her with blond hair in the firing range sequence from the earlier trailers. Although, it does appear to be the length from the Clint Barton scene. Clearly, the film covers more time than we anticipated. Perhaps it covers the entire gap year and possibly more. It may also track the changes to the timeline should time travel come into play.Going back to Scott for a second, we noticed Nat’s hair is short in the Scott Lang stinger from the first trailer. If we assume her hair will be longer and red by the time the Avengers are ready for Thanos, Scott’s Quantum Realm exile following the Ant-Man and the Wasp stinger scene may not be that long at all. Perhaps his apparent mastery of the Quantum Realm will be a key part of the plan.Marvel went out of its way to hide Nat’s changing hairstyles until this trailer – we even suspect her key moment with Cap toward the end of the first trailer was altered to maintain her Infinity War hairstyle so giving it away now is rather telling.The Hero Walk Evolved(Photo by Marvel Studios)Also, while double-checking Black Widow’s appearances in the previous trailer and the Big Game ad, we noticed the hero walk featured in the new trailer and the TV ad actually appears in the first trailer as a completely empty Avengers HQ hangar bay. The addition of people across the first trailer, the Big Game Ad, and the second trailer feels as purposeful as revealing Nat’s hair color in the new trailer.The empty shot also occurs once more in this new preview. But in lieu of cutting to the profile shot of the group in the Big Game Ad, we see close-ups of the assembled Avengers in their coordinated uniforms. Cap leads the charge with Tony, Scott, Nebula (Karen Gillan), and Nat closely behind. Clint can also be seen alongside Rhodey; whose War Marchine armor has been painted to match the white-grey-red Avengers color scheme. In the Big Game version, the silhouettes include Cap, Scott, Nat (with the shorter hairstyle), Rocket (Bradley Cooper), Clint, Rhodey, and one completely mysterious shadow we’re going to assume is either Carol or Thor. Even though this scene keeps getting altered with each trailer, we’re going to assume this is nearly the full complement of heroes heading out into space to fight Thanos.(Photo by Marvel Studios)Of course, that leaves a few questions. For one, Bruce is notably absent from every version of the hero walk. Where is he? He could always be the mysterious shadow behind Rhodey. It is also possible Bruce’s arc needs to be obscured for reasons we will discover next month. Perhaps the heroes missing from the most recent version of the slo-mo walk are part of a frontal assault with a heavy-hitter team like Thor, Carol, and the Hulk, this is a possibility while the others go back in time to set up the tools necessary to undo the Snap.We also wonder why the team lacks for Wakandan representation. That nation definitely needs to repay Thanos for his “kindness,” and at least one capable Wakandan fighter survived the Snap. There’s still the question of Shuri’s (Letita Wright) survival following the Snap. She’s seen among the missing in a blink-and-you’ll-miss it moment from the first trailer. But considering all the alterations we discovered by just examining Black Widow’s hair, it is possible her very brief inclusion in the first trailer is there to obscure her Endgame situation; whether it be ascending to the throne or replacing Tony as the team’s tech wiz. And even if she did end up turning to dust, we hope the Avengers will extend an invitation to Okoye (Danai Gurira) to join them in the final conflict. Her face is on the new poster, after all.Avengers: Endgame opens everywhere on April 26.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

2022-01-27
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更新时间 2022-01-27
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